Adult Mom | Heartbreaking Bravery

July 17, 2015

Royal Headache – Another World (Stream)

A few years ago, Royal Headache came barreling out of nowhere and struck with enough blunt momentum to create a crater that pulled a large handful of notable minds into their world. In the time that’s followed the release of their incredible self-titled record, they’ve managed to create a fascinating story by carving out their own epilogue and assemble what promises to be their finest release to date. Due out in August, High has already generated a significant amount of anticipation on the strength of its fiery title track (which is holding strong as one of 2015’s best songs). Those expectations get pushed even further up the spectrum with “Another World”.

In a week of some seriously extraordinary releases (see the list of links at the bottom for proof), Royal Headache once again managed to conjure up a true standout that sees them surging towards the barriers of their own perceived limitations and doing everything they can to dismantle them with sheer momentum. It’s their most tightly-crafted song to date, rife with memorable hooks and genuinely explosive moments. As a new song with an open future, it would have been exhilarating in its promise- as a part of the band’s extended death rattle (the band’s vocalist was allowed to depart under the conditions that he stay on to complete the record and the subsequent promotional tour), it’s unforgettable. Wild-eyed, manic, impassioned, and deeply felt, “Another World” is another peak for a band that will be leaving us far too soon- but doing so at the height of their powers, on their own terms, and at the absolute top of the mountain.

Listen to “Another World” below and pre-order High from What’s Your Rupture? here. Beneath the embed, explore a list of great songs to have surfaced throughout the week (if for some reason you’ve been doubting the overwhelming strength of this year’s release crop, remember that the below list is comprised of individual songs that all found release in the same week).

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SPORTS – Saturday
Mike Krol – This is the News
Dogs On Acid – The Prick
American Pinup – The Radio
Sean Henry – Sad ‘C’
The Good Life – Forever Coming Down
Lower – At The Endless Party
Promised Land Sound – She Takes Me There
Slow and Steady – Pendulum
Sally Crewe – Later Than You Think
Jackson Boone – Moonbeam
Born Ruffians – We Made It
Chris Staples – Cheap Shades
Barrence Whitfield & The Savages – The Claw
The Golden Eaves – No Other
elle le fantôme – Sore
Sweet Cobra – Complaints
Generifus – No Surprise
Zig Zags – Sunken City
Adult Mom – Laying On My Floor
VHS – Superhuman Happiness
Emilie & Ogden – Ten Thousand
Little Wings – Live To Tell
PINS – Live and Let Go
Marissa Nadler – Solitude
Wavves – Way Too Much

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June 29, 2015

Nervosas – Parallels (Stream)

Nervosas have been one of the bands this site’s been pushing since it first came into existence. One of the only bands to be granted an On the Up feature, they’ve finally managed to erase any doubts on whether or not they’d be able to follow up their outstanding debut (which very nearly topped my list for Album of 2013) with their just-unveiled sophomore LP, once again entitled Nervosas. They’ve impressed live, cultivated a dedicated following through a tenacious touring schedule, and gained the respect of just about anyone currently operating in or along their circuit.

When they’re not on the road, they’re ensuring Cleveland remains an unlikely hot spot for DIY punk, and now- just ahead of their next official release- they’ve finally captured the attention of national media. Unsurprisingly, the attention’s warranted and couldn’t have come at a better time; their new material’s retained it’s morose tendencies while remaining blisteringly energetic. One of the best examples of this is their recently released single, “Parallels”, a characteristically ferocious post-punk ripper that embraces its gothic sensibilities and shows off the trio’s considerable musical ability. It’s a shot in the arm that’s arriving when that might be what we need most.

Listen to “Parallels” below and stream the entirety of Nervosas over at Noisey ahead of its release on Dirtnap. Underneath the embed, listen to 10 other outstanding tracks to have surfaced in the past two weeks.

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Worriers – Plans
Lazyeyes – Fractals
The Atom Age – It’s A Mess
Mas Ysa – Arrows
Heaters – Kamikaze
Best Behavior – Buried On A Mountain
Adult Mom – Told Ya So
Gothic Tropic – Puppet Master
Tenderhooks – I Weakened at the Weekend
The Castillians – You & Me

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May 24, 2015

Institute – Cheerlessness (Stream)

A lot of great material was ushered forth over the past week and the lion’s share of the great items to find promotion or premiere were songs. Destroyer swung for the fences and connected emphatically with the massive “Dream Lover“, Bad Bad Hats balanced sweet with spiky in “Shame“, Porcelain Raft conjured up another alluringly atmospheric dreamscape with “Half Awake“, and Adult Mom hit a career peak with the reactionary, synth-laden “Survival“. Institute take the feature spot for this batch of songs thanks to a sprawling behemoth of a track entitled “Cheerlessness”.

Institute have been kicking away in Austin, TX for quite some time now and, thanks to their determined scrappiness, recently signed a deal with the vaunted Sacred Bones. They recently announced their first effort for the label, Catharsis, and provided a track along with the announcement. That song, “Cheerlessness”, is a relentless four-minute post-punk monster. Embracing all of the elements that make the genre so fascinating (tension, dynamic shifts, a bleak cynicism, sly subtlety, etc.) to create something that still manages to come across with a new, fully-formed identity is impressive. More impressive is the levels of conviction in display in “Cheerlessness”, from the instrumentation to the vocal delivery. Every punch the band throws hits its mark with enough brute force to leave a reverberating warning: we’re all in for one hell of a reckoning once Catharsis arrives.

Listen to “Cheerlessness” below and pre-order Catharsis from Sacred Bones here.

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January 7, 2015

14 of ’14: The Best EP’s of 2014

Once again, at the top: “best” is year-end shorthand terminology for “most admired” and used to designate personal taste without attempting to be an objective statement. For the purpose of emphasizing subjectivity, I’ll also be abandoning this site’s normally held restrictions on the use of first person. Now, with that out of the way, on to what matters: 2014 was a monumental year for 7″ and EP releases. A few are certainly interchangeable but I did my best to spread them around as best as possible. Unsurprisingly, the EP list still wound up with a wealth of material that dwarfs the 7″ list in comparison. All 14 of these releases meant a great deal to me throughout 2014 and became parts of my life, collectively fighting their way into my memory and subconscious. As always, there was a murderer’s row of titles that couldn’t make such a small list so an extensive auxiliary list has been provided below the top selections. So, enough with the introductory nonsense, here are the best EP’s of 2014.

14. Attendant – Freaking Out

Jon Rybicki (bassist of Radiator Hospital) branched out to create his own project- Attendant- in 2014. Enlisting the help of his bandmates and friends, Rybicki created something unflaggingly powerful in Freaking Out, the project’s seven song debut EP. Rawer and more barbed than any of the associated counterparts, Freaking Out is an unexpected left hook to the jaw for anyone familiar with the pedigrees involved. It’s an extremely impressive solo outing for Rybicki and another strong reminder of the talents residing in Philadelphia.

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13. Silence Dogood – Master of Puppets, The Rest Is Silence, Sacred and Profane

Silence Dogood are a band I first became aware of after catching a live set that had me completely enthralled. Ever since then, they’re a band I’ve been keeping tabs on for a myriad of reasons. Blown-out lo-fi EP’s fly out of their camp at a startling pace, loaded with cynical poetry that comes across as deceptively apathetic. They’re prone to veering in unexpected directions and delivering sly turns of phrases at the exact right moment. In 2014 they released three masterfully executed EP’s highlighted by Master of Puppets‘ “Chairman of the Bored“. Don’t make the mistake of passing any of them up.

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12. Eugene Quell – A Great Uselessness, Eugene Otto Quell

A name that showed up a few times on this site over the course of 2014 was Eugene Quell, a London-based songwriter who unleashed two of the year’s hardest hitting EP’s. Both Eugene Otto Quell and A Great Uselessness mined an alternative 90’s influence and presented it through Quell’s distinctly unique lens. Neither skimp on fuzz or a well-informed pop sensibility and the cumulative result is stunning. Eight songs in total, each managed to pull me in while unloading an arsenal of blows, each one becoming more appealing than its direct precedent.

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11. Lost Boy ? – Wasted

Canned is a release that’s going to prove divisive for list-makers. Released on cassette by the increasingly great Double Double Whammy, it won’t see an official release in any other format until a little further into 2015. Less confusing is the fact that Wasted, the extraordinary EP that led into Canned‘s tape release, is eligible for this year’s lists (and has- rightfully- already made a few). Laced with bandleader Davey Jones’ biting humor and characteristically spiky songwriting, Wasted is another laudable entry in one of contemporary music’s finest catalogs.

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10. Green Dreams – Rich Man/Poor Man

Ever since my first listen of Rich Man/Poor Man, I’ve had it kicking around in some spot or another on this list (the year-end process is a continuously recurring project for me). Led by Jesse Amesmith’s willfully unrestrained vocal assault, the band dives into some incredibly vicious territory throughout the EP’s four song run. Best of all is the fact that the flipside of the 7″ copy manages to outstrip an absurdly strong A-side, with “Country Mouse” and “Eye Contact” dipping into a ferocious hybrid of hardcore and noise-punk. Easily one of 2014’s most overlooked releases, Rich Man/Poor Man deserved to be just about everywhere.

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9. Kal Marks – Just A Lonely Fart

Was there was a more bleakly arresting EP in 2014 than Kal Marks’ powerful Just A Lonely Fart? If there was, it’s not one I managed to hear. Tackling difficult (and strangely time-sensitive) topics with verve, Kal Marks conjured up a breathtaking career highlight with this release and extended Exploding in Sound’s absurdly continuous winning streak in the process. Every song on Just A Lonely Fart felt deeply personal and suggested that Kal Marks were expanding their identity into something even more raw than what they’d already cultivated with Life Is Murder. All three songs deserved to be considered for “Song of the Year” lists, ensuring Just A Lonely Fart a status as one of 2014’s most extraordinary efforts.

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8. Cyberbully Mom Club – Life Long Bad Mood, Hair Piles, Muck, Milo the Dog Sees Color, Amy Locust Whatever, Outdoor Activities

No one had a more staggering run of EP’s in 2014 than Shari Heck, whose Cyberbully Mom Club project managed to somehow release six equally strong collections. Between Life Long Bad Mood, Hair Piles, Muck, Milo the Dog Sees Color, Amy Locust Whatever, and Outdoor Activities, Heck solidified a position as one of 2014’s strongest emerging voices. Unflinchingly honest and unreasonably catchy, Cyberbully Mom Club’s brand of punk-influenced, folk-leaning songwriting makes a strong first impression and only manages to sink deeper with time. Sentimental and gripping, this is one act worth keeping both eyes on all throughout 2015.

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7. Priests – Bodies and Control and Money and Power

Brash, bold, and fiercely unapologetic, Priests’ Bodies and Control and Money and Power became one of the most celebrated punk releases of recent memory. Katie Alice Greer’s almost feral presence injects this Don Giovanni-stamped EP with enough adrenaline to revive the legally dead. Scrappy and determined, Priests crafted something that managed to bring some subtly bracing humor to some very serious subjects. Wild-eyed and well informed, Bodies and Control and Money and Power was one of 2014’s best statement releases, refusing to back down from any of its well-placed stances. Add a palpable sense of violence to the whole affair and this EP becomes an outright achievement that’s impossible to ignore.

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6. Roomrunner – Separate

One of Baltimore’s more traditionally aggressive bands, Roomrunner, decided to scale things back and introduce a newfound restraint for Separate. Instead of the transition coming off as forced or insincere, the band wound up with a career-best effort (and put another formidable notch in Accidental Guests‘ belt). Like Green Dreams’ Rich Man/Poor Man, Separate managed to find a unique way to burn the bridges between hardcore and noise-punk, throwing in a tantalizingly off-kilter curve that’s somewhat reminiscent of Two Inch Astronaut. Six songs total, Separate never loses sight of its pacing, constantly clawing its way through the minefields of its own design. Explosively memorable, it’s a warning shot from a great band determined to challenge themselves at every turn.

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5. Night School – Heart Beat

A supergroup of sorts, it probably shouldn’t be too surprising that Night School’s Heart Beat wound up being one of 2014’s most towering and immersive listening experiences. Taking the majority of its cues from classic shoegaze and the current post-rock landscape, Heart Beat feels massive in scope. Alternately delicate, haunting, and intimidating, Night School have latched onto something immensely appealing and perfected a peculiar dynamic right out of the gate. One of the year’s most pleasant surprises, it was mostly relegated to lingering in the shadows, providing it an oddly fitting home.

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4. It Must Be Love – It Must Be Love

One of 2014’s best-kept secrets was this unbelievably great self-titled EP from It Must Be Love, which came across as effortlessly powerful. Unpredictable, strangely graceful, unrelentingly intense, and undeniably gripping, It Must Be Love is the kind of EP most bands can only dream of making. Dynamic, challenging, and- most importantly- ridiculously fun, It Must Be Love have created something that rewards investment and inspires creativity. A complete anomaly among the other titles on this list thanks to its willingness to fearlessly embrace weird experimentalism, the band’s already begun carving out- and perfecting- its own niche. Pavement’s influence echoes throughout It Must Be Love (never more strongly than on the excellent “Mariana) but this territory is all It Must Be Love’s own. Join up or miss out on one hell of a party.

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3. Speedy Ortiz – Real Hair

Speedy Ortiz’s “Doomsday” was good enough to land them on the best songs and best splits lists but that wasn’t the only reason that 2014 practically belong to them; Real Hair, the band’s most recent EP, nodded towards a growing confidence that paid sizable dividends. Real Hair‘s also a big reason for why Speedy Ortiz appeared on this site so frequently throughout 2014, as it existed in a very exact space containing enormous coverage appeal. “American Horror”, “Oxygal”, “Everything Bigger”, and “Shine Theory” all would have ranked as individual highlights in respect to the band’s already impressive discography, cementing Real Hair as one of the year’s best releases- and as a bracing reminder that Speedy Ortiz are far from done.

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2. Girlpool – Girlpool

In 2014’s last quarter, Girlpool (a young duo made up of Cleo Tucker and Harmony Tividad) became an increasingly large part of my life and subsequently earned a lot of kind words on this site, cracking both the music videos and splits year-end lists in the past week. Originally self-released on their bandcamp in 2014’s first quarter, it was re-released by Wichita in November after Girlpool earned a staggering amount of support and recognition from their surrounding environment. It’s not difficult to understand why everyone rallied behind Girlpool as they’re perfect representatives for an innumerable amount of things that are important to support. Putting aside those politics, it’s still plainly evident that Girlpool is an outstanding release. All anyone needs to do for proof is look to the jaw-dropping 1-2 combination of the absurdly powerful “Plants and Worms” and the nearly antagonistic free association of “Jane”.

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1. Charly Bliss – Soft Serve

No EP became a more deeply ingrained part of my regular routine in 2014 than Charly Bliss’ absurdly strong Soft Serve. Editing sessions, menial tasks, and a seemingly never-ending assortment of functions were soundtracked by this trio of songs for months after I discovered the release (hell, they’re playing in the background now). Since I already covered the exhilaration of “Love Me” in yesterday’s best songs of 2014 post, I’ll be focusing on the ensuing tracks: “Urge to Purge” and “Strings”. “Urge to Purge” nearly dethroned “Love Me” for the position in yesterday’s list because it’s every bit as fiery, every bit as dynamic, and every bit as memorable as Soft Serve‘s incendiary opener. With another heart-stopping vocal turn from Eva Hendricks leading the band’s hyper-charged sugar rush, it’s provided a gripping counterbalance by a compellingly understated vocal turn from guitarist/vocalist Spencer Fox. “Strings” flips the script and allows Fox to showcase his casual charisma as a vocalist, joined by Hendricks’ equally impressive layered backing vocals before too long. It’s a song that proves its worth as it goes, settling in with an explosive back half that seems to suggest Charly Bliss have fireworks to spare. All three songs wield a subtle 50’s pop influence that’s brought into a modern- and borderline post-modern- setting. As a whole, Soft Serve is impossibly easy to love (even the album art’s easily among the year’s best) and demands to be heard. Give into its charms and walk away with an EP worth treasuring.

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December 29, 2014

14 of ’14: The Best Splits of 2014

Once again, it feels necessary to start with a (likely unnecessary) disclaimer about the word “best” when it comes to year-end posts. “Best”, in nearly every case, is just shorthand for “most admired”, it’s not a stab at a definitive statement; in these kinds of rankings there’s no room for any perceived objectivity. Another quick note before diving into this list in earnest; for all year-end coverage, the first person narrative restriction that’s usually implemented here will be dropped to allow me to speak on a more personal level, as these are the released that affected me personally and reflect my own personal tastes. 2014 was a fairly strong year for split releases, which are experiencing a new level of exposure thanks to the renewed interest in cassettes and vinyl, as those are the two formats they’re on most frequently. There were two, three, and four band splits released over the past 12 months that ranked among my favorite releases in any format. As holds true for every year, not everything can be listened to (I’m sure something like the extremely limited-run Florist/Eskimeaux tape is incredible but I came to it too late to snag a copy) Labels have been rallying around these releases particularly hard, in part because there’s an allowance for collaboration with other like-minded labels that isn’t always possible with standard single-band releases. From bands covering each other on flip sides of the same tape to bands trading off places throughout a release to a few of the year’s best songs, there’s a lot to explore in the list below- a list that cheats the “14” rule ever so slightly with the rules being bent for the top two spots (it just didn’t seem fair to have two bands being responsible for four of the top five spots). Dive on in and hear 14(+) of the splits that deserve homes in as many collections as possible.

[EDITOR’S NOTE: A few of the releases included below are set to autoplay in weird parts of these releases so keep an eye out and listen to each in full.]

14. Adult Mom / Cyberbully Mom Club / i tried to run away when i was 6 (but got too scared to cross the street)

Cyberbully Mom Club quietly put together one of the most impressive runs of genuinely great releases this year and this split- with Adult Mom (who also had a pretty great year) and i tried to run away when i was 6 (but got too scared to cross the street)– still managed to be a standout effort. As spellbinding as it sincere, it’s a record worth keeping around for a very long while.

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13. Big Ups / Washer

Big Ups are easily one of the most exciting bands of today and they keep pushing themselves to go further with each subsequent release. On this split with Washer, both bands give it their all and wind up with one of the stronger short entries in Exploding in Sound’s ridiculously impressive 2014 catalog.

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12. Dikembe / The Jazz June

A resurgent The Jazz June came out of a 12 year absence with their best song to date (and one of the catchiest chorus hooks of the year) and had it paired with an up-and-coming band that shared some of their best qualities. Between the two songs on display here, the split the two bands released felt more complete and unified than a lot of bands’ own full-lengths.

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11. Joyce Manor / Toys That Kill

Never Hungover Again earned Joyce Manor typically strong critical returns but it was their split with outsider punk perennials Toys That Kill that hit hardest. Each of the four songs included in this split feature both bands at their absolute best; tinkering with the lines that separate punk from pop with an exacting, exhilarating precision.

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10. Dog / Big Neck Police

Damaged. Delirious. Dangerous. Terrifying. Four words that could all aptly describe the relentlessly aggressive bleakness of this split between Dog and Big Neck Police. Seven songs that offer the perfect descent into complete and total chaos while flirting with tension dynamics to create a genuinely pulverizing effect.

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9. Big Eyes / Post Teens

Big Eyes have been releasing incredible material ever since their demo so it’s no surprise that this split with Post Teens (who also had an excellent split with Rose Cross this year) fought its way into this list. Pairing with Post Teens proved to be surprisingly sensible as both bands like to go full-force as much as possible and- more often than not (this split being one example)- wind up with rousing results.

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8. Trust Fund / Lone Omi / Something

Utilizing a little-used tactic can create intrigue pretty instantaneously and the decision to alternate bands throughout this six song set- formally titled Sick of Hits Vol. 2- is something that pays off beautifully. Reeks of Effort is a label that’s built its name around bands that challenge the conception of twee; any time there’s a danger of things becoming overtly whimsical they get cut to shreds by barbed wire. It’s a dynamic that makes Reeks of Effort’s roster- and Sick of Hits Vol. 2– worth celebrating.

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7. Speedy Ortiz / Chris Weisman

“Doomsday” isn’t just one of the best songs of this year, it’s arguably the best of Speedy Ortiz’s career (and possibly even one of the best of the decade). That song alone would have been strong enough to land this release- the best of the laudable LAMC series to date- a spot on this list. Fortunately, it’s backed by a beautifully plaintive song from Chris Weisman (whose Monet in the 90’s was one of this year’s hidden gems) that somehow holds its own as the flipside to such a powerful song. Together, they make for the year’s best two-song release.

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6. Girlpool / Slutever

I haven’t made even the slightest effort to hide my love of Girlpool, a young duo that embodies things which make them worth rallying behind. Here, Cleo Tucker and Harmony Tividad cover their friends in Slutever (who return the favor) while contributing two arresting originals. While Slutever haven’t quite enjoyed Girlpool’s level of exposure, they stepped up to the plate for this split and connected hard enough to create what should be some long-lasting repercussions. Fierce and unapologetic, it’s definitive proof that neither band’s going to be backing down anytime soon.

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5. Bad History Month / Dust From 1000 Years

“Staring At My Hands” is a song that’s come to mean quite a lot to me over the past few months and it’s the strongest moment on this split cassette/split LP from Bad History Month (formerly Fat History Month/Sad History Month) and Dust From 1000 Years. That’s not to downplay any of the others; this is a genuinely mesmerizing release at every turn. Willfully left-field and wrapped in the same cloth, it reverberates long after the final notes of the hazily elegiac “Party Song”.

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4. Mannequin Pussy / Dog Legs

One of the year’s most unexpectedly incendiary releases, this weird anomaly (it can- somehow- rightfully be called both a split and an EP compilation) was a sharp, glancing punch to the face. Teeth get bared, sharpened fingernails get flashed, and fists get clenched ten times over. Mannequin Pussy and Dog Legs both turn things up to 11 and advance their agendas with brute force. Immediate, engaging, and intimidatingly powerful, it easily ranks among 2014’s finest releases. During the split’s limited release run it also came with the added bonus of a 16 page zine featuring artwork from both acts.

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3. Whirr / Nothing

Both Whirr and Nothing, two of the biggest names in today’s crop of shoegaze-heavy bands, released full-lengths this year. While both of those releases were well worth spending time on, it wasn’t until they came together that they made something extraordinary. Every song on this split ranks in the realms of career-best for both acts, as if they were all successive dares rooted in incredibly formidable one-upmanship. At four songs, this managed to stand out as one of 2014’s most impressively towering releases; the scope and depth of each song is a complete shock because of how expansive they manage to become without ever tipping into the comically bombastic. An extraordinary effort from two bands that sound incredible together (which is unsurprising, considering they share at least one member) and completely revitalized in such a contained setting.

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2. Joanna Gruesome (Joanna Gruesome / Perfect Pussy, Joanna Gruesome / Trust Fund, Joanna Gruesome / Tyrannosaurus Dead)

In 2014, there were two bands that aimed for the fences and went way beyond when it came to split releases. Joanna Gruesome was one of them. It would have been much more of a nightmare for the rankings between these two had Joanna Gruesome’s split with Tyrannosaurs Dead included a new song rather than one of Weird Sister‘s many highlights. Between their extraordinary Astonishing Adventures split with site favorites Perfect Pussy (whose contributions were as dazzling as anything they’ve done) and their split EP with site favorites Trust Fund, they were responsible for half of two of the year’s finest releases- and what halves they were. “Psykick Espionage”, “Jerome (Liar)”, “…And Keep on Reaching for Those Stars”, “Reading the Wrappers”, “No Pressure”, “Scared”. Six songs that would have made up one of the best EP’s of any of the past 10 years or more. Joanna Gruesome are quickly turning into an unstoppable force of nature and pretty soon there are only going to be two options: get caught up in their spell or get the hell out of their way.

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1. Ovlov (Ovlov / Little Big League, Krill / LVL UP / Ovlov / Radiator Hospital, Ex-Breathers / Ovlov / Gnarwhal / Woozy)

If any band had a more impressive year with splits than Joanna Gruesome, it was Ovlov. Turning in some of the year’s best songs (“The Great Crocodile” and “Ohmu’s Shell”, respectively) on the year’s best four-band split and what was easily one of 2014’s best two-band splits (with Little Big League’s “Year of the Sunhouse” also registering as one of 2014’s strongest highlights) is no small feat. Their contribution to their split with Gnarwhal, Woozy, and Ex-Breathers was that release’s strongest moment- they had a lot more competition from Krill, LVL UP (“Big Snow” being yet another year-end worthy highlight on its own accord), and Radiator Hospital (though both still would have earned a spot somewhere on this list had it been kept to individual releases). Ovlov’s songs- much like the songs on display in the Whirr/Nothing split- are absolute monsters, showcasing the band’s range in a breathtaking display of power. Should any of these songs be good indicators for the full-length Ovlov is ramping up to, then we’re in for some serious fireworks whenever it drops. For now, this small collection of songs is more than enough to tide anyone over until- and then well past- that album’s release.

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Tag: Adult Mom