We’re more than a third of the way through 2019 and the editorial branch of this site has been far too dormant since 2018 received the Best Of recap treatment. Today will be dedicated to addressing that coverage gap with three look backs at the very best songs, music videos, and full streams that January, February, and March had to offer. Due to the sheer volume of highlighted material, these lists will (unfortunately) be static, presented on their own without any dedicated write-ups. Each of these releases is exceptional and may receive some more words further down the line but for now, simply revisit and enjoy: The Best of January 2019.
And The Kids – No Way Sit Back
The Murder Capital – Feeling Fades
Potty Mouth – 22
Westkust – Swebach
Francie Moon – Present Tense
Rosie Tucker – Gay Bar
Eyesore and the Jinx – On an Island
Mike Krol – What’s the Rhythm
Better Oblivion Community Center – Dylan Thomas
La Dispute – Footsteps at the Pond
Bellows – What Can I Tell You About the World?
PUP – Kids
Mike Krol – Power Chords
Better Oblivion Community Center – Better Oblivion Community Center
With November just two weeks out of view and AOTY season still drowning everyone’s feeds (our forthcoming coverage will arrive, as it always has, at the very end of the year), now seemed like a perfect time to reflect on what the past month had to offer. Whether it was the James Bond theme of the future, a surprise side-project, or a local band syncing up with a major name, there was a lot worthy of reflection. Below are a dozen of those standouts.
1. Mike Krol – I Wonder
Ever since catching the tail end of the first show Mike Krol ever played with a backing band (that band being Krol’s close collaborators Sleeping in the Aviary), it’s been hard to ignore the songwriter’s appeal, drive, charisma, and commitment. Merge picked Krol up a few years ago before the release of Turkey, which just might be one of the most fun basement pop records of the decade. “I Wonder” finds Krol sticking to a familiar formula but making room for more surprises, like enlisting partner — and Mege labelmate — Allison Crutchfield (Swearin’) for backup vocals and pushing the run time well past 100 seconds. As is always the case with Krol, it works. Brilliantly.
2. Mister Goblin – Nothing You Do (Happens)
Losing Two Inch Astronaut was a considerable blow to a scene that had claimed them as a linchpin. Sam Woodring, that band’s guitarist, vocalist, and principal songwriter, couldn’t leave well enough alone, returning now with a new project called Mister Goblin that picks up right where Two Inch Astronaut left off. “Nothing You Do (Happens)” was one of the first looks at the project and is one of the best tracks to have the fortune of Woodring’s involvement. Inventive, fiery, and mesmerizing, the post-emo/hardcore/punk/whatever track is a welcome reintroduction.
3. HAVVK – Always The Same
“Always The Same” is a slow-burning track that swings on a pendulum between indie pop and post-punk, alternately gentle and unwieldy. There’s a hypnotic effect that the swings back and forth achieves, pulling the listener increasingly deeper into something strangely brilliant. Small, surreal touches abound on the track, which should go some ways in establishing HAVVK’s name. Hard to miss and easy to love, “Always The Same” is a track worth investment.
4. Nancy – I’m Not Getting Sober, I’m Just Getting Older (Helluva Guy)
A lot can be achieved in 100 seconds or less, a fact that’s more or less the crux of the entire basement pop genre. Nancy offers up the zillionth piece of supporting evidence in the 96 second blast of “I’m Not Getting Sober, I’m Just Getting Older (Helluva Guy)”, a track overflowing with smart hooks and a quick wit. Short, punchy, and incredibly effective, “I’m Not Getting Sober, I’m Just Getting Older (Helluva Guy)” is a song that’s more than worth the commitment.
5. The Yada Yada Yadas – Human Emotion
Riding an opening section that falls somewhere between The Polyphonic Spree and early Flaming Lips, The Yada Yada Yadas take another strong turn on “Human Emotion”. The song eventually dovetails into other segments, touching on everything from brit-pop to the slacker movement of the late ’90s, without ever feeling empty for its revivalist tendencies. Fascinating and surprisingly explosive, “Human Emotion” goes off like a firework and outright refuses to come back down.
6. Silverbacks – Just In The Band
“Just In The Band” find Silverbacks well on their way to transforming into a fully fledged post-punk powerhouse. Frantic in just about every sense, “Just In The Band” never fully looses its tether from the anchor, staying intact enough to create a sense of urgent direction. It’s a wildly impressive work from a band that’s very clearly ready for their breakout moment. It’s only a matter of time before the tether breaks and they take off.
7. Disq – Communication
“Communication” sees Disq pairing with Saddle Creek for an intriguing 7″ series, while also hitting on a career high. A noise-damaged basement pop number laced with basement punk tendencies, “Communication” is surprisingly volatile. The band’s penchant for melody remains at that heart of their work but “Communication” suggests that their experimentation with atmospheric choices could propel them to previously unseen heights.
8. Mo Troper – Never Dream of Dying
Aggressively — and humorously — marketed by the label as the theme to the next James Bond film, Mo Troper‘s “Never Dream of Dying” finally saw release after months of soft teases. The franchise would be lucky to have this one. All of the traditional Bond theme hallmarks are in place, from the sweeping orchestral section to the classic ending and everything in between. Even separated from its own framework, the song feels like a rousing triumph, making it perfectly at home in Troper’s incessantly impressive repertoire. It’s a classic.
9. Chelou – Out of Sight
One of the more left-field surprises of the past few weeks, Chelou’s “Out of Sight” operates as one of those rare, transfixing tracks that doesn’t sound like it’s connected to a specific time. Echoing shades of Hot Chip, RJD2, and other pop-minded acts in a similar vein, “Out of Sight” creates a mesmeric tapestry out of a collage that veers from classic metal flourishes to art-pop. A genuinely remarkable track that more than deserves the plays its been racking up since appearing online.
10. YOWL – John the Collector
YOWL continues to impress every time they reappear, stringing together an incredibly strong collection of tracks that’s continuously raised their profile. “John the Collector” is the band’s latest shot of bleary post-punk. Hazy but energetic, the band keeps their foot on the pedal, taking off towards some unknowable destination. A shout-sung narrative covers the breadth of things as varied as familiarity, friendship, and destruction, culminating in a powerful resolution that tips its hat towards the intrigue of letting some things go unsolved.
11. And The Kids – Champagne Ladies
It’s been a while since we’ve heard anything new from And The Kids but “Champagne Ladies” is here to amend that trend. One of the band’s most immediate and accessible songs, “Champagne Ladies” finds the project aligned nicely with acts like Middle Kids, who rely on a distinctly rural sense of wonder to ground anthemic melodies. From the palm-muted rhythm guitar figure to the bells providing “Champagne Ladies” a splash of color, everything here congeals into a sum far greater than its parts, ably demonstrating And The Kids’ continuing growth as songwriters.
12. Maria Kelly – July
“July” is yet another breathtaking track from Maria Kelly, an artist who’s no stranger to crafting wintry soundscapes. While the title may suggest a summery affair, “July” is as icy as anything Kelly’s released. Soft, pointed, and quietly lacerating, “July” cuts to the bone. A clinical self-dissection, the song’s blunt honesty is challenging and rewarding in equal measure. There’s some solace to be found in “July” but it’s through the recognition of shared pain. Haunting and intimate, the track cements Kelly’s position as an artist worth knowing.
It’s been over two months since a post appeared on this site and with the always slightly-too-early onslaught of year-end season in full bloom, it feels necessary to highlight some of the best material over that stretch. Heartbreaking Bravery’s own best of lists will be coming, as always, as will the revival of A Year’s Worth of Memories. There may be a few more surprises sprinkled in to make things interesting but starting with a window that spanned most of October seems like a perfect place to get caught back up. Dive in below
1. Mike Krol – Little Drama
Mike Krol came surging back to life with “An Ambulance” and continues to churn out frantic, wild-eyes basement pop that has enough energetic bite to put most hardcore bands to shame. “Little Drama” finds Krol settling comfortably into longer formats, expanding both the frequency and velocity of the songwriter’s penchant for smart hooks. Try to keep up and you’re bound to be left choking on dust.
2. Lauren Hibbard – What Do Girls Want?
One of the more irresistible punk-leaning slacker pop tracks of recent memory, Lauren Hibbard’s “What Do Girls Want” is buoyed by a pop sheen that makes the song’s effect more immediate. Existing somewhere between Lady Lamb and Hinds, “What Do Girls Want?” ably showcases Hibbard’s innate melodic talent and lyrical chops. High impact, ridiculously fun, and easy to revisit, “What Do Girls Want?” should be a summer mix tape staple for years to come.
3. Meat Wave – That’s Alright
Any time Meat Wave puts anything new into the world, it’s a cause for celebration. Without fail, the trio has delivered seething post-hardcore-informed post-punk at the highest level and hits those familiar heights again with “That’s Alright”. Energetic, propulsive, menacing, unforgiving, and overflowing with atmospheric tension, “That’s Alright” continues the band’s mesmeric evolution, solidifying their status as a singular force.
4. Weakened Friends – Good Friend
With each new track they’ve released, Weakened Friends have worked themselves into a site favorite. “Good Friend” stands proudly as one of the best songs to their name, a rousing grunge pop number that examines personal fracturing with a surprising amount of nuance and clarity. Hard to ignore and easy to fall in love with, “Good Friend” presents the band’s strongest traits with an unerring sense of conviction. While the narrative may suggest otherwise, this is all but a victory lap for an exhilarating emergent talent.
5. Miya Folick – Thingamajig
“Trouble Adjusting” was the first Miya Folick track to make it plainly evident that the songwriter was on an upward path to something incredible. It was a sharp blast of punk laden with signifying aspects of lo-fi songwriters, a curious trait that makes “Thingamajig” all the more astonishing. Veering far closer to Half Waif than The Pixies, “Thingamajig” is a devastating meditation on personal impulses and longing, aided by a minimalist ambient pop bed. One of the most unexpectedly breathtaking openers of 2018.
6. pting – Bus Driver
pting make a powerful introduction-at-large with “Bus Driver”, a track that recalls everything from the works of the Crutchfield twins to the skyward atmospheric tendencies of Alvvays. Smartly composed and gifted a clever narrative, “Bus Driver” is a refreshing jump into a cold pool on a hot day. A towering testament to pting’s vision and understanding, the song capably delivers a multitude of reasons to commit the band’s name to memory.
7. Yakima – Point of This
“Point of This” is a song strong enough to act as a calling card, something that only a handful of bands are capable of achieving. It’s a gorgeous work of layered slacker punk married to dream pop sensibilities, the two complementing each other in a way that ensures “Point of This” sounds like it’s floating. A perfect reprieve from every day chaos, “Point of This” feels carefree for as thoughtful as the lyric narrative and composition wind up being, making it a perfect candidate to kick off any unwinding session.
8. Washer – Super Pop
One of the best duo acts currently making music, Washer have been raising a high bar incrementally for the past few years. “Super Pop” is a perfect indicator of the band’s unique talent and singular charm, a deeply effective burst of flannel-laden micro-punk. Barely exceeding 100 seconds, “Super Pop” is wiry and tenacious, finding Washer going through familiar motions: dig in the heels, clench the teeth, and commit with no reservations.
9. Deep State – Under the Gun
Deep State‘s been one of the more pleasant surprises of the past few years, delivering some extraordinary songs, records, and music videos along the way. “Under the Gun” finds the band forging ahead with their sense of high-energy playfulness while still sharpening the edges enough to sound fairly intimidating. It’s a small triumph and should go some way in raising the anticipation level for their forthcoming The Path to Fast Oblivion.
10. The Little Miss – Take Me, Too
One of the better ways to discover new music that might not otherwise cross your path is to let soundcloud auto-play. It’s an exercise worth indulging but rarely has it yielded something as strong as it did earlier this year: The Little Miss’ “Take Me, Too” is an overwhelmingly gorgeous modern hymnal that’s strong enough to stop just about anyone in their tracks. Little more than vocals and an organ (harmonium?), “Take Me, Too” is a fearless look at death, one that offers up a knowing welcome. One of the year’s best songs
A few weeks ago site favorite Mike Krol returned with the typically explosive “An Ambulance“, the songwriter’s first release since Turkey (apart from a well-deserved deluxe reissue). “An Ambulance” more than proved Krol hasn’t lost a step in the interim, flaunting all of the characteristics that made his early work scintillating enough to snag the attention of Merge, who wisely added the basement pop auteur to their roster. An Ambulance b/w Never Know finds the label continuing to reap the benefits of that decision, which offers up two incredible tracks that are as infectious as they are aggressive.
With “An Ambulance” already given due credit (click the link above to go to the previous feature), “Never Know” gets the bulk of the attention here. It’s a song that finds Krol tapping further into the strain of pop music that defined the ’50s, which is an area that was effectively mined by contemporaries — and frequent collaborators — Sleeping in the Aviary. It’s a side Krol’s music doesn’t always feature but one that’s consistently worked to the material’s benefit, which is decidedly the case on “Never Know”, an outrageously fun track with a classic spin.
Together, “An Ambulance” and “Never Know” constitute one of the year’s best standalone 7″ releases and offer a tantalizing glimpse towards a more comprehensive project that Krol’s been hinting at in recent weeks. Strap in for the ride and use this as the soundtrack in the getaway car. Whenever the next stop arrives, this will be a stretch worth revisiting.
Listen to An Ambulance b/w Never Know below and pick up a copy from Merge here.
Just a few years ago, Krol put out the incredible Turkey, a record teeming with blistering basement pop strong enough to land it a spot as Heartbreaking Bravery’s pick as one of 2015’s best albums. Krol hasn’t released much of anything in the interim that’s followed but did see a spike in popularity after an unexpected, joyous appearance as an in-show character on Steven Universe. Rebecca Sugar’s show — and the fervent fan base its amassed — seems in perfect keeping with Krol’s sensibilities, which manage to simultaneously suggest immediacy and thoughtfulness.
Which brings us to “An Ambulance”, a characteristically scintillating surge of punk-tinted basement pop from an artist that’s built a career out of mastering that exact genre. From the jump, “An Ambulance” flaunts its blown-out giddiness, exploding in an adrenaline rush of melodic aggression. A catchy-as-hell guitar riff forms the foundation for one of the summer’s best hooks, accelerating the song from a controlled cruise to reckless abandonment. The song’s vintage Krol, suffusing the past with credible meaning and blowing the doors to the future wide open.
Listen to “An Ambulance” below and pre-order An Ambulance b/w Never Know from Merge here.
August blew threw 2017 with no hesitation and left an enormous pile of exceedingly great material in its wake. This post will key in on the ten best music videos to be released over that period of time (with the first week shaved off and a few days of September tacked on). A lot of site favorites make appearances below but a new name or two found a way to make a splash. Each of those artists and clips has earned the praise they’ve been given or are about to receive. 2o17’s been overflowing with great clips and these are only adding to the year’s abundant strength. Dive in and go exploring.
Mike Krol – Fifteen Minutes
Over the past several years, Mike Krol has made a habit out of reveling in the playfully sardonic. Turkey, Krol’s astonishing breakthrough record — and first release for Merge — laid those groundworks bare. So it shouldn’t come as too much of a surprise that Krol’s next step was to go back in time, re-release his first two records (cult staples among a very specific sect of the DIY punk crowd) and make a bizarre, tongue-in-cheek music video starring a mannequin for a song that came out six years ago. It’s perfectly Krol.
Weaves – Walkaway
Weaves‘ self-titled was one of the best records of the past few years and the band’s been making good on that momentum that release generated with their advance singles for their forthcoming release. “Walkaway”, the most recent, is anthemic, empowering, and has the kind of staying power to remain on the college airwaves for years to come. The song also now boasts a beautiful clip featuring the band getting a touch of aggression out in a sweeping field. It’s a striking video that somehow manages to make the song feel even more titanic than usual.
Lost Balloons – Noose
One of 2017’s best surprises thus far has been the duo Lost Balloons who feature the talents of Jeff Burke and Yusuke Okada, two names a large handful of people in both America and Japan should already have memorized. The project’s debut effort, Hey Summer, was the type of unassuming basement pop record that tends to stick longer in people’s minds than most would expect and they’ve granted one of that album’s best songs a beautiful animated clip in “Noose”. It’s a gorgeous tapestry that’s worth admiring.
Radiator Hospital – Dance Number
It’s been a while since Radiator Hospital released their incredible Torch Song so news of a new record was incredibly welcome. Even better: the announcement came on the back of the release of this charmingly straightforward clip for the characteristically excellent “Dance Number”, which renews the case for Sam Cook-Parrott as one of this generation’s most emotionally affecting lyricists. Poignant, bittersweet, and undeniably catchy, it’s a great song bolstered by a surprisingly effective video.
Charly Bliss – DQ
No band’s name has appeared on this site more over the past two years than Charly Bliss. The band’s recently-released Guppywent a long way in ensuring their prominence and a handful of excellent clips and performances kept their name in the rotation. “DQ” now joins their ranks, standing as one of the band’s most playful — and personal — videos. Guitarist/vocalist Eva Hendricks co-directed the clip alongside Andrew Costa (who helmed quite a few of the band’s other videos), which features everything from trampolines to cows to football sleds to a dog that’s great at playing dead. As is always the case with the band, it’s an absolute blast and surprisingly hard to forget.
Kielo – Radiate
A while back Kielo released an absolutely breathtaking song/video combination in “In Water” and the Laura Schultz-led project has now doubled down on that measure with the spellbinding “Radiate”. Comprised largely of photography-centric cinematography, the clip allows the song to be elevated by calming visuals, creating an effect that’s both warm and inescapable. It’s a genuinely gorgeous thing to behold and deserves all of the views and listens that can possibly come its way.
Bully – Feel the Same
One of the more invigorating acts of the past few years, Bully have shown virtually no signs of slowing down. The band’s also growing a little more confrontational, as evidenced by their nearly-antagonistic clip for “Feel the Same”, which features nothing but a balloon expanding in a darkened empty room until it starts leaking a stream of yellow liquid. As simple as it is, the imagery is incredibly hard to shake and the concept sticks. It’s bold, it’s abrasive, and it fits the band like a glove.
Julia Louise – Brat
A new name to Heartbreaking Bravery, Julia Louise somehow managed to evade this site’s radar over the past few years. Still, it’s hard to imagine the songwriter could’ve had a better introduction-at-large than the clip for “Brat”, a song that subverts the limitations of emo and standard pop-punk to mesmerizing effect. Aided by strong visuals, a charismatic central performance from Louise and a sense of conviction, “Brat” is the sound (and look) of an artist coming fully into their own.
Fog Lake – Rattlesnake
Last year Fog Lake‘s “Rattlesnake” slithered its way into at least one best-of list that ran on this site. The song’s proven to have legitimate staying power and has now been granted a beautiful visual accompaniment. Calm, a little eerie, and deeply empathetic, “Rattlesnake” follows a man as he explores New York City, alone and content to wander. It’s incredibly affecting and stirs up a genuine, intangible reaction by simply disallowing the constraints of a discernible narrative and opting to focus on the emotional pull at the crux of being at home and separated from that home all at the same time.
See Through Dresses – Lucy’s Arm
A few months ago, See Through Dresses played an incendiary set as an opener for Charly Bliss in Minneapolis. The highlight of their set came via an impassioned run through “Lucy’s Arm”, a clear standout from their exceptional Horse of the Other World. The band’s wisely decided to go ahead and give the song the music video treatment, a decision that’s resulted in an arresting black-and-white clip with minimal effects. It’s a surprisingly effective clip that serves as an honorable testament to the song’s overwhelming power.
Before this week began, it’d been seven weeks since any of this site’s regular coverage had appeared. The first stretch of this week will be dedicated to amending the outstanding material that went uncovered in the interim, while the latter part of the week will feature the present week’s finest offerings. Below are ten standout records to have been released over the long hiatus, from EPs to compilations to full-lengths. There’s a whole host of incredible material shared between these ten records so stop hesitating and just dive straight into this post’s overflowing heart. Enjoy.
Great Grandpa – Plastic Cough
“Expert Eraser“, “Fade“, and “Teen Challenge” all earned feature slots on this site in the lead-up to Plastic Cough‘s release, each one suggesting a seemingly inevitable reality: Great Grandpa throwing their hat into the ring of genuine Album of the Year contenders. The day finally came, Plastic Cough was released, and that inevitability proved to be no joke. Plastic Cough is an absolutely ferocious record, gnashing its teeth at every hairpin turn and gloriously bombastic moment, only pausing to breathe on the gorgeous “Faithful”, a perfectly placed slow-burner that rounds the record out in breathtaking fashion. Plastic Cough is the kind of thrill ride that makes a mark deep enough to last.
Slaughter Beach, Dog – Motorcycle.jpg
Jake Ewald may get the most recognition for his work in Modern Baseball but what the songwriter’s accomplished in Slaughter Beach, Dog is equally — if not even more — compelling. Having already accumulated an incredibly rich and surprisingly expansive sound over the course of a full-length and an EP, Motorcyle.jpg finds Ewald leaning even more confidently into the battered folk trappings that heightened those first two releases. Motorcycle.jpg also skews a little more lo-fi and at times recalls Yankee Bluff, each poignantly bruised track vastly exceeding the aesthetics perceived limitations. It’s another impressive work from a musician worth watching.
Little Star – July Demos
Another one of the acts positioning Good Cheer Records as one of the finest upstart labels, Little Star has managed to turn a lot of heads in recent times, thanks to two sterling full-lengths. The project’s showing no signs of slowing down, even going so far as to release a small collection of demos last month, aptly entitled July Demos. The band’s earned comparisons to legendary acts (Big Star, unsurprisingly, one of the most popular among them) and it’s not difficult to see why those comparisons are being made, even from this small smattering of tracks. All four of the songs on display here are sharply written songs that convey a great deal of emotion in their quiet restraint. Spellbinding work.
Katie Ellen – Cowgirl Blues
Chumped may have been Katie Ellen‘s earliest claim to some modicum of fame but the songwriter’s not being reduced to the ashes left in the wake of that band’s departure, instead opting to venture out on an already promising solo career. Cowgirl Blues is Ellen’s first statement and it’s a bold one. The first two and a half minutes of opening track “Drawing Room” are comprised entirely of extremely light ambient noise, clean guitar, and vocals, as if Ellen is reasserting an individual identity. It’s a deeply effective moment that sets the tone for a record that’s not afraid to show off its bruises, scars, or self-awareness. Front to back, it’s one of the summer’s most captivating listens.
Milked – Death On Mars
Kelly Johnson is the songwriter spearheading Milked, graciously returning to the fold after Geronimo! took their final bow. For anyone who was concerned Johnson would step away from the eccentricities and unpredictable eclecticism that made Geronimo! so fascinating, put aside those fears for good. Death on Mars is as gleefully unwieldy and feral as Geronimo! at their fiercest (undoubtedly helped along by the drumming of Geronimo! bandmate Matt Schwerin). Death On Mars is a towering work that’s not afraid to embrace catharsis or melody even as it careens wildly from song to song, touching on everything from powerpop to hardcore along the way. An absolute triumph of a return.
Midwives – No
No will be the last record Midwives — who appeared in this site’s Best EP’s list in 2013 and 2015 and whose self-titled 7″ was one of the first reviews this site ever ran — will release. While it’s a shame that one of the upper Midwest’s best hardcore bands will be disappearing into the ether, at the very least they managed to go out on top: No is a culmination of everything the group’s accomplished since starting up nearly five years ago. It’s a growling, spitting, snarling beast of a record, unafraid to take prisoners in its sub-18 minute run-time. Bruising and feral, it’s only fitting that such a proudly deranged band would go out kicking, baring its threatening fangs all the while.
Dream Ritual – Summer Promo
Sometimes all it takes for a band to take off is three songs, which is exactly what Dream Ritual‘s offering on Summer Promo, a blistering post-punk EP that doesn’t leave any room for filler. Echoing everyone from Shellac to METZ and everyone in between, Dream Ritual manages to carve out their own distinct identity. “Noise”, “Oil & Canvas”, & “Sunlight Girl” all perfectly marry elements of modern day noise-punk with some of the genre’s earliest defining elements. Whether it’s the metallic-like production or the infusion of pop-leaning melody, it’s clear that Dream Ritual are students of the genre. Thankfully for us, their learning has resulted in one of the summer’s strongest EP’s.
Mike Krol – Mike Krol Is Never Dead: The First Two Records
A few years ago, this site named Mike Krol‘s Turkey one of the best records of 2015 and heavily praised the songwriter’s infectiously joyous live show. Krol had gained notoriety thanks to the cult following that he’d accumulated due to his first two records, Trust Fund and I Hate Jazz, both of which were long out of print by the time Merge announced Krol’s signing and released Turkey. Fortunately, for everyone, Merge has come to the rescue and reissued both of those seminal classics (this according to essentially anyone that owns either) and packaged them with all of the demos for each session. The whole thing’s an exhilarating look at an exhilarating artist and should be considered essential listening for fans of the basement pop genre.
Tunnel Traffic – MEESH
Tunnel Traffic’s MEESH occupies a space that’s always memorable: the record arrived from the artist via unsolicited submission and proceeded to impress at every turn. From opener “Lesson Learned” to the closing “Memorial”, this small release from Adam Hachey’s solo project made a sizable impression. Softer and a little sweeter than expected, MEESH is chock-full of mid-tempo folk-leaning numbers that expand the bedroom pop genre into something faintly unfamiliar. It’s quiet, it’s intimate, it’s unassuming, and it’s utterly spectacular. MEESH weaves an unbreakable trance over its listeners and commands their attention through a narrative journey that feels both direct and cerebral. It’s an incredible accomplishment from a songwriter whose work all but demands to be followed.
Waxahatchee – Out in the Storm (Deluxe Version)
Throughout work with Waxahatchee, P.S. Eliot, Bad Banana, and Great Thunder as well as through a variety of guest roles Katie Crutchfield has become a household name for a very particular sect of people, broadening that base with each successive release. Crutchfield’s latest comes via the Waxahatchee moniker, Out in the Storm. Everything that Waxahatchee has released to date has stood the test of time and remained as impressive — if not more so — as it was at the time of its release. Out in the Storm feels like Crutchfield’s reached another level entirely, combining more than a decade’s worth of knowledge, experience, and style into a mesmerizing, cohesive whole. A career high point for Crutchfield and easily one of the best records of 2017, Out in the Storm‘s definitive version also comes package with the demos for each song on the record, all of which are — like the record itself — well worth hearing.
When I started Heartbreaking Bravery nearly three years ago, I had no intention of pursuing it as a legitimate venture. Now, 1,000 posts, 50,000+ links, and countless words later, the site’s come to be the type of platform I’ve always loved seeing in the world. I could attempt to wax poetic on the nature of personal discovery and growth that running this place has afforded me but Heartbreaking Bravery was never about a single person, it’s always functioned best as a communal entity.
The ideas that formed the basic structure of Heartbreaking Bravery all came from artists producing exceptional work with little recognition. Repeatedly watching that transaction occur proved too disheartening. Whether it was the earliest years of Tenement, the later years of Good Grief, or virtually the entire run of Sleeping in the Aviary, there were always ceaselessly talented artists surrounding me that only ever seemed to receive the slightest of nods.
Heartbreaking Bravery originally aimed — and continues to aim — to provide a more level playing field to emerging artists, without reducing their worth to financial opportunity. Heartbreaking Bravery continues to value the community and intimacy that informs the DIY music world. Heartbreaking Bravery will continue to use the platform it’s been granted to elevate the idea of greater equality.
It’s in that spirit that I’m honored to present A Step Forward, a two-volume compilation spanning 100 tracks that exclusively features artists who are connected to this site’s history. Whether that was through a long history of collaboration or something as small as a twitter follow, the impact was not lost or left unappreciated. There’s a heavy emphasis on artists residing in the cities and states Heartbreaking Bravery has called home (Stevens Point, WI and Brooklyn, NY) and a small selection of songs that were premiered on this site.
100% of the proceeds of A Step Forward will be going to Rape Victim Advocates, a non-profit Chicago-based organization that’s doing vital (and, sadly, necessary) work for survivors of sexual assault. Read more about the organization here. It’s my sincerest hope that every publication that has the privilege of visibility manages to find ways to use any of their influence for productive good and to affect positive change. Please consider donating what you can to a meaningful cause.
Finally, I wanted to express gratitude to all of the artists (and any of their teams) involved — including the inimitable Phil McAndrew, who turned in the extraordinary album art — and all of the people that have allowed, even willed, this site to the point it’s at today. It likely would have disappeared without that support and I owe those people a debt of gratitude that could never be truly repaid. A special thanks to Fred Thomas, whose “What Changes When The Costumes Come Off” was written with the specifics of A Step Forward in mind.
Enjoy the compilation, support independent art, and join me, this site, these artists, and this cause in taking A Step Forward.
A Step Forward: Vol. 1*
1. Vacation – Caked Joy Rag (Demo)
2. Mike Krol – Neighborhood Watch (Demo)
3. Dead Stars – So Strange (Demo)
4. Mo Troper – After the Movies (Demo)
5. Fern Mayo – The Sweets (Demo)
6. Hater – Like Hours (Demo)
7. Sharkmuffin – Only Mondays (Demo)
8. Fits – Ice Cream On A Nice Day (Demo)
9. Missy – Patience (Demo)
10. Kodakrome – Skeletons (Demo)
11. Slight – Run (Demo)
12. Long Neck – Goldfinch (Demo)
13. Phyllis Ophelia – Probably Not (Demo)
14. Lever – Cure (Demo)
15. Puppy Problems – Destroyer (Demo)
16. Battle Ave. – Black Jeans (Demo)
17. Yours Are The Only Ears – Alone Bear (Demo)
18. Attendant – Some Other Language (Demo)
19. MKSEARCH – Little Song (Demo)
20. Sulky Boy – Birches (Demo)
21. Heavy Looks – Those Guys (Demo)
22. darn it. – (again) pt. II
23. Phooey! – On an On
24. Arm Candy – Big Clunker
25. DTCV – Le Vampire
26. Clearance – The Queen of Eyes
27. Leggy – I’m Gonna Destroy That Boy
28. Big Air – Hit Me in the Mouth
29. Terry Malts – Look (At the Mess That We’re In)
30. Ubetcha – Musician
31. Two Inch Astonaut – Suckers Share
32. Whelpwisher – Bucket for the Sky
33. Petite League – Magic Johnson
34. The Meltaways (ft. Kate M) – Wrong Words
35. Calumet – Indian Summer
36. Mulligrub – Little Fist
37. Ben Seretan – Stay In Touch
38. Mumblr – Friendship Stew
39. Human People – Useless Things
40. Bethlehem Steel – Florida Two
41. Painted Zeros – Sweet Briar Rose
42. Spit – Paul Westerberg
43. Crusher – Running
44. Pupppy – Stand By Me
45. Aberdeen – Once You Fall In Love
46. Tica Douglas – Enough
47. Peaer – Multiverse
48. The Weasel, Marten Fisher – What Is Love
49. Young Jesus – Mirroring
50. Space Mountain – Earthrise
A Step Forward: Vol. II*
1. Bellows – Bank Checks
2. Cave Curse – Arcadia
3. Fred Thomas – What Changes When the Costumes Come Off
4. Apollo Vermouth – He Sees You, He Loves You
5. Green Dreams – Psychic Woes (Alternate Mix)
6. Lost Boy ? – Have You Seen My Brain (Space Cat Sessions)
7. Mikaela Davis – Pure Divine Love (Early Mix)
8. Nano Kino – Recovery (Early Mix)
9. Trophy Dad – Addison (Early Mix)
10. Alanna McArdle – Less Than (Early Mix)
11. VVHILE – Don’t Belong (Live)
12. Liam Betson – Mispronounced (Live)
13. BAG-DAD – Bruv (Live)
14. Slothrust – Keg Party (Live)
15. The Nudes – Nowhere to Be
16. Sat. Nite Duets – Cemetery Steve
17. Slanted – Fake Party
18. Patio – Gold
19. Greys – No Star
20. No Hoax – Date With Death
21. Dirty Dishes – Red Roulette
22. Yeesh – On Some Dirt
23. Pile – Cut From First Other Tape
24. Even Hand – Nightsmoke the Fuss
25. PURPLE 7 – Wise Up
26. Bad Wig – Machinehead
27. Mary Lynn – Space
28. Pleistocene – CMJ Compilation 1996
29. Color TV – Anybody’s Girl
30. Jacky Boy – Bad
31. Trust Fund – Would That Be An Adventure?
32. Good Grief – City People
33. Adir L.C. – Hangover
34. Milk Crimes – H8RZ
35. À La Mode – Total Doom
36. Inside Voices – Nomad: Begin
37. Doe – Corin
38. Kindling – Became
39. Bueno – Blown Out
40. Horse Teeth – Dark & Gloomy
41. Ron Gallo – Put the Kids to Bed
42. Sun’s Out Bummed Out – Cut All My Hair
43. Eric Slick – The Dirge
44. Fruit & Flowers – Turqoise
45. Shilpa Ray – Hymn
46. Jack – Sister System
47. Strange Ranger – Whatever You Say
48. Johanna Warren – A Bird in the Crocodile’s Mouth
49. Oceanator – Nowhere Nothing
50. Fresh Snow – Eat Me In St. Louis (Bryan W. Bray – Eaten by the Cetacean Mix)
Tracks 1-21: Demos
Tracks 22-50: New Songs
Tracks 1-4: New Songs (cont’d) Tracks 5-14: Alternate Mixes and Live Songs Tracks 15-49: Old Favorites Track 50: Remix
After a whirlwind catch-up session saw around 80 new posts go up in the past month, this site’s falling back into old habits. Namely, the preservation of implementing some sort of mixtape for every at every 50-post interval. With summer officially kicking off next week, it felt appropriate to create a mix in anticipation of the increasingly warm weather. Somehow, Heartbreaking Bravery’s now also 900 posts into its existence and some sort of commentary felt fitting as well. To that end, the 25 songs selected below are mostly tracks that have been featured — in some way or another — on this site throughout the course of those 900 posts (including Audacity’s “Hole in the Sky”, which was the the focal point of Heartbreaking Bravery’s first post).
A lot of the songs in Staring Down the Sun are songs that have carried me through previous summers, propelling me forward or comforting me with warmth and familiarity. It’s those two traits, warmth and familiarity, that are underlined most emphatically on this mix as they’re two of the season’s most consistently definitive draws. As such, Staring Down the Sun is a mix that’s heavily populated by friends, old and new, to sustain the kind of camaraderie that’s so often reinvigorated by sense of contentment and desire for exploration that frequently accompanies the season.
Open the windows, call up some friends, start a band, stoke the embers of the fire in the backyard, enjoy the scenery, travel to a new city, go swimming, or do whatever it takes to enjoy the shifting weather. Whatever the option, there’s now a soundtrack to accompany those moments available for the taking. Grab it and go.
Staring Down the Sun‘s tracklist can be found below the embed. Underneath the tracklist are hyperlinks to the preceding 100 posts. Enjoy.
1. Used Kids – Midwest Midsummer 2. PUP – DVP 3. Audacity – Hole in the Sky 4. Patsy’s Rats – Rock N’ Roll Friend 5. Goodnight Loving – Dead Fish On the Banks 6. PURPLE 7 – Wise Up 7. The Marked Men – Fix My Brain 8. Screaming Females – Wishing Well 9. Good Grief – Cold Compress 10. Jay Som – I Think You’re Alright 11. Icarus Himself – Digging Holes 12. Bent Shapes – New Starts In Old Dominion 13. Jawbreaker Reunion – Friends Theme Song 14. Midnight Reruns – King of Pop 15. Dogs On Acid – Make It Easy 16. Sleeping in the Aviary – Love Song 17. Swearin’ – Hundreds and Thousands 18. Sweet John Bloom – Aging In Place 19. Meat Wave – Cosmic Zoo 20. Mo Troper – Princess 21. Mike Krol – Left Out (Attn: SoCal Garage Rockers) 22. Royal Headache – High 23. Weaves – One More 24. Tenement – Near You 25. Swim Team – Teenage Brain
After a large handful of extended posts, Watch This will be back to its weekly schedule following this collection. Watch This has been an essential part of Heartbreaking Bravery since its first era as its very foundations are rooted in a philosophy that complements this space’s mission statement. They’re frequently ignored despite their astonishing level of artistry and are rarely featured in any meaningful way on any other forum. Live documentation is deeply important as it creates an immediate visual aid for a multifaceted chapter of history (and specifically the intersections that occur between venues/locations and artists).
Once again, 25 bands are featured in the below packet. Among these videos are performances that run the gamut from explosive covers (Meat Wave tackling Elliott Smith, Tacocat taking on Katy Perry), head-turning solo performances (Declan McKenna), confident experimentation (Operators, Fresh Snow, Blasteroid), and adrenaline-fueled thrill rides (Audacity, PWR BTTM, Mike Krol), among several other performance modes. Everything on display in this collection is worth studying, whether it’s the fillmmaking aspect or the performances themselves. There’s a lot to ingest so, as always, sit up straight, adjust the volume, get settled, and Watch This.
1. Audacity – Dirty Boy (BreakThruRadio) 2. PWR BTTM – Ugly Cherries (Radio K) 3. Meat Wave – Speed Trials (SideOneDummy) 4. Stephen Steinbrink – Absent Mind (Little Elephant) 5. Moving Panoramas – Radar (BreakThruRadio) 6. David Bazan – Both Hands (KEXP) 7. The Zolas – Swooner (Light Organ) 8. Chris Bathgate – Nicosia (Radio K) 9. Hype – Last Man On Earth (DZ Records) 10. Operators – Space Needle (WFUV) 11. DIIE – Miracles & Magic Are Real (Radio K) 12. The So So Glos – Dancing Industry (Little Elephant) 13. Declan McKenna – Brazil (Conan) 14. Fresh Snow – Your Thirst For Magic Has Been Quenched By Death! (Exclaim!) 15. Mike Krol – This Is The News (KINK) 16. Tacocat – Roar (The AV Club) 17. The Kills – Tape Song (KCRW) 18. Guerilla Toss – Eraser Stargazer Forever (BreakThruRadio) 19. Blasteroid – Triple D (VHS Sessions) 20. GoGoPenguin – Branches Break (WFUV) 21. Saintseneca – How Many Blankets Are In The World (WXPN) 22. Murder By Death – Foxglove (Paste) 23. Nada Surf – Friend Hospital (World Cafe) 24. Furnsss – Roll With It (VHS Sessions) 25. Lee Fields – Don’t Leave Me This Way (KDHX)