Heartbreaking Bravery

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Tag: Lost Boy ?

One Great Week, Five Great Songs

September got off to an exceptionally strong start, with the month already yielding incredible new songs from the following laundry list of artists: Lost Boy ?, Wand, Lina Tullgren, Miss World, Dead Leaf Echo, Danielle Luppi & Parquet Courts, Death By Unga Bunga, Queen of Swords, Trudy and the RomanceSLØTFACE, Partner, Suno Deko, Gleemer, TFS, After Hours Radio, Prawn, Mal Devisa, Field Medic, Ryan Koenig, Raleigh, Tough Age, Mt. Doubt, Havah, Moses Sumney, Infinity Girl, Heaters, The Fluids, Ora Corgan (x2), Aiming for Enrike, SLONK, Sales, Earl Grey, St. Vincent, Gun Outfit, Rostam, Charlotte Gainsbourg, The Helio Sequence, Happy Hollows, and Silver Torches.

Somehow, despite the unreal amount of incredible tracks in that treasure trove, that was still just scratching the tip of the iceberg. Below were the five songs that leapt out most from an embarrassment of riches. Most of the names are familiar and some are acts in the midst of welcome resurgences. All of them are worth turning on and turning up, so push the volume levels up and go exploring. Enjoy.

1. Sports – Making It Right

A short while ago, Sports were hinting that their run might be over following the release of their excellent All of Something. Fortunately, as “Making It Right” makes abundantly clear, that wound up not being the case. They may even allude to that false alarm with the clever “you’re calling my bluff” line. In a little over 100 seconds, Sports proves that they’re not just back but that they’re at the absolute top of their game.

2. Slaughter Beach, Dog – Fish Fry

As Slaughter Beach, Dog, Modern Baseball‘s Jake Ewald has been releasing music that’s been on par with — or threatening to outstrip — that of his main vehicle. “”Fish Fry” is yet another deeply absorbing entry into Ewald’s solo discography. Characteristically unassuming, “Fish Fry” is as sharp as anything Ewald’s released. Putting the modern day ennui of young adulthood under the microscope, the loneliness on display in”Fish Fry” almost sounds romantic before the reality of it all sets in and it just comes across as painfully sad, enhancing the song’s already magnetic pull.

3. Magic Potion – Rest Yr Skull 

Magic Potion already have a quality EP and LP to their name and have only improved over time. The Rest Yr Skull 7″ is the next release on the table and the band have anchored it with the title track. Like a lot of bands on the consistently outstanding PNKSLM roster, the band pulls the majority of their influences from slacker punk and slacker pop movement of the ’90s, advancing the aesthetic with something intangibly modern. “Rest Yr Skull” is as fine of an example of that formula as anyone’s likely to hear all year, a charming slice of driving basement pop with an irresistible melody.

4. Bad History Month – Being Nothing

For a time, it looked as if Bad History Month may have disappeared for good. Luckily, “Being Nothing” arrived last week to dissuade anyone from that notion. A career highlight in a fascinating and deeply inventive discography, “Being Nothing” fully celebrates the oddities that have made the project’s past releases so essential. Folk-informed, noise-damaged, and utterly arresting, “Being Nothing” could not have come from anyone else. Psychedelic overtones push one of the most defiantly nonconformist songs of 2017 to even greater heights. It’s unmissable.

5. Radiator Hospital – Pastoral Radio Hit

“Pastoral Radio Hit” is the second glimpse at the forthcoming record from site favorites Radiator Hospital, whose “Dance Number” clip cracked the recent top 10 list for August. The song’s hard-charging at first blush, full of restraint at second, and brilliantly explores the dichotomy between the two at third. It’s an endlessly fascinating piece of music that lives up to its title and confirms that Radiator Hospital’s forthcoming Play The Songs You Like will be one of their discography’s most adventurous entries. Turn it up, put it on repeat, and find a new thing to love each time it winds to a close.

The 15 Best Songs of August

We may only be a week into September but there have already been a handful of notable releases to find their way out into the world this month. Those items will be appraised in due time and given the recognition they richly deserve but for now, it’s worth taking the outstanding songs of last month into account. While a dozen bands appear on this list, a trio of them managed to release two songs that hit harder than anything else. Normally, these would be whittled down to one specific inclusion but all three cases proved so impossibly deserving that it became impossible to not highlight both. So, take a deep breath and dive on into the 15 best songs of August. Enjoy.

Weaves – 53 + Walkaway

One of last year’s most breathtaking breakout acts, Weaves had been surging forward for a few years before the momentum carried them over the top. Thankfully, it doesn’t appear that their momentum has slowed a bit, with the project’s two new songs suggesting that it may have even found a way to accelerate. Both “53” and “Walkaway” are towering testaments to the band’s formidable strengths, from their unparalleled grip on dynamics to the ability to conjure a larger-than-life feeling, this pair constitutes two of 2017’s absolute strongest tracks.

Rainer Maria – Forest Mattress

Re-emerging from some cruel shadow that kept Rainer Maria away for far too long, the band more than proved they’ve still got what it takes to craft an incredible record. Among Rainer Maria‘s most scintillating highlights was “Forest Mattress”, an incisive burst of pop-leaning post-punk. Arresting, melancholic, and even a little hopeful, “Forest Mattress” stands as a song befitting of 2017’s most welcome comeback. An invigorating return to form for a band that’s always deserved far more recognition than they’ve received.

Common Holly – Nothing

Simplistic, taut, and driven by an utterly gorgeous vocal melody, Common Holly’s “Nothing” was one hell of a way to turn a few heads. A beautiful piano figure, minimalist percussion, and a staggering amount of conviction combined to propel “Nothing” from a run-of-the-mill bedroom pop song to something impossible to ignore. Every second of this track managed to soothe, grip, and impress. It’s an extraordinary introduction to an artist that will be more than worth watching.

Abraham King – Spit

Abraham King’s “Spit” has all the hallmarks of a great basement pop track, with a few key distinctions that manage to elevate it to stratospheric heights. Whether it’s the production or the range of influences driving “Spit”, there’s something to admire in each one of the song’s turns. Instrumental arrangements and a vocal delivery that elicit an emotive response, a running time that feels all too brief, “Spit” finds an unassuming route to transcendence.

METZ – Drained Lake

One of the most blisteringly intense bands of this decade, METZ have never slowed down to smell the roses, instead opting to set the entire garden on fire and spray gasoline and throw molotov cocktails into the flames until they start threatening the nearest forest. “Drained Lake” is one of the trio’s most ferocious songs to date, while also somehow being one of the most melodic efforts of their discography. It’s weird, it’s twisted, and it’s perfectly METZ. Get out of the way or get reduced to a pile of ashes.

Lost Boy ? – Heavy Heart

A perennial site favorite, the Davey Jones-led Lost Boy ? has been growing more experimental in recent years. “Heavy Heart”, a song recently posted to Lost Boy ?’s soundcloud, takes that experimentation to new levels by fully embracing the sound that drove some of the most iconic movies — and movie soundtracks — of the ’80s. From an opening that establishes that familiar tone to a Wolf Parade-esque vocal delivery, “Heavy Heart” both intrigues and entices, acting as both a warm blanket and a surprisingly effective shot in the arm.

Washer – Dog Go Bark + Bass 2

Washer have found a way to be the model of consistency throughout the past several years. Never anything less than superlative and steadily, continuously improving, their forthcoming All Aboard appropriately contains the strongest work of their career. The last two songs to be released in advance of the record stand as a proof positive clam of support. “Dog Go Bark” and “Bass 2” both operate in similar strong structures yet sound so radically different, it’s nearly impossible to notice. This is Washer at their absolute peak, churning out songs that are as memorable as they are explosive. Get swept up in the fray and never leave.

Madeline Kenney – Big One

The last time a round-up of the best songs to appear over the course of a small hiatus ran on this site, Madeline Kenney‘s “Always” found itself snugly situated among the featured tracks. Kenney continues that winning streak here with the sprawling “Big One”. Operating as the calm in the eye of a storm, “Big One” sees Kenney asserting will and tapping into a deep well of personal strength. Bold, provocative, and spellbinding, it goes a long way in proving that “Always” was no fluke.

Weakened Friends – Hate Mail

While Kendrick Lamar may still be the most sought after musician for a feature spot for most of the music world, a certain pocket of ’90s-indebted slacker punk bands would likely give that distinction to Dinosaur Jr‘s J Mascis. Rarely has Mascis been utilized more expertly or made more sense as a guest than the legendary guitarist does on “Hate Mail”. Weakened Friends comes out swinging on this track, conjuring both the spirit of a decade past and enough determination and innovation to continue to nudge that sound forward. It’s a monstrous song with a beautiful assist and should find a loving home in the libraries of people who still make their partners mix tapes.

Mike Caridi – Two Dogs

LVL UP‘s Mike Caridi has quietly been releasing some excellent music as The Glow and issuing out some equally impressive songs on soundcloud. “Two Dogs” may be one of Caridi’s finest. Recorded over a year ago, “Two Dogs” retains Caridi’s songwriting signatures, featuring everything from a breezy vocal melody to being a little battered by noise. It’s light, it’s fun, and — most importantly — it sticks. As is always the case with the best Caridi-authored tracks, one listen never feels like enough.

Grouper – Children

Recorded for Ruins but separated from the final product, “Children” stands as one of the most gentle and moving songs of Grouper‘s career. Released in part to benefit the Silvia Rivera Law Project, Transgender Law Center, and the Trans Assistance Project, “Children” stands as a testament to the empathy fueling Grouper’s most notable works. Calming at first blush, the song takes on a more sinister bent as the narrative comes into focus, painting a drastic duality between tone and message. By the time “Children” has fully revealed itself, it’s impossible to escape.

Strange Ranger – Sophie + House Show

Strange Ranger has gone on a commendable evolution over the past few years, resulting in the project’s most sterling  individual efforts. “Sophie” and “House Show” the first two tracks to tease the band’s upcoming Daymoon. Both exude the kind of spellbinding melancholy that informed their best work and see the band’s grip on songwriting tightening to the point where their knuckles turn collectively white. “Sophie” is the calm and “House Show” is the storm but both offer an endless array of rewards. This is the sound of a band coming into their own, unafraid to gamble or take cues, and expressing a singular identity with an abundance of conviction.

 

 

Shea Stadium: It’s Not Over Yet

While the Kickstarter drive to help secure Shea Stadium was wildly successful in terms of generating fiscal resources (nearly $100,000) for the beloved DIY Brooklyn venue, their fight’s only just beginning. The musical haven and cultural staple of Brooklyn’s landlords essentially refused the option of renewal to those running its operation, citing plans to convert the lower space into a nightclub as a reason for withholding the required signature to keep Shea Stadium alive at 20 Meadow St.

However, the Kickstarter campaign wasn’t the only thing funding the venue’s efforts of a greater revival. All of the people who had a hand in running Shea Stadium are resolved, now more than ever, to keep Shea Stadium going. The relocation costs provide a much steeper challenge than what would’ve been required to keep the venue alive on 20 Meadow St. and while the Kickstarter certainly helped, Exploding In Sound Records (who have maintained a very close relationship with the venue over the years) recently announced Exploding In Sound: Live at Shea Stadium.

Exploding In Sound: Live at Shea Stadium‘s a compilation of the best live cuts from the venue by the bands that have had a working relationship with the label and all of the proceeds will be directed towards the re-opening of Shea Stadium. To offer a glimpse of what’s on the tape, the label’s offered up a characteristically invigorating Pile performance, which sees the band tearing through “Baby Boy”. It’s a tantalizing preview of what’s destined to be one of the year’s most essential compilations.


In joining the communal outpouring of affection that’s swelled up around Shea Stadium, I’ve compiled all of the Heartbreaking Bravery videos that I personally shot at the venue over the summer of 2015, a near 50-video playlist which includes performances from the following: Attic Abasement, Charly Bliss, Diet Cig, Pupppy, Rivergazer, Clearance, Leapling, Lost Boy ?, Mumblr, Eskimeaux, Mitski, PWR BTTM, Model Train Wreck, Fern Mayo, Fruit & Flowers, Boytoy, & Sharkmuffin. It’s those kind of acts that inspired a loyal following that eventually became something greater: a legitimate community that’s ready to rally behind what’s developed into one of New York’s most important — and necessary — musical institutions. Buy that Exploding In Sound compilation here and revisit some highlights from the venue circa summer 2015 below.

Streams of the First Quarter: The Honorable Mentions

Less than a week remains in 2017’s first quarter and the year’s already earned solid representation thanks to a slew of incredible releases. Below this paragraph are links to approximately 500 of the finest songs that the January-to-March period had to offer. A few of which are from widely renowned artists but the vast majority are from the artists who deserve more recognition than they receive.

Now, it’s practically impossible to imagine any one individual is going to sit down and listen to every single one of the songs here but that’s not exactly the purpose of these lists. This, as was the case with the others, is a capsule of a time period that offered up art that was (mostly) lost to the shuffle. It’s a representative account of what was happening behind-the-scenes while this site was in its extended hiatus.

Most importantly, it’s a way to recognize and honor the artists responsible for crafting pieces that both deserved and earned praise, even if it’s in a relatively minor form. This will likely be one of the longest lists of links to ever run on this site and it’s likely best to just click around until something strikes a chord. So, bookmark this page, dive in, and explore what the world’s produced over this first quarter and keep an eye on this site for a few short “best of” posts before Heartbreaking Bravery resumes its regular daily coverage. Enjoy.

NE-HI, Hater (x2), Knife in the Water (x2), Thelma, The Districts, Flasher, Catholic Action, Growl, Happyness, Land of Talk (x2), Canshaker Pi, Baby!, Gold Connections (x2, 3), Jay Som (x2), Go Fever, The Mells, The Chinchees, Aye Nako, Greatest Champion Alive, Diet Cig (x2, 3), High Sunn, Tall Friend (x2, 3), Do Make Say Think, Boss Hog (x2), Fog Lake (x2), Littler, Real Life Buildings (x2), The Proper Ornaments, Alex Napping (x2), Bruising, YURT, Analog Candle (x2), The Courtneys (x2), Wild Pink (x2), Amanda Glasser

Lunch Ladies (x2, 3), B Boys, Molly BurchIdle Bloom, WHY?, Vengeance, Phoebe Bridgers, Kane Strang, Former Bullies, The Spookfish (x2), Dude York (x2), Ben Grigg (x2, 3), Agent blå, Andrew Goldring, Fragrance., Rolling Blackouts Coastal Fever, Spiral Stairs (x2), Bonnie ‘Prince’ Billy, Guided By Voices (x2), Future Teens, WaydeÀ La Mode, Fraidycat, Robyn Hitchcock (x2), Eric Slick, Terry Malts, Sharkmuffin, Ride, Joan Shelley, PONY, The Coathangers, Juliana Hatfield (x2), Sorority Noise (x2), Slow Caves

No Thank You (x2, 3), Francobollo, Great Profile, Mount Song, Real EstateHawkmoon, Casper Skulls, Century Palm (x2), Deathlist (x2), Rosie Carney, Superorganism, Goldblooms, Day Wave, Wire, Cotillon (x2, 3), Will Johnson (x2), Anti Pony, Personal Best, Mind Rays (x2, 3), Ty Segall (x2, 3), Bonny Doon (x2), Arc Flash (x2), Tobin Sprout, Slowdive, Top Down, Mise en Scene, Thunder Dreamer, Hiccup (x2), Bent Denim, The Molochs, Caitlin Pasko, Cold Beat, Oak House

Mad OnesThe FeeliesWavves (x2), Tonstartssbandht (x2), Those Lavender Whales (x2), Overlake, Winstons, Vagabon, MaganaTrust Fund, Fuzzystar (x2), Baked (x2), Loose Tooth (x2, 3), The Sloppy Heads, The Cairo Gang (x2), Vundabar, Chick Quest (x2), Holy Sheboygan (x2), The Craters, Doug Tuttle, Walter Martin, Nadine Khouri, Holy Now, Vassals, The Obsessives (x2), Orchid Mantis, Thin Lips, Apocalypse, Communions, Olden Yolk, Dion Lunadon, Emperor X, Shadow Band, Richard Edwards, Adna

Bleached (x2), SaltlandTim Kasher (x2), Warm SodaAlyeskaMatthew Squires, You’re Jovian, Little Star, Mothpuppy, Midwives, Monster Movie, Jessica Denison + JonesElijah, Loom, Your Old Droog, Mimi Raver, Smidley, Beachheads, Clap Your Hands Say Yeah (x2), Cesar Ruiz, Leather Can, Woods, The Yugos (x2), Adam Torres (x2), L.A. Witch, David Bazan, Luxury Death (x2), Imaginary Tricks, Strange Lot (x2), Lomelda, Sacred Spirits, Matty Ann, The Hernies, Destrends, ELLA, Adult Mom, Second Still

The Dove & The Wolf, Gang of Youths, Trementina (x2), Good Good Blood, SheerOrchin, Anna Coogan, WALL, Artificial Pleasure, Sera Cahoone, Annie Hardy (x2), Priests, Laura Marling, Yawn Mower (x2), Toby Foster, Wear Your Wounds, The Present Age, The Knitts (x2), Junior Astronomers, No Vacation, Wolf Girl, Peter Bjorn and John, Cassandra Jenkins (x2, 3, 4), A Valley Son (x2), Jons, Sinai Vessel, Yellow Paper Planes, Seven Deaths, Snakehole, Sondre Lerche (x2), Varvara, Karen Elson

Tiger! Shit! Tiger! Tiger!, Wilding, Common MinerDan Misha GoldmanCymbals Eat Guitars, Lost Boy ?, Moon DialThe Birthday Letters, UV-TV, Girl As Wave, Big Surr, Nightlands, Menace Beach, Boytoy, Melby, Dali Vision, Desperate Journalist, Alex G, Knifey, Aquarian Blood, Winstons, High Up, Joshua James, I Am the Polish Army, Feral Ohms, French Vanilla, Bad Breeding, The Octopus Project, Born Without Bones, Laughed The Boy, Jake Xerxes Fussell (x2, 3), Cindy Lee, The Cover Letter, Michael Nau

Lyrie and the Duckies, Vorhees, Blank SquarePatterson Hood, Jon McKiel, Whips, WompsKikagaku Moyo, Brandon Koebs, Surf Dads, LT Wade, Daddy Issues, David Bazan, Matthew Lee Cothran, Jake Clarke, Spur, Loose Buttons (x2), Bilge Rat, Saw Black, Lowly, Jackson Boone, Superchunk, Desert Culture, Julia Lucille, The Darling Buds, Ducks Unlimited, Hoops, Taft Mashburn, Summer Moon, Conifer Vista, My Education, The Wooden Sky, Her’s, Teen Daze, Rubblebucket, Platinum Boys, Jens Lekman, Threefifty

Sam Coffey & The Iron Lungs, Nadia KazmiShelby Earl, Preservation Hall Jazz Band, Circus DevilsFire in the Radio, Half Waif, Metric, Sampha, Deadwall, Ground and Grave, Martin Rev, Craig FinnOiseaux-Tempête, Raj and the 100’s, The Wintyr, TW Walsh, ShitKid, Joel Michael Howard, Evening Darling, FOTR, Pollen Rx, Lillie Mae, Kyle T. Hurley, Hite, Tara Jane O’Neil (x2), Louise Lemón, PalomaStacey, Two Moons, POND, Business of Dreams, Billy Moon, Low Roar, She-Devils, White Reaper, Tiny Vipers

SOFTSPOT, Gorillaz, ROYA, BottlerThe Megaphonic Thrift, Caves, The New PornographersJulie Byrne, BNQT, COTE, Damaged Bug, Railings, Mark Eitzel, Deleter, Code Orange, Goddamnit, Cory Branan, No Joy, Blak Emoji, Tropical Skin Byrds, Empty Lungs, Tomber Lever, Rainbrother, Max Subar, Little Person, Perhapsy, Other Houses, Dehd, Niilo Smeds (x2), Morning Teleportation, The Co Founder, Show Me the Body, Kory Quinn, Tow’rs, Circle, Maria Kelly, Cosima, John Craigie, Holy Motors, Benjamin Booker

Me Not You, Her HarbourHeath Green and the Maksehifters, CodistMatt Maltese, Thurston Moore, Pissed Jeans, Feist, Odd Couple, A Deer A Horse, Cassels, Thad Kopec, Turn to CrimeTorgeir Waldemar, Oyama, Said the Whale, Altar Eagles (x2), Grace Mitchell, Radiator King, Minus the Bear, The Tarantula Waltz, Hiva OaTrès Oui, The Buttertones, Winston Hightower, Crooked Bangs, Los Angeles Police Department, CFM, Diagrams, Boosegumps, Marcus Norberg and the Disappointments

The Nickajack Men, Semi-Attractive Boys, BanditosRachel Kilgour, Broken Field Runner, Residuels, Jim and the French Vanilla, Wooden Wand, Emma Ruth Rundle, Batz, Monograms, Operator Music Band, RF Shannon (x2), LAKE, Ha Ha Tonka, Fufanu, Coast Modern, The Glass Eyes, Keto, Loess, Go By Ocean, Unstoppable Death Machines, Frederick the Younger, Bendigo Fletcher, Meatbodies, The Bingers, Slingshot Dakota, Astro Tan, Football, etc., Planning for Burial, Delafye, Dim Wit, Retail SpaceEmma Gatrill, Gnod, Mark Lanegan Band, and Leon of Athens.

 

 

 

Seven Weeks of Streams

Charly Bliss LIV

The last two months or so, while dwindling down in the release compartment, have been stacked with great material.  Mac McCaughanGrouper, SOHN, Trashclub, Palberta, Rosebug, Ben Varian, sad13, Sam Skinner, So Stressed, benngrigg, and Keroscene all released impressive material in the past week or so and deserve attention but the twenty(-two) tracks listed below more than earned their feature placements. A lot of favorites and some new names co-exist in the run-down, which can (and should) be explored below.

Charly Bliss – Turd

An insane amount of praise has been showered on Charly Bliss in the confines of this site. They’ve deserved even more. The band’s currently in the midst of sharpening a full-length they’ve been working on for more than two full years. “Turd” is a tantalizing glimpse at what’s to come, a molotov cocktail of classic pop influences teeming with a confrontational punk sensibility that, paradoxically, manages to be incredibly inviting.

Yucky Duster – Elementary School Dropout

Gofer” remains one of the most infectious pop songs to have been written since the turn of the century. Yucky Duster‘s just-unveiled “The Ropes” shows they’ve got no intentions of slowing down and “Elementary School Dropout” proves the band’s whip-smart intelligence is fully intact. Jaunty, enticing, and oddly moving, the song’s making it next to impossible to wait for their forthcoming EP, Lament.

WHY? – This Ole King

Elephant EyelashAlopeciaEskimo Snow, and maybe even Oaklandazulasylum deserve to be regarded as modern classics. While still releasing some immensely thoughtful material, WHY? hasn’t managed to match those releases in the years that have passed since Eskimo Snow. “This Ole King”, the band’s most arresting composition in a handful of years, offers up a ray of hope. Tasteful and weirdly enchanting, it’s already earned a spot as one of WHY?’s finest individual works.

Cloud Nothings – Internal World

Cloud Nothings have been enjoying a deeply impressive streak since becoming a full band several years ago. From the cold, steel trap that was Attack On Memory to the relentlessly bruising Here and Nowhere Else, they’ve demonstrated a lot of range. “Internal World” continues to hint at their forthcoming record taking the best parts of all three of those releases and congealing them into something incredibly compelling. It’s another impressive piece of an already fascinating puzzle.

Amos Pitsch – Shift Towards Tenderness

No band has earned more rapturous praise (or more praise in general) than Tenement. DUSK have earned themselves a fair few accolades as well. If Amos Pitsch (guitar/vocals in Tenement and bass/vocals in DUSK) is involved with a song, there’s a very strong chance it’ll be receiving praise here. Pitsch has mostly avoided releasing solo works, which makes “Shift Towards Tenderness” something of a surprise. Not a surprise? “Shift Towards Tenderness” being another unassuming tour de force from one of this generation’s finest songwriters.

Luxury Death – Painkiller

“Painkiller” is another impressive notch in the belt of one of today’s finest labels, Art Is Hard. Peppy and packing a considerable amount of bite, the Luxury Death single is a microcosm of what makes both the band and the label releasing the single so formidable. Immensely appealing and constructed with a clearly apparent thoughtfulness, there are no false moves among a series of refreshing grace notes.

Permit – Track #1

One of 2016’s most pleasant surprises, Permit took off running. The band’s Vol. I EP was a galvanizing blast of glam-inflected punk with a serious amount of classic pop overtones. Headlining those proceedings was “Track #1”, which immediately sets the band up as kindred spirits to Sheer Mag. Sharp, fierce,  and immediately memorable, “Track #1” easily ranks among the year’s most exciting listens.

No Sun – Drown In You

2016 didn’t have quite as many out-and-out shoegaze powerhouse releases as many of the preceding years but the genre still had some incredibly bright moments. One such  moment came in the form of No Sun‘s towering “Drown In You”, which operates with a menacing ferocity in its opening two and a half minutes before turning elegiac for an extended outro. It’s unmissable.

Super Capsule – Frost

An incendiary burst of incisive post-punk, filtered through a post-hardcore lens, Super Capsule’s “Frost” teems with aggression. It also serves as a notice to start sitting up and paying attention to the band, who seem hell-bent on creating an army of converts by demolishing genre boundaries with a relentlessly precise attack. Trying to form a defense simply isn’t an option.

Lost Boy ? – I’m An Alligator (Deathwish) + Shoo – Bop

Lost Boy ? has appeared with regularity on Heartbreaking Bravery since it began more than three years ago. The Davey Jones outfit is likely to see that trend continue, especially considering the incessant releases. Once again, serving up plenty of oddball charm “I’m An Alligator (Deathwish)” and “Shoo – Bop” showcase Jones’ immeasurable talent for crafting memorable, hook-heavy basement pop. Short, brilliant, and singular, Lost Boy ? continues to extend an unlikely winning streak with panache.

Cooler – Metal Moths

A surging punk-informed behemoth, “Metal Moths” brings to mind classic forebears while remaining unflinchingly modern. It’s an impressive offering from Cooler, who have come out swinging with their sophomore EP, Phantom Phuzz. “Metal Moths” is the collection’s crown jewel and contains enough firepower to turn an increasing number of heads with every passage. Keep both eyes on this quartet, they’ve proven they’re worth following.

Cayetana – Trails

Cayetana keep finding new ways to improve. After a string of career highlights, the band graciously dropped “Trails”, a breathtaking ballad that showcases a surprising penchant for vulnerability amid their typical all-consuming storm of noises. It’s a spellbinding moment from one of today’s more exciting punk acts, demonstrating newfound depth and a refined sense of dynamics that elevates “Trails” from being merely great to being transcendental.

Slumbers – Doboom Soom

It’s been a good year for the emergent Slumbers, who’ve been carving out a name for themselves with intelligent folk-tinged bedroom pop. “Doboom Soom” may be their finest moment to date, an airy take on the line between loneliness and self-preservation that cuts through its instrumental warmth with a narrative of astounding clarity. If Slumbers can keep topping themselves the way they’ve been lately, their name may accumulate considerable clout in the coming years.

John Wesley Coleman – Shovel + Hang Tight

For a handful of years, John Wesley Coleman has been a beacon of consistency. Every release bearing the songwriter’s name has been formidable enough to warrant serious attention and yet larger familiarity in the public eye has eluded Coleman. “Shovel” and “Hang Tight” are both worthy reminders of Coleman’s enviable gifts as a songwriter and worthy entries into an incredible discography. Start getting familiar if you haven’t already or simply revisit a pair of genuinely great tracks.

Tapestries – Carline

A dreamy punk-skirting number that owes quite a bit to the more notable alternative genre permutations of the past few decades (Brit-pop, in particular), “Carline” is an immediate standout. Well-crafted and delivered with a palpable sense of passion, it ably provides a window to Tapestries’ considerable artistic growth over the past several years. Inspired and even a little inspiring, “Carline” is the type of song that reminds people of why they love music.

Stove – I’d Walk A Mile For A Camel

Stove topped last year’s Best Songs list with the soaring “Wet Food” and, instead of taking time to recalibrate after a tremendous 2016, have been releasing music at a rapid pace. “I’d Walk A Mile For A Camel” serves as another strong highlight for the Steve Hartlett-led project, even though it’s a far cry from the epic scope of “Wet Food”. That versatility has served Hartlett well in the past and here, he leads Stove through a perfect marriage of lo-fi basement punk and irrepressible basement punk. It’s another triumph.

The Sloppy Heads – The Suck

2016 has also been fairly kind to The Sloppy Heads, who have cranked out a number of vibrant basement pop numbers that lingered long after their final notes faded away. “The Suck” may have been the absolute best of this crop, striking a perfect balance between being coy and being pointed. As economic and pragmatic as the production of “The Suck” is, the song itself never stops reaching skyward and sweeps the listener up into that journey with a delicate ease.

Wild Pink – Wizard of Loneliness

Last year’s Good Life EP provided a solid introduction to Wild Pink and the band’s been capitalizing on the momentum that Good Life generated. In addition to making a series of smart moves, they’ve also been sharpening their craft, something that’s plainly evident in the exceptional “Wizard of Loneliness”, a light powerpop number that recalls Nada Surf at their finest. Gentle, atmospheric, and captivating, “Wizard of Loneliness” goes a long way in proving that Wild Pink may have a shot at achieving the kind of longevity that’s pursued by any band worth their salt and only attained by a minuscule fraction.

Daniel Klag – Inmost Light

A nearly 17-minute ambient masterpiece from the remarkable Daniel Klag, “Inmost Light” preserves his status as one of the genre’s most exciting voices. Gently unfurling, with deliberate caution and care, “Inmost Light” is — as all of the best ambient works are — a transporting experience. Volume swells, string arrangements, and ambient washes all come together to create something that verges on rapturous as it progresses. One of Klag’s most moving  pieces in what’s quickly becoming a storied career, “Inmost Light” is a beautiful reminder of what can be accomplished through patience, precision, and an abundance of feeling.

Talons’ – Driving Home From Shows

Originally released as part of 2013’s demo collection After Talons’ Demos, Talons” “Driving Home From Shows” recently received a slight revamp for Broken Circles’ Everything Melts Eventually: Vol. II compilation. The song remains a masterpiece. Michael Tolan injects the song with a staggering amount of grace and warmth. Tinted with a painfully relatable nostalgia, “Driving Home From Shows” presents the most acute details with shattering certainty. There’s a sense of empathy that guides the longing of “Driving Home From Shows”, heightening its unexpected emotive punch. Even more than when it appeared as a demo, “Driving Home From Shows” is the type of song that deserves to be put in a vault and preserved for future generations. It’s a beautiful piece that soothes and stings in equal measure. Don’t let it slip through the cracks.

Lost Boy ? – Halloween + Haunted House (Stream)

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Three years ago today, Heartbreaking Bravery launched with a very quick post spotlighting Audacity’s “Hole in the Sky” music video. A lot’s happened in the years that have followed. Trips out of the country, the creation of the A Year’s Worth of Memories series, an insane showcase thrown in a small town basement, the first and only interview to ever run on Heartbreaking Bravery, an extended relocation to New York City, and the 100-song A Step Forward compilation to mark the site’s 1000th post all ranked as highlights.

A lot of friends and memories have been made over the course of these past three years and Lost Boy ? qualify in both categories. In the spirit of the season, looking back, and looking ahead, this post will focus on two of the project’s Halloween-themed offerings. “Haunted House”, the most recent, finds the Davey Jones-led act in amusingly weary mid-tempo mode, navigating holiday-appropriate imagery to effectively underscore the sense of exhaustion that prods the song towards its perfect “I’m not mad, just disappointed” hook. It’s another perfect example of Jones blending a punchy pathos with an endearing whimsicality in an incredibly fascinating composition.

“Hallowen” a song from several years back that Jones put together with Boats recently resurfaced and falls in line with the handful of Lost Boy ? tracks that are driven by restless, reckless abandon. From the absolutely insane, quasi-nightmarish industrial ambient fever dream that ends “Halloween” to its deliriously spry opening, there’s not a moment of the track that isn’t ridiculously compelling. A snarky and irreverent narrative propels “Halloween” to stratospheric highs while Jones delivers the vocals with an excess of conviction and sends everything hurtling heavenward with a riff-happy chorus section.

Both songs are perfectly in keeping with the fiercely independent sensibilities and strong DIY ethos that Heartbreaking Bravery was built to celebrate. Whether it’s the “Happy Halloween!” that closes out the main section of the latter track or the distorted, modified vocal effects that pepper the former, Lost Boy ? also hit moments of uninhibited joy, showcasing a love for making art that exists well outside the confines of industry pressure. Exhilarating, heartening, inspired, inspiring, and timely, it’s hard to think of a better pair of songs to celebrate today.

Listen to “Haunted Hose” and “Halloween” below and keep an eye on this site for more updates on Lost Boy ?

HB1000: A Step Forward (Compilation)

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When I started Heartbreaking Bravery nearly three years ago, I had no intention of pursuing it as a legitimate venture. Now, 1,000 posts, 50,000+ links, and countless words later, the site’s come to be the type of platform I’ve always loved seeing in the world. I could attempt to wax poetic on the nature of personal discovery and growth that running this place has afforded me but Heartbreaking Bravery was never about a single person, it’s always functioned best as a communal entity.

The ideas that formed the basic structure of Heartbreaking Bravery all came from artists producing exceptional work with little recognition. Repeatedly watching that transaction occur proved too disheartening. Whether it was the earliest years of Tenement, the later years of Good Grief, or virtually the entire run of Sleeping in the Aviary, there were always ceaselessly talented artists surrounding me that only ever seemed to receive the slightest of nods.

Heartbreaking Bravery originally aimed — and continues to aim — to provide a more level playing field to emerging artists, without reducing their worth to financial opportunity. Heartbreaking Bravery continues to value the community and intimacy that informs the DIY music world. Heartbreaking Bravery will continue to use the platform it’s been granted to elevate the idea of greater equality.

It’s in that spirit that I’m honored to present A Step Forward, a two-volume compilation spanning 100 tracks that exclusively features artists who are connected to this site’s history. Whether that was through a long history of collaboration or something as small as a twitter follow, the impact was not lost or left unappreciated. There’s a heavy emphasis on artists residing in the cities and states Heartbreaking Bravery has called home (Stevens Point, WI and Brooklyn, NY) and a small selection of songs that were premiered on this site.

100% of the proceeds of A Step Forward will be going to Rape Victim Advocates, a non-profit Chicago-based organization that’s doing vital (and, sadly, necessary) work for survivors of sexual assault. Read more about the organization here. It’s my sincerest hope that every publication that has the privilege of visibility manages to find ways to use any of their influence for productive good and to affect positive change. Please consider donating what you can to a meaningful cause.

Finally, I wanted to express gratitude to all of the artists (and any of their teams) involved — including the inimitable Phil McAndrew, who turned in the extraordinary album art — and all of the people that have allowed, even willed, this site to the point it’s at today. It likely would have disappeared without that support and I owe those people a debt of gratitude that could never be truly repaid. A special thanks to Fred Thomas, whose “What Changes When The Costumes Come Off” was written with the specifics of A Step Forward in mind.

Enjoy the compilation, support independent art, and join me, this site, these artists, and this cause in taking A Step Forward.

Tracklist below.

A Step Forward: Vol. 1*

1. Vacation – Caked Joy Rag (Demo)
2. Mike Krol – Neighborhood Watch (Demo)
3. Dead Stars – So Strange (Demo)
4. Mo Troper – After the Movies (Demo)
5. Fern Mayo – The Sweets (Demo)
6. Hater – Like Hours (Demo)
7. Sharkmuffin – Only Mondays (Demo)
8. Fits – Ice Cream On A Nice Day (Demo)
9. Missy – Patience (Demo)
10. Kodakrome – Skeletons (Demo)
11. Slight – Run (Demo)
12. Long Neck – Goldfinch (Demo)
13. Phyllis Ophelia – Probably Not (Demo)
14. Lever – Cure (Demo)
15. Puppy Problems – Destroyer (Demo)
16. Battle Ave. – Black Jeans (Demo)
17. Yours Are The Only Ears – Alone Bear (Demo)
18. Attendant – Some Other Language (Demo)
19. MKSEARCH – Little Song (Demo)
20. Sulky Boy – Birches (Demo)
21. Heavy Looks – Those Guys (Demo)
22. darn it. – (again) pt. II
23. Phooey! – On an On
24. Arm Candy – Big Clunker
25. DTCV – Le Vampire
26. Clearance – The Queen of Eyes
27. Leggy – I’m Gonna Destroy That Boy
28. Big Air – Hit Me in the Mouth
29. Terry Malts – Look (At the Mess That We’re In)
30. Ubetcha – Musician
31. Two Inch Astonaut – Suckers Share
32. Whelpwisher – Bucket for the Sky
33. Petite League – Magic Johnson
34. The Meltaways (ft. Kate M) – Wrong Words
35. Calumet – Indian Summer
36. Mulligrub – Little Fist
37. Ben Seretan – Stay In Touch
38. Mumblr – Friendship Stew
39. Human People – Useless Things
40. Bethlehem Steel – Florida Two
41. Painted Zeros – Sweet Briar Rose
42. Spit – Paul Westerberg
43. Crusher – Running
44. Pupppy – Stand By Me
45. Aberdeen – Once You Fall In Love
46. Tica Douglas – Enough
47. Peaer – Multiverse
48. The Weasel, Marten Fisher – What Is Love
49. Young Jesus – Mirroring
50. Space Mountain – Earthrise

A Step Forward: Vol. II*

1. Bellows – Bank Checks
2. Cave Curse – Arcadia
3. Fred Thomas – What Changes When the Costumes Come Off
4. Apollo Vermouth – He Sees You, He Loves You
5. Green Dreams – Psychic Woes (Alternate Mix)
6. Lost Boy ? – Have You Seen My Brain (Space Cat Sessions)
7. Mikaela Davis – Pure Divine Love (Early Mix)
8. Nano Kino – Recovery (Early Mix)
9. Trophy Dad – Addison (Early Mix)
10. Alanna McArdle – Less Than (Early Mix)
11. VVHILE – Don’t Belong (Live)
12. Liam Betson – Mispronounced (Live)
13. BAG-DAD – Bruv (Live)
14. Slothrust – Keg Party (Live)
15. The Nudes – Nowhere to Be
16. Sat. Nite Duets – Cemetery Steve
17. Slanted – Fake Party
18. Patio – Gold
19. Greys – No Star
20. No Hoax – Date With Death
21. Dirty Dishes – Red Roulette
22. Yeesh – On Some Dirt
23. Pile – Cut From First Other Tape
24. Even Hand – Nightsmoke the Fuss
25. PURPLE 7 – Wise Up
26. Bad Wig – Machinehead
27. Mary Lynn – Space
28. Pleistocene – CMJ Compilation 1996
29. Color TV – Anybody’s Girl
30. Jacky Boy – Bad
31. Trust Fund – Would That Be An Adventure?
32. Good Grief – City People
33. Adir L.C. – Hangover
34. Milk Crimes – H8RZ
35. À La Mode – Total Doom
36. Inside Voices – Nomad: Begin
37. Doe – Corin
38. Kindling – Became
39. Bueno – Blown Out
40. Horse Teeth – Dark & Gloomy
41. Ron Gallo – Put the Kids to Bed
42. Sun’s Out Bummed Out – Cut All My Hair
43. Eric Slick – The Dirge
44. Fruit & Flowers – Turqoise
45. Shilpa Ray – Hymn
46. Jack – Sister System
47. Strange Ranger – Whatever You Say
48. Johanna Warren – A Bird in the Crocodile’s Mouth
49. Oceanator – Nowhere Nothing
50. Fresh Snow – Eat Me In St. Louis (Bryan W. Bray – Eaten by the Cetacean Mix)

Vol. I

Tracks 1-21: Demos
Tracks 22-50: New Songs

Vol. II

Tracks 1-4: New Songs (cont’d)
Tracks 5-14: Alternate Mixes and Live Songs
Tracks 15-49: Old Favorites
Track 50: Remix

 

Lost Boy ? – Born 2 Lose (Stream)

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As this week drew to a close, the final few days offered up outstanding music videos from M.T. Foyer (who nearly claimed this post’s featured spot), IAN SWEET, Lomelda, Sleepy, M Ross Perkins, ANOHNI, Beach Slang, and Merchandise. Additionally, there were all of the tracks that were covered in the preceding post and a small handful of full streams that will be covered in the post that follows this one. While those were dedicated to other quality releases, the focal point of this particular entry in the ongoing saga of coverage falls to site favorites Lost Boy ? who released both a riff-happy new full-length and a track online, “Born 2 Lose”, to mark the occasion.

For years now, the Davey Jones-led project has been releasing astonishing material, including one of the best records of this current decade in Canned. Lost Boy ?’s established, distinctive brand of basement pop is on full display in “Born 2 Lose”, which follows a string of excellent songs to tease Goose Wazoo without ever veering so far into familiarity that it becomes predictable. The ways this project shifts and moves from song to song remains one of Lost Boy ?’s most compelling aspects, furthering a singular identity in the process.

Riding the crest of a mid-tempo pace that manages, impossibly, to come off as both relaxed and surging, “Born 2 Lose” establishes a fascinating tone from the outset and never wavers. Jones’ vocals continue to betray a rotating cast of outsider influences that inform Lost Boy ?’s music in meaningful ways, from form and structure to narrative content.
All of those traits combine into an endlessly fascinating — and ridiculously enjoyable — basement pop track that continues to effortlessly navigate some of the dichotomies that have rendered Lost Boy ? one of the more memorable acts currently operating in the genre.

Don’t miss a chance to explore why this band’s endeared themselves to so many people (a sizable quantity of them being musicians responsible for similarly impressive material). “Born 2 Lose” is an upbeat anthem for the downtrodden, providing empathetic comfort in generous doses. Sometimes that’s exactly the type of thing the world needs and Lost Boy ? continues to deliver in earnest. Make sure to give this one the kind of investment it genuinely deserves.

Listen to “Born 2 Lose” below and order Goose Wazoo here.

Heavy Pockets – (Don’t Wanna Be) One of the Boys (Stream)

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This week got off to a strong start with impressive new tracks from Communist Daughter, Lost Boy ?, Emma Ruth Rundle, Boy Scouts, Goon, Lee Fields & the Expressions, The Royal They, Mono, Cyrus Gengras, and Itasca. On top of that haul, there were also memorable music videos from the likes of Furnsss (who nearly grabbed this post’s featured spot), Ultimate Painting, Berwanger, WL, No One Mind, Cold Cave, and Kissing Is A Crime. Full streams from Ceres and Chook Races as well as summer snacks, an incredible compilation from Deli Cat Records topped everything off with effortless panache.

Today’s feature falls to the emergent Heavy Pockets, who just provided a glimpse at their forthcoming Mopeless with the extraordinary “(Don’t Wanna Be) One of the Boys”. In less than twenty seconds, the band manages to assert a considerable amount of power and echo the very best of the enviable Salinas roster (Swearin’, Radiator Hospital, All Dogs, etc.) while establishing their own identity.

Immediate, accessible, and a perfect example of how basement pop and punk leanings can elevate each other, “(Don’t Wanna Be) One of the Boys” is a surging tide of adrenaline that’s hell-bent on washing over everything in its path. It’s dynamic and there’s a plethora of memorable hooks, which can typically be easy outs and lead to a lack of substance. That’s not the case here, as “(Don’t Wanna Be) One of the Boys” is anchored by an unflinchingly personal narrative that takes exception to infuriatingly pointless societal pressures.In just under three minutes, Heavy Pockets conjure up something that manages to be both outwardly aggressive and surprisingly intimate, making use of its cleverness in the process.

Leading the rollout campaign for the band’s forthcoming Mopeless, “(Don’t Wanna Be) One of the Boys” stands as an extremely promising look at the creative space Heavy Pockets are currently occupying. From start to finish, “(Don’t Wanna Be) One of the Boys” is a joy. Should the rest of Mopeless measure up to the track that’s leading the charge, Heavy Pockets may have a sleeper hit on their hands. All that’s left at this point is to hope that’s the case, wait patiently for the outcome, and keep hitting repeat on one of this summer’s loveliest offerings.

Listen to “(Don’t Wanna Be) One of the Boys” below and keep an eye on this site for more updates on Mopeless.

Ghost Gum – More (Stream)

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Occasionally, there are days that underwhelm in terms of new releases. Then there are days like today, which churn out more than a dozen legitimate contenders for the headline slot and serve as reminders that we’re currently living in the best (and most accessible) time for new releases. There were incredible songs from Jack (who came a hair’s breadth away from getting a standalone post), Eric Slick, Lost Boy ?, Eyes of Love, Johanna Warren, Soft Candy, No One Mind, Peaer, Diners, Chris Farren, M. Lockwood Porter, Seeing Hands, Nots, Oldermost, Sex Stains, SubRosa, Lambchop, The Minders, Elijah Ford, Sports, and an outstanding one-off cover from site favorite Mo Troper.

Several music videos made an impressive impression as well, including new entries from the camps of Sunflower Bean, Dust From 1000 Yrs, Death Valley Girls, Uni Ika Ai, Silent Pictures, Le Boom, EL VY, WatskyAmber Arcades, and Chris Staples. Tying everything together were the full streams that were unveiled by Pleistocene, Earth Girls, Kindling, Katie Dey, Ant’lrd, and Lié.  In terms of quality, it matched an above-average week’s worth of material. Topping it all off is “More”, a near-perfect new track from Ghost Gum.

After turning some heads last year with “Again“, their contribution to a loaded 4-way split (Loose Tooth, Clique, and Mumblr rounded out the release), the quartet’s returned with a vengeance. “More” comes loaded with hooks, exhilarating moments, and genuine feeling. At every turn, the song provides something fascinating, from the tremolo picking that sets the tone of “More” to the rapid-fire hi-hat pattern to the earworm-ready bass line and guitar riff that kick the track into the fifth gear.

In less than three minutes, Ghost Gum offer a masterclass in dynamic structure, getting the most mileage possible out of a soaring chorus, a searing solo, and a compellingly muted verse that keeps everything grounded and breathes in some fractured humanity. Some aching backing vocals enhance the song’s half-haunted atmosphere to great effect and everything clicks in ways that both satisfy and induce genuine excitement.

When everything’s through, “More” stands as a song that not only lives up to the promise of its title but redefines that very same title as a winking understanding of how listeners should be feeling upon hearing the song’s final notes. Explosive without being bombastic and contemplative without dipping into tedium, “More” is a sharply crafted piece of work from a band that’s been continuously bettering themselves with each successive release. If the rest of their forthcoming release, The Past, The Future, Dwelling There Like Space, is anywhere near this good, it’ll be among the strongest releases of the year.

Listen to “More” below and download it here.