Seven Weeks, Fifteen Songs
by Steven Spoerl
This post will mark the last of the coverage overhaul necessitated by the seven week hiatus from regular coverage. Records have been covered, music videos have been covered, and a song and a pair of music videos have received standalone posts. Below are the 15 songs that stood out more than any others over that seven week time period and come from all sorts of sources and elicit all sorts of responses. Whether’s it’s the characteristically driving basement pop of Radioactivity or the hushed melancholy of Florist, there’s a lot on display. So quit waiting, jump in, and find a new favorite song. Enjoy.
1. Radioactivity – Sleep
Every project Jeff Burke‘s been involved in over the past decade has demonstrated the man’s a singular songwriter with an enviable gift. One of Burke’s more recent projects, Radioactivity (pictured above), has at least one Album of the Decade contender under their belt and continues to press forward with the kind of propulsive momentum that drives most of their songs. “Sleep” is a perfect example of that dynamic, a miraculous slice of basement pop that reasserts Burke as one of the genre’s all-time greats.
2. Birdskulls – Over It
Few labels are amassing a discography as consistently impressive — or prolific — as Art Is Hard. Birdskulls‘ “Over It”, one of the labels latest offerings, goes a long way in solidifying Art Is Hard’s status at the forefront of the DIY-leaning punk world. A song that perfectly marries basement pop with basement punk, “Over It” comes overflowing with memorable hooks, biting attitude, and worn aesthetics typical of a band destined for a feverishly loyal following. Leave it on repeat.
3. Honeyrude – Flowers
“Flowers” has been in Honeyrude‘s back pocket since 2015 but the band’s recent upheaval and re-release of the song as part of The Color Blue pays massive dividends in practice. Louder, cleaner, bolder, and more refined, “Flowers” is allowed to fully bloom, exceeding its early potential. It’s a gorgeous moment from a band that continues to impress, its shoegaze inflections perfectly suited to the band’s identity. Warm and towering, it’s likely to stand as the band’s career highlight for some time.
4. Strange Relations – Say You
One of the small handful of bands on this list with a long-standing connection to this site, Strange Relations have been furthering themselves with each successive step they’ve taken. The band recently opened for Charly Bliss in Minneapolis and unveiled a lot of new material, including the brooding, kinetic “Say You”, one of the set’s many highlights. Since their past release, Strange Relations have grown more aggressive, more ambitious, and into a more fascinating band. “Say You” is definitive proof.
5. Dead Stars – Pink Clouds
Several years into a remarkably consistent career, Dead Stars have established themselves as one of the most reliable bands currently mining a ’90s slacker punk influence to great effect. Even with a whole host of outstanding songs to claim as their own, “Pink Clouds” manages to stand out. Easily a career high point for the band, the hard-charging number surpasses the most tantalizing heights of their earlier work while staying true to the ethos and identity that made them so memorable in the first place.
6. Walter Etc. – April 41st
Walter Etc. has spent the past few months putting out a small string of impressive songs with “April 41st” being the crown jewel of the lot. A laid-back mid-tempo basement pop number that embraces carefree relaxation, the song still manages to find an impressive momentum by playing directly to its lackadaisical tendencies. Near non sequitur’s and a comfortably dazed narrative elevate the song’s aesthetic to strange heights and the best thing anyone could do is let its calm, unhurried spell take over completely.
7. Basement Revolver – Tree Trunks
2017’s already been overly generous in terms of memorable ballads, churning out some of the decade’s best over the first 2/3s of the year. Among those gems sits Basement Revolver‘s gorgeous “Tree Trunks”, a shoegaze-leaning piece of minimalist post-punk. Pop melodies and wiry instrumentation combine to hypnotic effect, while the production of the song’s second half propel it to stratospheric heights.
8. Pinact – Separate Ways
After a three-year wait, Pinact are back and sounding stronger than ever on “Separate Ways”. Bridging the gap between basement pop and pop-punk in exhilarating fashion, the song clamps its teeth down on a surging sense of momentum and finds a way to guide itself to a triumphant finish. It’s easily among the band’s finest work and bodes extremely well for what their future might have in store. Youthful, vibrant, vicious, and more than a little fun, it’s an unlikely summer anthem.
9. Paul Westerberg – Hawk Ripping At Your Throat
A mysterious song surfaced on Soundcloud a few weeks back from an artist’s page listed as “User 964848511”. Closer inspection revealed it to be Paul Westerberg, operating in the same lo-fi mode that defined the earliest work of his most famous band, The Replacements. Unlike that early work though, “Hawk Ripping at Your Throat” is characterized by a somber, almost foreboding atmosphere. Slow, creeping, and full of white-knuckle suspense, it’s a potent reminder of Westerberg’s legendary talent.
10. Lomelda – Interstate Vision
Lomelda‘s next album will be the project’s first for the impressively consistent — and consistently excellent — Double Double Whammy label. One of the first looks at that record came via the gorgeous “Interstate Vision”, a gentle mid-tempo number with a muted sense of grandeur and a near-cinematic sweep. It’s a lovely song that plays up the projects strongest aesthetic choices as well as emphasizing an unassuming mastery of songwriting. By the track’s end, it’s easy to wish it hadn’t come to a close.
11. SOAR – Fatigue
Last year, SOAR managed to make a strong impression with the material that they were releasing. It seems that their momentum has carried over into 2017 and allowed the band to grow even more emboldened as “Fatigue” — their latest — is as hard-charging and unapologetic as anyone could have hoped. “Fatigue” also plays up their pop sensibilities to great effect, while continuing to mire it in coats of both grit and attitude. It’s a charming track and deserves a whole slew of listens.
12. En Route – I Am the Problem
One of 2017’s most outstanding small releases came recently via En Route’s then is a song EP, another strong record from a growing line of projects working in the space that allows for a happy marriage between bedroom pop and basement punk. “I Am the Problem” was the song chosen to tease the EP and it was an incredibly effective choice as the song carves out a memorable identity for En Route. All of the decisions here, while understated, serve to elevate a legitimately great song from a new band worth knowing.
13. Baby! – If I’m Sorry
Baby! has been releasing a string of ridiculously enticing singles over the past few months and “If I’m Sorry” is the best of an extremely tantalizing lot. Equal parts sweet and biting, “If I’m Sorry” is another mid-tempo slice of quiet perfection from a band that seems to be gearing up for bigger things. Every song they’ve released has been utterly captivating and “If I’m Sorry” takes that facet of their music to new levels. Winsome, pensive, and oddly uplifting, it cements Baby! as one of 2017’s most pleasant surprises.
14. Madeline Kenney – Always
For more than a few years, Madeline Kenney has been carving out a place into today’s pantheon of emerging acts who have a genuine shot at their work being not only remembered but coveted after they’ve relaxed into retirement. “Always” is not only another strong indicator of that end goal but the strongest work of Kenney’s career to date. Three and a half minutes of arresting dynamics, clever arrangements, perfect production, and outstanding songwriting. It’s a song that’ll always be worth keeping around.
15. Florist – What I Wanted to Hold
Last year, Florist released one of the year’s finest EPs in The Birds Outside Sang and they’re already gearing up for the release of what looks to be one of this year’s finest full-lengths, If Blue Could Be Happiness. “What I Wanted to Hold” is the song kicking off the roll out campaign for the record and it’s a stunner. In keeping with the band’s best work, “If I Wanted to Hold” is a delicate, wintry number that’s enhanced by its own fragility. Sincere, vulnerable, and searching, it’s one of the year’s most breathtaking songs.