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Tag: Florist

17 of ’17: The Best Songs of the Year

2017 was a staggeringly balanced year in terms of memorable musical output. To honor that consistency, the typical run of 17 songs will be complemented by a list — in no particular order — of 83 other great songs to find release throughout the year. As usual, the “best” tag simply acts as shorthand for the music I was fortunate enough to consume from January through December, which had an individual song list that tallied well into the quadruple digits.

Names that are already familiar to year-end lists on this publication reside comfortably alongside artists who are still looking to make a larger impression. Non-singles are included with some of the year’s strongest advance tracks and songs that tip towards hardcore rub shoulders with some quiet basement pop numbers. There’s a lot to contemplate — both inside and outside of the top 17 selections — and even more to celebrate.

These are the 17 best songs of 2017.

Enjoy.

Great Grandpa – Teen Challenge

One of the great album openers of 2017, “Teen Challenge” reintroduced a noticeably more explosive version of Great Grandpa that wasn’t afraid of hairpin turns or controlled catharsis. From the outset of “Teen Challenge” the band is swinging for the fences but it’s not until the enormous final section where something deeply impressive transforms into something legitimately inspiring. It’s a celebratory song that comes loaded with conviction and is delivered with the type of determination that refuses to be held back.

Mo Troper – Your Brand

One of this site’s picks for last year’s Album of the Year honors, Mo Troper returned this year with two records. One, a collection of older material reworked for Troper’s current band, the other, an inspired effort of new material that saw Troper expanding his ambitions to legitimately unexpected degrees. The elevation of both songwriting and production on Exposure & Response is particularly evident in career highlight “Your Brand“, which finds Troper turning his gaze towards the brand-obsessed inhabitants of social media, people who treat themselves as corporate entities and flaunt varying levels of entitlement.

Occasionally, those same denizens find the levels between tongue-in-cheek mockery and unwitting sincerity blurring into an unrecognizable definition. It’s a richly-deserved skewering that’s shot through with a resigned understanding. The tasteful string and brass arrangements that adorn “Your Brand” send the song to euphoric heights even as Troper is weighed down in the bog of a tragicomic reality. It’s a masterful outing that positions Troper as one of the most promising pop songwriters of this generation.

Cende – What I Want

Cende‘s first and final full-length effort was an enticing effort headlined by a slew of singles that all warranted consideration for placement on this list (and earned individual write-ups). None of them wound up impressing quite as deeply as the song boasting the record’s most challenging — and towering — arrangement, the Greta Kline-featuring “What I Want“. Falsettos, a lilting string arrangement, and an incendiary bridge showed off Cende’s formidable range, tilting from something approaching the saccharine to a vicious instrumental outburst at the click of a hi-hat.

Charly Bliss – Westermarck

Few bands have earned as much attention and praise from this site as Charly Bliss over its four-year existence and it was heartening to watch the band break out in 2017 with one of the year’s most affirming releases in Guppy. While every track on that record is noteworthy for one reason or another, it was “Westermarck” that kept revealing deeper facets of itself. A rousing meditation on uncertainty couched in an unapologetic joy of simply being alive, the song became an unlikely anthem for anyone questioning their partner’s motives (especially in significantly skewed familial setting).

Common Holly – Nothing

Tender, sparse, and wrought with longing, Common Holly‘s “Nothing” proves how adequately minimalist formulas can maximize difficult emotions. It’s a bare-bones run through a personal affirmation, rendering something that appears delicate at first blush searing at second glance. More than that, “Nothing” introduces Common Holly as a deceptively powerful artist with the capacity to deliver breathtaking turns in the quietest rooms.

Weaves – Puddle

Riding a wave of critical adulation and having earned the respect of their contemporaries, Weaves returned in 2017 with Wide Open, an aptly named run that they billed as their Americana effort. While the record takes a lot of notable cues from that genre, the band’s wildly erratic, genre-obliterating core remained intact with the barn-burning closer “Puddle” acting as the clearest indication that the band’s unpredictable firepower was still fully intact.

Fred Thomas – Misremembered

Following a record as momentous as All Are Saved will always be a difficult task but to surpass high expectations in the way that Fred Thomas managed with Changer is a rarity. From the record’s dynamic opening track, Thomas proves to be more focused than ever, spinning barbed tapestries of lived-in realism with unmatched verve. “Misremembered” isn’t just a testament to Thomas’ lyricism, either, the fiery music that serves as its backdrop propelling it to stratospheric heights.

Big Thief – Breathe In My Lungs

A lot of outlets gave Big Thief‘s breathtaking “Mary” a deserving amount of love, ranking both the song — and the record it resides — as the year’s best. Meanwhile, the band’s devastating B-side, “Breathe In My Lungs”, flew under the radar. As is often the case with bands as prolific and talented as Big Thief, “Breathe In My Lungs” is so much more than just a castaway or afterthought, it’s one of their most heartrending numbers, expertly using the considerable weight of guitarist/vocalist Adrianne Lenker’s singular voice to turn in some of the year’s most unforgettably damaged romanticism.

Cayetana – Bus Ticket

2017 saw a very large handful of bands taking the next step in their evolution but few seemed to take their strides forward with as much assurance as Cayetana, who zeroed in on what’s long been the crux of their songwriting: mental health. No song conveyed this more than their staggering “Bus Ticket“, which saw the band slowing the tempo and accelerating the force the trio’s always put into their compositions. Managing to be direct and atmospheric simultaneously, “Bus Ticket” stands proudly as a career high for a band that’s found their voice.

Yucky Duster – Elementary School Dropout

One of the year’s most unabashedly exuberant records came in the form of Yucky Duster‘s latest EP, Duster’s Lament. Headlined by the effusive “Elementary School Dropout”, the band offered up an irresistible slice of joyful basement pop that grounded it’s more playful elements with some effective self-deprecation. Expertly toeing the balance between the light and the bleak, “Elementary School Dropout” stood out as 3 of 2017’s most outright fun minutes in a year where that sort of thing was desperately needed.

Strange Relations – Say You

One of the boldest re-introductions of 2017 came by way of Strange Relations‘ enormously confident Editorial You, which was teeming with memorable bursts of icy post-punk that saw the band considerably elevating their grasp on composition. One of the most significant individual outings for the project comes on the record’s second track, “Say You“, which conjures up a steely demeanor and enhances it with fiercely jagged musical interplay. Both minimalist and towering, it’s an obscenely impressive song from a young band that seems determined to continuously reach for greater heights.

Covey – Call Home

There were a lot of songs that came out over 2017’s 12 months that occupied a similar space as Covey‘s “Call Home”: laid back, lovely, unassuming, and tinged with regret, loneliness, and despair. None of them wound up staying the way “Call Home” managed to stay; the song’s melodies and gorgeous chorus humming along and dominating unexpected spaces of memory when it could’ve just as easily rescinded into oblivion. Every return listen offered a new take and at some point, the song migrated from being a pleasant curiosity to something far more essential: one of the year’s best.

IDLES – Mother

Recently given Music Video of the Year honors, IDLES‘ “Mother” also comes off as a ferocious head-turning effort when stripped from its hyper-intense visual accompaniment. Vocalist Joe Talbot repeats several mantras throughout “Mother” — written as a tortured tribute to his own late mother, whose portrait graces the record’s cover — each of them decrying two evils: one political, one sexual, both too frequently intertwined into a nightmarish whole.

Viciously opposed to a system that uses a weighted system to the benefit of the people who are afforded privilege, the song is a startling reminder of the seething anger and frustration of the people who oppose those systems. It’s a clarion call delivered with an excess of venom, using it’s hardcore leanings to drive a message home hard enough that the ramifications of our choices are left lingering in the smoke.

Palehound – If You Met Her

A beacon of consistency over the past several years, news of a new Palehound record was welcome when it was first announced. The first few singles were packed full of the band’s usual tricks but then “If You Met Her” arrived and decimated everything. A hard-hitting look at how the loss of someone you know can affect your own perception of what it means to die, “If You Met Her” immediately registered as not just Palehound’s darkest effort but the project’s best as well.

It’s a gripping, grounded meditation on life itself and it’s delivered with such empathetic understanding that it’s nearly impossible to listen to the song in full without running through an avalanche of feeling. Anything that inspires that level of emotional response and visceral reaction is worth noting — and in the case of “If You Met Her”, it’s more than worth celebrating.

Young Jesus – Feeling

A longtime staple of this site’s coverage, Young Jesus have continuously found exciting ways to evolve as a band in the face of a slew of obstacles that leave lesser bands stumbling. From nearly complete lineup shifts to a refocused experimentation to a relocation that took them from the upper Midwest to the West Coast. The band’s latest effort saw a quick self-release suddenly disappear only to be re-released shortly after by Saddle Creek.

All it takes to understand why such a revered label would take on the band is one listen to “Feeling”, a sprawling 10-minute opus which beautifully showcases the band’s remarkable range, guitarist/vocalist John Rossiter‘s penchant for blending memorable poetry with unforgettable melody, and a growing fearlessness. It’s a heart-stopping moment on what remains one of 2017’s most woefully overlooked records and reaffirms Young Jesus’ place as one of today’s best bands.

The Magic Lantern – Holding Hands

Easily one of 2017’s outright loveliest moments, The Magic Lantern‘s “Holding Hands” casts a spellbinding magic all its own within its opening figures, as a yearning vocal is laid on a bed of gentle saxophone figurines. As the notes and vocals hold — with as much purpose as the imagined goal of the narration, no less — the song winds up with enough power from two core elements to elicit chills.

When the body of “Holding Hands” takes shape as the drums kick in, providing yet another one of 2017’s most perfectly-realized moments, it becomes abundantly clear that something miraculous is happening on the track. By the time it all winds to a ghostly close, “Holding Hands” has left a mark that deserves to be called upon fondly in the days to come. In all of it’s warmth and care, “Holding Hands” pushes forward from a simple greatness and achieves something far closer to transcendence.

SONG OF THE YEAR:

Mount Eerie – Real Death

When Mount Eerie‘s “Real Death” first arrived, it was set to get a standalone feature. That post never arrived as I personally struggled with the decision to attempt to bring any sort of discourse to something so nakedly personal, which held true for A Crow Looked At Me (the record it’s from) as well. As time passed, that decision lingered, though it became increasingly difficult to listen to both the song and the record, famously written about the death of the songwriter’s wife and recorded in the studio she’d built in their house, on the instruments she left behind.

Even without being able to listen to the song, the memory of the song stayed as strongly as the feelings that accompanied the first listen (as well as the subsequent ones). It’s the sound of Phil Elverum tearing his own wounded heart out of his body to present to the world so that they can understand what kind of grief accompanies something so tragically world-shifting.

While every moment of “Real Death” is shattering, the weight of it becomes nearly unbearable when Elverum shifts the lyrics from oblique poetry to a hyper-specific narrative, recounting one moment of singular heartbreak that arrived with a package that has late wife had secretly ordered for their daughter. In that retelling, Elverum envisions his wife, living with the knowledge that her wife would be ending, thinking ahead and wanting to provide comfort for the people she loved.

Not only does that specific moment touch upon why Geneviève was someone he loved so fiercely but, in doing so, provides the song’s listeners a glimpse into her character as well. It effectively shifts the tonality of the record even further toward heartbreak by painting such an intimate portrait, making “Real Death” come across as even more unmistakably, painfully human. It’s a tribute to an artist that so many of us wish we knew and stands as a stark reminder to cherish the ones we do know while we can and to strive to match their gifts with our own.

By positing real-life implications alongside meaningful execution, “Real Death” became something much larger than the sum of its parts. In plumbing the depths of personal loss, Elverum’s Mount Eerie projected gifted us something hard to experience and impossible to forget. With any luck, it will steer us towards more effectively demonstrating our love when it can be appreciated by the people for which it’s intended.

 

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The Best of the Rest

18-21

22-26

27-32

Middle Children – Baby Boom
Joyce Manor – NBTSA
Thurst – Forever Poser
The New Years – Recent History
Monomyth – Puppet Creek
Hermetic – Strategic Default

33-100

Protomartyr – A Private Understanding
Alexander F – Call Me Pretty
Pile – Dogs
Vagabon – Cold Apartment
Cloud Nothings – Internal World
Prom Queen – Blonde
Holiday Ghosts – Can’t Bear To Be Boring
Washer – Dog Go Bark
Grouper – Children
Slaughter Beach, Dog – Fish Fry
Fits – Ice Cream On A Nice Day
Meat Wave – Run You Out
The Spirit of the Beehive – Ricky (Caught Me Tryin’)
Walter Etc. – April 41st
Chemtrails – Deranged
Juila Louise – Brat
See Through Dresses – Lucy’s Arm
Amy O – Lavender Night
Modern Baseball – This Song Is Gonna Buy Brendan Lukens A New Pair of Socks
Girlpool – It Gets More Blue
The Total Bettys – Stay Here All Night
Tica Douglas – Same Thing
Midnight Reruns – Warm Days
WHY? – Proactive Evolution
Hand Habits – Sun Beholds Me
Long Neck – Mine/Yours
Julien Baker – Appointments
Anna Burch – Asking 4 A Friend
Palm – Walkie Talkie
Single Mothers – People Are Pets
Lydia Loveless – Desire
Deem Spencer – Soap
Two Inch Astronaut – Play To No One
Blessed – Headache
Diet Cig – Maid of the Mist
Madeline Kenney – Big One
Dream Wife – Somebody
Bethlehem Steel – Finger It Out
Strange Ranger – House Show
Miya Folick – Trouble Adjusting
Jesca Hoop – Pegasi
Fiji-13 – Mansplain It To Me BB
Idle Bloom – Dust
Florist – What I Wanted To Hold
Beachheads – It Feels Alright
Fruit & Flowers – Out of Touch
Ratboys – The Record
Schlotman – Holy Basil
Lost Balloons – Numb
John Rossiter – Mom Guitar
Lomelda – Interstate Vision
Walter Martin (ft. Matt Berninger) – Hey Matt
Jay Som – The Bus Song
Japanese Breakfast – The Body Is A Blade
Screaming Females – Glass House
Phoebe Bridgers – Smoke Signals
Open Mike Eagle (ft. Sammus) – Hymnal
Half Waif – Frost Burn
Petite League – Pocketknife
Say Sue Me – Bad Habit
Petal – 15
Waxahatchee – Silver
Jason Isbell & the 400 Unit – If We Were Vampires
Siobhan Wilson – Whatever Helps
Sammi Lanzetta – Circles
Deep State – Nothing Speaking
Saintseneca – Moon Barks at the Dog
Lithuania – 5000 Year Leap

The Honorable Mentions of August 2017

A lot has happened over the past month and the time to get this site back on track has nearly arrived. On a quick personal note: Heartbreaking Bravery is now based in Madison, WI and will likely expand on some forms of coverage — and feature selections — in the very near future. Before all of that can happen, it’s imperative that the events of the past month be taken into stock. We’re now arriving at a time where the AotY-caliber material descends like a waterfall and it can be overwhelming. To that end, this post will highlight all of the new songs, music videos, and records that made a sizable impression over the past month. A few more posts will follow but if anyone’s looking for a wide-ranging variety of outstanding new music, it’d be best to bookmark this page and spend hours clicking around. It’ll be worth the time.

RECORDS

The Obleeks, Honeyrude, Thanks for Coming, Duncan Fellows, UV-TV, SOAR, The Anatomy of Frank, Tyler Ditter, Big Fred, Half Gringa, Little Kid, Guggi Data, Dina Maccabee, Small Reactions, Noon, At Zero, Dude Elsberry, Guided By Voices, The Ocean Party, Rick AshtrayFrøkedal, Faith Healer, Winston Hightower, Rose Hotel, Maneka, Ice Balloons, Black Mekon, WALK, Luke Rathborne, Mosquitos, Limp Wrist, The Homeless Gospel Choir, Club Night, Sunrot, Judders, No Museums, DieAlps!, Howlin’ Banana, and Ruination.

MUSIC VIDEOS 

David Ramirez, The Coathangers, VARSITY, Potty Mouth, Cody & Danz, St. Vincent, Courtney Barnett & Kurt Vile, Phoebe Bridgers, Black Kids, Los Angeles Police Department, Omni, Melkbelly, Mauno (x2), Curtis Harding, Trupa Trupa, Amy O, Jessica Lea Mayfield, OxenFree (x2), Ritual Talk, Palehound, Small Reactions, Land of Talk, Nnamdi Ogbonnaya, People Like You, Hurray For The Riff Raff, CHUCK (x2), Sam Coffey and the Iron Lungs, Oak House, Liars, ayo river (x2), Jason Isbell and the 400 Unit.

Kane Strang, Peach Pit, Manchester Orchestra, Elettrodomestico, Black Lips, Circuit des YeuxSløtfaceFilthy Friends, Hellrazor, Quiet Hollers, Fake Palms, Partner, Folkvang, The By Gods, Sorority Noise, Cloud Nothings, Young Boys, Annie HartDaniele Luppi & Parquet CourtsThe Safes, Small Culture, The Mynabirds, Sparks, Gallery 47, ALA.NI, Poppies, BABY!, Briana Marela, Pile, Hope, Ellen and the Degenerates, Wild Honey, Early Riser, Baby Jesus, Cassels (x2), Midnight Sister, Alex Lahey, Sono Oto.

Frankie Rose, The Homeless Gospel Choir, Shabazz Palaces, Warm Body, doubleVee, Sound of Ceres, Beliefs, Rainbrother, Arrows of Love, WAND, Demure for Sure, Emily Haines & The Soft Skeleton, Dead Heavens, DieAlps!, Grey Gersten, Ride, Wolf Parade, Kevin Morby, Prism Tats, Cristobal and the Sea, Becca Mancari, The New Pornographers, Surrounder, Houg, Mount Kimbie, High Bloom, Ian Randall Thornton, Michael Charles Smith, Steve Martin and the Steep Canyon Rangers, Mr. Muthafuckin eXquire, Rookin, Ibeyi, Marlon Williams, Black Beach, At The Drive In, Douse, Anthony, Open Mike Eagle, Your Old Droog, Girl Ray, and Superet.

SONGS

Beachtapes (x2), Partner, The Willowz, Julie & The Wrong Guys, Slothrust, The Pains of Being Pure at Heart, Dream Wife, Karl Blau, Petite League, Florist (x2), Lean Year, Worst Place, Fits, METZ, Prom Queen, Lina Tullgren, Strawberry Runners, Slaughter Beach, Dog, A. Savage, Covey, Dava Gavanski, Bully, Cherry, floral print, Floating Action, Anti Pony, Soft Fangs, Queen Moo, Strawberry Runners, VV Torso, ORB, Gleemer, Holy Wars, Ephrata, Ben Grigg, Reptaliens, Sam Evian, Looming.

Hope Sandoval & The Warm Inventions, Holiday Ghosts (x2), OCS, Pardoner, Friendship, Top 8, Strange Relations, Lomelda, The Tin Can Collective, Graham Hunt, Mini Dresses, Versing, Caracara, A Giant Dog, Makthaverskan, Pool Holograph, Jack Cooper, Noah Engel (x2), Tall Friend, Mercy Weiss, Monogold, Sick Feeling, Temple of Angels, Duds, Allah-Las, Mutts, Hand Habits, Silver Torches, Twist, Honeyrude, Tapeworms, The Jesus and Mary Chain, Ripped Genes, Liars (x2), Dead Stars (x2), Philip Selway.

Jude Shuma, The Persian Leaps, Rick Ashtray, Small Circle (x2), Twain, Car Seat Headrest, Everyone Is Dirty, Protomartyr, Black Beach, Smoke Rings, John Dylan, Maneka, Club Night, Nassau, Plastic Pinks, David Ramirez (x2), Weird Owl, Cults, Hercules & Love Affair, Charles Howl, The Duke Spirit, BIRDS, Pale Honey, The Dream Syndicate, Cina Polada, Alex Calder, Ruby Fray, Camp Counselor, Linda Perhacs, IDYLLS, The Dig, Nora Jane Struthers and the Party Line, WHIMM, PictureHouse, Duncan Kissinger.

S. Carey, The Dodos, Pinkshinyultrablast, Yumi Zouma, Deerhoof, Son Little, Haunted Summer, Quicksand, The Cribs, Death From Above, Mirah, Walter Etc., Ben Stevenson, L.A. Witch, Trevor Sensor, Francis, Wild Ones, Blank Range (x2), Cloning the Mammoth, King Khan, STACEY, The Darts, The Duke of Surl, Siv Jakobsen, North Lynx, Looms, Sauropod, Plateau Below, Out Lines, Joey Sweeney, Deradoorian, Parentz, Norma, Surf Rock Is Dead, Freedom Baby, The World Is A Beautiful Place & I Am No Longer Afraid To Die.

ExSage, The Sighs, The War On Drugs, DDCT, Hudson Bell, The Side Eyes, EMA, Knighstown, Fuzz Queen, LOSANGE, Andi, Loyal Lobos, OMD, Hypnotic Kingdom, Happy Hollows, After Hours Radio, Peter Oren, Andrew Weatherall, A Valley Son, Far Lands, Tree House, Faith Healer, Diamond Thug, DestroyerMÄRVEL, Seasonal Beast, clipping., Cape FrancisGunn-Triscinski Duo, Four Tet, Smash Boom Pow, Acid Tongue, Black Pistol Fire, NVDES, Midnight Sister, Kid Midnight (Charly Bliss Remix), MOURN, and Petal.

Seven Weeks, Fifteen Songs

This post will mark the last of the coverage overhaul necessitated by the seven week hiatus from regular coverage. Records have been covered, music videos have been covered, and a song and a pair of music videos have received standalone posts. Below are the 15 songs that stood out more than any others over that seven week time period and come from all sorts of sources and elicit all sorts of responses. Whether’s it’s the characteristically driving basement pop of Radioactivity or the hushed melancholy of Florist, there’s a lot on display. So quit waiting, jump in, and find a new favorite song. Enjoy.

1. Radioactivity – Sleep 

Every project Jeff Burke‘s been involved in over the past decade has demonstrated the man’s a singular songwriter with an enviable gift. One of Burke’s more recent projects, Radioactivity (pictured above), has at least one Album of the Decade contender under their belt and continues to press forward with the kind of propulsive momentum that drives most of their songs. “Sleep” is a perfect example of that dynamic, a miraculous slice of basement pop that reasserts Burke as one of the genre’s all-time greats.

2. Birdskulls – Over It

Few labels are amassing a discography as consistently impressive — or prolific — as Art Is Hard. Birdskulls‘ “Over It”, one of the labels latest offerings, goes a long way in solidifying Art Is Hard’s status at the forefront of the DIY-leaning punk world. A song that perfectly marries basement pop with basement punk, “Over It” comes overflowing with memorable hooks, biting attitude, and worn aesthetics typical of a band destined for a feverishly loyal following. Leave it on repeat.

3. Honeyrude – Flowers

“Flowers” has been in Honeyrude‘s back pocket since 2015 but the band’s recent upheaval and re-release of the song as part of The Color Blue pays massive dividends in practice. Louder, cleaner, bolder, and more refined, “Flowers” is allowed to fully bloom, exceeding its early potential. It’s a gorgeous moment from a band that continues to impress, its shoegaze inflections perfectly suited to the band’s identity. Warm and towering, it’s likely to stand as the band’s career highlight for some time.

4. Strange Relations – Say You

One of the small handful of bands on this list with a long-standing connection to this site, Strange Relations have been furthering themselves with each successive step they’ve taken. The band recently opened for Charly Bliss in Minneapolis and unveiled a lot of new material, including the brooding, kinetic “Say You”, one of the set’s many highlights. Since their past release, Strange Relations have grown more aggressive, more ambitious, and into a more fascinating band. “Say You” is definitive proof.

5. Dead Stars – Pink Clouds

Several years into a remarkably consistent career, Dead Stars have established themselves as one of the most reliable bands currently mining a ’90s slacker punk influence to great effect. Even with a whole host of outstanding songs to claim as their own, “Pink Clouds” manages to stand out. Easily a career high point for the band, the hard-charging number surpasses the most tantalizing  heights of their earlier work while staying true to the ethos and identity that made them so memorable in the first place.

6. Walter Etc. – April 41st

Walter Etc. has spent the past few months putting out a small string of impressive songs with “April 41st” being the crown jewel of the lot. A laid-back mid-tempo basement pop number that embraces carefree relaxation, the song still manages to find an impressive momentum by playing directly to its lackadaisical tendencies. Near non sequitur’s and a comfortably dazed narrative elevate the song’s aesthetic to strange heights and the best thing anyone could do is let its calm, unhurried spell take over completely.

7. Basement Revolver – Tree Trunks

2017’s already been overly generous in terms of memorable ballads, churning out some of the decade’s best over the first 2/3s of the year. Among those gems sits Basement Revolver‘s gorgeous “Tree Trunks”, a shoegaze-leaning piece of minimalist post-punk. Pop melodies and wiry instrumentation combine to hypnotic effect, while the production of the song’s second half propel it to stratospheric heights.

8. Pinact – Separate Ways

After a three-year wait, Pinact are back and sounding stronger than ever on “Separate Ways”. Bridging the gap between basement pop and pop-punk in exhilarating fashion, the song clamps its teeth down on a surging sense of momentum and finds a way to guide itself to a triumphant finish. It’s easily among the band’s finest work and bodes extremely well for what their future might  have in store. Youthful, vibrant, vicious, and more than a little fun, it’s an unlikely summer anthem.

9. Paul Westerberg – Hawk Ripping At Your Throat

A mysterious song surfaced on Soundcloud a few weeks back from an artist’s page listed as “User 964848511”. Closer inspection revealed it to be Paul Westerberg, operating in the same lo-fi mode that defined the earliest work of his most famous band, The Replacements. Unlike that early work though, “Hawk Ripping at Your Throat” is characterized by a somber, almost foreboding atmosphere. Slow, creeping, and full of white-knuckle suspense, it’s a potent reminder of Westerberg’s legendary talent.

10. Lomelda – Interstate Vision

Lomelda‘s next album will be the project’s first for the impressively consistent — and consistently excellent — Double Double Whammy label. One of the first looks at that record came via the gorgeous “Interstate Vision”, a gentle mid-tempo number with a muted sense of grandeur and a near-cinematic sweep. It’s a lovely song that plays up the projects strongest aesthetic choices as well as emphasizing an unassuming mastery of songwriting. By the track’s end, it’s easy to wish it hadn’t come to a close.

11. SOAR – Fatigue

Last year, SOAR managed to make a strong impression with the material that they were releasing. It seems that their momentum has carried over into 2017 and allowed the band to grow even more emboldened as “Fatigue” — their latest — is as hard-charging and unapologetic as anyone could have hoped. “Fatigue” also plays up their pop sensibilities to great effect, while continuing to mire it in coats of both grit and attitude. It’s a charming track and deserves a whole slew of listens.

12. En Route – I Am the Problem

One of 2017’s most outstanding small releases came recently via En Route’s then is a song EP, another strong record from a growing line of projects working in the space that allows for a happy marriage between bedroom pop and basement punk. “I Am the Problem” was the song chosen to tease the EP and it was an incredibly effective choice as the song carves out a memorable identity for En Route. All of the decisions here, while understated, serve to elevate a legitimately great song from a new band worth knowing.

13. Baby! – If I’m Sorry

Baby! has been releasing a string of ridiculously enticing singles over the past few months and “If I’m Sorry” is the best of an extremely tantalizing lot. Equal parts sweet and biting, “If I’m Sorry” is another mid-tempo slice of quiet perfection from a band that seems to be gearing up for bigger things. Every song they’ve released has been utterly captivating and “If I’m Sorry” takes that facet of their music to new levels. Winsome, pensive, and oddly uplifting, it cements Baby! as one of 2017’s most pleasant surprises.

 

14. Madeline Kenney – Always

For more than a few years, Madeline Kenney has been carving out a place into today’s pantheon of emerging acts who have a genuine shot at their work being not only remembered but coveted after they’ve relaxed into retirement. “Always” is not only another strong indicator of that end goal but the strongest work of Kenney’s career to date. Three and a half minutes of arresting dynamics, clever arrangements, perfect production, and outstanding songwriting. It’s a song that’ll always be worth keeping around.

15. Florist – What I Wanted to Hold

Last year, Florist released one of the year’s finest EPs in The Birds Outside Sang and they’re already gearing up for the release of what looks to be one of this year’s finest full-lengths, If Blue Could Be Happiness. “What I Wanted to Hold” is the song kicking off the roll out campaign for the record and it’s a stunner. In keeping with the band’s best work, “If I Wanted to Hold” is a delicate, wintry number that’s enhanced by its own fragility. Sincere, vulnerable, and searching, it’s one of the year’s most breathtaking songs.

16 of ’16: The Best Albums of the Year

Mitski XXV

At long last, we arrive at the end of the 2016 lists with this reflection of the year’s best albums. A lot of criteria need to be met for a record to make this list, for example: a record can’t be primarily composed of reworks of older material (this is the reason Talons’ sublime “Driving Home From Shows” didn’t make the songs list). To be eligible for a featured slot on this list, the record also can’t come from a clearly-established artist, which is the only reason Nick Cave & The Bad Seeds’ Skeleton Tree is being excluded. The Radioheads and David Bowies of the music world all received more than enough positive press and this site has always aimed to give an additional leg up to emerging or unknown artists.

With all of that said, 2016 was an exceptional — and exceptionally diverse — year for music provided you knew where to look. As has been the case, no numerical assignments were given to the below selections. However, the field of titles was so abundantly strong that instead of merely selecting one Album of the Year, there are five. Those five records managed to stand out in an unbelievably exceptional year and picking one of the five to give a singular Album of the Year designation proved to be impossible. That being said, virtually all of the titles below are worth time, investment, and praise.

Once again, the majority of the embedded players belong to bandcamp so be mindful of where the records start (a small handful auto-start at odd points in the record). There’s a fairly wide-ranging display of music to be found below so dive on in and go exploring. Enjoy the list and stay tuned for the third edition of A Year’s Worth of Memories.

Bent Shapes – Wolves of Want

After a string of promising releases, Bent Shapes hit new heights with the galvanizing Wolves of Want, a pitch-perfect basement pop record teeming with memorable hooks. A lovingly crafted work, Wolves of Want finds the band hitting an eyebrow-raising stride and cranking out a formidable batch of songs good enough to grace any mixtape.

Crying – Beyond the Fleeting Gales

One of the most unique and compelling releases of the year, Crying took a bold new step with the riveting Beyond the Fleeting Gales. Taking their early approach and gleefully exploding it into something barely-recognizable, Beyond the Fleeting Gales winds up as one of 2016’s most refreshing, exhilarating, and utterly singular listens.

Mitski – Puberty 2

Embracing the bruising, unforgiving introspection of the breakout Bury Me at Makeout Creek, site favorite Mitski returned with a powerful and acute examination of identity. An artistic leap forward, Puberty 2 saw Mitski wielding an expanded musical palette to arresting effect. Warm, moving, and accepting, it’s not difficult to see why it was one of the year’s most beloved records.

Parquet Courts – Human Performance

Parquet Courts records have made a habit of appearing on year-end lists since the band’s formation several years back. While, admittedly, those were solid records, they don’t come anywhere close to Human Performance, the band’s crowning achievement. The band shed their blood all over this record and it shows in every beautiful, cracked, messy, ramshackle moment.

Mannequin Pussy – Romantic

Another record on this list that saw a band make a staggering leap forward, Romantic was — by some distance — the most impressive work of Mannequin Pussy‘s burgeoning career. One of 2016’s most ferocious records, Romantic saw the band firing on all cylinders on levels that may have even surprised their most devoted fans. It’s a molotov cocktail of a record; hit play and get obliterated.

Big Thief – Masterpiece

One of the year’s most welcome surprises, Big Thief‘s Saddle Creek debut Masterpiece found the band conjuring up the open-road spirit that their label built its name peddling. Gorgeous songwriting, unavoidable emotional intensity, and a clear commitment to the material defined Masterpiece. When all was said and done, the record succeeded in living up to its ostensibly tongue-in-cheek title.

Swim Team – Swim Team

One of the strongest records to come out of Infinity Cat‘s cassette series, Swim Team‘s self-titled is a gamut run trough the punk sub-genres that have defined the past three decades. All of them are successful and infused with the kind of grit and determination that characterize great bands. It’s an unforgettable warning shot from a band that seems hell-bent on using the past to elevate the future.

Car Seat Headrest – Teens of Denial

Easily one of the year’s most celebrated releases, Teens of Denial earned every trickle of positive press that came its way. A landmark record from a project that could have withered under a massively-increased spotlight instead finds Car Seat Headrest operating on an entirely new level. Epics, ballads, and stormy punk numbers abound, illuminating one of 2016’s best coming-of-age stories in virtually any format.

Greys – Outer Heaven

2016 found Greys continuing to determinedly  push their boundaries outward and succeeding with the kind of wild abandon that defines their adrenaline-inducing live show. Outer Heaven was their biggest moment and saw the band effectively blend their delirious energy with a refined sense of atmosphere that enhanced already-great songs. An absolute triumph from one of today’s more fascinating acts.

Hovvdy – Taster

A remarkable, understated, near-flawless record, Hovvdy‘s Taster never received the recognition it was due. Front to back, there are no false moments on this record, only a series of unassuming grace notes that bind it into a gentle, spellbinding whole. Punk-informed bedroom pop, Taster is the product of meticulous dedication to craft and an enormous reserve of genuine feeling. It’s sincerity is a large part of its strength and its strength is overwhelming. Give it innumerable listens and the estimation it deserves.

John K. Samson – Winter Wheat

A painfully beautiful record, Winter Wheat marked the welcome return of John K. Samson. The former Weakerthans bandleader turned in another sorrowful, damaged collection of songs that contained enough glimmers of hope (apart from the devastating opener, which nearly made this year’s song’s list but was abandoned in favor of the record’s emotionally shattering closer) to make the impact even more severe. An atmospheric masterstroke from one of our greatest living songwriters, Winter Wheat is as comfortingly calm as it is completely unforgettable.

ALBUMS OF THE YEAR

Mo Troper – Beloved

In focusing on the dark corners while establishing that darkness wouldn’t exist without some lightness as well, Mo Troper winds up wearing a very tattered heart on his sleeve. While that heart may be showing a considerable amount of scars, it’s still valiantly beating. Pathos, gravitas, and an incredibly inviting structure all combine to make Beloved a must-own but it’s Mo Troper himself who makes this record a masterpiece.

Original feature review here.

PUP – The Dream Is Over

PUP‘s The Dream Is Over, the band’s jaw-dropping sophomore outing, was a release where nearly every song was considered for this year’s best songs list. In the end, the record proved so uniformly excellent across the board that it became literally impossible to define a standout. This is as a complete a punk record that anyone will be likely to hear for a very long time. Narrative focus, overall consistency, composition, conviction, production, sequencing, pacing… in every conceivable aspect, PUP absolutely demolished what were already ridiculously high expectations. One of the most defiant, triumphant releases in recent memory, The Dream Is Over was the shock to the system that the punk genre has sorely needed for years. Unbelievably consistent and weirdly empowering, PUP were able to put their name on one of the most vital records of 2016.

Doe – Some Things Last Longer Than You

Meticulously composed and teeming with unchecked aggression and greater meaning, Doe have offered up something that’s impossible to ignore. At every corner, there’s a breathtaking moment that continuously heightens the overabundance of impact present in Some Things Last Longer Than You. Whether the listener tethers themselves to the record’s multi-tiered narrative functions or to the artistry present in the composition, they’ll walk away contemplating its awe-inspiring depth. In short: Some Things Last Longer Than You isn’t just one of the year’s best records, it’s a full-blown masterpiece.

Original feature review here.

Weaves – Weaves

It’s not just that no one does what Weaves are doing as well as they do, it’s that no one else is even making an attempt. Should Weaves inspire some attempts at this particular eclectic blend of songwriting styles, genres, and cornerstones, this record will retain — and most likely remain in — a position as the gold standard. Grab onto something close and hold on tightly because Weaves is an unpredictable, exhilarating, and ultimately deeply satisfying thrill ride that knows no borders or boundaries. Greet it with an anxious smile and give in to its myriad charms.

Original feature review here.

LVL UP – Return to Love

All told, Return to Love is a document of a band determined to continuously better themselves, a new career high, and a bona fide statement release from one of this generation’s most consistently exciting acts. It’s a series of sustained, connected grace notes that never wavers, even as it openly acknowledges it doesn’t have all of the answers. Not a single second of its run time is wasted and each of the songs are memorable for a wildly varying list of reasons. LVL UP aren’t the type of band to be dissuaded from taking action by a daunting challenge and Return to Love is an assured, steadfast piece of proof.

To put it as succinctly as possible: it’s a masterpiece.

Original feature review here.

Nine more worth hearing:

Tancred – Out of the Garden
Pinegrove – Cardinal
Oh Boland – Spilt Milk
Dark Thoughts – Dark Thoughts
Eluvium – False Readings On
Told Slant – Going By
Mothers – When You Walk A Long Distance You Are Tired
Jean-Michael Blais – II
Minor Victories – Minor Victories

Other honorable mentions:

Frankie Cosmos – Next Thing | Yucky Duster – Yucky Duster | Vanity – Don’t Be Shy | Kane Strang – Blue Cheese | Steve Adamyk Band – Graceland | Lydia Loveless – Real | Touché Amoré – Stage Four | Margaret Glaspy – Emotions and Math | Jeff – Rosenstock – WORRY. | Lucy Dacus – No Burden | Summer Cannibals – Full Of ItNopes – Never Heard Of It | Florist – The Birds Outside Sang | Susan – Never Enough | Abi Reimold – Wriggling | Mal Devisa – Kiid | Julianna Barwick – Will | Mutual Benefit – Skip A Sinking Stone | Big Ups – Before A Million Universes | Diarrhea Planet – Turn To Gold | Japanese Breakfast – Psychopomp | AJJ – The Bible 2 | Angel Olsen – My Woman | Drive-By Truckers – American Band | Charles Bradley – Changes

Forth Wanderers – Slop (Stream)

forth wanderers

Over the course of the past 24 hours, there’s been some astonishing material finding its way out into the public eye. Gringo Star, LA Font, Hissing Tiles, CC Mose, toyGuitar, Liam Betson, ExSage, Hello Shark, Left & Right, Truly, and a pair of tracks from Girl Tears (“Uneasy” and “Sedated“) provided a momentous start to the day’s proceedings. Apart from the standalone streams column, there were fascinating music videos from Dinosaur Jr., Nice As Fuck, Vision, and Prinze George. Big Eyes, Color TongueThee MVPs, Rainwater, and a formidable compilation from Orchid Tapes cemented a strong haul for the full streams as well.

While those titles were all readily equipped to reward investment, today’s feature spot falls to the resurgent Forth Wanderers (whose vocalist Ava Trilling recently had an impressive guest spot on Space Mountains’ “Never Lonely“) and their incredible new track, “Slop”. The title track from the band’s forthcoming EP, “Slop” immediately stands out as the band’s career highlight. Riding a slow, deliberate groove, “Slop” capitalizes on the luxury afforded to the most effective slow-burners and becomes hypnotic.

At seemingly impossible odds with itself, there’s an incredible amount of nuance packed into a relatively straight-forward structure, Forth Wanderers utilize their impressive grasp on dynamics to exhilarating results. The band coaxes an inexplicable amount of beauty out of a piece ostensibly rooted in self-doubt, allowing the more confrontational aspects of the narrative to come across as a spiritual cleansing that provides “Slop” its beating heart. It’s a gorgeous four minutes and it sets the tone for what should prove to be a very big year for a band that deserves the recognition.

Listen to “Slop” below and pre-order the EP from Father/Daughter here.

Watch This: A Full Session of Full Sessions

As was mentioned in the last post to run on this site, Watch This — the (usually) weekly series celebrating the very best in newly-released live video presentation — experienced an extended hiatus in the wake of incessant traveling and the frantic catch-up mode that traveling necessitated. Over the course of the next week, there’ll be a small handful of collections to get the series back on track.

The collection below contains 25 of the best full sessions released over the past month and a half. KEXP, Audiotree, and NPR (understandably) dominate the selections as they’re all operating at a gold standard level for full session presentation. The final result is a compilation that features an arsenal of site favorites and nears the 11 hour mark in running time. To that end, it’s likely best viewed in small bursts so a page bookmark is recommended. Everything, in true Watch This fashion, is worth seeing (and hearing). So, as always, sit up straight, adjust the settings to your preference, and Watch This.

1. Lucy Dacus (Audiotree)
2. Palehound (NPR)
3. Eleanor Friedberger (KEXP)
4. Seratones (NPR)
5. And the Kids (Audiotree)
6. Florist (NPR)
7. Sunflower Bean (KEXP)
8. Mall Walk (KEXP)
9. PWR BTTM (TCGS)
10. Hockey Dad (3voor12)
11. Diarrhea Planet (KEXP)
12. Blue Crime (3voor12)
13. Bob Mould (KEXP)
14. Yuck (KEXP)
15. Car Seat Headrest (KEXP)
16. Quilt (KEXP)
17. Deep Sea Diver (KEXP)
18. Acid Dad (Audiotree)
19. The Ergs! (TCGS)
20. Pinegrove (Audiotree)
21. Operators (KEXP)
22. Strand of Oaks (KEXP)
23. Julien Baker (Amoeba)
24. Benjamin Clementine (NPR)
25. Jason Isbell (Front Row)

2015: A Visual Retrospective, Vol. 4

Car Seat Headrest

Throughout the course of 2015 I’ve been fortunate enough to attend upwards of 100 shows, festivals big and small, and spend approximately half a year living in a city that hosted a mind-boggling amount of quality shows on a nightly basis. To that end, it’s probably unsurprising that I wound up taking over 10,000 photos this year alone. Over the course of the next few days, this site will be running seven volumes of the shots that stood out as personal favorites, whether that was due to their composition, sentimental attachment, or an intangible emotional or intellectual response. It’s been an honor to be able to take even the smallest part in the ongoing sagas of the artists in the photographs below and an additional thanks is due to the venues that allowed me to shoot (as well as the people who encouraged me to keep shooting).

Enjoy the gallery.

 

2015: A Visual Retrospective, Vol. 2

Girlpool I

Throughout the course of 2015 I’ve been fortunate enough to attend upwards of 100 shows, festivals big and small, and spend approximately half a year living in a city that hosted a mind-boggling amount of quality shows on a nightly basis. To that end, it’s probably unsurprising that I wound up taking over 10,000 photos this year alone. Over the course of the next few days, this site will be running seven volumes of the shots that stood out as personal favorites, whether that was due to their composition, sentimental attachment, or an intangible emotional or intellectual response. It’s been an honor to be able to take even the smallest part in the ongoing sagas of the artists in the photographs below and an additional thanks is due to the venues that allowed me to shoot (as well as the people who encouraged me to keep shooting).

Enjoy the gallery.

Lucy Dacus – I Don’t Wanna Be Funny Anymore (Stream)

lucy dacus

[EDITOR’S NOTE: With the site now entering emergency year-end catch-up mode thanks to the cruel, mocking nature of time, tonight’s trio of posts will simply be short reviews of the song(s) in the headline(s) and an accompanying list of tracks that deserve to be heard.]

Sometimes a song comes along from an artist you’ve never heard of and lays you flat. “I Don’t Wanna Be Funny Anymore” was one of those songs for me, a determined exploration of identity from Lucy Dacus that’s laced with a self-flagellating venom. Even in the midst of its own internal cruelty, though, its aspirations are commendable and showcase a startling drive. Singular, memorable, and incredibly endearing, “I Don’t Wanna Be Funny Anymore” was one of the brightest musical moments of the past several months. If it’s any indication of what Dacus has in store, the songwriter may just emerge with one of 2016’s most celebrated collections.

Listen to “I Don’t Wanna Be Funny Anymore” below and keep an eye on this site for more from Dacus in the future. Underneath the embed, explore a list of great songs to have appeared over the course of the last several months.

The Weasel, Marten Fisher – Talkin’ Like You (Two Tall Mountains)
Thee Oh Sees – Fortress
Big Putts – Prism
Copperfox – War Horse
Slow Culture – Hoax
Ulrika Spacek – She’s A Cult
Sudakistan – You And Your Way
Washer – Figure Me Out
Littler – Not My Market
Stardeath and the White Dwarfs – What Keeps You Up At Night
Bryce Dessner – Imagining Buffalo
Mass Gothic – Nice Night
Sioux Falls – Soaked In Sleep
Johnny Gallagher – Two Fists Full
The Besnard Lakes – The Plain Moon
Florist – The Birds Outside Sang
The Starting Line – Anyways
Public Access TV – Here Come The Bells
Pinemen – That Certain Flavour

Midnight Reruns – Force of Nurture (Album Review, Stream)

Midnight Reruns IV

Formatted in the same pattern as the last post due to the time constraints that CMJ prompted, the full streams collected in the interim from regularly scheduled coverage are listed at the very bottom of this post. It’s a decision that also allows the sole focus to be placed on Midnight Reruns‘ incredible sophomore effort, Force of Nurture. It’s worth noting that this is a band I’ve had the privilege of tracking since around the time of their first EP‘s release, which precedes this site’s existence, and they were one of the bands I created Heartbreaking Bravery to celebrate (they’ll always have the distinction of being the first band ever to appear on Watch This, which has now run for 100 segments).

During that time, I’ve been fortunate enough to catch a number of the band’s explosive live shows, which have– with good reason– mostly veered towards the material on Force of Nurture. The band put together a nice pre-release run for the album, including a very strong EP and the release of two of 2015’s best songs in “There’s An Animal Upstairs” and “Canadian Summer“. As good as all of those items were, they’d fail to suggest the extent of Force of Nurture‘s sheer weight, even if they were packaged together.

In a statement issued to Substream, who hosted the record’s premiere, guitarist/vocalist Graham Hunt spoke of the loss of a close personal friend, an event that reverberates throughout the record with a staggering force. It’s most noticeably present in the record’s connecting thematic elements; uncertainty, regret, struggle, and loss. Even Force of Nurture‘s most ostensibly positive moments come with the caveat of being opaque enough to suggest there could be a tremendously dark underlying subtext.

Aside from the record’s earned weariness, the compositions far exceed what the band accomplished on their extremely impressive self-titled debut, which is no mean feat. A very palpable debt to The Replacements is heavily reinforced by Force of Nurture‘s credits, which list Tommy Stinson (one of the group’s earliest supporters) as the record’s producer. While there are still aspects of the Thin Lizzy twin-lead dynamic that were so often cited in regards to their earlier work, the band leans more heavily on their Big Star influence this time around to exhilarating effect.

Hunt, as hinted at above, turns in a jaw-dropping lyric sheet that expertly bridges the record’s muted optimism with its struggles in solipism. Everything, down to our own most microbiological functions, is put on trial; no answers are granted and the questions that are posed cut deep. Debauchery runs rampant but the band never lets its determination flag, committing to “making people laugh” even in their bleakest moments.

As relentlessly dark as this is all sounding, the band still finds a way to present themselves through fiery guitar work, sun-soaked melodies, and propulsive rhythm section work that lends the proceedings the kind of vibrancy that renders Force of Nurture an addictive listen. It’s mid-section run, in particular, somehow manages to pull off a relative weightlessness in the face of its tragic, bruised lyricism. Whether its something like the strained relationship at the crux of “Where’s Ace?” or the dreamlike self-aggrandizement of “Sky Blue Water” that ends in a tragicomic defeat, there’s a very peculiar bite to the record that makes it feel deeply personal and unflinchingly vital.

By the time the band’s exhausted their arsenal of incredibly effective hooks (the only 2015 records I can think of that have approached being even remotely close to this successful in that sense are Sweet John Bloom’s Weird Prayer and Dogs On Acid’s self-titled), they’ve run an exhaustive gamut of hard-earned lessons and navigated the journey with a wary resiliency. As they well know, and devastatingly note on “Great Southern Rail”, the record’s sprawling eight minute closer, sometimes all it takes is just one gunshot.

As a personal exercise, Force of Nurture feels therapeutic in a way that seemed to be crushingly necessary. As a standalone full-length, it’s essential. Easily one of 2015’s most invigorating, affirming, and incendiary records, Force of Nurture aim goes far beyond most band’s goals and they hit their mark with a memorable emphasis. So, as things get difficult, depression lingers, houses burn, friends are lost, and seasons vanish to a place beyond recovery, we now have a deeply empathetic record to help us through those times. For that, we collectively owe Midnight Reruns a debt of gratitude- and a place for Force of Nurture in our collections.

Listen to Force of Nurture below and order a copy from Dusty Medical here. Beneath the embed, explore a list of some of the finest records to find release over the past few weeks.

Trust Fund – Seems Unfair
Laura Stevenson – Cocksure
Petal – Shame
Jonathan Bree – A Little Night Music
Ex-Breathers – Past Tense
Modern Baseball – Holy Ghost
Slanted – Lost Forever: B-Sides From Forever
Sleep Kit – Standby Me
Postcode – The Dandelion Radio Session
Wendy Alembic – Collected Early Works
Sports – All of Something
Community Records Compilation Vol. 5
Witch Coast – Burnt Out By 3PM
Walter – Get Well Soon
The Love Coffin – Veranda
Spray Paint – Dopers
Julien Baker – Sprained Ankle
Expert Alterations – You Can’t Always Be Liked
Alien Boy – Never Getting Over It
Dyke Drama – Tender Resignation
Florist – Vacation
Stumpf – Barf Radio
Greys – Repulsion
Haybaby – Sleepy Kids
Dead Painters – Aluminum Gold