Heartbreaking Bravery

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Tag: Swearin’

Two Months, 12 Songs

Nearly two months have come and gone since the last true feature article was published on these pages. In that time, thousands of good songs have found release, hundreds of records have made varying impressions, and more than a few music videos managed to snag viewers’ attention. This post looks at a dozen of the finest songs to have come out in that time, from names new and familiar. Dive in below.

Charly Bliss – Heaven

Last year’s pick for this site’s Album of the Year distinction recently made an unexpected return on the back of standalone single “Heaven”, which guitarist/vocalist calls the band’s first attempt at a genuinely hopeful look at romantic love. The band balances that optimism out with one of the heaviest and darkest-sounding songs of their emergent career, demonstrating the band’s range and understanding of overarching dynamics. Exhilarating and powerful, “Heaven” is a welcome reminder of Charly Bliss‘ limitless appeal.

Stove – Mosquiter 

In 2015, Stove walked away with this site’s Song of the Year distinction for “Wet Food”, which remains one of the finest songs of this decade. The band’s been relatively quiet of late, which is understandable considering the re-emergence of Steve Hartlett’s other project, Ovlov. Both Ovlov and Stove had new material planned for 2018 and “Mosquiter” is the first look at Stove’s forthcoming ‘s Favorite Friend. “Mosquiter” is a perfect example of what makes Stove worth celebrating, blending painfully relatable experiences into songs that swirl, seethe, and soothe. In short: it’s life-affirming.

Cloud Nothings – Leave Him Now

Cloud Nothings have developed an astonishing level of consistency, something that should be abundantly clear by the time anyone hits play on “Leave Him Now”. Even with that said, it would’ve been hard to predict the explosiveness of “Leave Him Now” which surges through its run time with the tenacity of the band’s best work. It’s a continuation of a recent trend for the band, acting as something of a career summation, focusing in on various aspects of the band’s earlier records and tethering them into something that walks the line between new and lived-in. Both immediate and thoughtful, “Leave Him Now” is one of the best songs of 2018.

Squid – The Dial

“The Dial” will serve as an introduction-at-large to Squid for many, which will make the impact significantly more forceful. To put it bluntly, “The Dial” is an absolute monster of a post-punk song, finding the band effectively navigate pop appeal and post-hardcore intensity. There’s an ambient interlude, a section where the vocals become unhinged screams, and more than a few interlocking grooves that operate as interstitial threads. “The Dial” is a behemoth of a track, making Squid’s presence known. Keep both eyes on this band and keep this song on repeat.

Gouge Away – Ghost

Gouge Away have quietly become one of today’s best post-hardcore bands, building a name for themselves on a string of outstanding releases. “Ghost” is the latest from the band, which manages to be one of their softest moments and their best track to date. Coasting along at a mid-tempo pace, the band leans into each down stroke with conviction and seem to be operating at the height of confidence, evidenced by the risk involved in a boundary-stretching song. It’s a risk that pays staggering dividends; “Ghost” is the kind of track that makes a whole new audience take notice.

Hovvdy – Easy

Cranberry was a consensus pick as one of early 2018’s great records, giving Hovvdy‘s name considerable weight among a certain section of artists and fans. A few tours later and the band’s followed up that extraordinary release with a gorgeous single, headlined by “Easy”. A soothing slow-burn, “Easy” is characteristic of the band’s best work, drawing in the listener and making sure they stick around to enjoy every subtle nuance embedded into an intoxicating strain of indie pop. Beautiful, meditative, and compelling, “Easy” is a can’t-miss.

Strange Ranger – New Hair

Following up a record that guarantees a cult following, no matter the size, is never an easy feat. Fortunately, Strange Ranger prove up to the task on “New Hair”, the best track of the band’s career. An explosive burst of basement pop, “New Hair” finds Strange Ranger embracing their powerpop tendencies but injecting a level of grit and determination into it that prevent the track from being remotely saccharine, while still finding a way to encapsulate their older prominent influences. It’s impressive and effective, suggesting Strange Ranger aren’t content with cheap trills and searching for longevity.

Pip Blom – Come Home

Over the past several years, Pip Blom have been transforming themselves from a band with promise to a project that’s threatening to break out as an emergent act. “Come Home” suggests that it’s only a matter of time before Pip Blom start making bigger waves, operating as an irresistible slice of insistent indie pop. Informed by post-punk and incredibly aware of effective composition with an expert’s grasp on dynamic structure, “Come Home” is the kind of track that’s tough to shake. It’s also a track that guarantees repeat plays.

Swearin’ – Future Hell

One of the most heartening developments of this past year has been the promise of new material from the recently reunited Swearin’, a band that put out this decade’s best demo and one of its best records. Guitarist/vocalist Kyle Gilbride once again takes center stage, voice teeming with both determination and conviction while the band gives the track their all. Intuitive guitar figures and a solid rhythm section elevate the material further, erasing any doubts that Swearin’ have lost a step in their absence. We should all be thankful they’ve returned.

Gabby’s World – Winter, Withdraw

Recently Gabrielle Smith‘s Eskimeaux project shed that moniker in favor of Ó, which turned out to be a temporary placeholder that’s now made way for what should be the project’s final name: Gabby’s World. With that change, the project seems to have a renewed sense of purpose, something evidenced by the ambition of “Winter, Withdraw”. One of the project’s most gorgeous and most breathtaking moments, “Winter, Withdraw” will be the lead-off track for Gabby’s World’s forthcoming Beast on Beast and sets an extraordinarily high bar when paired with other advance track “Rear View“. Whether or not Gabby’s World can live up to the early precedent shouldn’t even be a question.

Yowler – Angel + Where Is My Light

Maryn Jones is either directly responsible or has played a pivotal role in some of the best records and songs of this decade already, thanks to the songwriter’s involvement in both All Dogs and Saintseneca. Yowler, Jones’ solo project, always can claim an entry or two in that category, and returns this year with Black Dog In My Path. Two of the advance tracks for the record occupy different territory but showcase the project’s shift to a full band. Angel is a tender, wistful track that fits in with the project’s earlier material while “Where Is My Light” is a shock to the system, plunging Yowler into unfamiliar — and incredibly dark — depths, incorporating a sludge influence to breathtaking effect for one of this year’s most thrillingly unexpected turns. Both tracks paired together have more than enough to suggest that Yowler may be on the verge of releasing one of 2018’s most inspired records. None of us deserve Jones’ run but we should all be eternally grateful to bear witness.

Swearin’ – Grow Into A Ghost (Stream)

One of the more heartening developments in recent memory has been the return of Swearin’, the band responsible for the best demo to be released this decade, a self-titled that lived up to the demo’s promise (and then some), and an oddly moving sophomore effort. Some interpersonal difficulties led to the group shelving the project and saw guitarist/vocalist Allison Crutchfield embark on a solo project, striking up a relationship with Merge (a label that also houses Crutchfield’s twin sister Katie’s project, Waxahatchee).

The band’s making one key transition in their return, which is a welcome, familiar face on bass duties: All Dogs‘ Amanda Bartley, who very recently became an official member of the group, just in time for the band to tour their forthcoming Fall Into the Sun. “Grow Into A Ghost” is the first look at that record (which, coincidentally, will be the band’s first release for Merge) and serves as a potent reminder of why this band’s been so missed in the time of their absence.

Basement pop of the absolute highest order, the song’s anchored by Crutchfield’s emotional conviction, formidable writing strength, and thoughtful arrangement. Elevated by the members’ familiarity with a very specific vision, “Grow Into A Ghost” makes no bones about coming out swinging. It’s a hardened look ahead and a reminder of the band’s own legacy, conjuring up an incredible amount of hope for what lays in wait for the future of Swearin’.

Welcome them back by leaving this one on repeat.

Listen to “Grow Into A Ghost” below and pre-order Fall Into the Sun from Merge here.

Staring Down the Sun (Mixtape)

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After a whirlwind catch-up session saw around 80 new posts go up in the past month, this site’s falling back into old habits. Namely, the preservation of implementing some sort of mixtape for every at every 50-post interval. With summer officially kicking off next week, it felt appropriate to create a mix in anticipation of the increasingly warm weather. Somehow,  Heartbreaking Bravery’s now also 900 posts into its existence and some sort of commentary felt fitting as well. To that end, the 25 songs selected below are mostly tracks that have been featured — in some way or another — on this site throughout the course of those 900 posts (including Audacity’s “Hole in the Sky”, which was the the focal point of Heartbreaking Bravery’s first post).

A lot of the songs in Staring Down the Sun are songs that have carried me through previous summers, propelling me forward or comforting me with warmth  and familiarity. It’s those two traits, warmth and familiarity, that are underlined most emphatically on this mix as they’re two of the season’s most consistently definitive draws. As such, Staring Down the Sun is a mix that’s heavily populated by friends, old and new, to sustain the kind of camaraderie that’s so often reinvigorated by sense of contentment and desire for exploration that frequently accompanies the season.

Open the windows, call up some friends, start a band, stoke the embers of the fire in the backyard, enjoy the scenery, travel to a new city, go swimming, or do whatever it takes to enjoy the shifting weather. Whatever the option, there’s now a soundtrack to accompany those moments available for the taking. Grab it and go.

Staring Down the Sun‘s tracklist can be found below the embed. Underneath the tracklist are hyperlinks to the preceding 100 posts. Enjoy.

1. Used Kids – Midwest Midsummer
2. PUP – DVP
3. Audacity – Hole in the Sky
4. Patsy’s Rats – Rock N’ Roll Friend
5. Goodnight Loving – Dead Fish On the Banks
6. PURPLE 7 – Wise Up
7. The Marked Men – Fix My Brain
8. Screaming Females – Wishing Well
9. Good Grief – Cold Compress
10. Jay Som – I Think You’re Alright
11. Icarus Himself – Digging Holes
12. Bent Shapes – New Starts In Old Dominion
13. Jawbreaker Reunion – Friends Theme Song
14. Midnight Reruns – King of Pop
15. Dogs On Acid – Make It Easy
16. Sleeping in the Aviary – Love Song
17. Swearin’ – Hundreds and Thousands
18. Sweet John Bloom – Aging In Place
19. Meat Wave – Cosmic Zoo
20. Mo Troper – Princess
21. Mike Krol – Left Out (Attn: SoCal Garage Rockers)
22. Royal Headache – High
23. Weaves – One More
24. Tenement – Near You
25. Swim Team – Teenage Brain

++

HB800: Watch This: The Best of 2016’s First Quarter, Vol. VI
HB801: Watch This: The Best of 2016’s First Quarter, Vol. VII
HB802: Tenement – Bruised Music Vol. 2 (Album Review)
HB803: Watch This: Vol. 120
HB804: Casey Jordan Weissbuch – Dream (Stream)
HB805: Parquet Courts – Human Performance (Stream)
HB806: Minor Victories – Folk Arp (Music Video)
HB807: Lady Bones – Weight (Stream)
HB808: Ratboys – Not Again (Stream)
HB809: Summer Cannibals – Full Of It (Music Video)
HB810: Faye – Chow Chow (Stream)
HB811: Yucky Duster – Gofer (Stream)
HB812: Catbus – Fracas (Music Video)
HB813: Hudson Bell – Box of Bones (Stream)
HB814: Dark Thoughts (Album Review)
HB815: Eskimeaux – Year of the Rabbit (EP Review)
HB816: The Side Eyes – I Don’t Want To Go To School (Stream)
HB817: Mercury Girls – Ariana (Stream)
HB818: Mitski – Your Best American Girl (Music Video)
HB819: Mo Troper – Star Wars (Stream)
HB820: What A Difference A Month Makes (Full Streams)
HB821: What A Difference A Month Makes (Music Videos)
HB822: What A Difference A Month Makes (Streams)
HB823: Patio – Luxury (EP Review)
HB824: Greys – Outer Heaven (Album Review)
HB825: Alexis Taylor – I’m Ready (Stream)
HB826: Lady Bones – Ice Cream (Stream)
HB827: Deerhoof – Plastic Thrills (Stream)
HB828: Ratboys – Not Again (Music Video)
HB829: Told Slant – Tsunami (Music Video)
HB830: Ought – Beautiful Blue Sky (Music Video)
HB831: EERA – Drive With Fear (Music Video)
HB832: Patsy’s Rats – Rock N’ Roll Friend (Music Video)
HB833: WRAY – Pined (Music Video)
HB834: Mutual Benefit – Lost Dreamers (Music Video)
HB835: Faye – Ancient Bones (Stream)
HB836: Big Thief – Humans (Stream)
HB837: Twist – Soaked (Stream)
HB838: Jackal Onasis – The New Ron (Stream)
HB839: Casket Girls – Tears of A Clown (Stream)
HB840: Diarrhea Planet – Bob Dylan’s Grandma (Stream)
HB841: Cadet Kelly – Throttle You (Stream)
HB842: Beverly – The Blue Swell (Album Review)
HB843: Nano Kino – Surfing on the Void (EP Review)
HB844: Devon Welsh – Down the Mountain (Album Review)
HB845: Frankie Teardrop – Hell Yep (Album Review)
HB846: Major Leagues – Dream States (EP Review)
HB847: Dogheart – Real Mood (EP Review)
HB848: Lady Bones – Terse (EP Review)
HB849: Mulligrub – Soft Grudge (Album Review)
HB850: Plush – Please (EP Review)
HB851: Mo Troper – Beloved (Album Review)
HB852: Color TV – Anybody’s Girl (Music Video)
HB853: Faye – Faye (EP Review)
HB854: Lonely Ghost – Funereal (Album Review)
HB855: Happyness – SB’s Truck (Stream)
HB856: Mercury Girls – All That Heaven Allows (Stream)
HB857: Big Thief – Paul (Stream)
HB858: Charly Bliss – Ruby (Music Video, Live Video)
HB859: M. T. Foyer – All I Wanna Do Is Love You + Let’s Make Something Happen (Stream)
HB860: Petite League – Zookeeper (Stream)
HB861: Woahnows – Mess (Music Video)
HB862: NE-HI – Buried on the Moon (Stream)
HB863: Hollowtapes – Tall (EP Premiere)
HB864: Oceanator – Sunrise (Song Premiere)
HB865: Mitski – Happy (Music Video)
HB866: Birth (Defects) – Hanshin
HB867: Mock Orange – Put the Kid on the Sleepy Horse (Album Review)
HB868: Told Slant – High Dirge (Stream)
HB869: Young Jesus – Void As Lob (Single Review, Live Video)
HB870: Watch This: A Long List of Honorable Mentions from A Brief Stretch of Time
HB871: Watch This: A Full Session of Full Sessions
HB872: Naked Hour – Always on the Weekend (Stream)
HB873: Gorgeous Bully – Just Like Before (Stream)
HB874: Jay Som – I Think You’re Alright (Stream)
HB875: Quilt – Padova (Music Video)
HB876: Watch This: Another Full Session
HB877: Splitting at the Break: The Live Videos of 2016’s First Half
HB878: Watch This: Resuscitations, Pt. I
HB879: Watch This: Resuscitations, Pt. II
HB880: Trophy Dad/Barbara Hans (Split Single Review)
HB881: Hater – Radius (Stream)
HB882: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. I
HB883: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. II
HB884: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. III
HB885: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. IV
HB886: Splitting at the Break: The Live Photography of 2016’s First Half, Pt. V
HB887: Tenement – Feral Cat Tribe (Music Video)
HB888: PUP – Live at the 7th St. Entry – 6/3/16 (Pictorial Review, Live Video)
HB889: Watch This: Vol. 126
HB890: Watch This: Vol. 127
HB891: Rod – Cemetery (Stream)
HB892: Trust Fund – Together (Stream)
HB893: Even Hand – Sighted (Album Review)
HB894: Future Biff – I Crashed Your Car (EP Review)
HB895: Jacky Boy – Bad (Song Premiere)
HB896: Lithuania – Kill The Thing You Love (Stream)
HB897: Watch This: Vol. 128
HB898: Weaves – Weaves (Album Review)
HB899: Dentist – Joel (Stream) [Contains hyperlinks to post 700-799]

First Quarter Songs, Pt. 1 (Mixtape)

Protomartyr XV

We’re a little more than three months into 2015 and the influx of great new material in the year’s first quarter has been astounding. It was a transitional time period for the site, with dozens of authors pitching in personal recollection pieces regarding the previous year. During that time, I also started a full-time position, disallowing a production rate as frequent as the one held throughout the entirety of 2014. However, during these opening months, I haven’t stopped listening, collecting, exploring, and thinking about every new release that I was fortunate enough to find. There are more than 250 songs, 90 full streams,  and 115 music videos to cover, so- while a few will be given full features- it only made sense to bring everything up to speed via long lists of the things worth mentioning. To begin, here are 25 great songs from 2015 that deserve to be heard. Don’t let the fact that there are no accompanying descriptions short-change the value of these songs; this is the first batch of what already looks like the strongest crop of new music we’ve had in years. The track list, and embedded player, is below. Listen to these songs, pay attention to these artists, buy these records, and go to their shows. Don’t make the mistake of letting any of them pass by unnoticed.

1. The Juliana Hatfield Three – Wood
2. Swerverdriver – Autodidact
3. Gal Pals – Here’s to the Gals
4. Chastity Belt – Time to Go Home
5. Beech Creeps – Times Be Short
6. Will Butler – Take My Side
7. Dick Diver – Tearing The Posters Down
8. Shadow Age – A Portrait of A Young Man Dying
9. The Zoltars – Sincere
10. Robot Princess – Action Park
11. Colleen Green – TV
12. Alex G – Sarah
13. Sam Cook-Parrott & Allison Crutchfield – Something About What Happens
14. Chris Weisman – Don’t Be Slow
15. Dorthia Cottrell – Oak Grove
16. Cloud Castle Lake – Glacier
17. Simon Joyner – You Got Under My Skin
18. Eaves – Spin
29. Steady Lean – Atkins
20. Shilpa Ray – Pop Song For Euthanasia
21. Rye Pines – Pessimist
22. Moon Duo – Slow Down Low
23. DOE – Basement
24. Weed – Stay in the Summer
25. LVL UP – Somebody Kill Me Please 

2014: A Pictorial Review, Pt. 5

Speedy Ortiz III

One thing that this site has strived to maintain is its own visual aesthetic. While it’d be impossible to find a photo in the archives for every given band that headlines a post, an original photo will be posted anytime the opportunity presents itself. Upgrading cameras halfway through the year provided a bevvy of new opportunities and the subsequent implementation of a more photo-centric presence. That’s not by mistake. Photography (especially event photography) has always been an important crux of multimedia journalism. It can be a way to implicitly (or explicitly) convey some of the more minute details of a singular moment to a reader- or it can simply act as an intriguing supplement.

Those were just a few of reasons that went into the decision behind a headfirst dive into photography investment (on both a personal and public level) and factored into why one camera or another was brought along to every show this site covered in the past year. Now, with 2015 just around the corner, seemed like as good a time as any to showcase a few photographs from the past 12 months that stood out as personal favorites. Since there are a few too many to go up all at once, they’ll be posted at random as part of installments that will run from now to the start of January. Most of these shots have been published on the site before (or on The Media), though there are a few that will be appearing for the first time.

Pt. 5 will be the final installment of this series and the preceding galleries can be accessed via the links directly below. Enjoy!

2014: A Pictorial Review, Pt. 1
2014: A Pictorial Review, Pt. 2
2014: A Pictorial Review, Pt. 3
2014: A Pictorial Review, Pt. 4

 

2014: A Pictorial Review, Pt. 4

Perfect Pussy VIII

One thing that this site has strived to maintain is its own visual aesthetic. While it’d be impossible to find a photo in the archives for every given band that headlines a post, an original photo will be posted anytime the opportunity presents itself. Upgrading cameras halfway through the year provided a bevvy of new opportunities and the subsequent implementation of a more photo-centric presence. That’s not by mistake. Photography (especially event photography) has always been an important crux of multimedia journalism. It can be a way to implicitly (or explicitly) convey some of the more minute details of a singular moment to a reader- or it can simply act as an intriguing supplement. Those were just a few of reasons that went into the decision behind a headfirst dive into photography investment (on both a personal and public level) and factored into why one camera or another was brought along to every show this site covered in the past year. Now, with 2015 just around the corner, seemed like as good a time as any to showcase a few photographs from the past 12 months that stood out as personal favorites. Since there are a few too many to go up all at once, they’ll be posted at random as part of installments that will run from now to the start of January. Most of these shots have been published on the site before (or on The Media), though there are a few that will be appearing for the first time. Enjoy!

2014: A Pictorial Review, Pt. 3

Swearin'

One thing that this site has strived to maintain is its own visual aesthetic. While it’d be impossible to find a photo in the archives for every given band that headlines a post, an original photo will be posted anytime the opportunity presents itself. Upgrading cameras halfway through the year provided a bevvy of new opportunities and the subsequent implementation of a more photo-centric presence. That’s not by mistake. Photography (especially event photography) has always been an important crux of multimedia journalism. It can be a way to implicitly (or explicitly) convey some of the more minute details of a singular moment to a reader- or it can simply act as an intriguing supplement. Those were just a few of reasons that went into the decision behind a headfirst dive into photography investment (on both a personal and public level) and factored into why one camera or another was brought along to every show this site covered in the past year. Now, with 2015 just around the corner, seemed like as good a time as any to showcase a few photographs from the past 12 months that stood out as personal favorites. Since there are a few too many to go up all at once, they’ll be posted at random as part of installments that will run from now to the start of January. Most of these shots have been published on the site before (or on The Media), though there are a few that will be appearing for the first time. Enjoy!

2014: A Pictorial Review, Pt. 2

METZ I

One thing that this site has strived to maintain is its own visual aesthetic. While it’d be impossible to find a photo in the archives for every given band that headlines a post, an original photo will be posted anytime the opportunity presents itself. Upgrading cameras halfway through the year provided a bevvy of new opportunities and the subsequent implementation of a more photo-centric presence. That’s not by mistake. Photography (especially event photography) has always been an important crux of multimedia journalism. It can be a way to implicitly (or explicitly) convey some of the more minute details of a singular moment to a reader- or it can simply act as an intriguing supplement. Those were just a few of reasons that went into the decision behind a headfirst dive into photography investment (on both a personal and public level) and factored into why one camera or another was brought along to every show this site covered in the past year. Now, with 2015 just around the corner, seemed like as good a time as any to showcase a few photographs from the past 12 months that stood out as personal favorites. Since there are a few too many to go up all at once, they’ll be posted at random as part of installments that will run from now to the start of January. Most of these shots have been published on the site before (or on The Media), though there are a few that will be appearing for the first time. Enjoy!

2014: A Pictorial Review, Pt. I

Frankie Cosmos III

One thing that this site has strived to maintain is its own visual aesthetic. While it’d be impossible to find a photo in the archives, an original photo will be posted anytime the opportunity presents itself. Upgrading cameras halfway through the year provided a bevvy of new opportunities and the subsequent implementation of a more photo-centric presence likely showed. That’s not by mistake. Photography (especially event photography) has always been an important crux of multimedia journalism. It can be a way to implicitly (or explicitly) convey some of the more minute details of a singular moment to a reader- or it can simply act as an intriguing supplement. Those were just a few of reasons that went into the decision of photography investment (on both a personal and public level) and factored into why one camera or another was brought along to every show this site covered in the past year. Now, with 2015 just around the corner, seemed like as good a time as any to showcase a few photographs from the past 12 months that stood out as personal favorites. Since there are a few too many to go up all at once, they’ll be posted at random as part of installments that will run from now to the start of January. Most of these shots have been published on the site before (or on The Media), though there are a few that will be appearing for the first time. Enjoy!

Radiator Hospital at Cocoon Room – 9/8/14 (Pictorial Review, Video)

Radiator Hospital II

When Radiator Hospital announced Milwaukee as a stop on their tour, not going wasn’t an option. After all, Torch Song has had more plays this year than just about any other record from 2014 so far. “Cut Your Bangs” was a personal pick for “song of the summer” and more than earned it’s inclusion in this site’s summer songs mixtape. They’re a band that embodies next to everything that’s worth celebrating about the DIY ethos in punk-leaning independent music (something that was touched on by the band directly with their attached note in The Media premiere of  their “Bedtime Stories” music video). As if that wasn’t enough, Radiator Hospital also gets to claim Jeff Bolt (who also drums in site favorites Swearin’ and runs Stupid Bag Records– also a site favorite) as a member.

After the two and a half hour drive down to Milwaukee, it didn’t take too long for the night’s plans to be set into motion. While Radiator Hospital was the priority, there was a late show happening across town at Boone & Crockett featuring an Ian Olvera solo set and semi-recent Watch This honorees Lee Bains III & The Glory Fires. Having never been to Cocoon Room or Boone & Crockett it was difficult to know what to expect but both proved to be intriguing venues that’ll likely warrant repeat visits. Cocoon Room came across as a small DIY art gallery and had already set their bill into motion with a welcoming set from King Courteen shortly after the projected start time. Due to a late arrival, there were only a few King Courteen songs that managed to be taken in but from those alone, it was easy to see a very distinct, considerable talent- one that’ll likely be around a while.

During the last moments of King Courteen’s gripping set another thing became abundantly clear: thanks to how dimly-lit Cocoon Room was, it was going to be very difficult to shoot the bands playing. King Courteen proved impossible and it didn’t seem like that’d be changing for any of the following acts. Radiator Hospital wound up playing second, allowing Lousy Trouts the final slot and it didn’t take them long to lament the lack of light, either. After bluffing her way through a guitar solo while laughing to herself, Cynthia Schemmer smiled and offered up the fact the band usually plays in more light- which probably should have been seen as a subtle plea to get a few additional bulbs turned on- but things stayed the same. Not that it detracted from much of anything as Radiator Hospital blazed through a 9-song set that leaned heavily on the best moments of Torch Song (“Cut Your Bangs”, “Five & Dime”, “Leather & Lace”, etc) while still making room for the deserves-to-be-considered-classic “Our Song”.

If the lack of light didn’t affect them too much outside of Schemmer’s ridiculously fun solo, it was a little bit disheartening to hear that Cocoon Room was dealing with a shot speaker cable, forcing the mix to one side- which meant sacrificing a fair bit of bandleader Sam Cook-Parrott’s vocals. Even with that factored in, Radiator Hospital played with more conviction than most bands manage in perfect circumstances. Bolt was as on point as ever, Schemmer and Cook-Parrott both put next to everything they had into their playing and singing, and bassist Jon Rybicki (whose recent record as Attendant earned a lot of love here) played as emphatically as possible, providing the songs with an extra bit of punch. Both the audience and the band seemed to be enjoying themselves, which isn’t always the case- but that night everyone operated under the understanding that great music deserves attention, applause, and praise. Even with the dim lights and PA issues, it was a memorable experience and an impressive set- one that ensured Radiator Hospital a position on the “can’t-miss” list for live acts.

After Radiator Hospital wrapped up, the venue got a little too crowded a little too quickly and the heat became too much, so (after some time spent catching up with the members of Radiator Hospital outside the venue), it was off to Boone & Crockett for Sub Pop signees Lee Bains III & The Glory Fires. While arriving late meant having to miss Ian Olvera (who also fronts The Sleepwalkers), it’s a safe bet that he put on a great set that probably shouldn’t have been missed- and if Lee Bains III & The Glory Fires’ first half of their set was as incendiary as the back stretch, then the same can definitely be said for them. Bains and his band play a ferocious strand of southern rock that embraces a manic punk energy, allowing each individual member to fly off the handle at will. It took less than two seconds of being in the venue to see Bains jump off the stage and barrel his way into the audience before jumping back up and taking a perch on the bass drum- before falling to the floor and punching a malfunctioning pedal. That string of actions set the tone for what was to follow, as the band tore through song after song and ripped through a wide-reaching selection of riffs and solos while working themselves into an intense sweat. There were no sections where they lost pace or momentum and by the time they finished, it felt like the room (a small bar that specializes in mixology) had just sustained an atomic blast… and the band was only playing with their “little” amps. It wouldn’t have been surprising if the following night saw them burning Green Bay’s Lyric Room to the ground. Currently, they’re getting set to embark on a tour with Southern stalwarts Drive-By Truckers and that’s a bill that needs to be taken advantage of, if at all possible. Keep it in mind.

All in all, it was a night of great music and impressive lyricism (especially in the case of Radiator Hospital, whose Torch Song boasts some of the strongest writing of the year) that showcased how vital Milwaukee is to fostering independent-minded music. King Courteen displayed promise, Radiator Hospital solidified their on-the-rise position with a vicious authoritativeness, and Lee Bains III & The Glory Fires proved that they weren’t an act to be trifled with using as much wild-eyed intensity as humanly possible. And, on nights like those- especially when they’re spent with good friends- it’s impossible not to fall in love with music all over again.

Due to the lighting at each venue being very limited, there weren’t a lot of photos worth posting but a small handful is better than nothing. View those below and videos of Radiator Hospital and Lee Bains III & The Glory Fires beneath the gallery.