Heartbreaking Bravery

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Tag: Jeff Rosenstock

Watch This: Vol. 48

The 48th installment of Watch This reads like a laundry list of this site’s favorite places to cull videos from; Allston Pudding, The Chris Gethard Show, and Little Elephant among them. Live versions of songs that have previously been fawned over resurface with new levels of urgency and old treasures prove their longevity. Every performance that gets featured here is impassioned and clearly illustrates the respective band’s obvious connections to their own music (with a strain of apathy-fueled music growing steadily prominent, this is- unfortunately- more of a rarity than common occurrence). Trying to wax poetic about most of these videos in this paragraph would most likely just wind up doing them a disservice, so: sit back, turn the volume up, ignore the time, lean in, and Watch This.

1. Little Big League – Property Line (Little Elephant)

There hasn’t been a band in quite a while to pull off what Little Big League achieves by virtue of this placement; this is their third consecutive video to appear in this series- in as many weeks- and they’re all from the same Little Elephant session. So, some straight talk: “Property Line” is one of the year’s best songs and the band’s current career-best effort.  Even though the live version doesn’t have the benefit of those chill-inducing horns, it retains its formidable pull. As always, the band reveals themselves to be an excellent live act and provides several reasons to get excited about their upcoming LP, Tropical Jinx.

2. Sweet John Bloom – Aging In Place (Allston Pudding)

Allston Pudding’s made a habit of making impressive live videos- this outstrips all of their previous work with an assured ease and a new level of confidence that suits them well. An extraordinary live-edit that features a stunning performance from emerging act Sweet John Bloom to promote their upcoming full-length, Weird Prayer. Expertly marrying high-energy basement pop with deliriously frantic post-punk, it’s inclusion would have been an easy decision as an isolated standalone- the additional edits towards the video’s close put it way over the top and render it one of the more artistically inclined live videos to ever appear in this series. Don’t skip out on this one.

3. Protomartyr (La Blogotheque)

Protomartyr’s Under Color of Official Right was one of the highlights of 2014’s first quarter and it’s held its ground ever since its release. Here, the band teams up with La Blogotheque to film stripped-back live performances of “What the Well Said” and “Scum, Rise!” in the moats of Saint-Malo, a port city in France. It’s a fitting backdrop for the band’s take on post-punk, something that bears the influence of their Detroit home. Unsurprisingly, it’s spectacularly shot and bizarrely compelling, continuing La Blogotheque’s unique penchant for producing live footage that excels on those levels.

4. Jeff Rosentstock & Friends – Hey Allison! (TCGS)

Don Giovanni comedy darling Chris Gethard hosts a show. These shows host live acts. It seems that nearly every time a video of these performances surfaces, it earns a spot in this series. Jeff Rosenstock‘s “Hey Allison!” has already emerged as one of the more relentless earworms of the past few weeks and the live version is an all-out blitz. Anytime anyone puts this much heart into music this good, it’s going to earn a write-up. The Chris Gethard Show also has the unique advantage of utilizing a crowd of misfits being encouraged to be as weird as possible, turning single song performances into outright events. There are few things more encouraging than watching a band and an audience enjoy each other’s company in equal measure at an absurdly high degree. This is can’t-miss entertainment.

5. METZ – Get Off! (Pitchfork)

METZ was one of the more unforgettable debuts of the past few years and the band’s live show, easily one of the best around, pushes those songs to exhilarating heights. Employing humanism and sonic annihilation at roughly the same pace, anytime the band takes the stage it’s a small victory for everyone involved. Here, they tear through a fired-up version of “Get Off” and incite some fierce reactions from an adoring crowd. METZ themselves remain as entertaining as ever, putting just about everything they have on the line every time they take the stage- and they’re showing no signs of slowing down.

The History of Apple Pie – Jamais Vu (Music Video)

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This week was kicked off in powerful fashion thanks to the most recent additions to the never-ending avalanche of new releases. Mitski, Slothrust, and Jeff Rosentstock all had outstanding new songs, increasing the anticipation levels for each of their upcoming records. Mary Timony’s newest project, Ex Hex, have their upcoming record streaming in full over at NPR’s First Listen. On the music video side of things, Nothing offered up a sinister clip (directed by band member Domenic Palermo) composed of nothing but home invasion archival footage for a recently-remastered early acoustic version of “B&E“. There were also two visually stunning videos that surfaced from  Haley Bonar and The Bug, the former being a gentle oneiric caress and the latter being a masterfully composed nightmarish descent of towering proportions. The History of Apple Pie staked out a place in a similar camp with their visually meticulous clip for Feel Something highlight “Jamias Vu”.

Director Alistair Redding has said that the video for “Jamais Vu” took cues from French New Wave pioneer Jean-Luc Godard and indie darling Wes Anderson. From the Robert Yeoman framing symmetry to the highly stylized art production, both influences cut through the clip like a knife. It’d all be distracting if it didn’t wind up being a perfect complement to The History of Apple Pie’s particular brand of whimsy; their exceptional fuzz-cloaked outsider pop somehow given greater emphasis by the striking visual palette. They’re a band that seems to operate in multicolor already and they’ve found a perfect match in Redding’s distinct and well-versed grasp on varying filmic influences. At just past the minute-and-thirty mark, there’s a long shot that switches the focal emphasis to the environmental foreground (which is generally relegated to the backdrop), double-framing the character subjects and providing a perfect point of reference for the composition mastery on display in “Jamais Vu”. Guns fire stars, uniformly dapper battalions stride through fields and scout the woods, and the whole thing’s brilliantly soundtracked by the song it was designed to enhance. It’s a monstrously winsome work of multimedia perfection, with every element working together to hit a surprisingly comprehensive level of artistry. “Jamais Vu” is far too fun to miss.

Watch “Jamais Vu” below and order Feel Something from the excellent UK-based Marshall Teller Records here.

Watch This: Vol. 23

Well, it’s certainly been a while since Watch This ran regular non-themed content. As such, there’s quite a bit of ground to cover for this volume, the series’ 23rd installment. This Watch This will feature both the familiar and the fresh; there are old standbys in terms of both bands and outlets and there are a few who have, somewhat inexplicably, never earned a mention on here before. It’s all worth watching and this collection, more than most, is a perfect summation of the type of music this place invests in most. So, sit back, stand up, kneel as if in prayer, assume literally any position- just make sure to Watch This.

1. Ovlov – Where’s My Dini (Elephant Room)

Ovlov’s 2013 record, am, was a nearly unclassifiable triumph. Since then, they’ve managed to grab a lot of people’s attention. This is in part thanks to a ferocious touring schedule that had them playing on stacked bills nearly every night. Through all of that, they’ve only managed to sharpen their craft, perfecting their cinematic shoegaze-heavy 90’s Midwestern-emo rambles. Here, they take to the Little Elephant to perform “Where’s My Dini”. If an introduction piece to the band was needed, it’d be close to impossible to improve on this video.

2. Parquet Courts – Black and White (WNYC)

While this doesn’t have Fred Armisen augmenting their guitar attack, Parquet Courts’ WNYC performance of “Black and White” is as fierce as anything the band’s done. It’s performances like this one that have Sunbathing Animal creeping up on an outside radar. Parquet Courts aren’t messing around. Straight, to the point, almost abrasive in its minimalism yet weirdly cathartic, this is worth a few watches.

3. Jeff Rosenstock – The Trash The Trash The Trash (TCGS)

What is there to be said? Jeff Rosenstock keeps doing things worth writing about. During this particular at-bat, he takes over Don Giovanni comedian Chris Gethard’s show to perform “The Trash The Trash The Trash” before it devolves into complete chant-a-long chaos. It’s a surreal spectacle that has an absolutely incendiary performance at its center. This is the best kind of weird.

4. Kal Marks (BreakThruRadioTV)

Exploding in Sound recently took over BreakThruRadio for a stretch, offering the label a perfect platform to showcase their incredible roster. They wasted no time in getting Boston trio Kal Marks a featured spot on a performance and interview series (in a similar vein to KEXP). It’s a good thing they did, too. Kal Marks is an incredible live act who put out one of 2013’s very best records with their punishing masterwork Life is Murder. Their Serious Business episode is one of the most packed BreakThruRadio has ever done and is well worth carving out some time for.

5. The Orwells – Let It Burn (KEXP)

It’s been a weird road for The Orwells following their infamous Letterman performance. In under five minutes, they became one of the most divisive young punk bands to court that much attention in who knows how long and then kept quiet for a while to let things play out. Now, with their sophomore effort, Disgraceland, nearing its release date, they’ve lined up a string of relatively high-profile stops and, as can be seen here, are making the most of it. If “Let It Burn” is an accurate indicator, they’ve got one hell of a record up their sleeves.

First Quarter Finish (Mixtape)

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Well, Heartbreaking Bravery’s another 50 posts in, which means that it’s time for another mixtape- and the timing couldn’t be any better. As April springs forth, a new quarter begins and leaves the first part of the year behind, opening it up for examination. First Quarter Finish is a testament to the the startling strength of 2014’s first three months and is largely composed of music that’s been featured on this site. Perfect Pussy‘s “Driver” kicks things off in a typically frenzied fashion, reflecting the purpose of this collection as acutely as possible. Make no mistake, this is a batch of songs that traffic in very high intensity even in their quietest moments.

From tour-only tapes to standout cuts off early Album of the Year contenders like Burn Your Fire for No Witness, Here and Nowhere Else, and Rooms of the House to eerily hypnotic momentsderanged apathetic insanity, and a very long list of promising glimpses at upcoming records, it’s truly been a hell of a start and deserves celebration. Listen to the sounds of that celebration below (if the player is not appearing onscreen, it can also be accessed here).


TRACKLIST

1. Perfect Pussy – Driver
2. La Sera – Losing to the Dark
3. Cheap Girls – Knock Me Down
4. Archie Powell & the Exports – Everything’s Fucked
5. Crow Bait – 83
6. Big Air – Cemetery With A View
7. PAWS – Tongues
8. Brain F≠ – Sicks
9. Antarctigo Vespucci – I’m Giving Up On U2
10. Playlounge – Waves and Waves and Waves
11. Vertical Scratchers – Memory Shards
12. Angel Olsen – Forgiven/Forgotten
13. Silence Dogood – Chairman of the Bored
14. Priests – Right Wing
15. Green Dreams – Eye Contact
16. Fucked Up – Paper the House
17. Creepoid – Baptism
18. La Dispute – Woman (in Mirror)
19. Sleep Party People – In Another World
20. Odonis Odonis – Order in the Court
21. PILE – Special Snowflakes
22. Young Widows – King Sol
23. Protomartyr – Scum, Rise!
24. Technicolor Teeth – Tomb
25. Cloud Nothings – I’m Not Part of Me

Antarctigo Vespucci – I’m Giving Up On U2 (Stream)

Image of Antarctigo Vespucci - Soulmate Stuff PRE-ORDER

Well, it finally happened. Antarctigo Vespucci, the duo made up of Chris Farren (Fake Problems) and Jeff Rosenstock (Bomb the Music Industry!, solo) finally put some music out into the world. Unsurprisingly, considering the parties involved, it absolutely slays. “I’m Giving Up On U2” is every bit as enjoyable as the title suggests and sounds like early Weezer in the best way possible. There’s an infectious sense of celebration present, which is unsurprising considering how much this sounds like two great friends (who happen to be great musicians) just kicking back and having fun with each other. There’s no indication that the duo was ever aware of any expectations and as a result, wind up with something that sounds exhilarating; there are no restrictions evident in “I’m Giving Up On U2”, just a refresher on what freedom can sound like.

Going back to the early Weezer comparison, all of the hallmarks of that band’s golden era are present: the falsetto’ed backing vocals, the wiry guitar work, the thick palm mutes, the sunny melody, a subtle bit of production work, a hard-charging chorus, a massive overall sound, the ability to come across as intelligent while remaining absurdly catchy, and a delightfully askew sense of humor. There hasn’t been a song that felt as perfect for soundtracking a new start in quite some time. If all of the band’s debut, Soulmate Stuff (due out in early June via Really Records) winds up sounding like this, then it has the potential to be a serious gate-crasher come December. This is no joke- despite maybe also being the best joke of all.

Listen to “I’m Giving Up On U2” below and pre-order Soulmate Stuff here.


25 Best Demo’s, EP’s, 7″ Singles, and Compilations of 2013

2013 was an incredible year for music that held a seemingly infinite amount of great releases in nearly every possible genre and sub-genre. Cassettes popularity exploded, vinyl sales increased by more than 30%, and the importance of demo’s finally became apparent. In a sea of widely-publicized releases that got mountains of praise, it was a joy to find what composes much of this list.  While a few spots are technically taken up by more than one release, those ties always come courtesy of a band generous enough to release more than one item and have it live up to whatever had preceded it. So, with that caveat in mind, here are the 25 best demo’s, EP’s, 7″ singles, splits, and compilations of 2013.


25. Split Feet – Fall 2013

Chicago’s Split Feet were one of the upper Midwest’s better surprises of 2013 and this demo announced their entrance authoritatively. The rest of the space could be consumed by an attempt to wax poetic on the demo’s respective virtues but, to spare everyone some time, it’s worth pointing out that’s already been done here. Stream the Fall 2013 demo below.

24. The Hotels – Leslie

Here’s an interesting, barely-relevant fact; The Hotels’ excellent Leslie EP was released on the same day Heartbreaking Bravery started. Leslie incorporates nearly all of the staple items on the musical laundry list that this site celebrates most frequently. There’s an emphasis on the kind of influences that keep it on the fringes of the emo-revival alongside bands like Swearin’ and All Dogs but finds itself living in the moment far too much to be tied to a revival. It’s immediacy pays huge dividends but it’s Leslie‘s precision that landed it on this list. Listen to it below.

23. Globelamp – Star Dust

Like Split Feet’s demo, Globelamp’s undeniable unique EP has already been celebrated here. Despite already having a few releases, this felt like a debut. Star Dust‘s nervous energy felt impossibly grounded and promises bigger things for the duo. Hear Star Dust below.

22. Elvis Christ – And So It Shall Be

No one’s going to deny that Elvis Christ is more likable to be noticed for his contributions to Nobunny than his solo work, which, based on the strength of And So It Shall Be is due for a change in the near-future.  There’s definitely a Nobunny influence coursing through the five tracks on display but they pack enough punch to secure it a spot on this list. One of Burger Records’ best tape releases from their best year. Hear it below. 

21. Joseph Frankl – Breakers

Joseph Frankl released two great records on very different platforms this year. As the drummer for The Frankl Project, he was a part of one of 2013’s (and perhaps the decade’s) best pop-punk records. Not too long after he uploaded this two-song single to his bandcamp as a self-release. Breakers exists along the same lines as yesterday’s On the Up honorees Technicolor Teeth. This is driving shoegaze that feels authentic and well-informed and not like a pale imitation. Both songs are among the year’s best and deserve way more attention than they’ve received. Hear Breakers below.

20. The Orwells – Other Voices/Who Needs You

2013 was a breakout year for these young Chicago scrappers. From Jam  in the Van sessions to NPR music video premieres, it was hard to go more than a few months without hearing about them. A lot of this, of course, was due to both of the outstanding EP’s they gave to the world in 2013 (as well as a split cassingle with FIDLAR for Record Store Day), all of which were given a tape release via Burger Records. A production assist from TV On the Radio’s Dave Sitek undoubtedly piqued a lot of interests even further than they had been but that wouldn’t mean anything if the music didn’t actually live up to the hype. Thankfully, it has. Hear both EP’s in full below. 


19. Dead Beach – Purple Scissors/Cool Mutants Split

Let’s Pretend released a lot of incredible material in 2013 but this was easily their best in the short-form department. Both Purple Scissors and the Cool Mutants split were recorded by PURPLE 7’s Patrick Jennings (who formerly fronted Hot New Mexicans) and both bands’ influences are evident throughout both the EP and the split. They both carry the slightly off-kilter, raw, and insanely melodic traits that nearly all of Let’s Pretend’s roster has come to be known for. Hear both releases in their entirety below.




18. La Luz – Damp Face

Anyone who’s been following this site probably won’t be too surprised at finding yet another Burger release on this list but it’s hard to argue against placements for any of the label’s releases; they’ve been consistently excellent and positioned themselves at the forefront of basement pop. La Luz had a turbulent year, suffering both triumphs and devastating setbacks. As horrific as their accident was, people are more likely to associate 2013 with both of the band’s outstanding releases rather than personal tragedy. Both their It’s Alive full-length and Damp Face EP have managed to jumpstart a promising career for their band and they’re already showing no signs of slowing, fighting back relentlessly at whatever obstacles come there way. Hear some of that fight bleed into their music by listening to Damp Face below.

17. Midwives – Midwives

Midwives’ self-titled debut is another of the entries on this list that’s already been covered and the thing’s got some serious legs. Its staying power has been incredibly impressive and went a long way in securing it a spot on this list. Get familiar with Wisconsin’s best new hardcore act by listening to Midwives’ introductory piece below.

16. Lemuria – Brilliant Dancer

As good as The Distance Is So Big was, this 7″ teaser the band released ahead of it may actually exceed it in terms of greatness. Both “Brilliant Dancer” and “Helloing” rank among the best songs in Lemuria’s impressive catalog, providing them the b/w format cuts out any excess and lets them operate as a sharp adrenaline shot that emphasizes the band’s best qualities. Brilliant Dancer is about as precise as Lemuria gets and sacrifices none of their sugar-rush basement pop. Hear it below (and catch them live whenever possible).

15. Summer Twins – Forget Me

As has been mentioned before and is likely to be mentioned again, Burger Records had an absolutely monstrous 2013, as far as EP’s are concerned the label didn’t put out anything better last year than the Summer Twins’ near-perfect Forger Me. Mining a 50’s doo-wop and 60’s girl group influence in equal measure, they offered up five of the most assured and gorgeous songs of the year, with the title track being one of the year’s outright best. While the rest of the songs don’t quite match the heights of “Forget Me”, they come close enough to more than justify a spot on this list. Hear Forget Me below.



14. Huge Face – Huge Face

Huge Face are yet another band that may occasionally find their name tossed into the emo-revival conversation that’s happening right now despite leaning closer to Guided by Voices and late-era Wipers than Sunny Day Real Estate. In the grand scheme of things, though, it really doesn’t matter. Huge Face stands up just fine on its own. The most modern touchpoint here would be Wolf Parade, as the bands share several similar sensibilities, even if the execution on how their lensed varies ever-so-slightly. No matter how it’s looked at, it’s fairly clear that this is a great release. Listen to it below.

13. Pusrad – Modern Anatomi

Clocking in at just over four and a half minutes, these ten songs refuse to fuck around. That steadfast commitment is an integral part of all great hardcore bands’ aesthetic, Pusrad included. Already moving at an incredibly prolific pace, Pusrad keep getting better with each one. Modern Anatomi is an exhilarating blast of fierce, old-school hardcore that’s as relentless as it is creative. One of the genre’s best releases in any format in 2013. Hear it below.



12. Upset/Swearin’/Waxahatchee/Screaming Females – Guided by Voices Tribute 7″

All anyone really needed to do for this one was look at the title. Upset, Swearin’, Waxahatchee, and Screaming Females are four of the better bands going today and each paying tribute to a specific Guided by Voices track is an undeniably sensible move. This is as much of a four-band pairing as it is a five and it exceeds its own promise. That’s one hell of an accomplishment. Unfortunately, no streams of this are currently available but it’s available for purchase (highly recommended) via the link below.

Purchase the Guided by Voices Tribute 7″ from Salinas Records

11. Sundials – Always Whatever (A Collection of Songs from 2009-2012)

Releasing a set-year retrospective can be a tempting prospect for any band that feels it’s entered a new stage; rarely do they exceed on the levels of Sundials’ Always Whatever (A Collection of Songs from 2009-2012). By forgoing the inclusion of several songs from their two main releases, First 6 Songs and When I Couldn’t Breathe, there’s an allowance for the unexpected which infuses Always Whatever with a vitality it may have sorely lacked. This is a stunning collection of melodic basement punk songs that should only help the anticipation build for whatever the band’s next move is. Get familiar with Sundials by listening to Always Whatever below.

10. Technicolor Teeth – Blood Pool

There aren’t very many bands out there who can claim to be as exciting as Technicolor Teeth. Only a few years (and two releases) into their career, they’ve managed to make a deep impression on a lot of their peers and grab the attentions of people that may help elevate them to infamy. They’ve essentially been posited as the new forefront of shoegaze by embracing it as fully as possible while still thriving to make it their own. After the rousing success and tonal darkness of Teenage Pagans, it’s unlikely that anyone thought the aspect they’d play up the most for their follow-up was their warm dream-pop influence. Granted, they haven’t sacrificed much of their morbidity or dark atmosphere and instead reinvent that side of themselves as well. As a result, they’ve wound up with the best nightmare-pop 7″ of 2013. It’s difficult to say how long this band will stay buried but expect to be hearing their names a lot more sometime soon.


9. The Dirty Nil/Northern Primitive – Split

The Dirty Nil’s split 7″ with Northern Primitive was one of the more unique splits of 2013 just for the variance of style on display. Both bands tend to err towards doom without actually crossing that bridge completely, with the former keeping at least one foot very firmly planted in early 90’s indie a la Dinosaur Jr. and The Pixies while the latter perilously straddles multiple genre lines at once. Of the two, The Dirty Nil takes the more straightforward route (and is none the less thrilling for it) while Northern Primitive throws everything they’ve got into their side, riding an eerie atmosphere into a crushing crescendo before gracefully falling back out. An absolutely stunning display piece for two of Canada’s best-kept secrets. Hear it below.



8. Jeff Rosenstock – Summer

Over the years, IYMI has become one of the most trusted sources out there for on-the-rise bands playing the basement punk circuit and have frequently offered early glimpses at bands like Swearin’ and Jason Anderson in the bandcamp “optional donation” mode (the site also is responsible for the incredible Pink Couch Sessions series). This year, they went ahead and added Jeff Rosenstock to the list by featuring his incredible Summer 7″, which managed to be one of the most explosive scuzz-pop 7″ singles of 2013. An absolute must-own. Hear both “Teenager” and “Go On Get” below.



7. Tweens – Demo CD-R

Tweens were one of the great breakout successes of the gutter circuits in 2013, releasing nothing but demos which were subsequently devoured and praised at a rate fast enough to give anyone whiplash. The Cincinnati trio have become one of the more talked-about and sought-after prospects in recent memory based solely on the strength of a demo CD-R which is impressive enough in itself. The fact that their bandleader, Bridgette, had only recently learned guitar before before starting Tweens is a completely different level of impressive. Tweens are set to release their debut full-length in March and that day can’t get here fast enough. Until then, listen to a few selections from the now-sold out demo below.



6. All Dogs – 7″

One of Salinas’ most exciting new prospects has already drawn comparisons to seemingly half of that label’s roster, which is precisely what makes it so appealing. Over the past few years Salinas has carefully cultivated a sound that prides itself on a lo-fi 90’s indie punk influence. All Dogs profile is set to get another boost with the impending release of Saintseneca’s upcoming LP on Anti-, as the bands share members. A lot more could be said about this release but, once again, it’s worth noting that much of it has already been said. Listen to All Dogs’ triumphant 7″ below.



5. Various Artists – Beyond Inversion: A Benefit for Rachael’s Women’s Center in DC

Over Heartbreaking Bravery’s short existence, the release that’s garnered the most coverage from this site is undoubtedly Accidental Guest’s incredible Beyond Inversion benefit compilation. It’s a compilation that has its heart squarely in the right place, while perfectly adhering to the best aesthetics of the basement scene. There’s a selflessness that’s on display here through the involved bands’ naturally camaraderie. It’s also a perfect representation of its time, culminating in a capsule-worthy artifact that sheds this generation in the most positive light imaginable. Which is precisely why there was more than just one article devoted to it. Beyond Inversion may be seeing a vinyl release at some point in the near future but the initial cassette release sold out in pre-orders. Thankfully, the whole thing is available for streaming and can be heard below.



4. Acid Fast – Rabid Moon

While Rabid Moon finally was given a proper vinyl release last week, it’s been available as a cassette for several months, courtesy of Stupid Bag Records. Far and away one of the most impressive cassette-only full-length’s to be granted a 2013 release, it allowed for a monumental build-up to it’s run as a 2014 record. In the span between the two official releases, the band’s picked up press from Punknews, the AV Club, and earned On the Up honors from this very site. Rabid Moon is an absolute monster of a record that channels the spirit of Archers of Loaf, has the unhinged energy that made Big Kids so great, and it deserves every accolade that’s undoubtedly coming its way. Hear the first three songs from the record below.

3. LVL UP – Extra Worlds/Porches. Split

LVL UP prove themselves again and again with each consecutive release. How this band isn’t fucking huge yet is anyone’s best guess and it still seems like that’ll happen in due time. One of the most thrilling and accessible bands going right now, LVL UP absolutely crushed 2013 with an outstanding EP and a split with Porches. that was every bit the EP’s equal. In both cases, this is full-throttle basement punk with powerpop flourishes that doesn’t skimp on aggression or melody. Flashes of everything from The Replacements at their best to Weezer at their best are all present and filtered organically enough to come across as an influence and not an imitation. It seems unlikely that LVL UP will be slowing down anytime soon. Hear both Extra Worlds and their split with Porches. below.


2. Perfect Pussy – I have lost all desire for feeling

There were no releases last year that felt as harrowing and personal as Perfect Pussy’s demo tape. It didn’t matter which way it was spun, the listener’s reaction, vocalist Meredith Graves’ determined confessionals, or the cultural dialogue it inspired; this was a personal affair. It was also an incredible piece of music, relentlessly energetic and unabashedly unapologetic in composition, production, and lyrical content. It was  a demo (and band) that meant a lot to this site, which is why Meredith Graves was chosen (and graciously agreed to be) Heartbreaking Bravery’s first interviewI have lost all desire for feeling also earned one of this site’s very first reviews and set off a chain reaction of positive effects that have extended into 2014. Listen to I have lost all desire for feeling below.

1. Tenement – Screaming Females Split + More Compilation/Puke and Destroy #2/Sick Club Vol. 3/Something to Dü

Sometimes things are predictable for a reason; this site hasn’t been shy about its feelings for Tenement. Despite not releasing any official LP’s or EP’s in 2013, they experienced one of their most successful years to date on the strength of their 7″ releases. There was their unbelievable entry into the Sick Club series on Cowabunga!, their stellar section of Puke & Destroy alongside Holy Shit!, Gleam Gardens, and The What-A-Nights, and an unbelievable (and entirely unexpected) compilation on bandcamp centered around their attention-demanding split with Screaming Females.  Additionally, the band also contributed to do the excellent Something to Dü five-band tribute on Dead Broke Rekerds offering up a volume-shifting take on “Obnoxious”. Throughout all of it, the band manages to show their full range from the battered and haunting “Ants and Flies” demo to their usual hardcore-tinged basement pop- as well as their usual lo-fi freakouts. It didn’t matter what mode they were in, everything from “Books on Hell + Sermons on T.V.” to “Twig” deserved an infinite amount of listens and serious year-end considerations. The scariest part of all this is that it still feels like this band is just getting started, especially considering the band already has two LP’s lined up for release on Grave Mistake and Don Giovanni, respectively, for next year. Hear all four of the band’s major 2013 releases below.