Heartbreaking Bravery

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Tag: Music Video

The Best of December 2018: Songs, Music Videos, and Records

Only a few days have passed since we turned to a new calendar year and everyone’s looking ahead to resolutions. While that’s a natural way to progress, sometimes it’s worth casting a glance back, especially when the recent past was so fruitful. In all three of the major release categories (songs, music videos, and full streams), there were gems unearthed throughout December. This post is one last look at a very specific slice of 2018 before this site catches up to everyone else and reveals its picks for Music Video, Song, and Album of the Year. In honor of a recent series of tweets from Small Albums, all of the reviews below will be two sentences or less. A few of the selections below might even make an appearance. Hedge your bets on which by exploring all the offerings below.

SONGS

1. Very Jazzed – Get A Job

A tongue-in-cheek post-punk rambler that’s as defiantly joyous as it is self-deprecating. “Get A Job” finds Very Jazzed in an immediate, accessible mode that suits them perfectly.

2. Guided By Voices – My Angel

One of the most dependable acts of the last few decades keeps surging forward with “My Angel”. A characteristically brief burst of energy, melody, and understanding from Guided By Voices.

3. Tørsö – Grab A Shovel

“Grab A Shovel” more than shows why Tørsö have become a revered emerging force on the DIY hardcore circuit. Gnarled, snarling, and unforgiving, it’s a monster of a track from an act worth following.

4. The Gentleman Losers – Make We Here Our Campfire

The Gentleman Losers crafted an enigmatic beauty in their recent Make We Here Our Campfire, a record headlined by its spellbinding title track. Melancholic and intuitive, “Make We Here Our Campfire” grips the senses like a vice, pulling the listener in until the very end.

MUSIC VIDEOS

1. Eerie Wanda – Sleepy Eyes

A hybrid clip for Eerie Wanda’s “Sleepy Eyes” serves as a perfect complement to the song. Part lyric video, part traditional footage, “Sleep Eyes” takes a simple concept and guides it to memorability.

2. Amos Pitsch – Piece of the Season

Tenement and DUSK‘s Amos Pitsch returns to the holiday spirit after 2017’s Lake Effect with “Piece of the Season”. Delivered in tandem with partner Julia Blair’s “Merry Christmas (To the Ones Who Are Lonely)“, “Piece of the Season” sees Pitsch surrounded by quintessential hallmarks of a Wisconsin winter (and delivers one of the year’s best shots in a quick-hitting sledding sequence).

3. Spirit Was – Golden Soul

LVL UP‘s dissolution may only be a few months in the past but its members are already going full bore with their new projects, including Nick Corbo’s Spirit Was. “Golden Soul” is a beautiful introduction-at-large to the project, the moody visuals perfectly suited to Corbo’s slow-burn songwriting mentality.

4. Noname – Blaxploitation

“Blaxploitation” is delivered not just as a music video but as a film, suggesting Noname‘s visual ambitions are just as bold as the ambition evidenced in the music. Playing off the monster movie film canon to supplement a pointed social commentary, “Blaxploitation” earns the film designation.

5. La Dispute – Rose Quartz / Fulton Street I

Every so often, something that’s so tethered to something deeply personal gives me reason to break this site’s “no first person” clause and in the case of La Dispute‘s gorgeously animated “Rose Quartz / Fulton Street I” it’s this: I was in a horrific car accident after a deer jumped a barricade on the interstate and left my partner’s previous car as a total loss. A scene, with some added symbolism, of an extremely similar nature is depicted throughout this clip and explores something that feels unflinching honest in its surreal, gently nightmarish portrayal.

6. Phoebe Bridgers – Killer

Phoebe Bridgers Stranger In the Alps is holding strong as one of the better records of the past few years and the sublime, crisp black-and-white clip for “Killer” serves as a stark reminder of its potency. A tender, engaging clip for a song worthy of this kind of treatment.

FULL STREAMS

1. Mister Goblin – Final Boy

While Two Inch Astronaut has taken a bow, Sam Woodring is still going strong, a fact evidenced by a sterling debut effort from the songwriter’s newest project, Mister Goblin.  Keeping Two Inch Astronaut’s core sensibilities intact but providing them a slightly lighter sheen, Woodring finds a joy in exploring some (mostly) untapped spaces and that joy translates into a rewarding listen.

2. pting – beep beep

beep beep stands out as a charming effort from pting pting, offering three tracks of punk-indebted slacker pop that are worth every revisit.

3. Strange Ranger – etc.

A project that’s been a site favorite for a few years keeps finding intriguing ways to evolve. etc. is a fascinating left turn for Strange Ranger but one that’s in keeping with their recent exploratory bent, finding them in a bed of acoustic warmth that still has room for the electronic-heavy collaborative closer.

4. Lrrr & Maxshh – Thank You, Lrrr, You’re Welcome Maxshh

Thank You, Lrrr, You’re Welcome Maxshh is an endearing split release from Lrrr and Maxshh, which finds the two projects squaring off, collaborating, and contributing a Frankie Cosmos cover for good measure. A mid-fi bedroom/basement pop triumph.

5. Laura Stevenson – The Mystic & The Master

One of today’s most underrated songwriters returns and offers two strong, heartfelt tracks of contemporary folk pop. Imbued with empathy and subtle artistry, “The Mystic & The Master” and “Maker of Things” are more than deserving of their place in Laura Stevenson‘s discography.

6. Spirit Was – Golden Soul

As stated above, though LVL UP’s gone, multi-instrumentalist Nick Corbo’s most certainly not. Golden Soul finds Corbo sinking deep into contemplation while clinging to a torch, ready to set everything ablaze at a moment’s notice.

7. Another Heaven – FOR EVER FOR EVER FOR EVER FOR EVER FOR EVER FOR EVER

While FOR EVER FOR EVER FOR EVER FOR EVER FOR EVER FOR EVER is a title destined to have people counting on their fingers, the songs it contains are more likely to make listeners feel a sense of awareness. Urgent, thoughtful, and nearly overwhelming, Another Heaven have released a behemoth of an EP that stands among 2018’s finest releases.

The Best Music Videos of November 2018

Just two weeks have passed since November closed, which is more than enough time to for a variety of acts to have unveiled great music videos. Revived projects, critical darlings, and attention-catching upstarts make up the five picks below. A variety of film styles are deployed and each clip carries its own unique charm. To get the full effect, just click play.

1. Zuzu – Can’t Be Alone

Zuzu has been impressing for the past few years, slowly building international name recognition while consistently achieving at a high level. A sought-after live act and a songwriter who’s got a firm grip on both identity and craft, Zuzu’s continued to turn heads. The clip for “Can’t Be Alone” — which utilizes lightheartedness and French New Wave to tremendous effect — is another piece of an expanding, winsome story. Tongue-in-cheek, grounded, and immensely enjoyable, the “Can’t Be Alone” video is another reminder of Zuzu’s increasingly bright future.

2. Mitski – Washing Machine Heart

Watching the evolution of Mitski from celebrated bedroom pop artist to cultural megastar has been a privilege. As is the case with the best artists, that transition has seen Mitski grow more committed to personal artistic vision. Aided by the opportunities that level of recognition can unlock, the songwriter’s remained steadfast in using that visibility responsibly. “Washing Machine Heart” is another hyper-stylized video from the artist, leaning fully into the film noir tendencies that provided a few of Mitski’s past videos a nice flourish. It’s mesmerizing.

3. Alien Boy – Somewhere Without Me

One of the biggest artistic leaps forward this year came from Alien Boy, who unleashed an unlikely behemoth in Sleeping Lessons. A record that married grunge, shoegaze, punk, and emo in fascinating ways, had more than a few highlights. “Somewhere Without Me” was one of that record’s most astonishing moments and gets the visual treatment on a Sjur Hjeltness-helmed clip that pays homage to the iconic visual history of the post-punk genre. Studied and exhilarating, the clip serves as a perfect complement.

4. Swervedriver – Drone Lover

Not a lot of people could have predicted how seamlessly Swervedriver‘s return to the fold would be or that they’d be making some of the most powerful music of their career in 2018. “Drone Lover” makes a case for the latter part of that equation with gusto. “Drone Lover” continues the band’s collage-heavy tendencies on the visual end, which nicely underscores their primal squalor. Effective and hypnotic, it’s another strong introduction to the band’s revered output.

5. The Glow – Beamer

LVL UP‘s dissolution earlier this year freed up a lot of time for its members to pursue the other projects they’ve had their names attached to for years. In the case of Mike Caridi, the guitarist/vocalist returned to The Glow. A project that’s been mostly dormant for several years is being revived in earnest, with the dog-happy clip for “Beamer” leading the charge. It’s a colorful clip that illustrates The Glow’s wide-reaching appeal. “Beamer” is also a very welcome reminder that even though LVL UP’s left, Caridi’s here to stay.

 

The Best Music Videos of October 2018

Today will be spent going over the best songs, music videos, and records of the past two months, each individual section divided up into respective month and format. The songs of October have been handled so it’s time to turn the attention towards the month’s notable music videos. From emergent acts to reunited powerhouses, the five selections below run an interesting gamut but it’s a spectrum well worth exploring.

1. Swearin’ – Grow Into A Ghost

Special orders of the most recent Swearin’ record came with customized “Illusion-O” 3D glasses. The glasses were to be used for the viewing of the two music videos, which coincided with the record’s release. “Grow Into A Ghost” makes expert use of this tactic, full of visual pop even without the glasses, leaning into a ’50s sensibility to great effect. A testament to the band’s creative strength, “Grow Into A Ghost” suggests Swearin’ have a firm grip on their future.

2. Flasher – Material

Flasher‘s “Material” is the type of music video that seems designed to provoke severe reactions. From the intentional, tongue-in-cheek subversion of the song itself to the manipulation of the actual viewing process, “Material” is a risky gambit. The cumulative effect pays that risk off as the clip devolves into territory that’s typically occupied by late night Adult Swim viral insanity. While it can occasionally be difficult to watch, “Material” is even more difficult to forget.

3. didi – Haru

didi take their strain of ’90s revivalism to new heights on the clip for “Haru”, fully embracing the visual aesthetics that defined the slacker punk videos of that era. Rough, grainy, overflowing with light colors, and strewn with cheap effects, “Haru” is a throwback fever dream. Acutely self-aware and teeming with a vibrant energy, the Alex Bolcher-directed clip will be sure to turn a few heads.

4. Pedro The Lion – Yellow Bike

One of the more unexpected reunions of 2018 came in the form of Pedro the Lion. A band revered by critics and audiences alike, David Bazan‘s relaunched project has been facing incalculable scrutiny. “Yellow Bike” is one of the band’s first forays back into the public conscience and arrived accompanied by a heartfelt music video that perfectly caters to the band’s sensibilities. Quietly moving and full of promise, “Yellow Bike” stands as an important entry of a storied career.

5. Casper Skulls – O My Enemy

Taking a break from harsh noise and confrontational, pointed visuals, Casper Skulls opt for a scenic detour on the Melanie St-Pierre video for the tender elegy, “O My Enemy”. Opening on an illustration of a small child curled up into the fetal position, small bursts of animation begin to spread outward, surrounding the central figure with softness and life. The clip never stops morphing, allowing the child to quietly fold into a flower, all the while “O My Enemy” provides the soundtrack and conjures a startlingly emotional effect. Simple and very nearly overwhelming, “O My Enemy” more than proves the worth of artistic concepts.

Two Months, Six Music Videos

Two months in a world where new releases never stop building can unearth a lifetime’s worth of new material. Whether it’s songs, music videos, or records, there will be more than enough material to keep anyone whose willing to invest the time occupied for weeks on end. This post will take a look back at six of the most notable clips to find release since the last regularly scheduled feature post went up, ranging from short films to compilations to animation. All of these are worth the time.

Lucero – Long Way Back Home

Jeff Nichols has been one of this generation’s best filmmakers since Take Shelter‘s release in 2011. Two people who have been inextricably intertwined in that development are Michael Shannon — who has delivered a number of tour de force performances for the director — and sibling Ben Nichols, who fronts Lucero and has gifted many of Jeff’s films songs for the end credits. “Long Way Back Home” is another impressive collaborative effort from all three talents, with strong ties back to Jeff’s debut feature Shotgun Stories. It’s an incredibly captivating look at a fractured relationship, invoking a sense of dread, deceit, and finality. We could all stand to learn a lot from the brothers Nichols, Shannon, and game co-stars Garrett Hedlund and Scoot McNairy.

illuminati hotties – Cuff

illuminati hotties are in the throes of a breakout year, stacking up impressive pieces with ease. “Cuff” is a psychedelic stream-of-consciousness onslaught of imagery that perplexes and soothes in equal measure, centering around an anthropomorphic fish going through a daily routine. It’s a gripping piece of animation and a vivid display of imagination, the two coalescing into a memorable clip from one of 2018’s hungriest emergent acts.

Courtney Barnett – Charity

Few independently-minded artists seem as deserving of a sweeping victory lap as Courtney Barnett, who has consistently done things on her own terms, whether it be launching a label to ensure total creative and artistic freedom or simply hanging on to the joy of performing in the face of growing audiences and the expectations that accompany that growth. Barnett has yet to make a disappointing record and seems to thrive in the pursuit of artistic evolution. The clip for “Charity” feels like that victory lap, blending in hangout footage with live edit clips from monstrous sold-out shows. It’s a moment that Barnett’s earned and, like everything else the songwriter’s released, immensely enjoyable.

Young Jesus – Saganism vs. Buddhism 

One of the staples of Heartbreaking Bravery’s coverage since it was started five years ago has been Young Jesus, who have moved from Chicago to L.A. and worked their way up from self-releases to a deal with Saddle Creek. Their forthcoming The Whole Things Is Just There is the band’s most ambitious and fearless work to date, which will be their first true effort for their new label. In keeping with their growing sense of experimentation, the band’s releases a music video for “Saganism vs. Buddhism” that the band self-directed, going from a tongue-in-cheek intro that finds bandleader John Rossiter embracing cringe comedy to the illustrations and stop-motion work that has been a mainstay of their visual work for several years. Fascinating and teeming with confidence, “Saganism vs. Buddhism” proves the band’s not concerned about adhering to anything other than the identity they’ve carved out for themselves.

Advance Base – Your Dog 

The simplistic conceit for Advanced Base’s “Your Dog” clip is rendered remarkably effective thanks to the song’s immense emotional heft. Compiled of nothing but fan-sourced photographs of people’s pets “Your Dog” becomes almost unbearably sad. A song written as a tribute to the fallout of a relationship where a partner visits more for an animal than their disappearing partner, the video manages to cut into something lasting, to devastating effect. It’s a draining experience, one that makes implicit and explicit statements about varying degrees of mortality; a reminder that everything has an expiration date. Startling and imbued with raw feeling, “Your Dog” is the kind of clip that sticks.

Dilly Dally – Doom

Dilly Dally‘s “Doom” appears to be the next installment in a series of of music videos that double as a direct commentary on Dilly Dally’s absence and rebirth. The band’s already made varying statements about how they collectively weathered a few trips through personal hell while facing down various addictions and how those experiences nearly buried the band. The clip for “I Feel Free” found bandleader Katie Monk’s literally unearthing the corpses of the other members and urging them to come back to life while “Doom” posits Monks as a torch-bearing leader guiding them to a spiritual ascension. Full of vivid imagery, soft hues, and more than a few nods to witchcraft, “Doom” makes it abundantly clear that Dilly Dally has returned- and that they’re intent on a reckoning.

 

 

Young Jesus – Deterritory (Music Video)

It’s been a while since anything went up on these pages and there are a lot of reasons behind yet another interim but, as ever, the work continues to be done behind the scenes. Five posts were scheduled to go up before that break and will be going live today. This is one of those posts.

There have been few bands that this publication pushed as hard or as consistently over its near-five year span as Young Jesus, who have released two astonishing albums in that time span and are on the brink of unveiling a third. The Whole Thing Is Just Here is the first true release for Saddle Creek, who wisely snapped the band up after catching the live show — a near-religious experience — to issue S/T a proper (re-)release. The move seems set to pay dividends for the label as the band’s constantly realizing their voice through a series of unpredictable progressions, rendering all of their new material revelatory.

“Deterritory” is the latest evidence of that curious trend. It’s an absolutely towering track that leans hard into the band’s refined sense of exploration, swinging without notice from ambient noise-punk to post-hardcore to Saddle Creek’s signature open-road, Americana-tinted indie rock, all in six minutes. Bandleader John Rossiter’s always had a penchant for the arts and raw creation that’s anchored by an uncommon understanding, something that’s brought to the forefront once again in the simple but strangely compelling clip for “Deterritory”, which takes its time in playing out and trusts its viewing audience and doesn’t offer a clean-cut resolution, reflecting what separates this band from so many of their contemporaries: Young Jesus know, now more than ever, nothing’s more important than the journey.

Watch “Deterritory” below and pre-order The Whole Thing Is Just Here from Saddle Creek here.

 

 

IDLES – Great (Music Video)

It’s been a while since anything went up on these pages and there are a lot of reasons behind yet another interim but, as ever, the work continues to be done behind the scenes. Five posts were scheduled to go up before that break and will be going live today. This is one of those posts.

IDLES are on the verge of releasing a legitimate Album of the Year candidate in Joy As An Act of Resistance, a profound protest record with a borderless message that’s resonating deeply in an especially volatile political climate in major countries across the world. Last year, the band released what this site would eventually name the 2017 Music Video of the Year in “Mother” (which remains one of the best clips of the decade) and have a genuine shot at repeating being granted the honor of that distinction this year with the feel-good reclamation of “Danny Nedelko“.

“Great” is the fourth music video to arrive from IDLES this year and continues an unparalleled run of brilliance in the format since the release of “Mother”. Directed by Theo Atkins, “Great” may be the most straightforward clip from the band’s present album cycle, consisting of alternating shots between moments of common, everyday life and live performance. Edited together, “Great” effectively underscores the declaration that comes at the end of the song: “because we’re all in this together.”

IDLES is a band of the people, for the people. They seethe, they rant, and they provoke, but they always get their point across. We’re all embroiled in fights that extend far beyond ourselves, making calls for unification, reminders of positive self-worth, and a willingness to demolish outdated ideals in the pursuit of progress monumentally important. “Great” is the kind of warning shot that sends an abundantly clear message of prioritizing empathy, inclusiveness, and community, which is a message that this site will stand proudly behind.

Listen to “Great” below and pre-order Joy As An Act of Resistance here.

Tomberlin – Self-Help (Music Video)

Just before releasing one of the most devastating albums of the year in the achingly gorgeous At Weddings, Tomberlin offered up one last peek towards that incredible record with the Laura-Lynn Petrick-directed clip for “Self-Help”, which lays bare the kind of arresting nakedness that gets put under the knife throughout the course of the album. Centered around the artist and a trip to the aquarium, the clip for “Self-Help” drives home the pervasive tendency to feel small outlined against the wonders of life that gets considered and dissected in At Weddings.

No answers are offered, no questions are explicitly asked, but “Self-Help” punches home existential wonderment with an unapologetic precision. Viewers might get lost in “Self-Help” but it’s difficult to predict to what extent, as there’s enough at stake here to level someone particularly vulnerable. Bravely articulated and fearless in its vulnerability, “Self-Help” is art at its most honest, which can go a long way towards a greater survival.

Watch “Self-Help” below and pick up a copy of At Weddings from Saddle Creek here.

The Beths – You Wouldn’t Like Me (Music Video)

On Friday, The Beths released one of 2018’s best albums so far in the astonishing Future Me Hates Me, a record overflowing with sugar-coated basement pop that comes with just enough bite to truly stand out. One of the strongest moments of that record — which, again, is uniformly great — comes by way of “You Wouldn’t Like Me”, which was recently given an Ezra Simons-helmed music video that stands as the band’s best clip to date.

Ceaselessly charming, gifted with a vibrant palette, and full of clever, tongue-in-cheek moments, the clip acts as a perfect summation of the band’s appeal. There’s something familiar about the surface but there’s a competing intricacy that suggests the individualized vision at The Beth’s core. Warm, welcoming, and ridiculously winsome, “You Wouldn’t Like Me” offers up a worst-case argument for its title, clearly outlining just how much about this band, this record, and this clip, is not only worth liking but outright loving.

Watch “You Wouldn’t Like Me” below and pick up a copy of Future Me Hates Me from Carpark here.

Doe – Heated (Music Video)

The last release Doe managed, 2016’s Some Things Last Longer Than You, was good enough to be christened Heartbreaking Bravery’s Album of the Year. To say that the arrival of their new material has been highly anticipated over on these fronts would be a monumental understatement. “Heated”, the lead-off single for the trio’s forthcoming Grow Into It — their first release for both Big Scary Monsters (UK/EU) and Topshelf (US) — was worth the wait.

“Heated” picks up where that record left off, offering up an avalanche of memorable hooks, explosive dynamics, and considered arrangements. Guitarist/vocalist Nicola Leel leads the band through a mid-tempo charge that evokes the slacker punk scene of the ’90s the band proudly embraces as evident influence. Everything from the riffs, oscillating between woozy and scintillating, to the backing vocals that provide an abundance of texture have solid historical backing but are presented in a modernized context that genuinely elevates the material.

As thoughtful as ever, “Heated” finds Doe more experienced, more versatile, and more prepared than ever to jump into the fray with fearless abandon. It’s a song that offers no wasted moments and plenty of clever twists that portend very, very good things for the record that lies in wait. A perfect soundtrack for a humid summer for a cavalcade of reasons, “Heated” isn’t afraid to live up to its title. The arresting Jack Barraclough-directed music video that accompanies its release is just the cherry on top.

Watch “Heated” below and keep an eye on Topshelf for pre-order of Grow Into It.

IDLES – Samaritans (Music Video)

There’s a very real chance that IDLES might wind up sneering and snarling their way into a handful of coveted Album of the Year slots with their forthcoming Joy As An Act of Resistance. Virtually everything the band’s done ahead of the release has been nothing short of incredible, from pointed push backs to xenophobic sentiments and stolen gestures to the measured sprawl and slow-burning intensity of a frustration framed in 4:3.

The quintet’s latest unveiling, “Samaritans”, finds the band relentless attacking toxic masculinity to staggering effect. While there aren’t a lot of problematic sociopolitical topics that richly benefit from being led by white men, toxic masculinity is one that definitely qualifies. Having a vocal guidance that comes from men who look tough and present in a traditionally masculine way is a way that can cut through a very tired form of presumption with an exacting precision that sometimes finds a way to tower over the interfering noise.

To that end, “Samaritans” isn’t just powerful but deeply important. IDLES have been making their name on relentlessly aggressive hardcore-adjacent punk that fearlessly invokes progressive politics. To put it as bluntly as possible, IDLES could very well be the most important punk band on the planet. We don’t need men — especially white men — to control and lead conversations about every aspect of sociopolitical regression but to have some who are legitimately enraged by those instances, who are lending both their voice and platform to a way that meaningfully addresses societal ills is vital; this is the space where IDLES are making their presence felt.

“Samaritans” is as necessary as anything in IDLES’ discography thus far, driven by venomous bite and loathing for a status quo that shouldn’t exist — a fact driven home by the video’s presentation of stock footage, a stark reminder of toxic masculinity’s insidious totality. This is why you never see your father cry / this is why you never see your father is the unforgettable hook that informs a song that’s been constructed by history and given extra weight by the tumultuous nature of what that history has entailed. Everything here, as is typically the case with IDLES songs, carries the scars of experience. They’re also buoyed by an increasing prominence in modern opinion that things like toxic masculinity deserve a beheading.

When the guillotine drops, those sharp edges are felt. Not necessarily by the victim but by those who bear witness. IDLES have crafted their own version of that weapon with “Mother” (Heartbreaking Bravery’s Music Video of the Year for 2017), “Colossus”, “Danny Nedelko”, and a handful of others. “Samaritans” is just the latest addition to the list. While the things that are stirring up the inspiration for IDLES’ narratives may still find ways to attain prevalence, don’t expect the band to step away from a fight; this is music that’s already been bathed in blood.

Watch “Samaritans” below and pre-order Joy As An Act of Resistance from Partisan here.