Heartbreaking Bravery

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Tag: Daniel Klag

March’s Honorable Mentions

Only a few days into April (and a few posts away from resuming regular daily updates), it seems as good a time as any to look back at some of the outstanding tracks, clips, and records March had to offer. Since the first week of March was largely covered by the last big recap, the focus here is on the material to find release in the month’s subsequent three weeks. An incredible round of songs, some sterling music videos, and a few standout records managed to make their mark. Below is a compilation of items worth hearing and seeing, so don’t miss a beat and save this tab to explore to your heart’s content.

STREAMS

Mastersystem, Bad Breeding, Pllush, The Sidekicks, Tancred, Drens, Deeper, Hop Along, Iceage, Haley, Spielbergs, Wheelbarrel, Air Waves, Holy Now, Lawn, Yazan (x2), Sharaya Summers, Daniel Tanghal, Dose, Eureka California, Simeon Walker, John Parish, Sibille Attar, Moon Racer, Pre Nup, The Love-Birds, Oceanator, Archie and the Bunkers, Escondido, Death By Unga Bunga, Leisure Tank, The Magic Lantern, Coping Skills, Weller, Character Actor, Ruler, Emily Isherwood, Nice Try, Connections, Vlad Holida.

Lazy Legs, Cold Fronts, Craig Finn, Stimmerman (x2), Dear Nora, Kevin Devine, Brooke Annibale, Nick Cave & Warren Ellis (x2), Frederick The Younger, Co Sonn, Swear Tapes, Fiddlehead, boerd, King Tuff, Bernice, Miya Folick, Forest Ray, Aisha Burns, Wye Oak, Tangents, INVSN, DreamendSofia Härdig, No Thank You (x2), L.A. Girlfriend, John Prine, Paul De Jong, Mary Lattimore, Spritzer, Saba, Swell Spells, Erin Rae, Chakra Efendi, Greyhounds, Redolent, Ivan Moult, Neighbor Lady, Hiss Golden Messenger.

77:78, Deerest, Goat Girl, The Dead Tongues, currin (x2), Scratch, Ganser, Kathryn Joseph, Confuse-Ray, Slow Mass (x2), Pole Siblings, DMA’s, Adam Ackerman, Turtlenecked, Gold Connections, Sen Morimoto, War On Women, Kississippi, Belly, Dana Murray, Yolanda, The Cavemen, HAWK, Remission, Andy Cook, White China, LANKS, and A Deer A Horse.

MUSIC VIDEOS

Fenne Lily, Sulky Boy, Night Flowers, Bonny Doon, Oddnesse, Albert Hammond Jr, Tremends, Locate S, 1, Sun June, KNIFEY, Las Rosas, Mastersystem, Ought, Rozwell Kid, RF Shannon, Alex Lahey, Launder, Soccer Mommy, Speedy Ortiz, Wax Idols, Sleepy Zuhoski, Loma, Courtney Barnett, Francobollo, Flasher, Volage, Hinds, Porlolo, The By Gods, Frankie Cosmos, Okkervil River, Crooked Teeth, Laura Veirs, S. Carey, The Dazies, Sam Evian, Alice Bag, Jo Passed, Young Valley, Quiet As A Mouse, Canshaker Pi, Death By Unga Bunga, Sean McMahon, Vive la Void, Yuki Ame, Preoccupations, Moviestar, LICE, Tomma Intet, and Phosphenes.

FULL STREAMS

Daniel Klag, Gentle Heat, Queen of Jeans, The Bordellos, Swampmeat Family Band, Erika Wennerstrom, Rat Kid Cool, T.C. Crosser, and half of the upcoming Nicole Dollanganger record.

Seven Weeks of Streams

Charly Bliss LIV

The last two months or so, while dwindling down in the release compartment, have been stacked with great material.  Mac McCaughanGrouper, SOHN, Trashclub, Palberta, Rosebug, Ben Varian, sad13, Sam Skinner, So Stressed, benngrigg, and Keroscene all released impressive material in the past week or so and deserve attention but the twenty(-two) tracks listed below more than earned their feature placements. A lot of favorites and some new names co-exist in the run-down, which can (and should) be explored below.

Charly Bliss – Turd

An insane amount of praise has been showered on Charly Bliss in the confines of this site. They’ve deserved even more. The band’s currently in the midst of sharpening a full-length they’ve been working on for more than two full years. “Turd” is a tantalizing glimpse at what’s to come, a molotov cocktail of classic pop influences teeming with a confrontational punk sensibility that, paradoxically, manages to be incredibly inviting.

Yucky Duster – Elementary School Dropout

Gofer” remains one of the most infectious pop songs to have been written since the turn of the century. Yucky Duster‘s just-unveiled “The Ropes” shows they’ve got no intentions of slowing down and “Elementary School Dropout” proves the band’s whip-smart intelligence is fully intact. Jaunty, enticing, and oddly moving, the song’s making it next to impossible to wait for their forthcoming EP, Lament.

WHY? – This Ole King

Elephant EyelashAlopeciaEskimo Snow, and maybe even Oaklandazulasylum deserve to be regarded as modern classics. While still releasing some immensely thoughtful material, WHY? hasn’t managed to match those releases in the years that have passed since Eskimo Snow. “This Ole King”, the band’s most arresting composition in a handful of years, offers up a ray of hope. Tasteful and weirdly enchanting, it’s already earned a spot as one of WHY?’s finest individual works.

Cloud Nothings – Internal World

Cloud Nothings have been enjoying a deeply impressive streak since becoming a full band several years ago. From the cold, steel trap that was Attack On Memory to the relentlessly bruising Here and Nowhere Else, they’ve demonstrated a lot of range. “Internal World” continues to hint at their forthcoming record taking the best parts of all three of those releases and congealing them into something incredibly compelling. It’s another impressive piece of an already fascinating puzzle.

Amos Pitsch – Shift Towards Tenderness

No band has earned more rapturous praise (or more praise in general) than Tenement. DUSK have earned themselves a fair few accolades as well. If Amos Pitsch (guitar/vocals in Tenement and bass/vocals in DUSK) is involved with a song, there’s a very strong chance it’ll be receiving praise here. Pitsch has mostly avoided releasing solo works, which makes “Shift Towards Tenderness” something of a surprise. Not a surprise? “Shift Towards Tenderness” being another unassuming tour de force from one of this generation’s finest songwriters.

Luxury Death – Painkiller

“Painkiller” is another impressive notch in the belt of one of today’s finest labels, Art Is Hard. Peppy and packing a considerable amount of bite, the Luxury Death single is a microcosm of what makes both the band and the label releasing the single so formidable. Immensely appealing and constructed with a clearly apparent thoughtfulness, there are no false moves among a series of refreshing grace notes.

Permit – Track #1

One of 2016’s most pleasant surprises, Permit took off running. The band’s Vol. I EP was a galvanizing blast of glam-inflected punk with a serious amount of classic pop overtones. Headlining those proceedings was “Track #1”, which immediately sets the band up as kindred spirits to Sheer Mag. Sharp, fierce,  and immediately memorable, “Track #1” easily ranks among the year’s most exciting listens.

No Sun – Drown In You

2016 didn’t have quite as many out-and-out shoegaze powerhouse releases as many of the preceding years but the genre still had some incredibly bright moments. One such  moment came in the form of No Sun‘s towering “Drown In You”, which operates with a menacing ferocity in its opening two and a half minutes before turning elegiac for an extended outro. It’s unmissable.

Super Capsule – Frost

An incendiary burst of incisive post-punk, filtered through a post-hardcore lens, Super Capsule’s “Frost” teems with aggression. It also serves as a notice to start sitting up and paying attention to the band, who seem hell-bent on creating an army of converts by demolishing genre boundaries with a relentlessly precise attack. Trying to form a defense simply isn’t an option.

Lost Boy ? – I’m An Alligator (Deathwish) + Shoo – Bop

Lost Boy ? has appeared with regularity on Heartbreaking Bravery since it began more than three years ago. The Davey Jones outfit is likely to see that trend continue, especially considering the incessant releases. Once again, serving up plenty of oddball charm “I’m An Alligator (Deathwish)” and “Shoo – Bop” showcase Jones’ immeasurable talent for crafting memorable, hook-heavy basement pop. Short, brilliant, and singular, Lost Boy ? continues to extend an unlikely winning streak with panache.

Cooler – Metal Moths

A surging punk-informed behemoth, “Metal Moths” brings to mind classic forebears while remaining unflinchingly modern. It’s an impressive offering from Cooler, who have come out swinging with their sophomore EP, Phantom Phuzz. “Metal Moths” is the collection’s crown jewel and contains enough firepower to turn an increasing number of heads with every passage. Keep both eyes on this quartet, they’ve proven they’re worth following.

Cayetana – Trails

Cayetana keep finding new ways to improve. After a string of career highlights, the band graciously dropped “Trails”, a breathtaking ballad that showcases a surprising penchant for vulnerability amid their typical all-consuming storm of noises. It’s a spellbinding moment from one of today’s more exciting punk acts, demonstrating newfound depth and a refined sense of dynamics that elevates “Trails” from being merely great to being transcendental.

Slumbers – Doboom Soom

It’s been a good year for the emergent Slumbers, who’ve been carving out a name for themselves with intelligent folk-tinged bedroom pop. “Doboom Soom” may be their finest moment to date, an airy take on the line between loneliness and self-preservation that cuts through its instrumental warmth with a narrative of astounding clarity. If Slumbers can keep topping themselves the way they’ve been lately, their name may accumulate considerable clout in the coming years.

John Wesley Coleman – Shovel + Hang Tight

For a handful of years, John Wesley Coleman has been a beacon of consistency. Every release bearing the songwriter’s name has been formidable enough to warrant serious attention and yet larger familiarity in the public eye has eluded Coleman. “Shovel” and “Hang Tight” are both worthy reminders of Coleman’s enviable gifts as a songwriter and worthy entries into an incredible discography. Start getting familiar if you haven’t already or simply revisit a pair of genuinely great tracks.

Tapestries – Carline

A dreamy punk-skirting number that owes quite a bit to the more notable alternative genre permutations of the past few decades (Brit-pop, in particular), “Carline” is an immediate standout. Well-crafted and delivered with a palpable sense of passion, it ably provides a window to Tapestries’ considerable artistic growth over the past several years. Inspired and even a little inspiring, “Carline” is the type of song that reminds people of why they love music.

Stove – I’d Walk A Mile For A Camel

Stove topped last year’s Best Songs list with the soaring “Wet Food” and, instead of taking time to recalibrate after a tremendous 2016, have been releasing music at a rapid pace. “I’d Walk A Mile For A Camel” serves as another strong highlight for the Steve Hartlett-led project, even though it’s a far cry from the epic scope of “Wet Food”. That versatility has served Hartlett well in the past and here, he leads Stove through a perfect marriage of lo-fi basement punk and irrepressible basement punk. It’s another triumph.

The Sloppy Heads – The Suck

2016 has also been fairly kind to The Sloppy Heads, who have cranked out a number of vibrant basement pop numbers that lingered long after their final notes faded away. “The Suck” may have been the absolute best of this crop, striking a perfect balance between being coy and being pointed. As economic and pragmatic as the production of “The Suck” is, the song itself never stops reaching skyward and sweeps the listener up into that journey with a delicate ease.

Wild Pink – Wizard of Loneliness

Last year’s Good Life EP provided a solid introduction to Wild Pink and the band’s been capitalizing on the momentum that Good Life generated. In addition to making a series of smart moves, they’ve also been sharpening their craft, something that’s plainly evident in the exceptional “Wizard of Loneliness”, a light powerpop number that recalls Nada Surf at their finest. Gentle, atmospheric, and captivating, “Wizard of Loneliness” goes a long way in proving that Wild Pink may have a shot at achieving the kind of longevity that’s pursued by any band worth their salt and only attained by a minuscule fraction.

Daniel Klag – Inmost Light

A nearly 17-minute ambient masterpiece from the remarkable Daniel Klag, “Inmost Light” preserves his status as one of the genre’s most exciting voices. Gently unfurling, with deliberate caution and care, “Inmost Light” is — as all of the best ambient works are — a transporting experience. Volume swells, string arrangements, and ambient washes all come together to create something that verges on rapturous as it progresses. One of Klag’s most moving  pieces in what’s quickly becoming a storied career, “Inmost Light” is a beautiful reminder of what can be accomplished through patience, precision, and an abundance of feeling.

Talons’ – Driving Home From Shows

Originally released as part of 2013’s demo collection After Talons’ Demos, Talons” “Driving Home From Shows” recently received a slight revamp for Broken Circles’ Everything Melts Eventually: Vol. II compilation. The song remains a masterpiece. Michael Tolan injects the song with a staggering amount of grace and warmth. Tinted with a painfully relatable nostalgia, “Driving Home From Shows” presents the most acute details with shattering certainty. There’s a sense of empathy that guides the longing of “Driving Home From Shows”, heightening its unexpected emotive punch. Even more than when it appeared as a demo, “Driving Home From Shows” is the type of song that deserves to be put in a vault and preserved for future generations. It’s a beautiful piece that soothes and stings in equal measure. Don’t let it slip through the cracks.

Hung Toys – Lurid (Album Review, Stream)

hung toys

There have been several dozen records unveiled in the past few weeks that merit attention. One of the latest in that string of releases has been flying completely under the radar despite the pedigree of the musician responsible. While Geronimo! weren’t the most well-known band but they meant a lot to a small but devoted following. I was happy to count myself among the converted and having the band headline this site’s first showcase on their farewell tour was something I won’t be forgetting anytime soon. However, the more you pour yourself into something, the more it stings when the container shatters.

While Geronimo! is officially over, a few of the bands members are working on new projects- the latest being guitarist/vocalist Kelly Johnson’s solo venture Hung Toys. Earlier this week, Johnson’s project released Lurid a full-length collection that finds the songwriter immediately diving back into the propulsive effects of his old project. Opener “Gotta Drink Some Water” is a monster of a basement punk song that’s as bruising as it is intriguing. It’d be easy for the rest of Lurid to fall short in the song’s tremendous wake but Johnson manages to subvert and expand central ideas across the rest of the record, exploring a range of styles that recall everyone from Terry Malts to, of course, Geronimo!.

All of Lurid comes off as an incendiary gut-punch and only the title track, the record’s sprawling closer, exceeds the 2 minute and 10 second mark. At times the record plays like a gambit and runs the risk of appearing as a genre exercise. By the time the record’s halfway mark gets highlighted by the searing instrumental attack that is “Blendered”, it becomes clear that Johnson’s songwriting is too capable (and substantial) to be reduced to something that hackneyed. Lurid is a record that rewards investment and begs for repeat listens, wielding its unerring immediacy as a formidable weapon. Powerful, brute, and spectacular, Lurid stands as one of 2015’s most welcome- and unexpected- entries.

Listen to Lurid below and explore a list of some of the best records to surface over the past two weeks.

The Yolks – Don’t Cry Anymore
Grubs – It Must Be Grubs
Alimony Hustle – BNOC b/w Zero Chill
Bob Keelaghan – Country Fresh: A Ghost Guitar Soundtrack
Hot Flash Heat Wave – Neapolitan
James Elkington & Nathan Salsburg – Ambsace
Salad Boys – Metalmania
Astronauts, etc – Mind Out Wandering
Nuclear Age – The Distinct Sounds of…
Pontiak – NOPE/JEPPE
Roger Lion – Roger Lion
Media Jeweler – $99 R/T Hawaii
Broomfiller – Third Stage Propellor Index
Guerilla Toss – Flood Dosed
Baston – Gesture
Yonatan Gat & Gal Lazer – Physical Copy
Carroll – Carroll
Blonde Summer – Paradise
Alone at 3AM – Show the Blood
Tedo Stone – To the Marshes
Jóhann Jóhannsson – Sicario
Diät – Positive Energy
BIG|BRAVE – Au De La
Rat Columns – Do You Remember Real Pain
Wand – 1000 Days
Tommy Stinson – L.M.A..O.
Lucern Raze – Happy & Astray
Summer Twins – Limbo
Blessed Feathers – There Will Be No Sad Tomorrow
Daniel Klag – Reality and Self
Dead Heavens – Adderall Highway
Loma Prieta – Self Portrait
Spencer Radcliffe – Looking In
Holy ’57 – Au Naturel