Heartbreaking Bravery

stevenmps2@gmail.com | @steven_mps | @hbreakbravery

Tag: Adir L.C.

HB1000: A Step Forward (Compilation)


When I started Heartbreaking Bravery nearly three years ago, I had no intention of pursuing it as a legitimate venture. Now, 1,000 posts, 50,000+ links, and countless words later, the site’s come to be the type of platform I’ve always loved seeing in the world. I could attempt to wax poetic on the nature of personal discovery and growth that running this place has afforded me but Heartbreaking Bravery was never about a single person, it’s always functioned best as a communal entity.

The ideas that formed the basic structure of Heartbreaking Bravery all came from artists producing exceptional work with little recognition. Repeatedly watching that transaction occur proved too disheartening. Whether it was the earliest years of Tenement, the later years of Good Grief, or virtually the entire run of Sleeping in the Aviary, there were always ceaselessly talented artists surrounding me that only ever seemed to receive the slightest of nods.

Heartbreaking Bravery originally aimed — and continues to aim — to provide a more level playing field to emerging artists, without reducing their worth to financial opportunity. Heartbreaking Bravery continues to value the community and intimacy that informs the DIY music world. Heartbreaking Bravery will continue to use the platform it’s been granted to elevate the idea of greater equality.

It’s in that spirit that I’m honored to present A Step Forward, a two-volume compilation spanning 100 tracks that exclusively features artists who are connected to this site’s history. Whether that was through a long history of collaboration or something as small as a twitter follow, the impact was not lost or left unappreciated. There’s a heavy emphasis on artists residing in the cities and states Heartbreaking Bravery has called home (Stevens Point, WI and Brooklyn, NY) and a small selection of songs that were premiered on this site.

100% of the proceeds of A Step Forward will be going to Rape Victim Advocates, a non-profit Chicago-based organization that’s doing vital (and, sadly, necessary) work for survivors of sexual assault. Read more about the organization here. It’s my sincerest hope that every publication that has the privilege of visibility manages to find ways to use any of their influence for productive good and to affect positive change. Please consider donating what you can to a meaningful cause.

Finally, I wanted to express gratitude to all of the artists (and any of their teams) involved — including the inimitable Phil McAndrew, who turned in the extraordinary album art — and all of the people that have allowed, even willed, this site to the point it’s at today. It likely would have disappeared without that support and I owe those people a debt of gratitude that could never be truly repaid. A special thanks to Fred Thomas, whose “What Changes When The Costumes Come Off” was written with the specifics of A Step Forward in mind.

Enjoy the compilation, support independent art, and join me, this site, these artists, and this cause in taking A Step Forward.

Tracklist below.

A Step Forward: Vol. 1*

1. Vacation – Caked Joy Rag (Demo)
2. Mike Krol – Neighborhood Watch (Demo)
3. Dead Stars – So Strange (Demo)
4. Mo Troper – After the Movies (Demo)
5. Fern Mayo – The Sweets (Demo)
6. Hater – Like Hours (Demo)
7. Sharkmuffin – Only Mondays (Demo)
8. Fits – Ice Cream On A Nice Day (Demo)
9. Missy – Patience (Demo)
10. Kodakrome – Skeletons (Demo)
11. Slight – Run (Demo)
12. Long Neck – Goldfinch (Demo)
13. Phyllis Ophelia – Probably Not (Demo)
14. Lever – Cure (Demo)
15. Puppy Problems – Destroyer (Demo)
16. Battle Ave. – Black Jeans (Demo)
17. Yours Are The Only Ears – Alone Bear (Demo)
18. Attendant – Some Other Language (Demo)
19. MKSEARCH – Little Song (Demo)
20. Sulky Boy – Birches (Demo)
21. Heavy Looks – Those Guys (Demo)
22. darn it. – (again) pt. II
23. Phooey! – On an On
24. Arm Candy – Big Clunker
25. DTCV – Le Vampire
26. Clearance – The Queen of Eyes
27. Leggy – I’m Gonna Destroy That Boy
28. Big Air – Hit Me in the Mouth
29. Terry Malts – Look (At the Mess That We’re In)
30. Ubetcha – Musician
31. Two Inch Astonaut – Suckers Share
32. Whelpwisher – Bucket for the Sky
33. Petite League – Magic Johnson
34. The Meltaways (ft. Kate M) – Wrong Words
35. Calumet – Indian Summer
36. Mulligrub – Little Fist
37. Ben Seretan – Stay In Touch
38. Mumblr – Friendship Stew
39. Human People – Useless Things
40. Bethlehem Steel – Florida Two
41. Painted Zeros – Sweet Briar Rose
42. Spit – Paul Westerberg
43. Crusher – Running
44. Pupppy – Stand By Me
45. Aberdeen – Once You Fall In Love
46. Tica Douglas – Enough
47. Peaer – Multiverse
48. The Weasel, Marten Fisher – What Is Love
49. Young Jesus – Mirroring
50. Space Mountain – Earthrise

A Step Forward: Vol. II*

1. Bellows – Bank Checks
2. Cave Curse – Arcadia
3. Fred Thomas – What Changes When the Costumes Come Off
4. Apollo Vermouth – He Sees You, He Loves You
5. Green Dreams – Psychic Woes (Alternate Mix)
6. Lost Boy ? – Have You Seen My Brain (Space Cat Sessions)
7. Mikaela Davis – Pure Divine Love (Early Mix)
8. Nano Kino – Recovery (Early Mix)
9. Trophy Dad – Addison (Early Mix)
10. Alanna McArdle – Less Than (Early Mix)
11. VVHILE – Don’t Belong (Live)
12. Liam Betson – Mispronounced (Live)
13. BAG-DAD – Bruv (Live)
14. Slothrust – Keg Party (Live)
15. The Nudes – Nowhere to Be
16. Sat. Nite Duets – Cemetery Steve
17. Slanted – Fake Party
18. Patio – Gold
19. Greys – No Star
20. No Hoax – Date With Death
21. Dirty Dishes – Red Roulette
22. Yeesh – On Some Dirt
23. Pile – Cut From First Other Tape
24. Even Hand – Nightsmoke the Fuss
25. PURPLE 7 – Wise Up
26. Bad Wig – Machinehead
27. Mary Lynn – Space
28. Pleistocene – CMJ Compilation 1996
29. Color TV – Anybody’s Girl
30. Jacky Boy – Bad
31. Trust Fund – Would That Be An Adventure?
32. Good Grief – City People
33. Adir L.C. – Hangover
34. Milk Crimes – H8RZ
35. À La Mode – Total Doom
36. Inside Voices – Nomad: Begin
37. Doe – Corin
38. Kindling – Became
39. Bueno – Blown Out
40. Horse Teeth – Dark & Gloomy
41. Ron Gallo – Put the Kids to Bed
42. Sun’s Out Bummed Out – Cut All My Hair
43. Eric Slick – The Dirge
44. Fruit & Flowers – Turqoise
45. Shilpa Ray – Hymn
46. Jack – Sister System
47. Strange Ranger – Whatever You Say
48. Johanna Warren – A Bird in the Crocodile’s Mouth
49. Oceanator – Nowhere Nothing
50. Fresh Snow – Eat Me In St. Louis (Bryan W. Bray – Eaten by the Cetacean Mix)

Vol. I

Tracks 1-21: Demos
Tracks 22-50: New Songs

Vol. II

Tracks 1-4: New Songs (cont’d)
Tracks 5-14: Alternate Mixes and Live Songs
Tracks 15-49: Old Favorites
Track 50: Remix


À La Mode – Total Doom (Stream)

a la mode

Tuesday saw the release of a slew of notable streams from Francie Moon, Cross Country, Left & Right, Kevin Devine, Curse of Lono, Sighs, Springtime Carnivore, Wovenhand, Avid Dancer, Communions, Peeling, Slow Mass, Bellows, Savoy Motel, and Dangers. In addition to that bounty, there were some strong music videos arriving from the likes of Adir L.C., Dust From 1000 Yrs, Bunny, Sam Evian, Joan Shelley, and Minden. A pair of excellent full streams in Sex Stains‘ self-titled and Skyjelly‘s package product were just the cherry on top.

While many of those acts have earned praise from this site in the past, today’s feature — once again — falls to a group of fresh faces. À La Mode only have one self-titled EP to their name but are prepared to change that in the very near future. Following their 2014 self-titled effort, the band’s made some enormous strides forward and arrive completely revitalized with the first single, “Total Doom”, from their forthcoming debut full-length, Perfection Salad.

Opening with an electronic, dance-ready beat turns out to be somewhat of a misdirect with the band throwing their weight into a more traditional setup after the introduction. At no point does the band lose the sense of fun it established at the top, though, and when the synth returns for the chorus it gives a remarkably bleak sentiment an abundance of life. Longing is a well-worn topic but what makes it a continuing source of fascination is that it can be tailored to match their author’s individuality. Here, chronic unrequited longing is given a bedfellow in all-consuming doom.

The dichotomy of vibrancy and gloom is crucial to the track’s success and helps “Total Doom” become an immediate standout. Exceptionally clever songwriting can go a long way in securing longevity and À La Mode offer it in excess for a little over two minutes. From those deceptive opening bars to the damaged, weirdly triumphant closing moments, “Total Doom” is nothing less than an exhilarating breath of fresh air.

Easily one of the most pleasant surprises of recent memory, À La Mode have set an extraordinarily high bar for their upcoming record. If that record comes anywhere close to achieving the peaks they do on “Total Doom”, they’ll have one of 2016’s most inspired records. In any respect, they’ll be a band to watch as the year goes forward. Until then, the best thing to do is to celebrate the overwhelming strength of “Total Doom” and give in to its considerable charm.

Listen to “Total Doom” below and keep an eye on this site for more updates on Perfection Salad.

Watch This: Vol. 136

The past week saw a lot of great live videos swimming to the shore from the depths of nowhere. There were outstanding featured performances in those clips from Adir L.C., The Curls, Lydia Loveless, Courtney Barnett, Ultimate Painting, Dogbreth, Los Blenders, Kinda Rad Kinda Sad, Summer Twins, Rich Girls, Slingshot Dakota, The Staves, Caveman, Eric Bachmann, Brendan Canning, Lisa Prank, Vetiver, Paridisia, Porches, Mimes of Wine, SALES, Typesetter, and Julien Baker. For the 136th installment of this series, the attention turns to a handful of folk-influenced artists who are either making their mark or reaping what they’ve sown throughout their careers. So, as always, sit back, adjust the settings, take a breath, and Watch This.

1. Margaret Glaspy (OpenAir)

Margaret Glaspy‘s had a deeply impressive 2016. The young songwriter released a breakthrough record, continuously boasts one of the better live shows on the market, and has handled the transition into the public eye with the poised confidence of a seasoned veteran. Here, Glaspy gives Colorado Public Radio’s OpenAir a powerful look at that live show, landing a few knockout punches throughout a rousing four-song performance.

2. Dusk – (Do the) Bored Recluse + Leaf (Set List)

No band has been written about or praised more by this site than Tenement, who have been the consummate example of what this site was built around supporting. Through that band’s decade-long existence, bandleader Amos Pitsch has been involved in a number of other projects but something about Dusk feels just a little bit different. The band’s comprised of several of the most impressive musical figures in Wisconsin’s relatively isolated Fox Valley area, whose singular visions act in complementary tandem. Beautiful harmonies, a sense of history, and a tenacious commitment help define the band’s identity. All of those traits are on full display for this gorgeous two-song turn-in for Wisconsin Public Radio’s excellent Set List series.

3. Green Dreams – Don’t Pray For Me (Katie Krulock)

Ever since the release of 2014’s excellent Rich Man, Poor Man, Green Dreams have been relatively quiet. All of that’s about to change as the band preps a new release, which the band provided a tantalizing glimpse at through the form of this live acoustic video. The typically ferocious project reveals their pensive side on the lilting “Don’t Pray For Me”, while still retaining the overwhelming narrative darkness that’s been so prominent in their past releases. Beautifully lensed and delicately performed, the video’s a powerful reminder of Green Dreams’ numerous gifts.

4. Bernie & the Wolf (DZ Records)

For more than three years, Bernie & the Wolf have quietly been perfecting a mix of influences and forming a sound that’s not too distant from the best of Saddle Creek’s offerings. Open, sprawling, and teeming with distinctly American influences (and history), their songs are immediately warmly familiar and entirely winsome. DZ Records recently capture the band delivering an impassioned set, keying in on “Ethyl”, “Catch Some”, and “Pretty On Me”, three genuine standouts from what promises to be one of the best releases of its given year.

5. Bon Iver (SPIN)

Typically, these spots are reserved for unheralded artists, independent-leaning moments, and videos where the performers aren’t hundreds of feet away. It takes a lot to overturn any of those qualifications and overturning all of them is essentially unprecedented. Even though Bon Iver’s Eaux Claires live unveiling of the forthcoming record — something I was fortunate enough to attend — was a genuinely Big Moment that will be exhaustively covered by nearly every serious music publication, the way it was introduced felt intrinsically connected to the foundations of this site.

As a person who’s lived the vast majority of life in a small Wisconsin town, watching someone like Justin Vernon selflessly elevate an enitre artistic community has been heartening. Watching him debut an entire album live, in front of a hushed audience of thousands, at a genre-balanced festival he founded in his own small Wisconsin hometown was actively inspiring. While Vernon’s rollout campaign for Bon Iver’s forthcoming 22, A Million was designed to benefit the projects’s chosen slot, it was also an effort to highlight the other artists (like Tenement and Tickle Torture) who were a part of the Eaux Claires festival.

In that methodology, Vernon’s added another heartfelt notch in his continuing efforts to expand Wisconsin’s woefully underrated music community by any means at his disposal. On top of all of that, though, the actual performance of 22, A Million was an unforgettable event that was enhanced by the location (Bon Iver’s music has always been perfectly suited to Wisconsin’s wilderness) and the weather.

Just before the set began, what had been a steady downpour of rain lasting hours had suddenly stopped and night had fully descended. Throughout the set, there was an eerie calm that was punctuated by the noise of crickets that had taken residence in and outside of the festival grounds, creating an ambient wellspring of noise that further enhanced the glitchy electronics that permeate throughout 22, A Million (they became especially evident during the quietest moments, rounding out those songs in an unforgettable fashion).

While all of the main set can be heard and seen below in a video that SPIN livestreamed from the crowd, the encore set (which isn’t part of the video) provided what may have been the most defining moment of the festival.

Playing a selection of songs that wildly varied from their original versions, the band pulled out a fairly faithful rendition of “Creature Fear” that culminated in an apocalyptic wall of noise outro section. In the lead-up to those breathtaking final moments, a blisteringly intense lightning storm had erupted behind a heavy cloud, providing an unexpected assist that felt entirely in tune with the weekend’s joyous collaborative efforts. In that moment, the audience, the band, the city of Eau Claire, and Wisconsin itself became part of a unified moment that transcended easy category, leaving an indelible mark on Eau Claires, on Eaux Claires, and on everyone who took a moment to take in their surroundings.

The Honorable Mentions of the 2015 Music Categories

Saintseneca I

Before diving into the particulars of the forthcoming lists, it’s worth addressing the distinction made in the headline. Each of the categories that received a list in 2015 (music videos, songs, EP’s, albums, odds and ends) will be expanded upon in this post. However, there are still two forthcoming film lists but each of those will include the honorable mentions along with the featured rankings. An obscene amount of great material came out over the 12 months that comprised the past year so any attempts to cover everything would be futile. If anyone’s exhausted the below lists, a more comprehensive version can be found by exploring the following tags: stream, full stream, EP stream, and music video. Explore some of the top tier picks that didn’t make it onto the year-end lists via the tags below.

Music Videos

Screaming Females – Hopeless | Cayetana – Scott, Get the Van I’m Moving | Ephrata – Say A Prayer | ANAMIA – LuciaJoanna Newsom – Sapokinakan | Battles – The Yabba | FIDLAR – 40 Oz. On Repeat | PINS – Young Girls | Doomtree – Final Boss | Hundred Waters – Innocent | Celestial Shore – Now I Know | Donnie Trumpet & The Social Experiment – Sunday Candy | Modest Mouse – Coyotes | Girlpool – Before The World Was Big | Laura Marling – Gurdijeff’s Daughter | Bay Uno – Wait For Your Love | The Staves – Black & White | Young Buffalo – No  Idea | Avid Dancer – All Your Words Are Gone | Avi Buffalo – Think It’s Gonna Happen Again | Adir L.C. – Buyer’s Instinct | Midnight Reruns – Canadian Summer | Daughter – Doing The Right Thing | John Grant – Disappointing | Waxahatchee – Under A Rock | Wimps – Dump | Potty Mouth – Cherry Picking | Froth – Nothing Baby | The Libertines – Heart of the Matter | Car Seat Headrest – Something Soon | Mike Krol – Neighborhood Watch | Savages – The Answer | Kurt Vile – Pretty Pimpin | Bully – Trying | Sheer – Uneasy  | Will Butler – Anna


Snail Mail – Sticki | Kindling – Galaxies | Eugene Quell – I Will Work The Land | Gumbus – Crimbus Rock | Rye Pines – Rye Pines | Feral Jenny – Greatest Hits | Slutever – Almost Famous | Gracie – Gracie | Nice Guys – Chips in the Moonlight | Anomie – Anomie | Kitner – Stay Sad | Animal Flag – EP 2 | Never Young – Never Young | Birches – Birches | Alimony Hustle – Gutter Gutter Strike Strike Gutter Gutter | The Lumes – Lust | Pretty Pretty – Talkin’ to the WallsVomitface – Another Bad Year | PALMAS – To the Valley | Greys – Repulsion | Wild Pink – Good Life | The Glow – Lose | Spirit of the Beehive – You Are Arrived (But You’ve Been Cheated) | Shady Hawkins – The Last Dance | Holy Esque – Submission | Ashland – Ashland | Isabel Rex – American Colliquialisms/Two Hexes | Pet Cemetery – Dietary Requirements | Milk Crimes – Milk Crimes | Rubber Band Gun – Making A Fool of Myself | Creative Adult – Ring Around the Room | Amber Edgar – Good Will Rise | La Casa al Mare – This Astro | Trophy Dad – Shirtless Algebra Fridays | Glueboy – Videorama | Birds in Row – Personal War | YVETTE – Time Management | Communions – Cobblestones | O-Face – Mint | Day Wave – Headcase | Granny – EGG | Van Dammes – Better Than Sex | Vallis Alps – Vallis Alps | Little Children – Traveling Through Darkness | Philadelphia Collins – Derp Swervin’ | The Tarantula Waltz – Lynx | Nicolas Jaar – Nymphs II | The Japanese House – Pools To Bathe In | Guerilla Toss – Flood Dosed | Los Planetas – Dobles Fatigas | See Through Dresses – End of Days | Earl Sweatshirt – Solace | Kississippi – We Have No Future, We’re All Doomed | Yumi Zouma – EP II | G.L.O.S.S. – Girls Living Outside of Society’s Shit | Fresh Snow – WON | Girl Band – The Early Years | XXIX – Wafia | together PANGEA – The Phage | Ty Segall – Mr. Face | Young Guv – Ripe 4 Luv


Yowler – The Offer | Meat Wave – Cosmic Zoo | Pleasure Leftists – Protection | Saintseneca – Sleeper Hold | Slight – Hate the Summer | Sports – The Washing Machine | Diet Cig – Sleep Talk | LVL UP – The Closing Door | Royal Headache – High | Tica Douglas – All Meanness Be Gone | Speedy Ortiz – Raising the Skate | Phooey! – Molly’s at the Laundromat | Adir L.C. – Buyer’s Instinct | Sweet John Bloom – Tell Me | Pile – Mr. Fish | Screaming Females – Hopeless | Ernie – Sweatpants | Bad Wig – Stargazer | Dusk – Too Sweet | Painted Zeros – Only You | Krill – Torturer | Young Jesus – Milo | Tenement – Ants + Flies | Midnight Reruns – Richie the Hammer | Melkbelly – Mt. Kool Kid | The Weasel, Marten Fisher – Empty Bucket List | Soul Low – Always Watchin’ Out | Eluvium – Neighboring In Telescopes | Algiers – Blood | Institute – Cheerlessness | Bruising – Think About Death | Vacation – Like Snow | Cende – Widow | Alex G – Brite Boy | Bully – Trying | Nicole Dollanganger – You’re So Cool | Sheer – Uneasy | Laura Stevenson – Claustrophobe | Kathryn Calder – New Millenium | The Foetals – Nothing | Lady Bones – Botch | Dogs On Acid – Let the Bombs Fall Off | Fraser A. Gorman – Shiny Gun | Bandit – The Drive Home | Mercury Girls – Golden | ThinLips – Nothing Weird | Wimps – Dump | S.M. Wolf – Help Me Out | Glueboy – Back to You | Mean Creek – Forgotten Streets | Ratboys – Tixis | PINS – Young Girls | Shilpa Ray – Johnny Thunders Fantasy Space Camp | White Reaper – Make Me Wanna Die | Lady Lamb – Spat Out Spit | Washer – Joe | Pupppy – Puking (Merry Christmas) | Midwives – Back in the Saddle Again | Torres – Strange Hellos | METZ – Spit You Out | Jeff Rosenstock – You In Weird Cities | Little Wings – Hollowed Log | Bent Denim – Good Night’s Sleep | Waxahatchee – Under A Rock


Girlpool – Before The World Was Big | Screaming Females – Rose MountainYowler – The Offer | Saintseneca – Such Things | Bully – Feels Like | Tica Douglas – Joey | Evans the Death – Expect Delays | Torres – Sprinter | Waxahatchee – Ivy Tripp | Fred Thomas – All Are Saved | Krill – A Distant Fist Unclenching | Ratboys – AOID | Joanna Gruesome – Peanut Butter | METZ – II | Little Wings – ExplainsSlanted – Forever | Bent Denim – Romances You | Someone Still Loves You Boris Yeltsin – The High Country | White Reaper – White Reaper Does It Again | The Armed – Untitled | Shilpa Ray – Last Year’s Savage | The Foetals – Meet the Foetals | Car Seat Headrest – Teens of Style | Wimps – Suitcase | Westkust – Last Forever | Girl Band – Holding Hands With Jamie | Cloakroom – Further Out | Stove – Is Stupider | Johanna Warren – numun | Speedy Ortiz – Foil Deer | Mikal Cronin – MCIII | Adir L.C. – Oceanside Cities | Negative Scanner – Negative Scanner | Pleasure Leftists – The Woods of Heaven | Haybaby – Sleepy Kids | Heather Woods Broderick – Glider | Lady Lamb – After | Pile – You’re Better Than This | Algiers – Algiers | Fraser A. Gorman – Slow Gum | POPE – Fiction | Petal Head – Raspberry Cough | Shannen Moser – You Shouldn’t Be Doing That

Odds and Ends

DBTS: BS2 | Spook the Herd – Freaks b/w Fermented | Kinjac – Possession b/w Possessed | Carbonleak – Waveland b/w Bearing | Vexx – Give and Take | Nervous Trend – Shattered | CCTV – 7″ | Puppy Problems – Practice Kissing | Flagland + Washer | MONO + The Ocean | Uh Huh + Jake McElvie & The Countertops | Alanna McArdle – Bedroom/Balloons | Chris Broom – Meade House Demos | Composite – Demos 2015 | The Library – 100% | Dark Thoughts – Two More Songs From… | Wendy Alembic – Collected Early Works | Toby Reif – 2015 Demos

2015: A Visual Retrospective, Vol. 5

Johanna Warren I

Throughout the course of 2015 I’ve been fortunate enough to attend upwards of 100 shows, festivals big and small, and spend approximately half a year living in a city that hosted a mind-boggling amount of quality shows on a nightly basis. To that end, it’s probably unsurprising that I wound up taking over 10,000 photos this year alone. Over the course of the next few days, this site will be running seven volumes of the shots that stood out as personal favorites, whether that was due to their composition, sentimental attachment, or an intangible emotional or intellectual response. It’s been an honor to be able to take even the smallest part in the ongoing sagas of the artists in the photographs below and an additional thanks is due to the venues that allowed me to shoot (as well as the people who encouraged me to keep shooting).

Enjoy the gallery.

2015: A Visual Retrospective, Vol. 3

Idle Bloom

Throughout the course of 2015 I’ve been fortunate enough to attend upwards of 100 shows, festivals big and small, and spend approximately half a year living in a city that hosted a mind-boggling amount of quality shows on a nightly basis. To that end, it’s probably unsurprising that I wound up taking over 10,000 photos this year alone. Over the course of the next few days, this site will be running seven volumes of the shots that stood out as personal favorites, whether that was due to their composition, sentimental attachment, or an intangible emotional or intellectual response. It’s been an honor to be able to take even the smallest part in the ongoing sagas of the artists in the photographs below and an additional thanks is due to the venues that allowed me to shoot (as well as the people who encouraged me to keep shooting).

Enjoy the gallery.


Bad Wig – Bad Wig (EP Review, Stream, Live Video)


[EDITOR’S NOTE: With the site now entering emergency year-end catch-up mode thanks to the cruel, mocking nature of time, tonight’s trio of posts will simply be short reviews of the album(s) in the headline(s) and an accompanying list of records that deserve to be heard.]

Earlier this year Bad Wig were still flying underneath the banner of The Midwestern Charm. Just after signing to Texas Is Funny, member departures and an accompanying shift in style facilitated a name change and the band’s not showing any desire to look back. All of that tumultuous internal terrain’s somehow translated into propulsive momentum and Bad Wig‘s the proof. “Stargazer“, a song that predated the name change and merely existed as a demo for The Midwestern Charm’s principal songwriter, Connor La Mue.

Despite being unattached to any project at the time, “Stargazer” earned a mountain of praise from this site while foreshadowing what was to come. The band’s now a trio and La Mue and fellow Midwestern Charm member Ryan McCrary now share vocal duties, each bringing a fiercely engaging approach that suggests they’ve been spending a lot of time picking up cues from the neighbors in Midnight Reruns and (especially) Tenement. Lo-fi, battered, and gritty as hell, this demo EP- released as a limited-run cassette- is one of 2015’s finest releases.

Listen to Bad Wig below and pick it up here. Below the embed, explore some live videos of the band performing songs from the EP and a collection of some of the best full streams to surface over the past several months.

Pouty – Take Me To Honey Island
Vicky Speedboat – Two Years No Basement
☺- Boosegumps
Kississippi – We Have No Future, We’re All Doomed
Pool Holograph – Mortals
See Through Dresses – End of Days
Daddy Issues – Fuck Marry Kill
Adir L.C. – Oceanside Cities
Nigel Hall – Ladies & Gentleman…
Soldiers of Fortune – Early Risers
Crusher – Demo
Intertwine – Goraikoo
chipmunkson16speed – Sludgefest
dæphne – Full Circle
Daniel Menche & Mammifer – Crater
Penny Lame – Penny Lame
Busdriver – Thumbs
Go Deep – Influence
S.M. Wolf – Neon Debris
Keita Juma – Nights In Space A Short Film
KwolleM – Mellow
High Bloom – Haloed
Granny – Egg

Adir L.C. – Buyer’s Instinct (Music Video Premiere)


When I first saw Adir Cohen, who goes under the moniker Adir L.C., it was immediately evident that he carried an easy magnetism. There was a quiet confidence in his posture and it was clear he was surrounded by friends; people gravitated towards him thanks to his soft affability. With all of that taken into account, it wasn’t too much of a surprise when he started setting up behind the microphone at DBTS. Equally unsurprisingly was that those same qualities translated seamlessly through the songs he performed that night, each a carefully constructed tale that were at least somewhat reflective of his wealth of experience as a frequent international traveler.

The bulk of that set was culled from Oceanside Cities, a beautiful collection of expressive, folk-oriented songs that often feel as vibrant as they do weary. Oceanside Cities also boasts a level of grandeur that’s beginning to feel increasingly uncommon in the DIY-leaning scenes. Songs like “Dinosaurs” (which was rightfully paired with a very strong music video) give the record a cinematic, widescreen feeling, which also heightens the record’s more fleeting moments of greater intimacy. One of the moments that hits hardest comes in the form of the heartbreaking “Buyer’s Instinct”, which now boasts a beautiful music video that’s premiering here.

“Buyer’s Instinct” does have a surprisingly optimistic core but it becomes abundantly clear throughout the course of the song that the optimism’s been brutalized over time. Enhancing that subtle, warring aspect of the song are the visuals provided for “Buyer’s Instinct”, which put Cohen in front of some of the most distinctive street art murals in his home of Tel Aviv. The visuals are a striking complement to the nature of the song, each feeding into each other to create something that feels singular even before the superimposed home movie imagery that characterizes a haunting solo section comes into play. As an examination of human nature and the way it can evolve, erode, and decay while still being preserved throughout time, it’s a startling piece of commentary. As a music video for an emerging artist? It’s just about perfect.

Watch “Buyer’s Instinct” below and pick up a copy of Oceanside Cities here.

DBTS: BS2 (Compilation Premiere)


The first building I stepped foot inside of after moving to Brooklyn in June was David Blaine’s The Steakhouse (DBTS for short). Montana and the Marvelles were wrapping up a practice and it took less than a minute for things to start coming across as familial. It was a sense that continuously expanded as time passed, making it incredibly clear that it was a venue that helped foster a tight-knit community of like-minded people. It’s in that spirit that the DBTS: BS compilation series was created.

DBTS: BS1, the first entry into the series, was a collection of demos, outcasts from a variety of notable projects all connected to the DBTS family in one way or another. It was an intriguing project that helped kick off would what prove to be a remarkably successful year for the residents of DBTS and their wide-reaching network of ridiculously talented friends.

Now, just ten months after the debut compilation, they’re issuing a sequel, DBTS: BS2. All of these songs are either sourced from idling projects, covers, castoffs that would otherwise be bound for homelessness, or early stage demos. Members of LVL UP, Downies, Slight, Porches., Painted Zeros, Glueboy, Bethlehem Steel, and Big Ups all contribute material through either their main vehicle, a side project, or as a solo or collaborative effort.

It’s an impressive effort from a collective that keeps spreading outward and gaining momentum without ever losing sight of a steadfast commitment to a DIY ethos. So, with all of that in mind, it’s with honor and admiration that I present the premiere of DBTS: BS2, the latest step forward for the makeshift family that’s given me a place that’s easy to consider as a home.

Initially, this was going to be a name-your-price ordeal for a limited time with all proceeds going towards funds to their neighbors at The Silent Barn, who are still running repairs after the venue caught fire several weeks ago. However, the presence of covers on the compilation prompted justified concerns over legal matters. Even with that being the case, The Silent Barn could still use as much help as they get, so if this is a compilation you find yourself enjoying, please consider showing your appreciation in the form of a donation to aid their recovery.

Stream DBTS: BS2 below and watch a collection of live footage from DBTS shot over the summer beneath the embed.

PWR BTTM – West Texas (Stream, Live Video)


A lot can happen over the course of two days. Bringing an already stacked run of days to a close, Thursday and Friday continued to unearth a wealth of gems, including a trio of strong records from Naomi Pop, Funeral Advantage, and Gold Class. No less than 16 great new songs emerged from a variety of acts including Salad Boys, Laura Stevenson, SPORTSJosh Ritter, Field Trip, Ricked Wicky, Adir L.C., Boys, Chris Walla, Ghosts In Pocket, Psychic Handshake, Cœur de pirate, Mos Def (ft. Ski Beatz), Speedy Ortiz (covering The Cardigans), Shunkan, and Destroy This Place. Music videos made a strong impression as well, with outstanding new clips from Diet Cig, Alex G, WorriersThe King Khan & BBQ Show, DRINKS, Flowers of Evil, Ali Barter, and A Place to Bury Strangers. On top of all of that, the run of days also yielded another look at PWR BTTM’s extraordinary forthcoming record, Ugly Cherries, by way of “West Texas”.

Over the past three months, PWR BTTM have gone from a quick few mentions on this site to being one of its most celebrated featured acts. A lot of that can be traced back to the band’s incendiary live show but most of it has to do with the fact their recent songs have been nothing short of astonishing. The band’s upcoming full-length debut, Ugly Cherries, already had one of the years best songs (the record’s title track) released to kick off the rollout campaign and now it’s being followed by the equally powerful “West Texas”.

All of PWR BTTM’s usual characteristics are on display throughout the song, from the inventive structures to the sharp playing to a lyric set that pushes honesty to a level that feels defiantly confrontational. Benjamin Hopkins and Liv Bruce trade vocal leads with a fluidity that betrays the duo’s already uncanny connection and the song makes the absolute most of its runtime, landing every blow it throws with a vicious intensity. Harmonic riffing, power drumming, and a bevvy of immediacy help make “West Texas” a standout track but, as is nearly always the case with PWR BTTM, their melodic and lyrical sensibilities push this into a realm that not a lot of other bands have even attempted to occupy. Sardonic, sincere, and singular, it’s another perfect example of why PWR BTTM deserves as much conversation as possible.

Listen to “West Texas” below and pre-order the record from Father/Daughter and/or Miscreant ahead of its September 18 release. Beneath that, watch a video of the band performing the song (along with “Short-Lived Nightmare”) at Shea Stadium.