Heartbreaking Bravery

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Tag: I’m Rich Beyond Your Wildest Dreams

14 of ’14: The Best Music Videos of 2014

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In all best-of coverage, there’s no room for any objectivity positing (“Best” is usually just shorthand for “most admired”), which is why this site’s long-held first person restriction will be dropped to allow me to speak more personally in an effort to better explain the contents of this list’s (and all of the lists to follow) personal effect on myself. In 2014, I watched (and covered) more music videos than any year of my life- allowing an intake of genuinely great content that made compiling this list a dream and a nightmare. After spending weeks reviewing old clips (while keeping up with the videos enjoying December releases), I settled on the selections below as the 14 that hit me hardest over the past 12 months. This list will be the first entry in more than a week’s worth of year-end coverage that I’m beyond excited to share with everyone. So, with all of that said- it’s my privilege to present Heartbreaking Bravery’s 14 of ’14: The Best Music Videos of the Year.

14. Left & Right – Low Expectations

A few months ago, Left & Right released this absolute gem of a music video. Imbued with a DIY irreverence, a purposeful sense of direction, winningly off-beat humor, unabashedly committed performances, and some genuinely great cinematography, “Low Expectations” became an unexpected standout; a clip that came out of the gate swinging and (somehow) landing every single blow. Easily one of 2014’s most unexpectedly charming (and ridiculously enjoyable) clips.

13. Saintseneca – Happy Alone

Saintseneca’s Dark Arc was one of 2014’s most deserved breakout moments and nothing punctuated that shift more than the Christopher Good-helmed clip for “Happy Alone”. Emphasizing the song’s central themes by providing a bubble that practically forces isolation onto bandleader Zac Little, it’s a visually striking clip that got harder to shake as the year progressed. By grounding its elements of surrealism with an abundance of naturalism, it provided an artful counterpoint to something like Perfume Genius’ “Queen” (which, incidentally, was shot by Good). Importantly, it also proved that Saintseneca were officially on their way to bigger and better things.

12. Angel Olsen – Windows

I’m not sure there was a music video to come out of 2014 that was more startlingly gorgeous than this Rick Alverson-directed clip for Angel Olsen’s heart-stopping Burn Your Fire For No Witness highlight “Windows”. By incorporating Southern Gothic Americana style rural imagery into Olsen’s plaintive folk-leaning sensibilities, Alverson managed to create an evocative portrait of one of this generation’s finest songwriters. Leading up to an oddly moving (and admittedly eccentric) climax, the whole thing’s so artfully rendered it begins to feel as complete as some of the year’s best films. Delicate and aggressive in all the right places, “Windows” more than earned a spot on this list.

11. Beverly – Honey Do

“Honey Do” was my introduction to Beverly, just as it was for many others, so when news broke that they’d shot a music video for the song, it felt worthy of anticipation. Most of the expectations I had were exceeded in the first few frames and as the video progressed, so did my appreciation. Eschewing any kind of image-building, this was the first in a string of Beverly clips that largely eschewed celebrity in favor of celebrating artistry. Shot in crisp black-and-whites, “Honey Do” is a tender portrait of Los Angeles and its inhabitants and a promising mission statement from one of 2014’s more engaging new acts.

10. S – Losers 

Initially just a clip that came and went with very little fanfare (from a great record with a similar reception), “Losers” immediately felt deeply personal and genuinely heartfelt. Ostensibly a reflection on perception, self-esteem, and harsh reality, the thematic elements in the lyrics get brought to vivid life in a lovingly shot clip that somehow brings them to devastating proportions. DIY in spirit with a focal point on self-expression and identity, it’s become legitimately unforgettable; a long, heavy sigh of acceptance with only the faintest glimmer of hope reverberating throughout the weary cynicism. While “Vampires” was a great deal of fun, it’s “Losers” that deserves the lion’s share of attention for being one of 2014’s strongest buried treasures.

9. Iceage – Against the Moon

Honestly, “The Lord’s Favorite” and “Forever” both could have made this list but it felt more appropriate to limit bands to one entry apiece. With that being the case, it’s Plowing Into The Field Of Love highlight “Against the Moon” that gets the nod; all of the reasons for its inclusion were previously detailed pretty extensively here.

8. Anna Calvi & David Byrne – Strange Weather

Soft saturation. An autumnal palette. Digital film. One of the most delicately directed cinematography performances in any visual medium this year. An implicitly tragic narrative arc that suggests internal (and possible external) suffering. All of these come together in the sublime clip for an equally sublime cover of Kareen Ann’s “Strange Weather”, courtesy of Anna Calvi & David Byrne. One view was all it took for this to become one of the most difficult to shake clips of the year. Masterfully composed and brilliantly executed, it’s nothing short of an emotionally intuitive masterpiece.

7. Diarrhea Planet – Babyhead

I got to use “diaper skull flume explosion” while writing the tags for this one in the initial write-up; what more explanation do you need? “Babyhead” was pure madcap glee on a level not too dissimilar to Wrong Hole’s equally shameless, equally deranged lyric video for “Wrong Hole“. There are times when total insanity can be kind of beautiful. I’m not sure this is one of them but it’s still ridiculously fun.

6. Kid Moxie & The Gaslamp Killer – Museum Motel

No music video kept ricocheting around the corners of my brain more than this deeply unnerving clip from Kid Moxie & The Gaslamp Killer. Operating on a visual level that rivals what was achieved in Under The Skin, it uses waters, shadows, and contrast in a darkly seductive fashion that burrows its way into any brain fortunate enough to find its way over. An ingeniously subtle use of superimposed imagery on a lone snare drum drives up the feeling of unrelenting loneliness and palpable loss. It’s a deeply alluring and deceptively minimal visual representation of a stunning song. One that’s worth putting more than halfway up a “Best of 2014” list.

5. La Dispute – Woman (Reading)

Since this was the last one of the last non-list features to be posted here, it’d seem redundant to simply retrace everything that’s already been said.

4. Girlpool – Plants and Worms

Catleya Sherbow created this unbelievably stunning clip for Girlpool, 2014’s best duo, and touched on a number of pressure points- namely, acceptance and doubt. In the end, it’s about acceptance, and while that message does come laced with a visual that could potentially double as suicide, it still somehow manages to come off as comforting. “Plants and Worms” hits with the force of a world-stopping realization and echoes long after it ends, providing a staggering moment of beauty for Girlpool and a warm reassurance for just about everyone else.

3. clipping. – Work Work

Yes, the video for “Never Gonna Catch Me”- the Flying Lotus and Kendrick Lamar collaboration- was incredible. Not a lot of people are going to dismiss that claim. However, it’s another destined-to-be-iconic clip from that genre field that made a deep(er) impression on me; the video for the clipping. and Cocc Pistol Cree collaboration “Work Work”. Tracing a narrative arc that uses a laser-sharp focus on the act of curb-stomping, enhanced by some thought-provoking visual surrealism, it immediately became one of 2014’s most arresting clips and its status hasn’t let up. If there was a tracking shot more provocative than the one at the start of “Work Work”, then I’d love to see it. Until then, I’m just going to keep returning to this one.

2. Cymbals Eat Guitars – Warning

No clip from 2014 came imbued with more unwavering passion than the Crosshair-starring clip for “Warning”. All anyone needs to see is the thumbnail shot for this video to see a glimpse of how unfailingly heartfelt “Warning” winds up being. Matthew Reed tapped into a transcendental kind of magic that collapses a variety of bridges (age, taste) with a near-shocking ease. Ever since this was first released, I’ve been revisiting it with a great frequency because, like most great art, it pulls the viewer back in and rewards investment. Breathtakingly lensed, brilliantly edited, and furiously paced, this was a perfect accompaniment to one of the year’s most emotionally-charged records. Cymbals Eat Guitars may have intended the song to be a warning about love and loss but, backed by the video, it becomes one of the year’s most life-affirming moments.

1. PUP – Guilt Trip

Back in 2013, I had the honor of naming PUP’s “Reservoir” the best music video of 2013 for PopMatters. While that video was a cathartic release that was a near-perfect representation of the maelstrom of a particularly rowdy live show, their video for “Guilt Trip” (once again speared by the creative team of Chandler Levack and Jeremy Schaulin-Rioux) was a much more serious affair. Weirdly attuned to my own childhood experiences probably lent it a few small favors in terms of my esteem but, doing my best to separate myself from that strange fact, it boasts a series of career-bests from Levack and Schaulin Rioux: cinematography, editing, the performances they elicited from an impressively talented young cast, narrative, and overall direction among the list. “Guilt Trip” also includes one of the most genuinely heart-stopping moments I’ve seen in any clip, infusing it with a sense of brutal reality (if only for a moment), emphasized by a single shot that drives the point home. My initial claim that it could have a shot at carving out a spot for “Video of the Decade” still doesn’t seem so far off- but it’s worth keeping an eye on Levack and Schaulin-Rioux to see if they can keep repeating a ridiculously impressive pattern.

Chandos – ..Pretty Sure it’s ‘Tang Top’ (Stream)

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With the entirety of yesterday’s post dedicated to Mitski’s miracle of a record, Bury Me At Makeout Creek, there’s quite a bit to catch up on today. There were a bevvy of single streams that included Le Rug’s blown-out rager “Dudley“, Ghastly Menace’s vibrant pop confection “Closing“, and The Dodos’ triumphant return single “Competition“. There was also a sprawling, punchy piece of anthemic open-road folk in the form of Small Houses’ outstanding “Staggers and Rise” as well as another look at YAWN bandleader Adam Gil’s solo project, Dam Gila, via “Home Again“. Rounding things out for the single stream category was a demo from The Guests (a new band featuring members of Sheer Mag), a typically bold Liars b-side, and a Girlpool cover of one of the most achingly romantic songs ever recorded.

In the realms of the music video there was an equally plentiful pool of treasures that included Diarrhea Planet’s oddly compelling fantasia in “Kids“, Metronomy’s stunning woodland-set magic surrealism in “The Upsetter“, and Spider Bags’ subtly nightmarish visual effects collage “Eyes of Death“. Additionally, there was Dream Generation’s stark “The Spirit of America“, She Keeps Bees’ gorgeous “Owl“, Owen Pallett’s inexplicably powerful “In Conflict“, and Corners’ masterfully executed “The Spaceship“. As if that wasn’t enough, the full streams that appeared over the past few days matched the rough output of both the single song and music video output with some truly outstanding efforts coming to light- like Caddywhompus‘ strong bid for Album of the Year contention with Feathering A Nest. The Paperhead emerged with their latest throwback-heavy gem, Africa Avenue, while Parkay Quarts built on their renewed buzz with the wiry Content Nausea. Open Wide released a demo of quietly stunning folk-leaning ballads, Ex Cops threw a darkly-tinted dance party with Daggers, The Jazz June resurfaced with some shockingly strong material in After the Earthquake, and Nots left burn marks with the scalding punk tantrums of We Are Nots.

All of those items are worth sitting down and spending time with but it was recent Carpark Records acquisition Chandos’ “..Pretty Sure it’s ‘Tang Top'” that gets today’s feature spot. It’s a vicious piece of sharp, 90’s-indebted punk, equal parts Acid Fast, PS I Love You, and Speedy Ortiz, “..Pretty Sure it’s ‘Tang Top'” flies along, never bothering to do anything but build momentum through its myriad twists and sharp left turns. Tempos shift, personality gets exuded, and Chandos (formerly Chandeliers) wind up with something that sounds as raw as it does inspired. On Carpark’s ridiculously impressive roster, Chandos falls somewhere between Cloud Nothings and Popstrangers, which is really just shorthand for saying that Chandos’ upcoming record- Rats In Your Bed– is well worth an extremely high level of anticipation. If “..Pretty Sure it’s ‘Tang Top'” is any indication, Chandos is in the midst of a creative peak that will likely yield the band’s strongest material to date. If everything clicks as well as it does in this song, Rats In Your Bed could very well be the first great release of 2015 when it’s released on January 27. Mark the calendar now.

Listen to “..Pretty Sure it’s ‘Tang Top'” below and pre-order Rats In Your Bed from Carpark here.

Diarrhea Planet – Babyhead (Music Video)

It was an unusually active on the streams-and-music videos front for a Friday and today saw the releases of several great entries in both categories. There was the Stereogum premiere of a new Geronimo! rager, the first glimpse of the forthcoming Swans record, and another promising glimpse at Dark Arc– Saintseneca’s upcoming Anti- debut, courtesy of Clash Music. Additionally, there were some noteworthy music videos, including both the NSFW blood-hued nightmare dreamed up for WTCHS’ “Over Kilmer” and the welcoming psychedelic haze of Night Beats’ “Hidden Circle“. While all of that is definitely worth looking into, today belonged to one thing and one thing only: Diarrhea Planet’s gloriously inspired video for I Am Rich Beyond Your Wildest Dreams standout “Babyhead”.

Really, sometimes there just aren’t words to do justice to an experience. All that can really be said at this point is that everyone else attempting to make ‘The Year’s Best Video’ should probably just call it quits now and wait until January rolls around. Confused? Good. Not confused, just intrigued? Even better. Watch it below and become the most enlightened person on the face of the planet. And people say rock n’ roll is dead.