Heartbreaking Bravery

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Tag: Punk

Watch This: Vol. 27

It may have taken a bit of doing but, as of this posting, Watch This will officially be back on its regular schedule. To celebrate this, the 27th installment of the series played strictly by the rules- and somehow wound up being one of the strongest offerings of Watch This to date. All of these songs were live sessions that were posted online in the past seven days and virtually of them contain songs or artists that have previously earned feature articles on this site in the past. In short, there are plenty of familiar faces to be found in this 27th installment and a few of the year’s best records are well represented. Really, now that all the work’s been done and all the exposition’s out of the way, all that’s left to do is sit back, turn the volume up, and Watch This.

1. Ovlov – The Great Crocodile (Little Elephant)

What can be said? This Little Elephant session is just a gift that keeps on giving. It’s the third to earn a spot in Watch This and arguably the finest of those three. The song’s introduction is nearly two full minutes of surging basement punk that verges on post-hardcore territory. Everything after is just as exhilarating as what’s preceded it. All in all, it ends up being another incredible sampling from one of the most exciting young bands out there. Another thing worth noting: the bassist’s sick LVL UP sweatshirt (if that’s not a great representation of what this site’s all about, nothing is).

2. Angel Olsen – High & Wild (Jagjaguwar)

There haven’t been very many artists who have earned as many Watch This inclusions as Angel Olsen. This is no accident; her last record, Burn Your Fire for No Witness, is a gorgeous work of art. As a performer, she radiates a quiet intensity that’s both transfixing and strangely devastating. “High & Wild” lives up to the precedent she’s set and, as such, was an easy selection for this installment. Burn Your Fire for No Witness has more than proven its staying power and Olsen’s capitalizing on that success by virtue of her live prowess. No complaints.

3. Yellow Ostrich – Shades (KEXP)

Yellow Ostrich scored a major coup with the acquisition of drummer Michael Tapper, who joined up shortly after leaving We Are Scientists. As a member of We Are Scientists, he was instrumental to their early success (With Love and Squalor is a vastly underrated 2000’s masterpiece) and now one of the driving forces behind Yellow Ostrich. “Shades” is one of the finest songs the band’s ever recorded and their performance of it for KEXP is a committed take. It’s borderline unclassifiable and it’s definitely worth paying attention to.

4. Cloud Nothings – I’m Not Part of Me (Radio K)

First thought: “Is that a Smooth Brain shirt?!” Second thought: “Oh, yeah, Cleveland.” Third thought? “Good lord, this band slays live.” All that said, Here and Nowhere Else is an easy 2014 highlight and is fully expected to appear in the year-end conversations. It’s the second straight effort from the band that’s earned that distinction after being released in the first half of the year. As immense as their studio output has been, as this adeptly shows, they might be even better live.



5. Screaming Females – It All Means Nothing (Audiotree)

As promised earlier today, here’s the second Screaming Females video to be featured from the band’s recent stop at Audiotree. Now touring behind their excellent Steve Albini-produced live album, Live at the Hideout, they’re proving time and time again the recordings that made the cut for that record weren’t a fluke. Truly one of the best live acts currently touring, “It All Means Nothing” has been a consistent set highlight and ranks among the best moments in the band’s entire discography. They don’t hold back anything here and the result is another monster of a performance that’s worth several subsequent watches. Make sure to bookmark this one.


Geronimo! – Euphoria (Stream)

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While this site was (and is) still grappling with an inability to directly access soundcloud, an insane amount of music’s been brought into the world. The few songs that did earn features here were all accessed remotely, via other generous posters. One that seemed to slip by most, though, was music from the extraordinary, just-released Cheap Trick by the Chicago-based Geronimo!. Time to right that wrong. Cheap Trick is easily among the best records to have come out so far this year and the record’s penultimate track, the coursing “Euphoria”, manages to define both the record and the band in a little under seven minutes.

Not a single one of those seconds is wasted as the song goes from a sedated and contemplative slow-burner to a frenzied sonic assault. There’s a perfectly executed transition that leans in on the band’s penchant for woozy guitar riffs that are as inspired by shoegaze as they are post-punk. Even with that, the band still finds enough room for a few other influences; Midwestern emo, early hardcore, and left-field powerpop- and blends them into an aesthetic package that’s wholly their own.

By the time “Euphoria” hits, the record’s already full-sprint and climactic enough but this single song manages to push it, gleefully, over the edge of a cliff. It’s the soundtrack of the descent and it’s clear Geronimo! loves every exhilarating minute. Appropriately, considering the title, “Euphoria” winds up being the most noticeable moment of catharsis on a record full of them. Don’t let this one go unnoticed.

Listen to “Euphoria” below and make sure to pick up Cheap Trick as soon as humanly possible.

Naomi Punk – Television Man (Stream)

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There are a few labels that get a lot of love around these parts- Burger, Exploding in Sound, Don Giovanni, and Old Flame Records all have a pretty strong foothold by continuing to operate with the kinds of bands who make music that caters to exactly what this site was built to celebrate. Captured Tracks can officially be added to that list. The label’s the home of the band that’s earned the most features here as well as a tantalizing spread of others (Mac DeMarco, Craft Spells, Medicine, etc.) and has been on an impressive run lately. Enter: Naomi Punk. A band built on weirdly frenetic post-punk tension and the kind of instrumental interplay that would make Spoon proud, they’re bound to be one of the year’s bigger discoveries. Yesterday they revealed a lot of details about their home-recorded sophomore effort, Television Man, and offered up the title track for streaming. “Television Man” is a jaunty run through a maze of stop-start rhythms and twisted riffs that somehow manage to subtly recall various miniature aspects of the 90’s underground punk scenes while sounding distinctly modern. It’s one hell of an introduction to the record (which is due out August 5th) and will likely have a lot of people salivating while begging for more.

Listen to “Television Man” below and give in to its relentlessness.

5 to See at NXNE 2014: Vol. 6

It’s been said here before countless times already but the NXNE lineup for this year is absolutely ridiculous. Featuring an endless array of rising stars and premier acts from a wide selection of genres, Toronto’s set itself up quite nicely for an influx of incredible music, dedicated journalists, and devoted fans. Music wristbands are still available for an incredibly reasonable price and are well worth taking advantage of. It’s the best way to get access to the festival’s final leg and a shot at entrance to see the sets from the artists listed below, the volume 6 class of the 5 to See series.

1. Benjamin Booker

What to Know: Benjamin Booker just signed to ATO Records and will be releasing his self-titled effort in August. From the short previews of Benjamin Booker that have been available so far, it’s increasingly apparent that ATO made the right move. With a sound that incorporates equal amounts of blues, soul, punk, motown, and their evolutionary trajectories over the last handful of decades, it’s already positioned as a likely crossover hit. Live? It’s incendiary. Watch the fiery Letterman clip below for further proof.

What to Watch:

2. Pusha T

What to Know: Pusha T rose to prominence as half of Clipse, who created an untouchable classic in 2006 with Hell Hath No Fury. Since the release of that reord both Pusha T and No Malice have chosen to go their separate ways and explore solo routes. This resulted in another modern classic with Pusha T’s 2013 stunner, My Name Is My Name. With a live set to back up why he’s become one of the most acclaimed and celebrated artists in rap/hip-hop, this will be a set that fills up capacity fast. Don’t miss it.

What to Watch:

3. Future Islands

What to Know: Already hailed as one of 2014’s best live acts, Future Islands have been doing their best to earn that title. There was an explosion of interest in the band after their hypnotic Letterman performance drew national attention. While a lot of it seemed to be directly linked to vocalist Sam Herring’s unique dancing, it also came as an exclamation mark to a wave of buzz that had been steadily building around them. Reports of recent shows have made it abundantly clear that their shows have been constantly verging on getting out of hand thanks to frenzied audiences. Like Pusha T, this is going to be a priority set for a lot of people attending the festival- so get to wherever they are as early as possible, the crowd reaction alone should be a sight worth seeing.

What to Watch:

4. Camera

What to Know: Camera’s Radiate was a little-discussed triumph. Emphasizing the more punk elements of krautrock, the trio’s staked their name on guerilla performances in public places. Don’t be surprised to see them set up just about anywhere during the course of their Toronto stay- and don’t be shocked if their playing stops a lot of people dead in their tracks. Great music’s universal.

What to Watch:

5. White Mystery

What to Know: The Chicago duo have become mainstays of the DIY punk circuit, touring fiercely and building their reputation on frantic live shows. Four LP’s and two 7″s deep into their discography, the duo (composed of siblings Alex and Francis White) is still performing behind their most recent (and strongest) effort, Telepathic. A few late night show appearances have boosted their profile and they’re gearing up for what looks to be a major run towards bigger things. This is a set that won’t be worth missing.

What to Watch:

The Rich Hands – Teenager (Stream)

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It’s been far too long since a Burger band’s been covered on here in something other than a Watch This feature, which is a damn shame because they’re still the flagship label for scrappy DIY basement pop bands and cassette culture. Luckily, The Rich Hands are here to right this wrong. Their sophomore effort is entitled Out of My Head and it’s full of gnarled pop jams. Burger’s gone ahead and shared one of the best from this release, “Teenager”, on their soundcloud. It’s an all-out blitz of a tune that comes inflected with OG punk undertones, from the snotty, simplistic melody straight through to the tuff guy exteriors, it’s a well-informed earworm that closes itself out with a perfectly placed half-time transition. Be prepared to hum this one to no one in particular for the next few days.

Listen to “Teenager” below and get to the nearest party as soon as possible.

Greys – Use Your Delusion (Stream)

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Greys have been earning themselves a lot of words over here lately and that’s no mistake; their particular brand of fangs-out post-punk is exactly the kind of thing that’s worth paying a whole lot of attention to. Their Carpark debut (in conjunction with Buzz Records), Is Anything, is still dangerously high on the anticipation meter and today’s reveal of “Use Your Delusion” is only stoking that particular fire. “Use Your Delusion” premiered over at The A.V. Club but has since found its way onto soundcloud and can be heard in the provided player. Listening to this is an absolute necessity as it expands their sound in a way, that while not unexpected, is completely enthralling. All adrenaline rush and pent-up frustration “Use Your Delusion” channels the best of both post-punk and classic hardcore while being presented through a noise-punk lens. It comes off as less of an introduction and more of a victory lap, proving that this band’s confident enough to get straight to the point and leave as deep of an impression as possible. When the final vocal punctuation closes out the song’s two and a half minute runtime, it’s practically begging for a repeat listen.

Listen to “Use Your Delusion” below and cave in to the temptation of playing it multiple times in a row.

White Lung – Face Down (Music Video)

It may be just over a month away but Deep Fantasy, White Lung’s Domino debut, just keeps sounding better. While “Drown With the Monster” and “Snake Jaw” were both bits of shrapnel intent on finding impact, “Face Down” takes things a step further. There’s just something about it that’s difficult to pinpoint; whether it’s the arrangement or the presentation or something else entirely, it’s one of the band’s most refined outings to date and it absolutely slays. Easily one of their best songs, it was given a no-fi video not all that dissimilar from the Dead Stars one that was featured here earlier today. Not much more than the band in a car and engaging in random shenanigans, it’s vibe’s closer to that of throwaway clips for skate parts than an official music video, giving it a feel that fits White Lung’s damage just right.

Watch “Face Down” below and try not to get arrested this year.

Bad History Month – Staring At My Hands (Stream)

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Jeff Meff has always been an enigmatic songwriter. Hell, that’s a fact that was evidenced by his constantly-changing moniker. Bad History Month, Sad History Month, Fat History Month, it never mattered, the results were always the same; distinctly original and absurdly rewarding. A perennial staple of both the bedroom-pop and basement punk scene in Boston, Merr’s built his reputation on slightly left-of-center songs that all seem to come spilling out to provide some sort of blanket for his astounding lyricism. Of course, true to those styles, none of it gets played up in the slightest; it’s all given equal footing and is intertwined enough to be relatively inseparable. It’s difficult to isolate just one element of the songwriting on display here, the first glimpse at his upcoming split with Dust From 1,000 Years, especially. The song’s entitled “Staring At My Hands” and the split itself is called Famous Cigarettes and will be released via Exploding in Sound. “Staring At My Hands” is about as bare and naturalistic as Merr gets and it’s a jarring change of pace from last year’s manic (and extraordinary) Bad History Month (which was released under the moniker Fat History Month). If Famous Cigarettes lives up to what’s suggested by “Staring At My Hands” and winds up being as thrilling a listen as Bad History Month was, then Merr will have decisively positioned himself as one of the best songwriters currently making music. It’s time to start paying attention.

Listen to “Staring At My Hands” below and make sure to check out his project’s already extensive discography by exploring either of the hyperlinks up above.

Lower – Bastard Tactics (Music Video)

Lower’s Walk On Heads was one of the more exhilarating debuts of recent memory. That EP was a force to be reckoned with and caught the ears of Matador, who wasted no time in signing the Copenhagen band. They’re all gearing up for the release of Seek Warmer Climes, the Copenhagen band’s first full-length. It’s mostly stayed shrouded in mystery, with neither label or band offering much in the way of previews- until today. We now have a song and an accompanying studio video of the band performing “Bastard Tactics”, which features a more focused take on their downtrodden post-punk. “Bastard Tactics” is enough on its own to ensure expectations for Seek Warmer Climes remain very, very high. With Matador acting as the outlet it’ll be released on, it’s also positioned nicely as another important step for the increasing number of hardcore-leaning bands on the DIY circuit playing music this jagged and drowsy. Expect to be seeing a lot more press surrounding this quasi-revival soon- and expect Lower to join Iceage at the forefront of it all.

Fucked Up – Sun Glass (Music Video)

The more that’s revealed about Fucked Up’s Glass Boys, the more interesting it gets. From the sunnier disposition to the fact the deluxe version will come packaged with a second LP that features the drums in half-time, it seems all but destined to wind up a thrilling, enigmatic anomaly in the band’s impressive catalog. “Sun Glass”, in both song and video (the second to be released in advance of the album), continue to support this theory by featuring a band mostly known for their anxiety sounding relatively unburdened and, more than that, having fun. It’s a drastic change of pace that suits them surprisingly well; the big questions get scaled back to make way for some small self-examination and guess what? As fucked up as some things can get, overall everything’s pretty alright. Appropriately, the video’s as sun-splashed as possible, with all involved parties looking like they’ve just gone through a small hell and come out completely rejuvenated; able to appreciate the small joys of life more readily instead of taking them for granted. 

Watch the improbably feel-good video for “Sun Glass” below and let it be a necessary reminder to stop and feel the sun every once in a while.