Heartbreaking Bravery

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Tag: Oakland

2016: A Year’s Worth of Memories (Erica Sutherland)

Heartbreaking Bravery recently went offline but all facets of the site are back to being fully operational. Apologies for any inconveniences. All posts that were slated to run during that brief hiatus will appear with this note.

Littlefoot has earned consistent mentions on this site ever since their set at DBTS acted as an overdue introduction. Over that time, I’ve been fortunate enough to get to know Erica Sutherland a little better, whose constantly involved in any number of fascinating projects. Sutherland graciously agreed to be a part of this edition of A Year’s Worth of Memories and offered up a beautiful photojournal chronicling a fateful 2016 trip that had a finale that was a little terrifying before it became necessarily heartening. Take in the sights (and accompanying memories) below.

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At the beginning of 2016, I flew to California to escape the harsh Boston winter and go on my first solo tour. After a stressful fall and an even more stressful week, I was ready to get away for a while. It was my first time seeing most of the west coast, and I was about to be traveling with two of the most easygoing people I’ve ever met. Scott, my photographer friend from Providence, works long hours at a pizza shop so he can save up money to travel.

I’m always impressed by Scott, because along with being a dreamer, he gets things done. He doesn’t just talk about things like going on a trip to Spain with a bunch of his friends to take photos, he actually does it. Miles, whose project, California Redemption Value, I was touring with, never seems bothered or stressed out by anything. He just kind of floats. He has a mysterious accent that has a little bit of a southern twang to it, even though he grew up in California.

When I started writing this, it became a detailed account of everything we saw, everyone we met, and all the bands we played with. For the sake of anyone with a short attention span (myself included), I’m just going to write my favorite moments as a list.


THE DRIVE

Everything along route 1 // listening to Mississippi Mixtapes // stopping in Eureka, CA and finding an abandoned train car // running around on a foggy beach at sunset, somewhere in Northern California // driving through all of the wide open spaces, the kind you don’t see back east // reading Stevie Nicks’ biography // many many trips to In-N-Out Burger

LOS ANGELES

Staying with Kaede, Jason & Lucy (three of my favorite humans) & their dog Monkey (one of my favorite non-humans) by the beach in Corona del Mar // meeting up with our pals Ian Sweet to play a show at a bowling alley // watching Nicey Music’s pop princess Banny Grove cut a rug on stage while wearing an amazing wig // window shopping on Rodeo Drive pretending I’m Julia Roberts in Pretty Woman // playing a show at Gnarburger with Shannon from Feels // being in the audience on the Conan O’Brien show


PORTLAND

Mississippi Records // playing with Haste and Brumes (she plays an electric harp!!!) // getting a big hug from my long lost pal Chip King // hanging out with Ty Segall & the Muggers (Miles’ friend Garth who we were staying with was opening for them) // Powell’s Bookstore


OLYMPIA

Skrill Meadow’s karaoke-style set // lots and lots of coffee // meeting Phoebe from Tiny Thunder Jewelry // our new friend Opio (same birthday as me!! same year!!) // meeting all of Miles’ old friends



SEATTLE

Playing with CAMP and Night Cadet // staying with Jenn Champion and her cute dogs // picking the nose of the Fremont Troll // octopuses on ice at Pike’s Market // riding the ferris wheel with Scott // taking a day off to explore Snoqualmie, the filming location of Twin Peaks >> the waterfall at the Great Northern, coffee and cherry pie at the diner, Ronette’s bridge




OAKLAND

Playing with Peacers and the Moonsaults! // exploring BIG SUR, the most magical place on earth, before the show


SAN DIEGO

Playing with Fake Tides & Big Bloom (& Miles at all of these shows – I never get tired of listening to CRV) // and what followed:

My memory of what happened after our last show in San Diego is a little fuzzy. I woke up back in LA with a fierce hangover and a Facebook message from a stranger that said “Did you lose something?” It was only then that I realized at some point during the night I’d lost my backpack, which contained my wallet, passport, medicines etc… basically my entire life. The woman who’d messaged me said her mother had found the backpack and asked her daughter to find me on Facebook to tell me, since she didn’t speak much English herself.

Miles and I drove back to San Diego, arriving at a tiny house where we were met by two elderly Mexican women and my backpack. I thanked them profusely in English while they spoke to me in Spanish, their hands gesturing in a manner that I assumed meant they were talking about how they found my backpack. The fact that a complete stranger cared enough to go out of their way to help me get my things back gave me that warm-fuzzy-“oh good, I still have faith in humanity” kind of feeling. I texted her daughter afterwards to thank her for getting in touch with me, and she responded, We’re all put on this Earth to help each other.

A year later, with the Trump administration rearing its ugly head, her words are more important than ever.

All photographs by Scott LaChapelle.

METZ – Spit You Out (Stream)

METZ I

While there may still be a large handful of full streams to mention from 2015’s beginnings, it’s a small enough array to justify pushing off to the side for just a while. Today officially marks the return to regular coverage as an every day staple and today, more than any other day, feels like the precise right time to kick things back into high gear. While there weren’t a lot of music video that managed to sink their way in, Holy Pinto’s laid-back animated clip for “Tooth” and Oddisee’s black-and-white journey in “CounterClockwise” still constitute a strong showing for the medium. Full streams packed a little more heat in numbers, with a pair of demos coming into sharp focus, courtesy of Composite and Dominadora, respectively (a personal thanks to Pansy Twist Distro‘s Amy for tips on both). In the non-demo corners of that particular sphere, there were treasures to be found in the spiked post-punk of Bad Future‘s Nightchurch, the joyfully scattershot eclecticism of The Danger Boys’ self-titled effort, the scrappy grit of the indie pop found on VARSITY‘s most recent full-length, and Telepathic’s reassuringly brilliant Powers of Ten EP, which lessens the pain caused by the sudden departure of site favorites Bleeding Rainbow (Telepathic features members of the band).

As usual, there was a glut of incredible songs worth touching on, a few of which nearly snagged tonight’s headline. A pairing of elder statesman from the independent scene had a good day out with both Conor Oberst’s Desaparecidos marking their official return with “City on the Hill” to tease a forthcoming record (Payola) and Superchunk’s Mac McCaughan providing a reminder of why he remains one of the more influential voices in music with the lightly damaged (and wholly brilliant) “Box Batteries“.  Moon King provided alluring lilt with “Impossible“,  Town Portal took off the safety with the gnarled “Bonus Trigger“, Blank Pages blurred the line between basement pop and post-punk with “No Reception“, and 15 year-old wunderkind Billie Marten turned in a haunting folk stunner with “Heavy Weather“. Howard also turned in an arresting folk tune by way of “Religion” while Battle Ave carved out an atmospheric niche with the downtrodden “Aleph“. A trio of punk scrappers rounded things out with Hinds (formerly known as Deers) unveiling the finalized version of the slow-burning “Trippy Gum“, The Teen Age elevating the anticipation for their forthcoming record with the driving “Pieces“, and Loose Tooth wreaking all kinds of havoc with their latest, the rousing “Skinny Chewy“.

Even with all of those items coming out swinging, the day- and this piece’s focus- belongs to METZ. Arriving only a day after “Acetate” fearlessly pummeled its way onto the site’s First Quarter Highlights mixtape, “Spit You Out” comes flying off the handle, kicking down any doors that are in its path. One of the biggest criticisms METZ– the band’s acclaimed debut- faced was that it was too one-note; song structures were too similar and the band couldn’t shake its comfort zone. At the same time, praise for their live show began appearing in just about any publication that paid the band any mind. Personally, I loved the no-bullshit approach bent of their debut but “Spit You Out” does suggest the band might have latched onto something tremendously exciting by deviating from their more conventional tendencies (which aren’t really all that conventional anyway). One thing the characteristically hell-raising does do better than any of its predecessors is imitate the band’s exhilarating live show. Riding one of the band’s strangest riffs throughout the course of the song, guitarist/vocalist Alex Edkins sounds as manic as ever- only relenting for a thrilling extended section that feels tuned in to what the band aims for live. Apart from that, there are a few other production flourishes here and there that suggest II, the appropriately-named album to which “Acetate” and “Spit You Out” belong, could be one of 2015’s finest releases. Noise solos, a tambourine that somehow manages to sound menacing, and a whole lot of attitude combine to serve as a warning: METZ aren’t planning on going anywhere until they finish what they started.

Listen to “Spit You Out” below and pre-order II from Sub Pop here.

On the Up: Acid Fast

The amount of outstanding music that can be linked back to the Swearin’ collective is staggering. One of the reasons for this is Swearin’ drummer Jeff Bolt’s active involvement in the basement pop scene. Not only has he played drums for just about everyone that falls under that umbrella in Philadelphia, he runs Stupid Bag Records which primarily releases tapes and vinyl from his respective Philadelphia circle. Once in a while, though, Stupid Bag will have a release due to emotional investment in a certain band. Oakland, CA’s Acid Fast are one of these bands. It’s easy to see why; their Rabid Moon tape is one of 2013’s strongest highlights.

Acid Fast incorporates a similar aesthetic to Swearin’, only they utilize a different approach. While melodies are still in tact, the band ratchets up the pure aggression of their music. There are certain points on Rabid Moon that fall between the fiercest 90’s emo and the weirdest lo-fi indie punk of that era. Put bluntly, this band rips. Fortunately, for everyone, they’re positioned nicely for securing the recognition they deserve. Rabid Moon is currently available on cassette through Stupid Bag and follows an outstanding 2010 demo.

Keep both eyes peeled for all of the upcoming coverage the band should be getting and listen to a three-song sampler from Rabid Moon below.