Watch This: Vol. 38
by Steven Spoerl
Well, it’s been a long battle but it seems like the impossible has finally arrived and Watch This has been brought back up to speed. To celebrate, the 38th installment will feature no single performance but rather small (or full) sets from a set of five. All of the artists that appear in this list could rightfully be considered site favorites (and, hell, one of them has essentially become Heartbreaking Bravery’s flagship band) and will undoubtedly be featured more in the future. In the case of Courtney Barnett, an isolated performance from her included set has already been given a spot in a past Watch This– but packaged together with the rest of an extraordinary performance, it proved too tantalizing to pass up (this may very well be the only repeat performance Watch This ever runs). All of that being the case, this is quite a lot to take in- so, lean back, settle in, turn the speakers up, and Watch This.
1. Bleeding Rainbow (KEXP)
Kicking off a trio of KEXP sets is a band who recently earned a spot towards the top of the Music Video Mixtape, Bleeding Rainbow. Bringing four of their best songs out for the occasion, the shoegaze-leaning quartet drives home just how forceful these songs are capable of being. It’s a startling performance from a band that continues to pick up momentum. Don’t get caught in their way.
2. Fear of Men (KEXP)
Fear of Men’s Loom was an important step for a band that had long been deserving of a push forward. In the live setting, the songs get an even airier texture than they do on record, lending it a wide-open feel that propels them to greater heights. All four songs deserve repeat viewings in their own right but are even better when played as a set. A very welcome reminder of a record worth more discussion that it’s received.
3. Courtney Barnett (KEXP)
As stated in the video’s introduction, A Sea of Split Peas was one of 2014’s great surprises; a star-making effort from a relative unknown. Here, KEXP celebrates it as fully as possible, turning their lenses (and audio equipment) onto this massive eight-song set from The Triple Door as part of their VIP Club concert series. As it progresses, Barnett grows more comfortable and more confident, eventually bringing everything home with the can’t-fail 1-2 combination of “Avant Gardener” and “History Eraser”. Don’t miss it.
4. Saintseneca (NPR)
Dark Arc, Saintseneca‘s ANTI- debut, made a lot of people (finally) sit up and take notice of them- and even lent the members other respective projects (All Dogs and The Sidekicks, especially) some well-deserved exposure. For a band built from that background, something like this- an NPR Tiny Desk Session feature- feels like nothing short of a major triumph. There are very few things that feel more right than a band worthy of a major break actually catches one. To top everything off, this particular session is an absolute stunner and stands as one of NPR’s best sessions in recent memory.
5. Perfect Pussy (Pitchfork)
Close to everything that could be said about Perfect Pussy’s set at Pitchfork has already been covered– but, if the opportunity to write even more about this band presents itself, I’ll jump at it. While live footage capture can never come close to doing the experience of actually seeing a band like Perfect Pussy justice, it’s difficult to argue against when its presented so beautifully. The more I watch these videos, the more I come back to a recurring thought: music and musicians, at large, are split into two groups- the technicians vs. the feelers. In the former category, bands will often sacrifice energy to present their music with as much polished precision as possible, whereas in the latter category, perfect technique is an acceptable casualty because it stands in the way of unfiltered passion. I will always stand on- and stand up for- the side of the latter. It’s a position that Perfect Pussy fully embodies and it makes their sets that much more thrilling (there’s a reason I’ve gone well out of my way to see them no less than eight times this year-so-far). So, while Meredith Graves‘ voice is noticeably raw (she’d been on a 12+ hour sabbatical from speaking the night before after noticing it was shot and fearing she might lose it completely), it’s also a small testament to courage. Ultimately, it’s exactly the kind of thing that gives a performance like this an incredible amount of character- and it has the potential to inspire legions of aspiring musicians to get behind a microphone so they can pour their hearts out.