Heartbreaking Bravery

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Tag: Waxahatchee

Sheer Mag – Button Up (Stream)

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Continuing on in the quest to get the site caught up on all the things that caught my attention in 2015 affords some unique opportunities. One of them is the chance to celebrate a few of the truly great items that surfaced over the course of this year’s first three months. By the end of tonight, all of those will be featured in some form- be it a list inclusion, a mix, or some words. In this post, there won’t be a lot of material from the past two weeks (with the notable exception of a jaunty tune from The Splits and an absolute stunner of a track from one-time site contributor Johanna Warren) but it should still serve as a healthy reminder of 2015’s formidable early strengths. One of those songs, Sheer Mag’s “Button Up” will be receiving the greatest amount of focus. Below that, as has been custom, are 75 outstanding songs from this year’s first quarter. Now, back to this post’s main draw.

Sheer Mag have been picking up a great amount of notoriety in important circles since the release of their 7″ from last year, which was strong enough to land on the site’s Best 7″ Records of 2014 list. “Button Up”, the band’s first new material since that EP, is a refinement of everything that’s made Sheer Mag so exciting from the beginning. “Button Up” retains the band’s appealing lo-fi punch but their pop sensibilities are sharper than ever, rendering “Button Up” an unlikely heavyweight. Impossibly crunchy guitars, powerful vocals, and a sense of joy permeate throughout this track and provide Sheer Mag with a valid claim as one of the most exciting upcoming bands on the market. If the rest of their upcoming 7″ can hit similar peaks, it’s not unlikely that they’ll be appearing on quite a few December lists (ours included).

Listen to “Button Up” below and keep an eye on this site for more coverage surrounding the band’s upcoming release. Beneath the embed are 75 outstanding songs from 2015’s opening stretch.

The Cribs – I See Your Pictures Every Day
Football, etc. – Open
Princess – Black Window
Novella – Land Gone
Eric Chenaux – Skullsplitter
Pinkshinyultrablast – Land’s End
Vagaband – Gabrielle
HOLY – Demon’s Hand
Tall Tales and the Silver Lining – This Time Around
Divers – Breathless
Michael Stec – Party Dress
The Brian Jonestown Massacre – Philadelphia Story
Cyberbully Mom Club – Anabelle (Love Soft)
Passenger Peru – Break My Neck
The Splits – I Know
Alice – Nightmare
Lightning Bolt – The Metal East
Guantanamo Baywatch – Too Late
Maribou State – Rituals
Dastardly – The Hollow
Aero Flynn – Twist
The Minus 5 – The History You Hate
Braids – Miniskirt
Faith Healer – Universe
Karen Meat & the Computer – If I Were Yours
Chris Weisman – Backpack People
Jeff Rosenstock – You, In Weird Cities
The Dodos – Retriever
Busses – Wizard of the Eye
Obnox – Cynthia Piper at the Gates of Dawn
Twerps – I Don’t Mind
Sonny & the Sunsets – Happy Carrot Health Food Store
The Muscadettes – Pearl and Oyster
Waxahatchee – Air
Matthew E. White – Rock N’ Roll Is Cold
Nic Hessler – Hearts, Repeating
Grooms – Comb The Feelings Through Your Hair
Pops Staples – Somebody Was Watching
Moon King – Roswell
Caught On Tape – Full Bleed
Oscar – Daffodil Days
EULA – Noose
Inventions – Springworlds
Dirty Dishes – Guilty
Johanna Warren – True Colors
Happyness – Don’t Know Why (Norah Jones)
JEFF The Brotherhood – Coat Check Girl
Johnny Marr – Struck
Leapling – N.E.R.V.E.
The Juliana Hatfield Three – Ordinary Guy
Tyler Ditter – Echo Off the World
Fruit Bomb – Normcore Girlfriend
Dorthia Cottrell – Kneeler
In Tall Buildings – Unmistakable
Kind of Like Spitting – Stress Cadet
Fort Lean – I Don’t Mind
Native Lights – Black Wall Street
Wire – Joust & Jostle
Marika Hackman – Monday Afternoon
Football, etc. – Sunday
Sammy Kay – Highs and Lows
Wolf Solent – Hold On
Solvey – Solvey
All Boy/All Girl – Glitters
Threading – Ember
Lucern Raze – Someone Like You
Pelican Movement – Light Like Before
Carmen Villain – Quietly
Ghastly Menace – Real Life
Irontom – In the Day and the Dark
Sun Hotel – After Peggy Tells Her Parents They Never Had Any Trouble In Their Relationship
Wand – Self Hypnosis in 3 Days
Quarterbacks – Night Changes (One Direction cover)
Lost Boy ? – Love You Only
Broken Water – High-Lo

Waxahatchee – Under A Rock (Music Video)

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After the Downies review and accompanying round-up ran yesterday, the plan that was laid out in the introductory paragraphs was set in stone. Then today happened. Over the past few months, the sources where I turn to for material increased- as did the amount of emails I’ve been receiving. Every day, I’m finding roughly twenty things I wish I could dwell on for paragraphs. Contesting that desire is the harsh reality of time- so a few adjustments are going to be made. I currently have more than 250 songs from 2015 to link on the site so I’ll be providing lists of 75 (and one of 25) until that number’s brought to 0. It’ll be an additional part of what- as of tonight- will be regular daily coverage of new content. By the end of next week, things should be back to their normal pace.  It’s been a difficult, transitional time but it killed me to force the site into relative inactivity over the months following the 2014: A Year’s Worth of Memories project (and once again, I’d like to take the time out to sincerely thank all of that series’ incredible contributors- I’m sincerely grateful for your work).

Getting back to what matters, the material to have surfaced today has only reaffirmed the fact 2015 has been an absurdly strong time for music. For full-lengths, there was a powerful self-titled from American Wrestlers and a feral 7″ from recent Don Giovanni act Pinkwash. Music videos had even more to offer with Kopecky unveiling a charming lyric clip for “Quarterback“, Crushed Beak’s astonishingly lovely “History“,  TOPS’ unnerving animated adventure in “Driverless Passenger“, BETS’ artful black-and-white tryst in “Jenny“, and Froth’s blistering “Postcard Radio” (which very nearly earned today’s feature spot). Most of all, though, there were songs.  Site favorites Speedy Ortiz raised expectations for their forthcoming record even higher with the gnarled “Puffer“, Total Babes (who feature Jason Gercyz of Cloud Nothings) unleashed the spiky “Heydays“, and Slonk Donkerson reveled in a heavy sludge influence on “Painted From Memory“.  Death Valley Girls looked forward to warmer weather with “Summertime“, Hip Hatchet wove a delicate folk tapestry with “David’s Wolves“, while Meg Baird followed a similar pattern with “Counterfeiters“. Wave & Rome demonstrated an increasingly tired genre’s potential with “Across the Map” while The National demonstrated their propensity for an elegant consistency via the Sharon Van Etten-assisted “Sunshine On My Back“. Rounding everything off was Yazan’s rousing “Tell Me Baby” and Creative Adult’s hypnotically bleak “Ring Around the Room“.

While every single one of those is worth some level of investment, there’s just something about seeing your friends having a good time that elicits an inexplicably great feeling that’s impossible to sideline. Which is precisely why Waxahatchee‘s new video for “Under A Rock” is falling under tonight’s most meticulous level of scrutiny (and most thorough level of affection). I’ve long held a fondness for videos that celebrate lo-fi, VHS home video aesthetics. There’s a certain sense of time and place that accompanies the aesthetic, which winds up being a perfect match for the subtle sense of nostalgia that permeates all of Katie Crutchfield’s work as Waxahatchee. As one of Merge Records’ newest artists, Crutchfield and her collaborators have started off- predictably- on an extended series of grace notes. Now that NPR has verified Ivy Tripp is as incredible as its previews suggested. It’s fitting then, that the footage that comprises “Under A Rock” feels like a hard-won victory lap. From the lineup that performs the song in the video (it’s difficult to see Allison Crutchfield join her twin and not be reminded of Bad Banana or PS Eliot, two bands that meant a lot to me as I started exploring DIY punk’s fabric nearly a decade ago) to the faces in the crowd (Radiator Hospital‘s Sam Cook-Parrott and Cynthia Schemmer are always a welcome sight- as are the innumerable other familiar faces to appear throughout the clip), “Under A Rock” feels like a homecoming celebration built on mutual fondness and respect- which is a trait that this site will always support.

Watch “Under A Rock” below and pre-order Ivy Tripp from Merge here. Below that, explore 75 great songs from 2015’s first quarter that caught my ears (a few of them are on records that are already out but they’re definitely worth revisiting). Enjoy.

Treasure Fleet – Settle Your Mind
Frankie Teardrop – Get It (Kelly)
Alright – Cold Feet
Erase Errata – History of Handclaps
Modest Mouse – The Best Room
Computer Magic – Shipwrecking
Toner – High & Dry
Der Weg Einer Freiheit – Requiem
Bully – I Remember
clipping. – Summertime
The King Khan & BBQ Show – Illuminations
Seratones – Chokin’ On Your Spit
Rye Pines – Pessimist
Los Angeles Police Department – Insecurity
Johanna Warren – Less Traveled
Mac McCaughan – Lost Again
The Amazing – Safe Island
Death – Look At Your Life
Outfit – Genderless
Lord Huron – The World Ender
Torres – Strange Hellos
The Cribs – Different Angle
Downtown Boys – Monstro
The Twilight Sad – The Airport
Torche – Loose Men
Will Butler – Madonna Can’t Save Me Now
Cillie Barnes – Facework
Dead Heavens – History in My Hands
Blood Sister – Ghost Pussy
Bright Like The Sun – White Lights
Peter Doherty – Flags of the Old Regime
The Babies – Got Old
NEEDS – The Only Good Condo Is A Dead Condo
The Mountain Goats – The Legend of Chavo Guerrero
Ava Luna – Billz
Braids – Taste
Marriages – Skin
Pope – Let Down
Obnox – Menocause
Andy Gabbard – Octoman
St. Vincent – Bad Believer
Nude Beach – Been Waitin’
Mexican Slang – Fever
Never Young – Like A Version
Simon Joyner – You Got Under My Skin
Sun Kil Moon – Ali/Spinks 2
Stalls – Tooth and Nail
Nano Kino – Never Seemed to Happen
TULA – River
In Tall Buildings – Bawl Cry Wail
Frank Black – How You Went So Far
Troy Samuela & Monsoonsiren – Fiend
Passenger Peru – The Best Way to Drown
Girlpool – Ideal World
RA – These Days
Native Lights – Blue Star
Soft Cat – Somebody
Steady Lean – Atkins
A Place to Bury Strangers – We’ve Come So Far
Gill Landry (ft. Laura Marling) – Take This Body
Aero Flynn – Crisp
Calexico (ft. Ben Bridwell) – Falling From the Sky
Lieutenant – Rattled
Laura Marling – I Feel Your Love
Dave Segedy – Car
Jet Setter – Forget About It
Paridolia – Violent I
WAND – Reaper Invert
Young Guv – Crawling Back to You
Chromatics – I Can Never Be Myself When You’re Around
Inventions – Peregrine
Thee Oh Sees – Web
Honeyblood – No Big Deal
Warehouse – Promethean Gaze
ADVAETA – Hazel/Blue Eyes

Watch This: Vol. 41

The Watch This series, up to this point, has mostly placed the overall focus on videos that just feature a band performing. For the 41th installment, that rule gets slightly modified. With the exception of a typically astounding performance from Noun (Screaming Females’ Marissa Paternoster’s extraordinarily consistent solo project), every video to earn a feature spot in this volume features a brief interview with the band playing music. In the case of the videos that bookend this week’s Watch This, the result is incredibly endearing- while the rest manage to be moderately informative without stripping away a sense of playfulness. More importantly though, the performances included below are uniformly outstanding and deserved to be spotlighted. With that said, it was a very difficult class of videos to select from, thanks to the abundance of great performances that surfaced from artists like Unicycle Loves You, Cousins, Bahamas, Jenny LewisHollow Boys, Cheap Girls, and St. Vincent. So, as always, pour a drink, grab a seat, adjust the contrast, turn up the volume, and Watch This.

1. White Lung, ft. Katie Crutchfield – Dead Star (Noisey)

In what seems like a gift tailor-made for this series, White Lung’s Mish Way and Waxahatchee’s Katie Crutchfield teamed up together for a pair of acoustic performances. Crutchfield holds down guitar and melody duty on this stripped-down take of White Lung’s excellent “Wrong Star”. Before the performance, the two share a few words and a palpable connection, subtly setting the stage for how complementary their musical abilities wind up being. Unsurprisingly, this is a gem of a performance that reaffirms both artist’s deserved status.

2. White Reaper (Consequence of Sound)

Delivering a fiercely committed performance, White Reaper gives Consequence of Sound (and everyone else) a startling reminder of the strength of their debut EP. Here, they hold nothing back and just go full-throttle, emphasizing the kind of spastic energy that’s frequently a hallmark of the most entertaining live bands. In the short-form interview, the band discusses the meaning behind both “Half Bad” and “Oh Yeah”, giving a direct line of insight for their work- an increasing rarity. Starting and ending with two memorable performances, this is a can’t-miss video.



3. Noun – You and Mr. Rogers (Don Giovanni)

Screaming Females’ Marissa Paternoster’s solo project, Noun, should be every bit as prominent as her main vehicle. After releasing an incredible 7″ and what’s one of the decade’s finest LP’s, Holy Hell, Paternoster understandably refocused on Screaming Females. Lately, though, she’s been playing solo shows with greater frequency and quietly unveiling new material. Here, Don Giovanni captures Paternoster delivering a gripping take on a song called “You and Mr. Rogers” that showcases her raw talent. It’s genuinely stunning, offering up a more fully-formed portrait of Paternoster’s quieter side. All of the applause at the end of the clip is absolutely warranted.

4. Mannequin Pussy (BreakThruRadio)

Mannequin Pussy’s Kiss Me Tender EP was a beast of a release that was highlighted by the unrelentingly fierce “Kiss“, which also headlines their recent session for BreakThruRadio’s excellent Serious Business series. In the video, there’s the standard irreverent interview portion that is intercut with some blistering live footage of one of today’s more exciting new on-the-rise bands (it’s worth noting their first demos were released back in 2011). “My Baby (Axe Nice)” and “Anything” also get featured here, cementing Mannequin Pussy as another live act that’s not worth missing.

5. Waxahatchee, ft. Mish Way – Coast to Coast (Noisey)

Returning to the collaboration of Katie Crutchfield and Mish Way, the pair reverse the featured project- this time delivering an arresting performance of Waxahatchee’s “Coast to Coast”. Way’s melody lines float along effortlessly, providing a welcome layer to an all-acoustic take of what was easily one of last year’s finest songs. Even though Cerulean Salt only came out last year (as did Groovy Kind of Love), this performance alone is enough to reignite excitement for whatever Crutchfield has in store next.

5 to See at NXNE 2014: Vol. 1

We’re a little over a month away from NXNE, the Canadian equivalent of SXSW, which means it’s time to start prioritizing which bands at the fest to see. Over the course of the next handful of weeks, we’ll cover a decent fraction of the bands that have been announced (approximately 400 as of this posting) in anticipation for the festival. NXNE itself is celebrating its 20th anniversary and has pulled out several stops to make this one particularly memorable. The lineup for this year’s absolutely stacked, which means that this’ll be the first entry in an ongoing series. Kicking things off are five acts that helped define Heartbreaking Bravery’s identity. Get to know them.

1. METZ

What to Know: Seeing METZ dismantle a library with their sonic assault in Champaign-Urbana last year was a life highlight. Both the band and the crowd were all wearing clothes that were at the very least a shade or two darker than when they came in, looking haggard, spent, and ecstatic. To see them play a festival of this magnitude on their home turf is almost guaranteed to be something special.

What to Watch:



2. Swearin’

What to Know: Between What A DumpSwearin’, and Surfing Strange (the first record to ever be reviewed here), they’ve got one of the most impressive early discographies out there. They’re a band with a fiercely intimidating pedigree, composed of members (or ex-members/touring members) of: Bad Banana, P.S. Eliot, Great Thunder, Waxahatchee, Big Soda, and Radiator Hospital. Easily one of the most exciting bands playing shows right now and an absolute must-see.

What to Watch:

3. PS I Love You

What to Know: PS I Love You is an inventive guitar and drums duo that revels in aggressive distortion, piercing feedback, shaky vocals, and general explosiveness. Between their first two full-lengths, Meet Me at the Muster Station and Death Dreams, they’ve garnered quite a bit more critical acclaim than the film they share a name with. They deserve it; their music’s intelligent and catchy as hell.

What to Watch:

4. Greys

What to know: Like METZ, Greys will be playing on their home turf but METZ is already a well-established brand, Grey’s are at the start of that trajectory. They’ve been making all of the right moves and appearing in all of the right places lately, building heavy anticipation for their upcoming record. This is very much a band on the rise and they’re capitalizing on that momentum. Don’t be surprised if they wind up playing the best set of the festival.

What to Watch:

5. Perfect Pussy

What to Know: As has been said before, no band has been covered more on this site than Perfect Pussy. They’re one of the most exciting bands on the planet, both on record and in the live setting. Say Yes to Love is one of the best records, if not the best record to have been released so far this year. Led by the endlessly fascinating Meredith Graves, they’re worthy of something approaching devotion. This is not a band that takes things lightly; they lay everything on the line during their ferocious sets- and at an average of roughly 20 minutes, they’re perfectly suited to showcase slots. If, when the schedule is finally announced, they wind up as part of a conflicting time bracket, just go ahead and cross everyone else’s name off. This is the band to see.

What to Watch:

Watch This: Vol. 16

Well, the stars didn’t quite align and this is, once again, a few days past-due. That’s the bad news. The good news? A bout with poor health (while admittedly not producing much content) did prompt a few brainstorming sessions. As a compromise for this edition’s lateness, it’ll be another spotlight piece (in the way of Vol. 9). Except this time, instead of BNTYK, the attention’s been turned to the Pink Couch Sessions series ([PCS] for short). While this site’s already praised IYMI for a myriad of reasons, and included a few [PCS] pieces here and there, giving them their own Watch This just felt necessary. While there were a few pretty extraordinary videos that were left out, Saintseneca, Big EyesHop Along, and Waxahatchee, have all been covered recently- or covered enough- that it felt justifiable to spread the focus elsewhere. After all, Heartbreaking Bravery would be nothing if it wasn’t constantly looking for new music to showcase. All that’s left is to find a drink, sit back, and watch this.

1. P.S. Eliot – We’d Never Agree

Before Katie Crutchfield started Waxahatchee and Allison Crutchfield was at the center of Swearin’, they were both in P.S. Eliot. This version of “We’d Never Agree” served as an introduction to the band for a fair few people and was a very early indicator of the extent of their respective talents. Katie’s front and center here, as arresting as she’s ever been.

2. Teenage Cool Kids – Landlocked State

Making their second straight appearance in a Watch This features edition, Teenage Cool Kids run though “Landlocked State”. The acoustic format allows the emphasis to be placed on the band’s extraordinary lyrical ability, always one of their strongest elements. They’ve rarely sounded better.

3. Sundials – Crosby Sucks

Midwestern winters can exacerbate already considerable levels of discontentment. There are four things that help pass the time when this happens: music, friends, drinking, and hockey. “Crosby Sucks”, in addition to being a showcase for Sundials’ great left-field basement pop, is a perfect distillation of all four.

4. The Sidekicks – 1940’s Fighter Jet

Steve Clolek has been making quite a name for himself lately. As a member of Saintseneca, his profile’s rising- and as a residual effect of that, The Sidekicks are also getting a fair amount of attention. They deserve it, too. Awkward Breeds was one of 2012’s best records and “1940’s Fighter Jet” was one of its most stunning moments.  Clolek delivers an even more powerful solo version here.

5. Busman’s Holiday – Mr. Spaceman

There are few things that would’ve been more appropriate for a [PCS] grand finale than this rousing take on “Mr. Spaceman” courtesy of Busman’s Holiday. Hitting all the sweet spots of a variety of genres spanning from chamber pop to twee to folk-punk, this is the kind of performance that can make a convert out of just about anyone. The melody, the strings, and the snare work all come together to create something magical.

Heartbreaking Bravery: A Retrospective Introduction

When Heartbreaking Bravery started, it was originally intended to be a place where film and music found equal footing. Now, 100 days and 100 posts later, it’s clear that somewhere along the line it established an identity firmly based on the music side of things. There are going to be a few changes made to the site in the upcoming year, one of them will be a section devoted to the discussion of film. New features will start and old features will be kept running. A few of the first updates were made earlier today. In addition to having its own domain, Heartbreaking Bravery now officially has homes on Facebook, Twitter, and Tumblr. Look for extra content, to varying degrees, on all three platforms.

For those just joining in or becoming aware of Heartbreaking Bravery’s existence, there are two things to ease into the familiarization process. One’s a playlist that features the kind of music that’s most regularly featured, which can be found below. Below that, active hyperlinks for the first 99 articles. Happy listening.

There are 25 bands and songs in this playlist. A few have received coverage from Heartbreaking Bravery, another few should have, and a fair few were part of what inspired its very existence. All of these bands mean something to this place and hopefully they’ll mean just as much, if not more, to whoever comes across them.

HB001: Audacity – Hole in the Sky (Music Video)
HB002: Swearin’ – Surfing Strange (Album Review)
HB003: Albert Hammond Jr – Carnal Cruise (Music Video)
HB004: PUP – PUP (Album Review)
HB005: Perfect Pussy – I have lost all desire for feeling (EP Review)
HB006: All Dogs – 7″ (Review)
HB007: Radioactivity – Radioactivity (Album Review)
HB008: A Look at Burger Records and the Longevity of the Cassette Tape
HB009: La Luz Suffer Major Setbacks in Semi-truck Collision
HB010: Midwives – EP (Review)
HB011: Pkew Pkew Pkew (gunshots) – Glory Days (Music Video)
HB012: Midnight Reruns’ Debut LP Streaming on Punknews
HB013: Nobunny at the Frequency – 11/11/13 (Live Review)
HB014: Angel Olsen – Forgiven/Forgotten (Music Video)
HB015: Polvo – Light, Raking (Music Video)
HB016: Split Feet – Fall Demo 2013 (Review)
HB017: Big Eyes – The Sun Still Shines (Music Video)
HB018: INTERVIEW: Meredith Graves (Perfect Pussy)
HB019: Great Thunder – Groovy Kinda Love (Album Review)
HB020: Gap Dream – Shine Your Light (Music Video)
HB021: Arcade Fire – Afterlife (Music Video)
HB022: Vaadat Charigim – Odisea (Music Video)
HB023: On the Up: Acid Fast
HB024: Watch This: Vol. 1
HB025: Va°nna Inget – Inga fra°gor Inga svar (Music Video)
HB026: Benny the Jet Rodriguez – Run. (Music Video)
HB027: Rookie Streams the Beyond Inversion Comp
HB028: On the Up: Meat Wave
HB029: Popstrangers – Rats in the Palm Trees (Music Video)
HB030: Allison Weiss – Wait for Me (Music Video)
HB031: Watch This: Vol. 2
HB032: Beyond Inversion Available at Bandcamp
HB033: Burger Releases MCII on Cassette
HB034: Nick Cave & the Bad Seeds – Higgs Boson Blues (Music Video)
HB035: Vaadat Charigim – Kezef Al Hamayim (Music Video)
HB036: Angel Olsen – Forgiven/Forgotten (Official Music Video)
HB037: Globelamp – Star Dust (EP Review)
HB038: Watch This: Vol. 3
HB039: Saintseneca – Visions (Music Video)
HB040: Sunn O))) & Ulver Preview Collaborative LP
HB041: Burger Streams Velvet Underground Tribute Compilation
HB042: The Thermals Release Online Video Game
HB043: Tokyo Police Club – Argentina (Parts I, II, & III) (Music Video)
HB044: The Dead Weather Unleash Killer New Single
HB045: Majical Cloudz – Savage (Music Video)
HB046: On the Up: Nervosas
HB047: Watch This: Vol. 4
HB048: Burger to Release Night Drives Debut
HB049: AV Club Premieres Acid Fast’s “Tangle”
HB050: Home for the Holidays & A Guide to Surviving (Mixtape)
HB051: Burger Streams Massive Holiday Mix
HB052: Come Back Soon
HB053: Vertical Scratchers – These Plains (Stream)
HB054: Watch This: Vol. 5
HB055: The Flaming Lips’ Christmas on Mars (Film Stream)
HB056: On the Up: Tenement
HB057: Happy Holidays (Video Playlist)
Hb058: Yuck – Somewhere (Music Video)
HB059: The Flaming Lips’ 1983 2nd Cassette Demo (Stream)
HB060: 2013: A Video Review
HB061: Watch This: Vol. 6
HB062: RIP: Benjamin Curtis (Secret Machines, School of Seven Bells)
HB063: Stephen Malkmus & the Jicks – Wig Out at Jagbag’s (Stream)
HB064: 2013: A Photography Review
HB065: The Hussy – EZ/PZ (Stream)
HB066: Fire Retarded – Meat Stairs (Stream)
HB067: Mutts and Buffalo Moon Release Music Videos, Get People Dancing
HB068: Watch This: Vol. 7
HB069: Cass McCombs – Big Wheel (Music Video)
HB070: On the Up: Technicolor Teeth
HB071: 25 Best Demo’s, EP’s, 7″ Singles, and Compilations of 2013
HB072: Mozes & the Firstborn – Skinny Girl (Music Video)
HB073: Protomartyr – Rise, Scum! (Stream)
HB074: Nothing – Guilty of Everything (Trailer)
HB075: Watch This: Vol. 8
HB076: Liars – Mess On A Mission (Stream)
HB077: Big Air – Cemetery With A View (Song Premiere)
HB078: Perfect Pussy – Driver (Stream)
HB079: Tweens – Be Mean (Stream)
HB080: Cloud Nothings Preview New Record in Brooklyn (Stream)
HB081: Golden Animals – Most My Time (Music Video)
HB082: Watch This: Vol. 9
HB083: Eagulls – Possessed (Stream)
HB084: Sneak Peek: Failures’ Union, Neighborhood Brats, Corrections (Streams)
HB085: Perfect Pussy at Schubas Tavern – 1/22/14 (Live Review)
HB086: DTCV – Alpha Waves in a Gelatinous Conductor (Music Video)
HB087: PILE – Special Snowflakes (Stream)
HB088: Watch This: Vol. 10
HB089: Cloud Nothings – I’m Not Part of Me (Stream)
HB090: Adam Widener – Laughter on Your Heels I’ll Follow (Music Video)
HB091: Potty Mouth – Black and Studs (Music Video)
HB092: Lemuria – Oahu, Hawaii (Music Video)
HB093: Screaming Females at Cactus Club – 1/29/14 (Live Review)
HB094: together PANGEA – Offer (Music Vide0)
HB095: The Trucks – Space Famous (Demo Review)
HB096: Watch This: Vol. 11
HB097: Saintseneca – Happy Alone (Music Video)
HB098: Vaadat Charigim – Ein Nehama Ladoachim (Music Video)
HB099: The Sleepwalkers – It’s A Good Day to Watch the World Go By (Stream)

Watch This: Vol. 9

As hyper-aware readers may have noticed, there hasn’t been much in the way of worthwhile live performance videos to post over this past two week stretch. This is often an inevitability during the new year midwinter dead zone. Fortunately, this allows both time and space to reflect on the things that may have been missed throughout or before this site’s existence. One of those is the dearly-missed BNTYK (short for Be Nice to Your Kids), which seemed to stand for everything Heartbreaking Bravery does. While BNTYK only lasted for a frustratingly brief amount of time, while they were around they offered up the most professional high-quality presentations of live performances from a murderer’s row of great basement bands. Below, you’ll find five of their absolute best. Enjoy.

1. Swearin’ – Here to Hear

Swearin’ are often at their fieriest when Kyle Gilbride’s allowed to take the control. When he’s offered the opportunity it’s very rare that Gilbride doesn’t just fucking go off. “Here to Hear” is easily one of the most impassioned songs in the bands repertoire and the way they feed off each other here is so infectiously joyous that it’s hard to just watch once. Swearin’ still holds up as one of the best LP’s this young decade’s produced so far and this video will always serve as an admirable document of a band exerting their energy because they believe in the thrill of it. It’s raw, visceral, and genuinely beautiful.

2. Bad Sports – Terrible Place

There aren’t many bands that can boast a discography as strong as Bad Sports. For an early run, they’ve already produced a few records that could find themselves categorized as basement pop classics. “Terrible Place” is a very strong indication of this and their committed performance here nicely underscores how hard this band worked to make that happen. Sweat pours down faces, heads are kept down, and there’s a general air of defiant determination. Here’s hoping this band sticks around for a long time to come.

3. VIDEO – Nothing Lasts Forever

The blood-caked upper teeth, the restlessness, the pure exhilaration of airing out unbridled frustration. VIDEO play up their classic hardcore influences to the absolute maximum capacity and wind up stronger for it. “Nothing Lasts Forever” is an appropriately short, sharp, and pointed blast of music. To write any more words on the matter would only do it a disservice by opposing what it stands for. Watch it below. 

4. Teenage Cool Kids – Uncast Shadow of a Southern Myth

Teenage Cool Kids are one of the more singular acts playing the circuit right now and have done everything in their power to make their presence known. Notoriety wasn’t a difficult task for them; songwriting this absurdly good is bound to attract a fair share of followers. They became a band many turned to in the wake of The Goodnight Loving’s tragic dissolution as the two bands share(d) some similar aesthetics. Here, with “Uncast Shadow of A Southern Myth” the band demonstrates all of their understated strength for all of its worth. 

5. Waxahathcee – Michel

Book-ending this list with the pairing of the Crutchfield twins feels appropriate for a myriad of reasons. There’s perhaps no pair of people on the planet that so fully embodies what Heartbreaking Bravery believes in (and the same was likely true for BNTYK as well), aptly illustrating the lengths and emphasis of musical influence. “Michel” is a slight aberration in the BNTYK series as its primarily shot in darkness and, naturally, features only Katie Crutchfield and her taped-up acoustic guitar. It’s a characteristically stunning moment from one of this generations clearest voices. Watch it and reminisce of better times- times when the world had BNTYK in it.

25 Best Demo’s, EP’s, 7″ Singles, and Compilations of 2013

2013 was an incredible year for music that held a seemingly infinite amount of great releases in nearly every possible genre and sub-genre. Cassettes popularity exploded, vinyl sales increased by more than 30%, and the importance of demo’s finally became apparent. In a sea of widely-publicized releases that got mountains of praise, it was a joy to find what composes much of this list.  While a few spots are technically taken up by more than one release, those ties always come courtesy of a band generous enough to release more than one item and have it live up to whatever had preceded it. So, with that caveat in mind, here are the 25 best demo’s, EP’s, 7″ singles, splits, and compilations of 2013.


25. Split Feet – Fall 2013

Chicago’s Split Feet were one of the upper Midwest’s better surprises of 2013 and this demo announced their entrance authoritatively. The rest of the space could be consumed by an attempt to wax poetic on the demo’s respective virtues but, to spare everyone some time, it’s worth pointing out that’s already been done here. Stream the Fall 2013 demo below.

24. The Hotels – Leslie

Here’s an interesting, barely-relevant fact; The Hotels’ excellent Leslie EP was released on the same day Heartbreaking Bravery started. Leslie incorporates nearly all of the staple items on the musical laundry list that this site celebrates most frequently. There’s an emphasis on the kind of influences that keep it on the fringes of the emo-revival alongside bands like Swearin’ and All Dogs but finds itself living in the moment far too much to be tied to a revival. It’s immediacy pays huge dividends but it’s Leslie‘s precision that landed it on this list. Listen to it below.

23. Globelamp – Star Dust

Like Split Feet’s demo, Globelamp’s undeniable unique EP has already been celebrated here. Despite already having a few releases, this felt like a debut. Star Dust‘s nervous energy felt impossibly grounded and promises bigger things for the duo. Hear Star Dust below.

22. Elvis Christ – And So It Shall Be

No one’s going to deny that Elvis Christ is more likable to be noticed for his contributions to Nobunny than his solo work, which, based on the strength of And So It Shall Be is due for a change in the near-future.  There’s definitely a Nobunny influence coursing through the five tracks on display but they pack enough punch to secure it a spot on this list. One of Burger Records’ best tape releases from their best year. Hear it below. 

21. Joseph Frankl – Breakers

Joseph Frankl released two great records on very different platforms this year. As the drummer for The Frankl Project, he was a part of one of 2013’s (and perhaps the decade’s) best pop-punk records. Not too long after he uploaded this two-song single to his bandcamp as a self-release. Breakers exists along the same lines as yesterday’s On the Up honorees Technicolor Teeth. This is driving shoegaze that feels authentic and well-informed and not like a pale imitation. Both songs are among the year’s best and deserve way more attention than they’ve received. Hear Breakers below.

20. The Orwells – Other Voices/Who Needs You

2013 was a breakout year for these young Chicago scrappers. From Jam  in the Van sessions to NPR music video premieres, it was hard to go more than a few months without hearing about them. A lot of this, of course, was due to both of the outstanding EP’s they gave to the world in 2013 (as well as a split cassingle with FIDLAR for Record Store Day), all of which were given a tape release via Burger Records. A production assist from TV On the Radio’s Dave Sitek undoubtedly piqued a lot of interests even further than they had been but that wouldn’t mean anything if the music didn’t actually live up to the hype. Thankfully, it has. Hear both EP’s in full below. 


19. Dead Beach – Purple Scissors/Cool Mutants Split

Let’s Pretend released a lot of incredible material in 2013 but this was easily their best in the short-form department. Both Purple Scissors and the Cool Mutants split were recorded by PURPLE 7’s Patrick Jennings (who formerly fronted Hot New Mexicans) and both bands’ influences are evident throughout both the EP and the split. They both carry the slightly off-kilter, raw, and insanely melodic traits that nearly all of Let’s Pretend’s roster has come to be known for. Hear both releases in their entirety below.




18. La Luz – Damp Face

Anyone who’s been following this site probably won’t be too surprised at finding yet another Burger release on this list but it’s hard to argue against placements for any of the label’s releases; they’ve been consistently excellent and positioned themselves at the forefront of basement pop. La Luz had a turbulent year, suffering both triumphs and devastating setbacks. As horrific as their accident was, people are more likely to associate 2013 with both of the band’s outstanding releases rather than personal tragedy. Both their It’s Alive full-length and Damp Face EP have managed to jumpstart a promising career for their band and they’re already showing no signs of slowing, fighting back relentlessly at whatever obstacles come there way. Hear some of that fight bleed into their music by listening to Damp Face below.

17. Midwives – Midwives

Midwives’ self-titled debut is another of the entries on this list that’s already been covered and the thing’s got some serious legs. Its staying power has been incredibly impressive and went a long way in securing it a spot on this list. Get familiar with Wisconsin’s best new hardcore act by listening to Midwives’ introductory piece below.

16. Lemuria – Brilliant Dancer

As good as The Distance Is So Big was, this 7″ teaser the band released ahead of it may actually exceed it in terms of greatness. Both “Brilliant Dancer” and “Helloing” rank among the best songs in Lemuria’s impressive catalog, providing them the b/w format cuts out any excess and lets them operate as a sharp adrenaline shot that emphasizes the band’s best qualities. Brilliant Dancer is about as precise as Lemuria gets and sacrifices none of their sugar-rush basement pop. Hear it below (and catch them live whenever possible).

15. Summer Twins – Forget Me

As has been mentioned before and is likely to be mentioned again, Burger Records had an absolutely monstrous 2013, as far as EP’s are concerned the label didn’t put out anything better last year than the Summer Twins’ near-perfect Forger Me. Mining a 50’s doo-wop and 60’s girl group influence in equal measure, they offered up five of the most assured and gorgeous songs of the year, with the title track being one of the year’s outright best. While the rest of the songs don’t quite match the heights of “Forget Me”, they come close enough to more than justify a spot on this list. Hear Forget Me below.



14. Huge Face – Huge Face

Huge Face are yet another band that may occasionally find their name tossed into the emo-revival conversation that’s happening right now despite leaning closer to Guided by Voices and late-era Wipers than Sunny Day Real Estate. In the grand scheme of things, though, it really doesn’t matter. Huge Face stands up just fine on its own. The most modern touchpoint here would be Wolf Parade, as the bands share several similar sensibilities, even if the execution on how their lensed varies ever-so-slightly. No matter how it’s looked at, it’s fairly clear that this is a great release. Listen to it below.

13. Pusrad – Modern Anatomi

Clocking in at just over four and a half minutes, these ten songs refuse to fuck around. That steadfast commitment is an integral part of all great hardcore bands’ aesthetic, Pusrad included. Already moving at an incredibly prolific pace, Pusrad keep getting better with each one. Modern Anatomi is an exhilarating blast of fierce, old-school hardcore that’s as relentless as it is creative. One of the genre’s best releases in any format in 2013. Hear it below.



12. Upset/Swearin’/Waxahatchee/Screaming Females – Guided by Voices Tribute 7″

All anyone really needed to do for this one was look at the title. Upset, Swearin’, Waxahatchee, and Screaming Females are four of the better bands going today and each paying tribute to a specific Guided by Voices track is an undeniably sensible move. This is as much of a four-band pairing as it is a five and it exceeds its own promise. That’s one hell of an accomplishment. Unfortunately, no streams of this are currently available but it’s available for purchase (highly recommended) via the link below.

Purchase the Guided by Voices Tribute 7″ from Salinas Records

11. Sundials – Always Whatever (A Collection of Songs from 2009-2012)

Releasing a set-year retrospective can be a tempting prospect for any band that feels it’s entered a new stage; rarely do they exceed on the levels of Sundials’ Always Whatever (A Collection of Songs from 2009-2012). By forgoing the inclusion of several songs from their two main releases, First 6 Songs and When I Couldn’t Breathe, there’s an allowance for the unexpected which infuses Always Whatever with a vitality it may have sorely lacked. This is a stunning collection of melodic basement punk songs that should only help the anticipation build for whatever the band’s next move is. Get familiar with Sundials by listening to Always Whatever below.

10. Technicolor Teeth – Blood Pool

There aren’t very many bands out there who can claim to be as exciting as Technicolor Teeth. Only a few years (and two releases) into their career, they’ve managed to make a deep impression on a lot of their peers and grab the attentions of people that may help elevate them to infamy. They’ve essentially been posited as the new forefront of shoegaze by embracing it as fully as possible while still thriving to make it their own. After the rousing success and tonal darkness of Teenage Pagans, it’s unlikely that anyone thought the aspect they’d play up the most for their follow-up was their warm dream-pop influence. Granted, they haven’t sacrificed much of their morbidity or dark atmosphere and instead reinvent that side of themselves as well. As a result, they’ve wound up with the best nightmare-pop 7″ of 2013. It’s difficult to say how long this band will stay buried but expect to be hearing their names a lot more sometime soon.


9. The Dirty Nil/Northern Primitive – Split

The Dirty Nil’s split 7″ with Northern Primitive was one of the more unique splits of 2013 just for the variance of style on display. Both bands tend to err towards doom without actually crossing that bridge completely, with the former keeping at least one foot very firmly planted in early 90’s indie a la Dinosaur Jr. and The Pixies while the latter perilously straddles multiple genre lines at once. Of the two, The Dirty Nil takes the more straightforward route (and is none the less thrilling for it) while Northern Primitive throws everything they’ve got into their side, riding an eerie atmosphere into a crushing crescendo before gracefully falling back out. An absolutely stunning display piece for two of Canada’s best-kept secrets. Hear it below.



8. Jeff Rosenstock – Summer

Over the years, IYMI has become one of the most trusted sources out there for on-the-rise bands playing the basement punk circuit and have frequently offered early glimpses at bands like Swearin’ and Jason Anderson in the bandcamp “optional donation” mode (the site also is responsible for the incredible Pink Couch Sessions series). This year, they went ahead and added Jeff Rosenstock to the list by featuring his incredible Summer 7″, which managed to be one of the most explosive scuzz-pop 7″ singles of 2013. An absolute must-own. Hear both “Teenager” and “Go On Get” below.



7. Tweens – Demo CD-R

Tweens were one of the great breakout successes of the gutter circuits in 2013, releasing nothing but demos which were subsequently devoured and praised at a rate fast enough to give anyone whiplash. The Cincinnati trio have become one of the more talked-about and sought-after prospects in recent memory based solely on the strength of a demo CD-R which is impressive enough in itself. The fact that their bandleader, Bridgette, had only recently learned guitar before before starting Tweens is a completely different level of impressive. Tweens are set to release their debut full-length in March and that day can’t get here fast enough. Until then, listen to a few selections from the now-sold out demo below.



6. All Dogs – 7″

One of Salinas’ most exciting new prospects has already drawn comparisons to seemingly half of that label’s roster, which is precisely what makes it so appealing. Over the past few years Salinas has carefully cultivated a sound that prides itself on a lo-fi 90’s indie punk influence. All Dogs profile is set to get another boost with the impending release of Saintseneca’s upcoming LP on Anti-, as the bands share members. A lot more could be said about this release but, once again, it’s worth noting that much of it has already been said. Listen to All Dogs’ triumphant 7″ below.



5. Various Artists – Beyond Inversion: A Benefit for Rachael’s Women’s Center in DC

Over Heartbreaking Bravery’s short existence, the release that’s garnered the most coverage from this site is undoubtedly Accidental Guest’s incredible Beyond Inversion benefit compilation. It’s a compilation that has its heart squarely in the right place, while perfectly adhering to the best aesthetics of the basement scene. There’s a selflessness that’s on display here through the involved bands’ naturally camaraderie. It’s also a perfect representation of its time, culminating in a capsule-worthy artifact that sheds this generation in the most positive light imaginable. Which is precisely why there was more than just one article devoted to it. Beyond Inversion may be seeing a vinyl release at some point in the near future but the initial cassette release sold out in pre-orders. Thankfully, the whole thing is available for streaming and can be heard below.



4. Acid Fast – Rabid Moon

While Rabid Moon finally was given a proper vinyl release last week, it’s been available as a cassette for several months, courtesy of Stupid Bag Records. Far and away one of the most impressive cassette-only full-length’s to be granted a 2013 release, it allowed for a monumental build-up to it’s run as a 2014 record. In the span between the two official releases, the band’s picked up press from Punknews, the AV Club, and earned On the Up honors from this very site. Rabid Moon is an absolute monster of a record that channels the spirit of Archers of Loaf, has the unhinged energy that made Big Kids so great, and it deserves every accolade that’s undoubtedly coming its way. Hear the first three songs from the record below.

3. LVL UP – Extra Worlds/Porches. Split

LVL UP prove themselves again and again with each consecutive release. How this band isn’t fucking huge yet is anyone’s best guess and it still seems like that’ll happen in due time. One of the most thrilling and accessible bands going right now, LVL UP absolutely crushed 2013 with an outstanding EP and a split with Porches. that was every bit the EP’s equal. In both cases, this is full-throttle basement punk with powerpop flourishes that doesn’t skimp on aggression or melody. Flashes of everything from The Replacements at their best to Weezer at their best are all present and filtered organically enough to come across as an influence and not an imitation. It seems unlikely that LVL UP will be slowing down anytime soon. Hear both Extra Worlds and their split with Porches. below.


2. Perfect Pussy – I have lost all desire for feeling

There were no releases last year that felt as harrowing and personal as Perfect Pussy’s demo tape. It didn’t matter which way it was spun, the listener’s reaction, vocalist Meredith Graves’ determined confessionals, or the cultural dialogue it inspired; this was a personal affair. It was also an incredible piece of music, relentlessly energetic and unabashedly unapologetic in composition, production, and lyrical content. It was  a demo (and band) that meant a lot to this site, which is why Meredith Graves was chosen (and graciously agreed to be) Heartbreaking Bravery’s first interviewI have lost all desire for feeling also earned one of this site’s very first reviews and set off a chain reaction of positive effects that have extended into 2014. Listen to I have lost all desire for feeling below.

1. Tenement – Screaming Females Split + More Compilation/Puke and Destroy #2/Sick Club Vol. 3/Something to Dü

Sometimes things are predictable for a reason; this site hasn’t been shy about its feelings for Tenement. Despite not releasing any official LP’s or EP’s in 2013, they experienced one of their most successful years to date on the strength of their 7″ releases. There was their unbelievable entry into the Sick Club series on Cowabunga!, their stellar section of Puke & Destroy alongside Holy Shit!, Gleam Gardens, and The What-A-Nights, and an unbelievable (and entirely unexpected) compilation on bandcamp centered around their attention-demanding split with Screaming Females.  Additionally, the band also contributed to do the excellent Something to Dü five-band tribute on Dead Broke Rekerds offering up a volume-shifting take on “Obnoxious”. Throughout all of it, the band manages to show their full range from the battered and haunting “Ants and Flies” demo to their usual hardcore-tinged basement pop- as well as their usual lo-fi freakouts. It didn’t matter what mode they were in, everything from “Books on Hell + Sermons on T.V.” to “Twig” deserved an infinite amount of listens and serious year-end considerations. The scariest part of all this is that it still feels like this band is just getting started, especially considering the band already has two LP’s lined up for release on Grave Mistake and Don Giovanni, respectively, for next year. Hear all four of the band’s major 2013 releases below.




2013: A Photography Review

As is the case with any year, there were plenty of opportunities to grab a few photographs at memorable shows. While none of these are in Pro HD quality, it’s an accurate reflection of some of the Midwest’s best shows and venues from 2013. A few of them were short-lived, a few more were well-established, and a few more skewed closer to hidden treasures. It’s not much but it does serve a purpose; as a document of our times and a celebration of the great music happening in them.

Home for the Holidays & A Guide to Surviving (Mixtape 001)

Well, it’s been a brief but substantial fifty day run and this, the 50th post, seemed as good a place as any to celebrate something so small and meaningless. To that end, Heartbreaking Bravery is offering up its first official mixtape; Home for the Holidays. Look for one every fifty posts. Some will have themes, some will just serve as reviews for the past near-two-months of coverage the site provides.

Home for the Holidays was a unique challenge. For the songs to qualify they had to fit within the general aesthetic of what Heartbreaking Bravery would normally cover- they would also have to mention Christmas without being a Christmas-specific song. All of these songs are here for a reason and deserve to be heard. A welcome alternative to the endless barrage of the same twenty songs getting played in seemingly every location. Both the mixtape and the accompanying guide to surviving are below.


1. Tenement – Spit in the Wind

Did anyone honestly expect this list to start with anything else? It’s no secret how this site feels about this band. They’ve mastered the exploration of lower middle-class difficulty and it really comes through on the chorus of this Napalm Dream standout. “Father pissing on the Christmas tree, suicide for the family” is a masterclass in both explicit and implicit imagery as well as tone-setting.

2. The Wombats – Moving to New York

Sleep-deprivation, needless excitement, and suspecting disappointment. “Looks like Christmas came early” has never sounded so true. 

3. Sundials – Christmas Day

One of 2013’s most exceptional compilations was the collection of Sundials songs from 2009 to 2012. “Christmas Day” closed the collection out with flare, emphasizing how ugly financial situations can be made ten times worse by the holidays with a surprising amount of verve. 

4. The Weakerthans – Exiles Among You

The Weakerthans were (are?) one of the most consistently impressive bands on the circuit and released a few records that qualify as classics. On their standout sophomore effort Left & Leaving was this gem, that included a heartbreaking moment where the protagonist shoplifts for Christmas and ignores her family. A perfectly executed example of estrangement.

5. Titus Andronicus – No Future Part Three: Escape From No Future

On Titus Andronicus’ masterpiece The Monitor, the band managed to cover an endless arsenal of subjects. One of the strongest moments in a record full of them was “No Future Part Three” with its rapid shifts in pace and tone. There’s anger, there’s grim determination, a palpable sense of sadness, and a devastating Christmas list. 

6. Neutral Milk Hotel – Two-Headed Boy

One of 2013’s biggest moments was the return of Neutral Milk Hotel, prompting many to revisit In the Aeroplane, Over the Sea and “Two-Headed Boy” in particular. That song contains a fierce ending of bitter abandonment set under Christmas trees, elevating the importance of the act. Brutal, harsh, and brilliant. 

7. Waxahatchee – Rose, 1956

There are very few records as pointed and barbed as American Weekend, a record that’s only managed to grow stronger with time. “Rose, 1956” stands out for a variety of reasons but the mention of Christmas Eve at the song’s opening drives home how specific it is, which makes it more revealing in turn. 

8. Bon Iver – Blood Bank

Bon Iver is almost too obvious of a choice for this but it’s hard to look past the muted elegiac title-track of the band’s sole EP. Not only do the levels of wistfulness feel appropriate but the song nicely underscores the possibility of truly understanding difficult moments. One of Bon Iver’s most stunning moments. 

9. Why? – The Fall of Mr. Fifths

Why? have always managed to effortlessly evoke very specific feelings with their arrangements alone. Yoni Wolf’s lyrics generally accentuate that feeling masterfully and “Mr. Fifths” is no exception. There’s an underlying theme of fear and obsession here that touches on the rising death rates that surround the holiday season. 

10. The Hold Steady – One for the Cutters

Quite possibly The Hold Steady’s most inventive moment, this harpsichord-driven tale paints the most realistic portrait of the sort of culture that exists in the shadows the band has managed in years. An absolutely stunning achievement that culminates in the central character’s defeated-beyond-reason return to her family at Christmas. 

11. Sparklehorse – Little Fat Baby

Mark Linkous’ penchant for subtlety resonates throughout this song, in part an understated allegory about (seemingly) the prominence of Christmas. It’s a subdued-yet-jarring yarn that feels intensely personal. 

12. Belle & Sebastian – I Don’t Love Anyone

Fleeting moments of self-doubt and occasional resentment spring up in early winter more than anyone would like to admit. Self-evaluation becomes a bitter process and all of the potential disappointment can manifest itself outwards. The best way to deal with it is just to acknowledge it and move on.

13. The National – It Never Happened

“We look younger than we feel and older than we are” is a beyond perfect way to describe the holiday hangover that’s constantly present, lingering around the corner. The easygoing pace of “It Never Happened” mirrors the pose some people will themselves into just to survive the rougher patches.

14. Okkervil River – Where the Spirit Left Us

The first of of two Okkervil songs on this list, “Where the Spirit Left Us” pinpointed a certain kind of well-informed nostalgia that was brought to life in a dazzlingly vivid manner. There’s a small-town longing that matches up nicely with the resigned minutiae  surrounding any large family gathering.

15. The Weakerthans – My Favorite Chords

John K. Samson does environmental setting better than almost anyone penning lyrics today. The fact that The Weakerthans can often be described as wintry only heightens the reason for this song’s inclusion.

16. Tom Waits – Christmas Card From A Hooker in Minneapolis

A wildcard among these 21 tracks, “Christmas Card From A Hooker in Minneapolis” qualifies based on the title, not a lyric contained within the song. One of Waits’ most towering achievements and one of the best moments on his classic Blue Valentine.

17. Ben Folds Five – Brick

Did you really expect this not to make the list? It’s a song about the aftermath of a Christmas Eve abortion. One of the most frighteningly realistic songs in recent memory. At the very least, let this one invoke deep sympathy.

18. Palace Songs – Christmastime in the Mountains

Okkervil River artist Will Schaff brought this song to the list as it was experiencing a rough draft dating back to last December. “Christmastime in the Mountains” is stark, beautiful, and nicely summarizes the empty feelings that can occasionally hit at this time of year.

19. Why? – Kevin’s Cancer

Yoni Wolf has been operating in his own territory for a long time now. This is the second Why? song to be included but the way Wolf and company operate only furthers situational reality. 

20. Elliott Smith – King’s Crossing

From A Basement on Hill bafflingly exists simultaneously as one of the most personal and impersonal records to be released in the past 15 years. It’s posthumous status elevates the impact of searingly revealing songs, yet those involved with it say that the record was far from finished and released with only the mixes Elliott had left behind when he tragically passed away. “King’s Crossing” stands out as one of the record’s most personal (and most biting) moments, reflecting the holiday’s darker spirit.

21. Okkervil River – Calling and Not Calling My Ex

This is the song that inspired the idea for this collection several years back. It’s Sheff at his most pointed. Sleigh bells in the background offer up an ever fuller world-building experience for an environment surrounding the introspection that often hits hardest towards the end of the year.

Happy Holidays.

HB