Heartbreaking Bravery

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Tag: The Nudes

2016: A Year’s Worth of Memories (Phil McAndrew)

Heartbreaking Bravery recently went offline but all facets of the site are back to being fully operational. Apologies for any inconveniences. All posts that were slated to run during that brief hiatus will appear with this note.

Somewhere over the past few years, Phil McAndrew became a vital part of Heartbreaking Bravery. The band McAndrew plays in, The Nudes, was kind enough to offer a song to the site for a premiere spot, he’s contributed to every edition of A Year’s Worth of Memories, and gifted the A Step Forward compilation with it’s gorgeous album art. A gifted musician, writer, and artist, McAndrew turns the attention to the time he set up a show for the first time. It’s a heartening read that can (and should) be explored below. Enjoy.

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Right at the beginning of 2016 my pal Isabel sent me a message. Isabel was planing to take their band Izzy True out on the road in the spring with Painted Zeros and they were looking to play a show here in my zone, in Syracuse, New York. They asked if The Nudes would want to play too (I play drums in The Nudes) and wondered if I could set it up.

I’d played many shows before and I’d been recruited to draw flyers for a lot of shows over the years, but I’d never set a show up myself. I’d always been happy to let other people handle that stuff because it seemed like a lot of work and I don’t even really know how a guitar amp works. But I said yes, I will set this show up. So I asked my friend Jon (Spit Fam Tapes), who I was pretty sure had some idea of how guitar amps work, if he could help me run a show and he agreed.

Fast forward to April. The Nudes had finished recording some new songs and were scrambling to get a new tape ready in time for the show, which was set for April 9th and had swelled to a massive five band show. In addition to Painted Zeros, Izzy True and The Nudes, Crusher was coming up from Brooklyn to play and Real Things was coming up from New Paltz, New York.

All five bands were connected in some beautiful way – Izzy True were touring with their good friends and Don Giovanni label mates Painted Zeros. Painted Zeros had a practice space in Brooklyn right next to Crusher and had been helping Crusher record some songs. My brother Ray was playing bass in Crusher. My bandmate and roommate Shauna was good friends with Real Things drummer Kate, who I am pretty sure had previously played in a band with Izzy True drummer Angela.

I’d been pulling all-nighters for weeks trying to hit a final deadline for a graphic novel that I’d spent a year and a half illustrating. After staying up all night on April 7th, I’d managed to finish work on the book at 5:55 am on April 8. I slept for a few hours and then went with Shauna to a print shop to print inserts for the new tapes that we’d been working on. I was feeling very bonkers and scattered and exhausted, but also super powerful and full of excitement.

The next day I ran a bunch of errands and then met Jon at the venue, Spark Contemporary Art Space. Jon is a chef by day and he’d made food for the show and we had free coffee for anyone that wanted it and beer for anyone that knew to ask for it. We got the space set up and puttered around listening to music from my laptop, waiting for people (and bands) to show up. I had no idea if anyone would come! My worst fear was that nobody would come and I’d have to send four touring bands on their way with little or no money. Luckily somewhere between 100 and 150 people came (which most of the time is unheard of in Syracuse) and had fun.

Jon ran sound and I manned the door. We recruited our friend Brendan to do some live projector light art stuff, so the bands played with a backdrop of swirling liquid colors and lights. Everyone got wild and shredded. I don’t say this to toot my own horn, but it truly was one of the best shows I’ve seen in Syracuse, not only because of the quality of the bands that played but also because the space seemed to be actually glowing and pulsating with love and good vibes.

A drunk man hugged me at the end of the show and said “please do this again.” Another person told me that it was the first show they could remember seeing where they felt compelled to buy a record or tape from every single band that played. After the show Isabel gave me some Mœbius trading cards that they picked up on earlier on tour at a comic shop in Portland, OR, a gift that I still treasure and keep near my drawing space as a memento of this perfect day.

We had a total of thirteen or fourteen touring musicians who needed a place to crash that night. The sleepiest handful of rockers went and buried themselves in blankets at my dear sweet parents’ house after the show, which at the time was only about a mile away. Everybody else stayed up all night hanging out at my house. Jared of Painted Zeros was turning a year older at midnight that night and he demanded that people stay up and finish a bottle of whiskey with him. I remember being up very late in my kitchen, laughing with Jared and Jon and my brother Ray and Crusher’s drummer Kat. Eventually every nook and cranny of my apartment was filled with sleeping people, like the opening scene in Muppets From Space where characters are popping out of cabinets and bathtubs and dresser drawers.

Someone told me a few days later that it was the first time they could remember seeing a show in Syracuse where none of the bands that played were fronted by dudes. I know for a fact that there had been other shows here in recent memory where most, if not all of the bands, were fronted by people who are not dudes. But this person was right to point out that this is sadly a rarity here in Syracuse. And when it does happen, the show is often promoted as an “all girl band show!” or something. So I made it my mission to continue booking shows and to normalize shows where all or even half the people playing music are women (or people who don’t identify as male).

I realized that by continuing to occasionally take on the responsibility of booking shows (and helping friends with shows that they’re booking), I’ve been able to have some small bit of influence on the local music scene in ways that I think and hope are very positive. Plus, I get to make sure that bands that I am really excited about come through town every so often. I ended up booking a bunch of shows throughout the rest of the 2016 and already have one coming up in 2017 with two of my favorite bands.

HB1000: A Step Forward (Compilation)

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When I started Heartbreaking Bravery nearly three years ago, I had no intention of pursuing it as a legitimate venture. Now, 1,000 posts, 50,000+ links, and countless words later, the site’s come to be the type of platform I’ve always loved seeing in the world. I could attempt to wax poetic on the nature of personal discovery and growth that running this place has afforded me but Heartbreaking Bravery was never about a single person, it’s always functioned best as a communal entity.

The ideas that formed the basic structure of Heartbreaking Bravery all came from artists producing exceptional work with little recognition. Repeatedly watching that transaction occur proved too disheartening. Whether it was the earliest years of Tenement, the later years of Good Grief, or virtually the entire run of Sleeping in the Aviary, there were always ceaselessly talented artists surrounding me that only ever seemed to receive the slightest of nods.

Heartbreaking Bravery originally aimed — and continues to aim — to provide a more level playing field to emerging artists, without reducing their worth to financial opportunity. Heartbreaking Bravery continues to value the community and intimacy that informs the DIY music world. Heartbreaking Bravery will continue to use the platform it’s been granted to elevate the idea of greater equality.

It’s in that spirit that I’m honored to present A Step Forward, a two-volume compilation spanning 100 tracks that exclusively features artists who are connected to this site’s history. Whether that was through a long history of collaboration or something as small as a twitter follow, the impact was not lost or left unappreciated. There’s a heavy emphasis on artists residing in the cities and states Heartbreaking Bravery has called home (Stevens Point, WI and Brooklyn, NY) and a small selection of songs that were premiered on this site.

100% of the proceeds of A Step Forward will be going to Rape Victim Advocates, a non-profit Chicago-based organization that’s doing vital (and, sadly, necessary) work for survivors of sexual assault. Read more about the organization here. It’s my sincerest hope that every publication that has the privilege of visibility manages to find ways to use any of their influence for productive good and to affect positive change. Please consider donating what you can to a meaningful cause.

Finally, I wanted to express gratitude to all of the artists (and any of their teams) involved — including the inimitable Phil McAndrew, who turned in the extraordinary album art — and all of the people that have allowed, even willed, this site to the point it’s at today. It likely would have disappeared without that support and I owe those people a debt of gratitude that could never be truly repaid. A special thanks to Fred Thomas, whose “What Changes When The Costumes Come Off” was written with the specifics of A Step Forward in mind.

Enjoy the compilation, support independent art, and join me, this site, these artists, and this cause in taking A Step Forward.

Tracklist below.

A Step Forward: Vol. 1*

1. Vacation – Caked Joy Rag (Demo)
2. Mike Krol – Neighborhood Watch (Demo)
3. Dead Stars – So Strange (Demo)
4. Mo Troper – After the Movies (Demo)
5. Fern Mayo – The Sweets (Demo)
6. Hater – Like Hours (Demo)
7. Sharkmuffin – Only Mondays (Demo)
8. Fits – Ice Cream On A Nice Day (Demo)
9. Missy – Patience (Demo)
10. Kodakrome – Skeletons (Demo)
11. Slight – Run (Demo)
12. Long Neck – Goldfinch (Demo)
13. Phyllis Ophelia – Probably Not (Demo)
14. Lever – Cure (Demo)
15. Puppy Problems – Destroyer (Demo)
16. Battle Ave. – Black Jeans (Demo)
17. Yours Are The Only Ears – Alone Bear (Demo)
18. Attendant – Some Other Language (Demo)
19. MKSEARCH – Little Song (Demo)
20. Sulky Boy – Birches (Demo)
21. Heavy Looks – Those Guys (Demo)
22. darn it. – (again) pt. II
23. Phooey! – On an On
24. Arm Candy – Big Clunker
25. DTCV – Le Vampire
26. Clearance – The Queen of Eyes
27. Leggy – I’m Gonna Destroy That Boy
28. Big Air – Hit Me in the Mouth
29. Terry Malts – Look (At the Mess That We’re In)
30. Ubetcha – Musician
31. Two Inch Astonaut – Suckers Share
32. Whelpwisher – Bucket for the Sky
33. Petite League – Magic Johnson
34. The Meltaways (ft. Kate M) – Wrong Words
35. Calumet – Indian Summer
36. Mulligrub – Little Fist
37. Ben Seretan – Stay In Touch
38. Mumblr – Friendship Stew
39. Human People – Useless Things
40. Bethlehem Steel – Florida Two
41. Painted Zeros – Sweet Briar Rose
42. Spit – Paul Westerberg
43. Crusher – Running
44. Pupppy – Stand By Me
45. Aberdeen – Once You Fall In Love
46. Tica Douglas – Enough
47. Peaer – Multiverse
48. The Weasel, Marten Fisher – What Is Love
49. Young Jesus – Mirroring
50. Space Mountain – Earthrise

A Step Forward: Vol. II*

1. Bellows – Bank Checks
2. Cave Curse – Arcadia
3. Fred Thomas – What Changes When the Costumes Come Off
4. Apollo Vermouth – He Sees You, He Loves You
5. Green Dreams – Psychic Woes (Alternate Mix)
6. Lost Boy ? – Have You Seen My Brain (Space Cat Sessions)
7. Mikaela Davis – Pure Divine Love (Early Mix)
8. Nano Kino – Recovery (Early Mix)
9. Trophy Dad – Addison (Early Mix)
10. Alanna McArdle – Less Than (Early Mix)
11. VVHILE – Don’t Belong (Live)
12. Liam Betson – Mispronounced (Live)
13. BAG-DAD – Bruv (Live)
14. Slothrust – Keg Party (Live)
15. The Nudes – Nowhere to Be
16. Sat. Nite Duets – Cemetery Steve
17. Slanted – Fake Party
18. Patio – Gold
19. Greys – No Star
20. No Hoax – Date With Death
21. Dirty Dishes – Red Roulette
22. Yeesh – On Some Dirt
23. Pile – Cut From First Other Tape
24. Even Hand – Nightsmoke the Fuss
25. PURPLE 7 – Wise Up
26. Bad Wig – Machinehead
27. Mary Lynn – Space
28. Pleistocene – CMJ Compilation 1996
29. Color TV – Anybody’s Girl
30. Jacky Boy – Bad
31. Trust Fund – Would That Be An Adventure?
32. Good Grief – City People
33. Adir L.C. – Hangover
34. Milk Crimes – H8RZ
35. À La Mode – Total Doom
36. Inside Voices – Nomad: Begin
37. Doe – Corin
38. Kindling – Became
39. Bueno – Blown Out
40. Horse Teeth – Dark & Gloomy
41. Ron Gallo – Put the Kids to Bed
42. Sun’s Out Bummed Out – Cut All My Hair
43. Eric Slick – The Dirge
44. Fruit & Flowers – Turqoise
45. Shilpa Ray – Hymn
46. Jack – Sister System
47. Strange Ranger – Whatever You Say
48. Johanna Warren – A Bird in the Crocodile’s Mouth
49. Oceanator – Nowhere Nothing
50. Fresh Snow – Eat Me In St. Louis (Bryan W. Bray – Eaten by the Cetacean Mix)

Vol. I

Tracks 1-21: Demos
Tracks 22-50: New Songs

Vol. II

Tracks 1-4: New Songs (cont’d)
Tracks 5-14: Alternate Mixes and Live Songs
Tracks 15-49: Old Favorites
Track 50: Remix

 

Watch This: The Best of 2016’s First Quarter, Vol. IV

[EDITOR’S NOTE: Each of the seven volumes that comprise this Watch This package contain 25 clips apiece. Due to the sheer volume of live videos that have come out during January, February, and March all of the packages will have the same introductory paragraph. Regular Watch This segments will resume on Sunday.]

It’s been a tremendous first quarter for live videos. While Watch This, Heartbreaking Bravery’s weekly series celebrating the very best of the live video format, hasn’t been in operation for roughly three full months, the information required to keep this thing humming (i.e., checking through hundreds of subscriptions and sources for outstanding new material) has been collected at regular intervals. If they were full sessions, single song performances, studio-shot, DIY captures, transcendent songs, or transcendent visual presentations, they were compiled into a massive list. 175 videos wound up making extraordinarily strong impressions, those videos will all be presented here, in the Watch This: The Best of 2016’s First Quarter extended package, one 25-clip presentation at a time. 

Watch the fourth collection of those videos below.

1. Saintseneca (KJHK)
2. American Wrestlers (Audiotree)
3. Try the Pie – Thomas
4. The So So Glos – A.D.D. Life (Little Elephant)
5. Courtney Barnett – Dead Fox (Austin City Limits)
6. Pop & Obachan – Elora’s (This Has Got To Stop)
7. Mothers – Mother and Wife (Paste)
8. The Nudes – Pretty (Ithaca Underground)
9. Sleater-Kinney – Fangless (Austin City Limits)
10. Three Man Cannon – Patiently (Little Elephant)
11. Lever – Nickels & Dimes (DZ Records)
12. Thao & The Get Down Stay Down – Nobody Dies (The Current)
13. Julien Baker – Sprained Ankle (Paste)
14. Torres – The Harshest Light (Audiotree)
15. Menacerno – Johnny Cas’ (DZ Records)
16. Kamasi Washington – Fair As Equal (Paste)
17. Human Music – Sending Messages (Exclaim!)
18. Hellrazor (BreakThruRadio)
19. Palehound – Holiest (Public Radio /\ Sessions)
20. The Thermals – My Heart Went Cold (Jam in the Van)
21. Soul Low – Frenemies (Little Elephant)
22. PWR BTTM – Dairy Queen (WFUV)
23. Ancient Whales – To Be (Public Radio /\ Sessions)
24. Des Ark – French Fries Are Magical (Do512)
25. Frigs – Trashyard

Watch This: The Best of 2016’s First Quarter, Vol. II

[EDITOR’S NOTE: Each of the seven volumes that comprise this Watch This package contain 25 clips apiece. Due to the sheer volume of live videos that have come out during January, February, and March all of the packages will have the same introductory paragraph. Regular Watch This segments will resume on Sunday.]

It’s been a tremendous first quarter for live videos. While Watch This, Heartbreaking Bravery’s weekly series celebrating the very best of the live video format, hasn’t been in operation for roughly three full months, the information required to keep this thing humming (i.e., checking through hundreds of subscriptions and sources for outstanding new material) has been collected at regular intervals. If they were full sessions, single song performances, studio-shot, DIY captures, transcendent songs, or transcendent visual presentations, they were compiled into a massive list. 175 videos wound up making extraordinarily strong impressions, those videos will all be presented here, in the Watch This: The Best of 2016’s First Quarter extended package, one 25-clip presentation at a time. 

Watch the second collection of those videos below.

1. Julien Baker (Audiotree)
2. The Dirty Nil – Zombie Eyed (Little Elephant)
3. Amber Arcades (3voor12)
4. Big Ups (Do512)
5. Brooke Waggoner – Fresh Pair of Eyes (OurVinyl)
6. Quarterbacks (WSPN)
7. Natalie Prass – Tell Me (OurVinyl)
8. gobbinjr – bb gurl (Play Too Much)
9. Sweet Spirit – Breakthru Radio
10. Operators (KEXP)
11. Bill Ryder Jones – Wild Roses + Put It Down Before You Break It (La Blogotheque)
12. Two Gallants – My Love Won’t Wait (OurVinyl)
13. El Pino & The Volunteers (3voor12)
14. Mulligrub – Homo Milk + Man in the Moon
15. All Dogs – Skin (Little Elephant)
16. Gaelynn Lea – Submission
17. Ride (KEXP)
18. Glen Hansard – When Your Mind’s Made Up (NPR)
19. Justin Townes Earle – Mama’s Eyes (OurVinyl)
20. Posse – Cassandra B (Band In Seattle)
21. TUFT – Sheep (Jam in the Van)
22. The Nudes – Your Eyes (Ithaca Underground)
23. Wildhoney – Soft Bats (Audiotree)
24. Cayetana – Freedom 1313 (Little Elephant)
25. Daughter (BBC)

The Nudes – Nowhere To Be (Song Premiere)

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Only a few years ago, The Nudes sounded like a completely different band from their current iteration. A large part of that is thanks to the fact that they were a smaller unit with different personnel but, after several shifts, the band’s found a new level of confidence and a lineup that plays to their strengths. Their upcoming EP, Nowhere To Be, will be the full lineup’s first official release following a demo compilation that  touched on everything the band’s done since forming several years ago.

The band’s latest drummer, celebrated artist and A Year’s Worth of Memories contributor Phil McAndrew, was kind enough to patch along the forthcoming EP’s title track a few days ago and it quietly (and unexpectedly) knocked me flat. Having been familiar with The Nudes‘ past work (largely in part to McAndrew’s recommendations before he was drafted into the band), “Nowhere To Be” seemed as if it was plucked from a separate universe.

Light and airy but played with a clear-eyed determination that grounds the whole affair, “Nowhere To Be” scans like a host of legitimately great powerpop acts (Alvvays, every Run For Cover-affiliated band from Sweden, etc.) while maintaining its own identity. It’s a miraculous track that takes aim at a handful of acute targets and hits them with the kind of beautiful flourishes that go a long ways in ensuring that “Nowhere To Be” isn’t just memorable but maintains an impressive longevity.

At a precise two-and-a-half minutes, “Nowhere To Be” both announces the band’s new era and capitalizes on its beaten, weary, and strangely hopeful narrative in an impressive amount of time. A heavenly chorus elevates the gentle, atmospheric verses with a shy smile and a backwards glance. Nearly everything in “Nowhere To Be” complements and enhances all of the song’s most minute aspects; from the incredibly impressive dynamics to the skyward riffing to the effective, minimalist rhythm section work to the captivating vocal performance, each segment combines into small grace notes of breathtaking perfection.

Easily one of 2016’s most unexpectedly triumphant moments, “Nowhere To Be” is a song worth discussing for several years to come. If the rest of the EP can live up to what The Nudes have accomplished here, it should stand as one of this year’s finest releases. Give this one all of the time, investment, and love it deserves.

Listen to “Nowhere To Be” below and keep an eye on both Spit Fam Tapes for the EP’s cassette run and this site for more details on The Nudes going into the future.

2015: A Year’s Worth of Memories (Phil McAndrew)

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Photograph by Shauna Roloff

Last year, Phil McAndrew (pictured above, behind the kit) delivered a heartfelt piece to the first edition of this series. At the core of that piece was a celebration of his younger brother, Ray, and the music he was making with Perfect Pussy. A little while later, he’d become much more than a supportive voice in the audience and create the distinctive comic accompaniment for Astonishing Adventures!, Perfect Pussy’s ferocious split with Joanna Gruesome. It was another small moment of  brilliance in what’s turning into an illustrious career in animation. Even while registering credits for places like MAD Magazine, IFC, Cartoon Network, Random House, and Workman Publishing, McAndrew’s found time to join a band and catch a slew of shows (a few of which I was fortunate enough to be able to take in with him). Below, he covers some of the artists that meant the most to him in 2015 and explores his reintroduction to making music. Read it below and then indulge your own creative sensibilities in any way you see fit.

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2015 was kind of a strange year with lots of ups and downs and sideways and diagonals and such. But if we’re talking strictly music stuff, it was a really excellent year, filled almost entirely with ups.

Thinking back on 2015, I’m flooded with music related memories that felt meaningful in one way or another. Scribbling drawings of my brother Ray and our friend Garret as they started writing the next Perfect Pussy album in my childhood bedroom. Directing a music video for my old friend Jeff York’s new band, Major Player. Hanging out alone late at night and turning the volume way up on new tunes from my brothers Tyler and Ray, who make music together as Toxic Parents and separately in a variety of bands and solo projects like Wealth, Crusher, Perfect Pussy, and MKSEARCH. Getting back into drawing weird flyers for bands my friends play in.

Getting to watch Sleater-Kinney play from backstage at Irving Plaza. Seeing more great shows than I can even count, in huge venues, in small venues, on a pier in Manhattan, in an old car wash, in burrito restaurants and skateboard shops and art spaces, and in basements in my neighborhood…. Sheer Mag, All Dogs, Rainer Maria, Destruction Unit, Really Big Pinecone, Izzy True, Downtown Boys, Fleabite, Harmonica Lewinski, Deerhoof, Warehouse, Pretengineer, Arm Candy, Speedy Ortiz, Olivia Neutron-John, Big Ups, Pity Sex, Aye Nako, Nine of Swords, Waxahatchee, Mannequin Pussy, and dozens of others.

The most meaningful thing that happened for me this year was that I myself started playing music again after a very long hiatus. I hadn’t played drums since sometime in 2010, when jobs and grad school and relationships scattered the members of the bands I used to play in to different states. Five years and two cross-country moves later, my friend and old next-door neighbor Mim asked if I’d be interested in taking over on drums in her band, The Nudes. Right around the same time, my friend and current roommate Shauna, started playing bass in the band (they’d never had a bassist before). I’ve loved The Nudes since I first saw them play when I moved back to upstate New York from Southern California in 2013, so I was pretty thrilled to be asked to play with them.

We’ve played a lot of shows since I joined The Nudes over the summer. My favorite show was here in Syracuse in October with local favorites Malvinas, fellow upstate New Yorkers Green Dreams, and the great Worriers, whose most recent album I can’t stop listening to. The show was packed and everyone was in high spirits. I saw so many smiles at this show. I saw people of all sizes and genders bouncing around together as the bands played, getting wiggly and weird and laughing. Nobody was dancing like a violent psychopath. Everything about this show felt right. It was all of the good things that I missed about playing in bands.

2014 was all about watching my brothers and friends do cool things and conquer the world, only participating in the music scene in my own small, non-musical ways. That continued into 2015, but to get back into playing music myself in a band I love with people I love was nothing less than magical.


-Phil McAndrew

 

Dilly Dally – Gender Role (Stream)

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One last big overhaul will be contained in this piece and 25 of the best songs from the first quarter of the year will follow. I wish I had time to give all of these songs the words and attention that they deserve but, unfortunately, time has dictated that this is the most effective mode of catching the site up to the present release cycles. All of the songs that were listed in this piece- and in pieces past- are worthy of inclusions to any collections. One of those many songs earns this piece’s headline: Dilly Dally’s electrifying new single, “Gender Role”.

It’s a song that capitalizes on the band’s built-in identity and aesthetic trends, with post-punk gloom reverberating through every single impassioned second. Already fully-formed just a few songs into their career, their warning shot- one that damn near topped our best 7″ Records of 2014 list- set the floor for “Gender Role”. In turn, “Gender Role” goes a long way in proving that the Candy Mountain 7″ was no fluke. Here, the band adds an adrenaline shot of genuine fury to the mix and it pays off to tremendous effect. Vocal wails, a formidable rhythm section, and incendiary guitar work act as a great reminder of Dilly Dally’s inherent strength and limitless potential, making “Gender Role” a fierce example of why Dilly Dally deserves to be on everyone’s radar.

Listen to “Gender Role” below and keep an eye on this site for continuing coverage of the band. Beneath that, enjoy a selection of 75 great songs from the first part of the year.

Buyer’s – Brand Loyalty
T-Rextasy – I Wanna Be A Punk Rocker
Heeney – Brooklyn Pop
Alex Napping – Trembles, Pt. 1
Chris Weisman – Cold Chimney
Los Angeles Police Department – Water and Wine
Robert Pollard – Up and Up and Up
Together PANGEA – I Looked In Too
Ryley Walker – Sweet Satisfaction
Jacco Gardner – Find Yourself
KDH – Beloved Devotion
Fond Han – Sub City Blues
Turn to Crime – Prince of Slackers
EULA – Like No Other
Nadine Shah – Fool
Bohannons – Black Cross, Black Shield
Algiers – But She Was Not Flying
Living Hour – Steady Glazed Eyes
Le Volume Courbe – The House
Slow Turismo – Corners
Antony Hegarty & Yoko Ono – I Love You Earth
Colin Stetson & Sarah Neufeld – The Sun Roars Into View
Jeff Rosenstock – Beers Again Alone
Surfer Blood – Dorian
Arm Candy – Lounge Lizard
ADVAETA – Angelfish
Family Bike – Idiot Boy
HSY – Sally
Never Young – Ur A Front
Fever & the Fret – Sasha in the Morning
Waxahatchee – Fish Eyes (Bottomless Pit)
The Nudes – Zima
Sammy Kay – Saints and Sinners
Vaadat Charigim – Ein Li Makom
Mall Walk – Criminal Code
Krill – Billy Madison Victory Song
JEEN. – NY Island
Holly Miranda – All I Want Is To Be Your Girl
Faith Healer – Canonized
Vetiver – Loose Ends
The Helio Sequence – Stoic Resemblance
So Stressed – Merv King & The Phantoms
Soft Cat – Diana
Kopecky – Quarterback
Bombay Harabee – Dotted Line
Paul De Jong – Auction Block
Fort Lean – Quiet Day
Peach Kelli Pop – Plastic Love
This is the Kit – Silver John
Oddisee – That’s Love
Spring King – They’re Coming After You
Wire – Split Your Ends
Public Access T.V. – Metropolis
Black Baron – Fluorescent Light
Docking – Meat Hook
The Nudes – The Internet
Bent Denim – Caitlin
Kendrick Lamar – King Kunta
Simon Joyner – Nostalgia Blues
Tree Blood – I Want You to Cry
Houndstooth – Borderlands
Van Dale – Speak Yellow
Mute Forest – Infinity Pools
Aquarian Blood – Savage Mind
Shunkan – Our Names
Part Time – Fallin’ 4 U
Tom Levin – Thunder On
MNDR (ft. Killer Mike) – Lock & Load
Kathryn Calder – Song in Cm
The Cribs – An Ivory Hand
House of Wolves – Love
All People – Conversations
Lost Boy ? – About the Future

Speedy Ortiz – The Graduates
Joanna Gruesome – Honestly Do Yr Worst
Dave Segedy – Walk Around