August blew threw 2017 with no hesitation and left an enormous pile of exceedingly great material in its wake. This post will key in on the ten best music videos to be released over that period of time (with the first week shaved off and a few days of September tacked on). A lot of site favorites make appearances below but a new name or two found a way to make a splash. Each of those artists and clips has earned the praise they’ve been given or are about to receive. 2o17’s been overflowing with great clips and these are only adding to the year’s abundant strength. Dive in and go exploring.
Mike Krol – Fifteen Minutes
Over the past several years, Mike Krol has made a habit out of reveling in the playfully sardonic. Turkey, Krol’s astonishing breakthrough record — and first release for Merge — laid those groundworks bare. So it shouldn’t come as too much of a surprise that Krol’s next step was to go back in time, re-release his first two records (cult staples among a very specific sect of the DIY punk crowd) and make a bizarre, tongue-in-cheek music video starring a mannequin for a song that came out six years ago. It’s perfectly Krol.
Weaves – Walkaway
Weaves‘ self-titled was one of the best records of the past few years and the band’s been making good on that momentum that release generated with their advance singles for their forthcoming release. “Walkaway”, the most recent, is anthemic, empowering, and has the kind of staying power to remain on the college airwaves for years to come. The song also now boasts a beautiful clip featuring the band getting a touch of aggression out in a sweeping field. It’s a striking video that somehow manages to make the song feel even more titanic than usual.
Lost Balloons – Noose
One of 2017’s best surprises thus far has been the duo Lost Balloons who feature the talents of Jeff Burke and Yusuke Okada, two names a large handful of people in both America and Japan should already have memorized. The project’s debut effort, Hey Summer, was the type of unassuming basement pop record that tends to stick longer in people’s minds than most would expect and they’ve granted one of that album’s best songs a beautiful animated clip in “Noose”. It’s a gorgeous tapestry that’s worth admiring.
Radiator Hospital – Dance Number
It’s been a while since Radiator Hospital released their incredible Torch Song so news of a new record was incredibly welcome. Even better: the announcement came on the back of the release of this charmingly straightforward clip for the characteristically excellent “Dance Number”, which renews the case for Sam Cook-Parrott as one of this generation’s most emotionally affecting lyricists. Poignant, bittersweet, and undeniably catchy, it’s a great song bolstered by a surprisingly effective video.
Charly Bliss – DQ
No band’s name has appeared on this site more over the past two years than Charly Bliss. The band’s recently-released Guppy went a long way in ensuring their prominence and a handful of excellent clips and performances kept their name in the rotation. “DQ” now joins their ranks, standing as one of the band’s most playful — and personal — videos. Guitarist/vocalist Eva Hendricks co-directed the clip alongside Andrew Costa (who helmed quite a few of the band’s other videos), which features everything from trampolines to cows to football sleds to a dog that’s great at playing dead. As is always the case with the band, it’s an absolute blast and surprisingly hard to forget.
Kielo – Radiate
A while back Kielo released an absolutely breathtaking song/video combination in “In Water” and the Laura Schultz-led project has now doubled down on that measure with the spellbinding “Radiate”. Comprised largely of photography-centric cinematography, the clip allows the song to be elevated by calming visuals, creating an effect that’s both warm and inescapable. It’s a genuinely gorgeous thing to behold and deserves all of the views and listens that can possibly come its way.
Bully – Feel the Same
One of the more invigorating acts of the past few years, Bully have shown virtually no signs of slowing down. The band’s also growing a little more confrontational, as evidenced by their nearly-antagonistic clip for “Feel the Same”, which features nothing but a balloon expanding in a darkened empty room until it starts leaking a stream of yellow liquid. As simple as it is, the imagery is incredibly hard to shake and the concept sticks. It’s bold, it’s abrasive, and it fits the band like a glove.
Julia Louise – Brat
A new name to Heartbreaking Bravery, Julia Louise somehow managed to evade this site’s radar over the past few years. Still, it’s hard to imagine the songwriter could’ve had a better introduction-at-large than the clip for “Brat”, a song that subverts the limitations of emo and standard pop-punk to mesmerizing effect. Aided by strong visuals, a charismatic central performance from Louise and a sense of conviction, “Brat” is the sound (and look) of an artist coming fully into their own.
Fog Lake – Rattlesnake
Last year Fog Lake‘s “Rattlesnake” slithered its way into at least one best-of list that ran on this site. The song’s proven to have legitimate staying power and has now been granted a beautiful visual accompaniment. Calm, a little eerie, and deeply empathetic, “Rattlesnake” follows a man as he explores New York City, alone and content to wander. It’s incredibly affecting and stirs up a genuine, intangible reaction by simply disallowing the constraints of a discernible narrative and opting to focus on the emotional pull at the crux of being at home and separated from that home all at the same time.
See Through Dresses – Lucy’s Arm
A few months ago, See Through Dresses played an incendiary set as an opener for Charly Bliss in Minneapolis. The highlight of their set came via an impassioned run through “Lucy’s Arm”, a clear standout from their exceptional Horse of the Other World. The band’s wisely decided to go ahead and give the song the music video treatment, a decision that’s resulted in an arresting black-and-white clip with minimal effects. It’s a surprisingly effective clip that serves as an honorable testament to the song’s overwhelming power.