Washington DC | Heartbreaking Bravery

September 23, 2014

Zulu Pearls – Lightweight (Music Video)

Today saw the continuance of the staggering amount of great new material that the past few weeks have been offering up. Normally, everything would get one huge recap in the introductory paragraph. However, there were just too many items that needed to be covered with greater emphasis to warrant just throwing them all in together. This was especially true for the music videos that came out today. From a kaleidoscopic video by Wisconsin favorites The Midwest Beat to a hazy, low-key effort in support of Mutual Benefit’s “Auburn Epitaphs“. Connections released a Hall & Oates-aping clip for their excellent “Aylia” and S unveiled the devastatingly intimate “Losers“, which very nearly earned today’s feature spot. It definitely would have had it not been for the lightly-damaged magic hour ruralism of Zulu Pearls‘ “Lightweight”.

Zulu Pearls, for their part, recall a more restrained, Southern-tinged version of Gap Dream and seem to share that band’s penchant for videos that feature stunning imagery. “Lightweight” finds the band taking a trip to Sweden to spend some time on the road, making friends with a collective that’s fascinated by retro American-built cars. Vehicles are driven, destroyed, and- importantly- gorgeously lensed by cinematographer Kiel Miligan. While that emphasis does provide “Lightweight” with its main draw, it’s the transitional shots of Zulu Pearls taking some time to appreciate their surroundings and take a few beats to have a laugh with each other that pushes the clip towards something really memorable. It’s an extraordinary teaser for Zulu Pearls’ upcoming EP, Singles Deluxe, and functions perfectly as a single. As a music video, it’s incredibly eye-opening and naturalistic, providing Zulu Pearls a platform tantalizing enough to have the potential to bring them the attention they deserve.

Watch “Lightweight” below and keep an eye out for Singles Deluxe‘s October 28 release.

<p><a href=”http://vimeo.com/104500367″>Zulu Pearls – Lightweight (Official Music Video)</a> from <a href=”http://vimeo.com/user1298853″>Zulu Pearls</a> on <a href=”https://vimeo.com”>Vimeo</a>.</p>

March 27, 2014

Priests – Right Wing (Stream)

Unless Tenement officially confirms a 2014 release date, the Don Giovanni LP to get most excited about definitely goes to another Heartbreaking Bravery favorite: Priests. Bodies and Control and Money and Power (due out June 3rd) will be the band’s first release for the label and they’ve already released the first taste by way of “Right Wing”. Anyone familiar with the band shouldn’t be surprised by that title, as they’re one of the more fiercely political bands on their respective circuit right now. A lot of those politics are fairly apparent in vocalist Katie Alice Greer’s commendable work as The Media‘s interviews contributor. Another thing that won’t come as a surprise to those lucky enough to already be on board with the band: “Right Wing” is an aggressive piece of post-punk minimalism.

What does come of a bit as a surprise is how clean “Right Wing” sounds. Previously, the band’s penchant for the most blown-out lo-fi recording was one of their calling cards, so to make the jump to something as immaculately produced as “Right Wing” without losing any of their reckless abandon is a considerable feat. Make no mistake, this is still very much a Priests song- it feels as dangerous and barely-stable as anything the quartet’s committed to tape, carving out the same exhilarating territory despite existing in a completely different sonic realm (not too unlike Tweens’ Frenchkiss debut). A completely fuzzed out bass helps retain some of the band’s lo-fi aesthetic and the clean guitars go to work on cutting everything apart, drums urging them both forward as Greer acts as the vessel to provide the maelstrom with some sense of direction, even when completely consumed by it. It’s thrilling, vital, and maybe even necessary. Here’s hoping the band winds up with the attention they deserve.

Hear the catchy, infectious “Right Wing” below and make sure to give Popstrangers’ first taste of their upcoming album Fortuna (due out May 27th via Carpark Records), “Country Kills“, a listen as well- it was nearly the focus of this piece but Priests haven’t been covered as extensively here. Their was also no way in hell “Right Wing” wasn’t going to get a write-up, one listen and the understanding of that should be immediate. Listen to one, listen to the other, it doesn’t matter- but really, listening to both is the best-case scenario and the one that should definitely be chosen. Make the right choice. Enjoy.

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March 4, 2014

Watch This: Vol. 15

Once again, an apology is in order; due to extensive travel (more on that in a minute) a regular Sunday Watch This posting proved impossible. This 15th installment is a more low-key affair than usual. Apart from two very, very electric full sets, the emphasis falls squarely on wistful moments. From a powerpop staple to Appalachian-infused up-and-comers with a serious punk pedigree to Katie Crutchfield’s signature defiant vulnerability, open wounds wind up being this week’s focal point. As each video proves in some small way, sometimes the best way to deal with open wounds is to address them.

1. Saintseneca – Happy Alone (BadRacket Recording)

While Saintseneca has earned multiple mentions on this site before, they’ve never wound up in Watch This. It’s a drastic oversight and this is a necessary correction. Their run-through of “Happy Alone” for BadRacket Recording is nothing short of outstanding. Saintseneca continues to find new ways to impress and up the respective anticipation for their ANTI- debut, Dark Arc.

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2. Matthew Caws – Inside of Love (KEXP)

When Nada Surf was still in the early stages of their career they were often written off as Weezer knockoffs. Many suspected they’d be unsustainable- and then they did the miraculous- they reinvented themselves and found themselves at the forefront of powerpop. Nada Surf’s Matthew Caws plays Let Go standout “Inside of Love” for KEXP here, as a part of the 15th anniversary celebration of Barsuk Records. It’s as winning now as it ever was.

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3. Great Thunder – It Takes So Much (Live at Saint Vitus)

Katie Crutchfield has one of the most arresting voices in all of music, writes emotionally crippling lyrics, and Great Thunder just made a fucking incredible record. A live performance showcasing all of those things? What more could anyone possibly want?

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4. Hop Along (Live at Saint Vitus)

While any lineup that includes both Crutchfield twins is can’t-miss material, it’ll take something genuinely special to make an impression in the face of that. Luckily, for everyone, beloved Philadelphia act Hop Along proved more than up to the task and unARTigNYC was on hand to film all of it. While Get Disowned is (still) incredible on its own merits, the band comes into their own in a live setting. This is an impassioned 46-minute masterclass on how to do things right. Absolutely necessary viewing (and listening) material.

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5. Priests (Live at The Pinch)

There have been recent claims that seeing Priests for the first time is akin to a religious experience and the live footage that continues to surface of the band goes a long way in supporting that theory. It doesn’t seem to matter when the footage is from, either. From the get-go this band’s been channeling the brooding intensity of Swans and deftly combining it with the politics of Sleater-Kinney and the discordant aesthetics of Sonic Youth at their most fearlessly minimal. All of that is why Priests are this week’s band to know. Extra note: shout-out to vocalist Katie Alice Greer for her outstanding interview work over at Fvck the Media. Be sure to go read that- but be sure to watch this.