Heartbreaking Bravery

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Tag: Ultimate Painting

2018: A Long Look, A Longer Listen (The First Two Months)

A persistent and all-consuming myth among people that refuse to commit a shred of investment to any sort of search is that “good music just doesn’t exist anymore.” It’s the same sort of thinking present in the cavalcade of thoughtless attempts to shift any sort of blame for societal ills to a younger generation based solely on an outlook that was defined by a vastly different era. Fortunately, there are a host of artists to emphatically disprove brand of thinking and act as a counter to what could be construed as a subtle, insidious form of ageism. Below there are literally hundreds of links providing access to various songs, music videos, and records.

All of them are worth a shot and a good many of them are vastly different from their surrounding links. Each of those items came out in 2018 and there’s an entire world more of them waiting to be discovered by the people willing to put in the work. So use these as a starter pack of sorts or just scroll through and see what today’s musicians can offer. It’s a boundless scope and when its allowed to not just exist but thrive, there are a multitude of reasons to celebrate. Enjoy.

SONGS

Okkervil River, Hop Along, OughtFrøkedal, ConnectionsNoble Son, Mount EerieRich Girls, DuskTherese Litner, Soccer MommyHindsEric Benoit, JACK (x2), The Radio Dept., Parker Longbough, Rat Kid CoolWhy Bonnie (x2), Holy Now (x2), High Sunn (x2), Odina, Spielbergs, The Breeders, Shark ToysJouska (x2), Yazan, Johanna Warren, No Thank You, Drive Me Home Please, Your Old Droog, Charly Bliss, Liza Anne, Father John Misty, Rolling Blackouts C.F., Chemtrails, Katie Von SchleicherWavves & Culture Abuse, VALES, Sharaya Summers, Katie Dey, War On Women, The Goldberg Sisters (x2), Busdriver (x2), Queen of Jeans (x2), Shell of A Shell (x2), Soccer Mommy (x2)

Bodies Be Rivers, Cold Fronts, Three Man Cannon, Russian Baths (x2, 3), Rachel Angel, Francobollo, Big Air, Dryspell (x2), Deanna Petcoff, Sam Levin, Good Air, Helena DelandTrès Oui, Josh Rouse, Sarah Mary ChadwickDustedBonny Doon, Jay Som (x2), Golden Drag, In Tall Buildings, Mastersystem, The Love-Birds, School Disco, Caroline Rose, Zomber, Drawing Boards, SALES, Big Bliss, Wax IdolsErika Wennerstrom (x2), Droopies, Jalen N’GondaKid Dakota (x2), Haley Hendrickx, Tim Kuhl, Sunflower Bean, BambaraBenjamin Lazar Davis (x2), Hanz, Courtney Marie Andrews (x2), Verge Collection, Now, Now, Lowpines, Hurry (x2), Pole Siblings, Birds of Passage

Bush Tetras, Maria Kelly, Rafiq Bahtia, Cut Worms, Death By Unga Bunga, Sitcom, Natalie Shay, Wussy, Citris, Sculpture Club, TheodoreElan Noon (x2), Avalon, Terror Pigeon, Greg Mendez, Neil O’NeilDélage (x2, 3), Anna McClellan, Nap Eyes (x2), BILK, Malena Zavala, Camp Cope, Guerilla Toss, Damaged Bug, Gentle Leader XIV, Kraus, Bummerville (x2), WINDHAND, Numb.erErik Phillips, Oberon Rose, Lizzie Loveless, Hot Snakes, Girlpool, American Nightmare, Dr. Octagon (x2), Runaway Brother, A Grave With No Name, Samara Lubelski, vaarwell, The Golden DregsBelle MareChappo, HOLY, Vamping, Noble SonS. Carey, Ed Schrader’s Music Beat (x2), TT

Sofia Härdig, GrouperAir Waves (x2), Tenderfoot (x2), Sunflower Bean, Josh Mover & The Shakers, Jean-Michael BlaisMany RoomsFreedom Baby, La Luzilluminati hottiesThe Black Lips & The Khan FamilyMelvins, Extravision, AnemoneEverett Bird, Parquet Courts, Life In VacuumSuperteen, Cindy Lee, Ricky Lewis, BUDDIESam Moss, Sego, BRNDADungen & Woods, Loma, John Craigie (x2), Lanikai, Pony LeagueDreamend, Sea Moya, Oceanator, Holly Miranda, Renata Zeiguer, Deathlist, Wilder MakerLea Bertucci, Cutouts, Sur Back (x2), I’m Kingfisher, ANMLPLNET, Oneida, wyd, Western Scene, Bad BreedingThe Drums, Bob HolroydWill Stewart, Varvara

Jerry David Decicca, Redolent, Lokki, ROOS, QWAM, Water From Your Eyes, Old S Resort, Jesse Merchant, Dead Sullivan, John Moods, They Might Be Giants, Cool Ghouls, Strawberry Mountain, The Low Anthem, Peacock Affect, The fin., Ezra Feinberg, EMA, Sloan, The Voidz, VOWWS, Nature Shots, Narrow Head, Sleepyhead, Bob Holroyd, Virginia Wing, Orchid MantisYoung Statues, Kate Teague, Leyya, Pinky Pinky, Mind Over MirrorsWalter Martin, Beach House, The Sea and the Cake, Alice Bag, Eels, Hero-Fisher, Andy CookDatarock, Dabrye, Swear TapesTerra Naomi, FeverbonesPariuh, David Byrne, Palm, Youth In A Roman FieldKid Koala, LokkiHelena Deland

Freedom Fry, ARXX, Troels Abrahamsen, Young Fathers, Post Louis, SpandrelsHannah Epperson, Saw Black, Iceage, Dylan CarlsonAmerican Pleasure Club, Swampmeat Family Band, Pearl Charles, Chez Ali, Compltr, Refrigerator, The Nectars, Candy Ambulance, Death, Jack Watts., Simon D JamesToebow, yndi halda, SabiyhaEllie Schmidly, Sitcom, Doby Watson, Laura Veirs, Lost Horizons, Lost Under Heaven, Andy Jenkins, Guts Club, Yo La Tengo, Media Jeweler, The Saxophones, Hum, Margaret Glaspy, Cary Illinois, Susan the Cat, I Hate You Just Kidding, Tee Grizzley, Barren Womb, Madeline Kenney, I Think Like Midnight, Spirit In The Room, Torgeir Waldemar, LuxGaze, and Japanese Breakfast.

MUSIC VIDEOS

Ought, Parquet Courts, Shy Kids (x2), Caroline Rose, Billy Moon, Screaming Females, Car Seat Headrest, Current Joys (x2, 3, 4), Somehow, Night Flowers (x2), Palehound, Heaven, Look Vibrant, Pip Blom, Ultimate Painting, Royal Brat, CorridorFalcon Jane, Olden Yolk (x2), Stella Donnelly, Nap Eyes, Winter, Wendyfix (x2), Dusted, Superorganism, Pale Kids, Z Berg, Son Lux, Palm, The Spook School, Clint Michigan, Girl Ray, Rostam, Japanese Breakfast, OdinaFrankie Cosmos, Von K, Dogeyed

Shopping (x2), Speedy Ortiz, Treehouses, Holiday Ghosts, Sports Team, Sonny Smith, Bully, Tremends, Bethlehem Steel, Soccer Mommy, The ArmedPJ Harvey & Harry Escott, Lucy Dacus, Moaning (x2), Cloud Castle Lake, Albert Hammond Jr., Chris Dave and the Drumhedz, FlasherNative Sun, Emma Tricca, Partner, Drowse, Barren Womb, Martha Ffion (x2), Honduras, S. Carey, Middle Kids, Newspoke (x2, 3), Callow, Charlotte Day Wilson, Suuns, Goat Girl, Shamir, Death Bells, Guppy, Half Waif (x2)

ROOS, Natalie Prass, Cornelius (x2), Peach Kelli Pop, King Tuff (x2), The Winter Passing, Renata Zeiguer, La Luz, Bat Fangs, Jess WilliamsonSkating Polly, Lionlimb (x2), Charlotte Gainsbourg, Michael RaultGianni Paci, Queen of Jeans, Dirty Fences, Sorry, Wiggy Giggy, Lemuria, Tough Age, Yours Are the Only Earsnothing,nowhere., Jack Ladder & The Dreamlanders, Kal MarksScuffleSløtface, Kal Marks, Coping SkillsLauren Ruth Ward (x2, 3), Charmpit, They Might Be Giants, Hurry, First Aid Kit

Sharon Jones & the Dap Kings, Fun Fare, Daddy Issues, The AmazingJeff Rosenstock, boerdJanelle Monáe, Sc Mira, Ed Schrader’s Music Beat, Surrounder, Iceage, The Go! Team, Mavis Staples, Eels, Margo Price, Titus Andronicus, Alice Bag, Oddnesse, Jessica RiskerFRANKIIEDestroyer, Spinning Coin, Damien Jurado, Ed Schrader’s Music BeatLa Bête BloomsThe Lonely Biscuits, Prawn, Hippo Campus, New Spell, Dream Wife, Echo Pressure, Amen Dunes, Leroy Francis, Laurie Anderson & Kronos Quartet

Montero, ShitKid, The Dazies, Marlon Williams, Lazy DayLaura Veirs, Lily Allen, Fruition, No Age, YACHT, Sunny War, Cut Worms, Glen Hansard, Trevor Ransom, Hannah Epperson, Seafoam, VedeTTClever Girls, In Tall Buildings, Fufanu, Lowpines, Tiny Fighter, The Prids, STRFKR, Hinds, SuperchunkTFS, Tallies, American Pleasure Club, Johanna Warren, Sam Himself, Men I TrustJessica Lea MayfieldA Place To Bury Strangers, Bad MovesRazorbumpsMoviestar, Teen CreepsPoppy AckroydCaroline Says, Charles Howl, Loma, Fontaines DC, CrumbAlessi’s Ark, Jenny Wilson, The Regrettes, Bummerville, GluedTenderfoot, Tree House, Susie Q, and si,irene.

FULL STREAMS

Vundabar, Hello Flora, Emily Yacina, Kal Marks, Harmony Tividad, Corey Flood, Johanna Warren, Palm, Plain Dog, Candace, Hovvdy, American Pleasure Club, Bat Fangs, Dark Thoughts, Poppy Ackroyd, Erik Phillips, Grave School, Cameron Boucher/Field Medic, The Number Ones, Margaret Glaspy, The Hold Steady, Guided By Voices, Superchunk, Bleary, Lillet Blanc, Hurry, Bedbug, I Hate You Just Kidding, Sidney Gish, weary, ther, Sunshine Faces, Elan Noon, Bodies Be Rivers, Hex, Hobbyist, Las Rosas

Dryspell, Rik & the Pigs, Amaya Laucirica, No MuseumsZinskē, First Thought Worst Thought, Sur Back, Little Star, Mind Spiders, Lowpines, Shopping, Mimicking Birds, Scrap Brain, The Go! Team, Th Da Freak, Shareef Keyes & The Groove, ShitKid, Unlikely Friends, Kid Dakota, Lightwash, Berry, Matthew Politoski, Holy Motors, Blushing, Shakey Graves, Tim Kuhl, Pando, Leyya, Shamir (x2), bristletongue, Dealer Plates, Hank Wood & the Hammerheads, closer, Bummerville, Tropical Trash, Brutal Birthday

Special Explosion, Hookworms, Lisa/Liza, Russian Baths, VOWWS, A Lily, Caroline Says, BB & The Blips, Listener, Balkan Bump, Martha Ffion, Corniglia, Qwam, HOLY, Spice Boys, Hour, Conviction, Cassandra Jenkins, Refrigerator, Sweeney, mita, and compilations from Z Tapes and Emotional Response (x2).

Hoop – To Know Your Tone (Stream)

As another day recedes in the rear view mirror, it’s time to take stock of the goods it provided. There were excellent tracks from The Drums, B Boys, Gold Class, Us and Us Only, Loco Ono, Turtlenecked, Institute, and an unreleased demo from Ultimate Painting. Music videos were well represented by strong pieces that sprung from the likes of The Geraldine Fibbers, The Coathangers, Nick Hakim, Tiny Hazard, HOTT MT, and Daniel Martin Moore. Bringing everything to a nice close were full streams from The Wisconaut, Emperor X, and Sophie Sputnik.

While all of those, as always, are more than worth the time anyone’s willing to invest, today’s featured slot goes to Hoop’s arresting “To Know Your Tone”, from their forthcoming Super Genuine, which features a vocal assist from solo artist Allyson Foster. In a brief explanation of the inspiration for the song’s narrative, lyricist Caitlin Roberts offered the following: “To Know Your Tone” is about the power of asking for support and receiving support, and what it’s like to listen deeply to someone you don’t know very well but empathize with strongly. It’s about allowing tears to fall on the desert of isolation. 

A perfect summation of the humanism that’s always been at the core of Hoop’s music, the explanation goes a long way in explaining the overarching message of “To Know Your Tone” but what really elevates the song is the composition. Muted, hushed, nervous, and aggressive, “To Know Your Tone” benefits from an incredibly dark tone, providing both a contrast and a context to the song’s empathetic narrative. Allyson Foster delivers the vocal with a committed certainty, consumed by the song’s inherent power.

Appropriately, Foster stepped in to sing the song when Roberts lost her voice, underscoring the message of “To Know Your Tone” to an eerie perfection. Hoop — not to be confused with Hoops — and Foster work in tandem perfectly, complementing each other’s sensibilities with ease. The end result of their collaborative effort is both a tribute and testament to the very power of collaboration and the beauty present in asking for and receiving help. A gripping meditation on therapeutic connections, “To Know Your Tone” is also one of the year’s most quietly affecting tracks.

Listen to “Know Your Tone” below and pre-order Super Genuine from the band here.

Nothing Stops In November: The Month’s Music Videos

November was a hectic month for a lot of reasons, politically and personally. Barely any posts ran over the past 30 days but, as always, the new releases were accounted for as they were unveiled. As December presses towards 2017, there will be a slew of new posts covering the best material to be released in November as well as the releases that appear throughout the month. Before those run, though, there’ll be extended recaps of some of the most exceptional releases in the three major categories (streams, music videos, and full streams). This post will cover the visual end of that spectrum and offers up a wide array of styles. Go exploring. 

Weyes Blood, Methyl Ethel, Ultimate Painting, Small Feet, Silver Rose, Adam & Elvis, The Franklys, Willie J HealeyLA BÊTE BLOOMS, Communions, Rick Rude, Slowcoaches, Landing, ROYA, NE-HI, Lost Under Heaven, Soft Lions, Shellshag, Littler, Mutts, No Nets, The Evaporators, Drive-By Truckers, Bing & Ruth, Leggy, Quilt, Lydia Loveless, Dizzyride, Bash & Pop, Kissing Party, Jamie T, Jeff Rosenstock, Martin Courtney, Thom Hell, Cass McCombs, Lou Barlow, Drugdealer (ft. Weyes Blood), Aathens.

Sammus (ft. Izzy True), July Talk, Howardian, Invisible Boy, The Empty Page, Ricky Eat Acid, Haybaby, Mikey Erg, Hodgy, Rogov, Marchildon!, Streets of Laredo, Pill Friends, Hello Shark, Owen, Bichkraft, Roosevelt, Margaret Glaspy, Clipping., The So So Glos, Joan of Arc, Jesca Hoop, Luke Temple, Lost in the Cosmos, Cut Off Your Hands, Dear Boy, The Molochs, ANOHNI, Monogold, Young Pioneers, Cherry Glazerr, Terra Lightfoot, The Smith Street Band, Waxlimbs, Hero Fisher (ft. Carol Batton), Delicate Steve.

Yael Naim, NONA, BADBADNOTGOOD (ft. Kaytranada), Uni Ika Ai, Vandaveer, Jarrod Milton, Mount Moriah, Jade Imagine, Brodka, Priests, Wolf People, The Severed Limb, and a trio of clips from Chastity.

Heavy Pockets – (Don’t Wanna Be) One of the Boys (Stream)

heavy pockets

This week got off to a strong start with impressive new tracks from Communist Daughter, Lost Boy ?, Emma Ruth Rundle, Boy Scouts, Goon, Lee Fields & the Expressions, The Royal They, Mono, Cyrus Gengras, and Itasca. On top of that haul, there were also memorable music videos from the likes of Furnsss (who nearly grabbed this post’s featured spot), Ultimate Painting, Berwanger, WL, No One Mind, Cold Cave, and Kissing Is A Crime. Full streams from Ceres and Chook Races as well as summer snacks, an incredible compilation from Deli Cat Records topped everything off with effortless panache.

Today’s feature falls to the emergent Heavy Pockets, who just provided a glimpse at their forthcoming Mopeless with the extraordinary “(Don’t Wanna Be) One of the Boys”. In less than twenty seconds, the band manages to assert a considerable amount of power and echo the very best of the enviable Salinas roster (Swearin’, Radiator Hospital, All Dogs, etc.) while establishing their own identity.

Immediate, accessible, and a perfect example of how basement pop and punk leanings can elevate each other, “(Don’t Wanna Be) One of the Boys” is a surging tide of adrenaline that’s hell-bent on washing over everything in its path. It’s dynamic and there’s a plethora of memorable hooks, which can typically be easy outs and lead to a lack of substance. That’s not the case here, as “(Don’t Wanna Be) One of the Boys” is anchored by an unflinchingly personal narrative that takes exception to infuriatingly pointless societal pressures.In just under three minutes, Heavy Pockets conjure up something that manages to be both outwardly aggressive and surprisingly intimate, making use of its cleverness in the process.

Leading the rollout campaign for the band’s forthcoming Mopeless, “(Don’t Wanna Be) One of the Boys” stands as an extremely promising look at the creative space Heavy Pockets are currently occupying. From start to finish, “(Don’t Wanna Be) One of the Boys” is a joy. Should the rest of Mopeless measure up to the track that’s leading the charge, Heavy Pockets may have a sleeper hit on their hands. All that’s left at this point is to hope that’s the case, wait patiently for the outcome, and keep hitting repeat on one of this summer’s loveliest offerings.

Listen to “(Don’t Wanna Be) One of the Boys” below and keep an eye on this site for more updates on Mopeless.

Watch This: Vol. 136

The past week saw a lot of great live videos swimming to the shore from the depths of nowhere. There were outstanding featured performances in those clips from Adir L.C., The Curls, Lydia Loveless, Courtney Barnett, Ultimate Painting, Dogbreth, Los Blenders, Kinda Rad Kinda Sad, Summer Twins, Rich Girls, Slingshot Dakota, The Staves, Caveman, Eric Bachmann, Brendan Canning, Lisa Prank, Vetiver, Paridisia, Porches, Mimes of Wine, SALES, Typesetter, and Julien Baker. For the 136th installment of this series, the attention turns to a handful of folk-influenced artists who are either making their mark or reaping what they’ve sown throughout their careers. So, as always, sit back, adjust the settings, take a breath, and Watch This.

1. Margaret Glaspy (OpenAir)

Margaret Glaspy‘s had a deeply impressive 2016. The young songwriter released a breakthrough record, continuously boasts one of the better live shows on the market, and has handled the transition into the public eye with the poised confidence of a seasoned veteran. Here, Glaspy gives Colorado Public Radio’s OpenAir a powerful look at that live show, landing a few knockout punches throughout a rousing four-song performance.

2. Dusk – (Do the) Bored Recluse + Leaf (Set List)

No band has been written about or praised more by this site than Tenement, who have been the consummate example of what this site was built around supporting. Through that band’s decade-long existence, bandleader Amos Pitsch has been involved in a number of other projects but something about Dusk feels just a little bit different. The band’s comprised of several of the most impressive musical figures in Wisconsin’s relatively isolated Fox Valley area, whose singular visions act in complementary tandem. Beautiful harmonies, a sense of history, and a tenacious commitment help define the band’s identity. All of those traits are on full display for this gorgeous two-song turn-in for Wisconsin Public Radio’s excellent Set List series.

3. Green Dreams – Don’t Pray For Me (Katie Krulock)

Ever since the release of 2014’s excellent Rich Man, Poor Man, Green Dreams have been relatively quiet. All of that’s about to change as the band preps a new release, which the band provided a tantalizing glimpse at through the form of this live acoustic video. The typically ferocious project reveals their pensive side on the lilting “Don’t Pray For Me”, while still retaining the overwhelming narrative darkness that’s been so prominent in their past releases. Beautifully lensed and delicately performed, the video’s a powerful reminder of Green Dreams’ numerous gifts.

4. Bernie & the Wolf (DZ Records)

For more than three years, Bernie & the Wolf have quietly been perfecting a mix of influences and forming a sound that’s not too distant from the best of Saddle Creek’s offerings. Open, sprawling, and teeming with distinctly American influences (and history), their songs are immediately warmly familiar and entirely winsome. DZ Records recently capture the band delivering an impassioned set, keying in on “Ethyl”, “Catch Some”, and “Pretty On Me”, three genuine standouts from what promises to be one of the best releases of its given year.

5. Bon Iver (SPIN)

Typically, these spots are reserved for unheralded artists, independent-leaning moments, and videos where the performers aren’t hundreds of feet away. It takes a lot to overturn any of those qualifications and overturning all of them is essentially unprecedented. Even though Bon Iver’s Eaux Claires live unveiling of the forthcoming record — something I was fortunate enough to attend — was a genuinely Big Moment that will be exhaustively covered by nearly every serious music publication, the way it was introduced felt intrinsically connected to the foundations of this site.

As a person who’s lived the vast majority of life in a small Wisconsin town, watching someone like Justin Vernon selflessly elevate an enitre artistic community has been heartening. Watching him debut an entire album live, in front of a hushed audience of thousands, at a genre-balanced festival he founded in his own small Wisconsin hometown was actively inspiring. While Vernon’s rollout campaign for Bon Iver’s forthcoming 22, A Million was designed to benefit the projects’s chosen slot, it was also an effort to highlight the other artists (like Tenement and Tickle Torture) who were a part of the Eaux Claires festival.

In that methodology, Vernon’s added another heartfelt notch in his continuing efforts to expand Wisconsin’s woefully underrated music community by any means at his disposal. On top of all of that, though, the actual performance of 22, A Million was an unforgettable event that was enhanced by the location (Bon Iver’s music has always been perfectly suited to Wisconsin’s wilderness) and the weather.

Just before the set began, what had been a steady downpour of rain lasting hours had suddenly stopped and night had fully descended. Throughout the set, there was an eerie calm that was punctuated by the noise of crickets that had taken residence in and outside of the festival grounds, creating an ambient wellspring of noise that further enhanced the glitchy electronics that permeate throughout 22, A Million (they became especially evident during the quietest moments, rounding out those songs in an unforgettable fashion).

While all of the main set can be heard and seen below in a video that SPIN livestreamed from the crowd, the encore set (which isn’t part of the video) provided what may have been the most defining moment of the festival.

Playing a selection of songs that wildly varied from their original versions, the band pulled out a fairly faithful rendition of “Creature Fear” that culminated in an apocalyptic wall of noise outro section. In the lead-up to those breathtaking final moments, a blisteringly intense lightning storm had erupted behind a heavy cloud, providing an unexpected assist that felt entirely in tune with the weekend’s joyous collaborative efforts. In that moment, the audience, the band, the city of Eau Claire, and Wisconsin itself became part of a unified moment that transcended easy category, leaving an indelible mark on Eau Claires, on Eaux Claires, and on everyone who took a moment to take in their surroundings.

Birth (Defects) – Demands (Stream)

birth defects

In just under two weeks a small army of notable songs have been unveiled, including new titles from acts like Cowtown, The Pills, The Amazing, Trust Punks, Descendents, Tempesst, Ultimate Painting, Cave Curse, Trevor Sensor, Katie Burden, Tom Brosseau, Opposite Sex, True Neutral Crew, Crocodiles, Grieving, Henry Chadwick, Shapes In Calgary, Goblin Cock, and Saints Patience. That run of songs all but closes out the list of the finest tracks to cross this site’s path over the interim, with one notable exception: Birth (Defect)’s near-feral “Demands”.

A brief talk with Birth (Defects)’s vocalist (as well as social activist, Is This Venue Accessible mastermind, Accidental Guest head, and all-around great human) Sean Gray revealed that “Demands” was the first song the band ever wrote. Gray still considers it the band’s finest offering and, with this new version recorded by Perfect Pussy‘s Shaun Sutkus and rounded out by the band’s recently-expanded lineup, it’s not difficult to see why that’s the case.

Like nearly all great hardcore bands of any breed, Birth (Defects) draw considerable power from frustration and that frustration has never manifested more clearly than in the staccato stabbings of “Demands”, which complements the band’s most recent offering — the incendiary “Hanshin“, which will be the track’s flip-side on the forthcoming 7” — to perfection.

Through aggressive, chaotic caterwauling, Birth (Defects) carve out a home in a dark corner and sink their heels in deep, recoiling while simultaneously positioning themselves for attack. Feedback runs through everything, providing an air of discordance that drives up a sense of tension that never evaporates and lingers on after the final snare blast. Somehow, as raw and primordial as it seems on the surface, “Demands” can’t help but feel weirdly triumphant. It’s the sound of a band who have embraced their voice and are intent on projecting it through a row of sharpened teeth. The end result? A third-degree bite mark that deserves to be worn like a badge of honor.

Listen to “Demands” below and pre-order the 7″ from Reptilian here.

What A Difference A Month Makes (Streams)

As was discussed in the preceding two posts, there’s been a serious lull of inaction on this site as of late as far as posting is concerned. A large reason for that was the fact that the majority of that coverage gap was spent traveling thousands of miles to document sets from bands like Oops, Dilly Dally, Yowler, Eskimeaux, Frankie Cosmos, Beach Slang, Potty Mouth, Dyke Drama, PWR BTTM, and more.

The resulting documentation will be posted at some point in the near future but the hefty amount of visual content (not to mention the act of traveling itself) necessitated a publishing break. However, as usual, every new piece of incoming information was accounted for in the interim. Full streams and music videos have already been covered so it’s time that the attention was turned towards individual songs.

A list of some of the finest new tunes to have emerged over the past month can be found below. Since there are so many, it may be best to bookmark this page and explore its contents at a more leisurely pace to avoid being overwhelmed. Jump on in and go swimming.

Basketball Shorts, Mikey Erg, Bird of Youth, Las Rosas, Mitski, The Big Moon, Nicholas Allbrook, The Gotobeds, Nothing, Fawnn, Leapling, Speedy Ortiz, Yours Are the Only Ears, Don Vail, Frail, Stephen Steinbrink, Yeesh, Pkew Pkew Pkew, Haley Bonar, And The Kids, Gauntly, Summer Cannibals, case/lang/veirs (x2), Psychic Teens (x2), Glenn Davis, Dogheart, Cat’s Eyes, benjamin783 (x2), Ian William Craig, Terry, Emily Jane White, Walleater, VATS, Alice Bag (x2), Mutual Benefit, Blowout, Mike Adams At His Honest Weight, and Outer Spaces.

The Monkees, Tens, Yung, Star Parks, Marissa Nadler, Brenda’s Friend, elvis depressedly (x2), Rick Redbeard, Sega Genocide (x2), Honey (x2), GØGGS, The Dan Ryan (x2), Male Gaze, Heaters, Leif Erikson, Blessed, Boys, Mumblr, Anthony Sanders, Swanning, Kvelertak, Hollowtapes (x2), Bonnie ‘Prince’ Billy, OVER, Erin Tobey, Quiet Hollers, The Clientele, Young Magic, LUKA, Yikes, Teen BodyFew Bits, Fear of Men (x2), Joy Void, Message to Bears (ft. Will Samson), Baby In Vain, Local Natives, Scroll Downers, and Psychic Heat.

OHIOANDaniel Wilson, The Invisible, Ultraviolence, Oddissee, Bad Channels, Dentists, Deerhoof, Hayden Calnin, The Mercury Programs, Yoni & Geti, Marisa AndersonColleen Green, Lisa Prank, Ultimate PaintingJuniore, Spice Boys, Stone Cold Fox, Avalanche, Beliefs, Museum Mouth, Psychic Ills, Flat Worms, Robin Pecknold, Mock Orange, Magic Potion, Retail Space, VHSBag-Dad, Casper Skulls, Peach Kelli Pop, Aloha, JPNSGRLS, Adeline Hotel, WoodsColder, The Mystery Lights, Islands, Sego, Casey Jordan Weissbuch, Honey Radar, and an unexpected Car Seat Headrest cover of a Radiohead classic as well as an unexpected Yuck cover of an Elliott Smith staple.

Watch This: Vol. 105

[EDITOR’S NOTE: Due to the nature of these upcoming posts, a truncated version of this introductory paragraph will be appearing over the next several installments of this series.] It’s been quite some time since the 100th edition of Watch This went up on this site. There have been a lot of factors going into the extended interim but, as usual, a focal point of that absence was to make sure the preparation work was kept up to date. Full sessions, single song performances, DIY videos, and impressive turn-ins from radio stations abound. So, as always, sit back, adjust the setting, crank the volume, focus up, and Watch This.

1. Young Jesus – Every Little Landscape (The Trundle Sessions)

After a brief restructuring period, Young Jesus came out swinging in 2015 with one of the year’s finest records and an even more ferocious live show than they’d had with their previous iteration. As if that wasn’t enough, they’ve been teasing new material in their live sessions. “Every Little Landscape” is another look at the band’s promising future that showcases guitarist/vocalist’s enviable knack for songwriting. It’s a quiet, impressive moment that suggests the band’s far from done.

2. Woozy – Gilding the Lily (Little Elephant)

Every once in a while, Little Elephant brings a band into their studio that challenges their preferred style of music while still adapting some characteristics of those genres. Utilizing elements of ambient, post-rock, ’90s emo, and a wealth of other genres, Woozy hit upon a career highlight with “Gilding the Lily”, a song that’s performed here with no shortage of focus or determination. A masterclass in dynamics and composition, it’s a deeply impressive look at a band well worth our attention.

3. Ultimate Painting (3voor12)

After a strong debut effort in 2014, Ultimate Painting came surging back this year with even more formidable material. Utilizing the same breezy aesthetic, the band turns in a set of open-road anthems for 3voor12. The performances are uniformly strong and bristling with an almost paradoxical relaxed energy. Jangly, folk-informed basement pop at its absolute finest, this is another step forward for a band that seems determined to make a mark.

4. Alex G – Soaker + Rules (WXPN)

Over the past several years, Alex G has built up a surprisingly passionate cult following thanks to a string of bandcamp releases, the right connections, and relentless touring. The project had its breakthrough last year with DSU and reached greater heights with this year’s outstanding Beach Music. WXPN recently invited the band into their studio and they responded with impassioned takes on both “Soaker” and “Rules”, providing the station with one of their best sessions of the year.

5. Julien Baker (OurVinyl)

Some artists just have a natural gift for creating transcendental moments and Julien Baker has carved out a spot in their midst. Sprained Ankle, her aching treatsie on mortality and human limitations, is comprised of nothing but those moments. Whenever a record like that comes into the public eye, it’s never surprising when the live performances buckle under the weight of personal expectation. On rare occasions, the artist responsible for the collection will actually enhance the emotional impact via a commitment to the material that can feel devastating. Baker belongs to the latter category and OurVinyl provides a (gorgeously shot) definitive document of those instances. “Something”, “Sprained Ankle”, and “Rejoice” are all chill-inducing and reaffirm Baker’s position as one of 2015’s most striking songwriters.

The Foetals – Malted (Stream)

foetals

It’s been a strong week leading into the weekend and today’s end-cap kept that streak alive, offering up a variety of gems. Skeleton Frames’ “Leech“, Zenith Myth’s “Shadow Fortune“, Coke Weed’s “Dead Man Walking“, and The Nudes’ “Hex” were all unveiled and deserve a handful of listens. Kendrick Lamar’s manic, jaw-dropping “For Free? (Interlude)” more than made up for an otherwise lacking day for music videos (honestly, though, “For Free” would have overshadowed anything else). Sharkmuffin, Half Japanese, Deaf Wish, and Ultimate Painting all offered streams of great forthcoming records while Comfy and Skirts offered up a stream of their commanding split EP.

Today’s feature cycles back to the single streams and lands squarely on The Foetals’ delightfully scrappy  “Malted”. The second glimpse at the amusingly titled Meet The Foetals, it’s another perfectly crafted piece of the kind of wiry pop that’s securing Swedish label PNKSLM Recordings a foothold in national stateside coverage. Punchy, full of hooks, and unabashedly poppy, “Malted” is the kind of track that seems perfectly suited for summer but has just enough dusty nostalgic touches to tie that appropriate-listening aspect over to fall.

The solo project of Pink Teens member Jolan Lewis, The Foetals may wind up surpassing what, up to this point, has been  Lewis’ main vehicle. If the rest of the extremely promising Meet The Foetals lives up to its early flashes of potential, Lewis just may find his other moniker scattered throughout some genre specialists’ lists come December. Until winter rolls around and definitively beds that theory, the only thing that feels appropriate is sliding the volume on “Malted” up and continuously hitting repeat.

Listen to “Malted” below and order a copy of Meet the Foetals ahead of its release here.

PWR BTTM – Ugly Cherries (Stream)

PWR BTTM III

Wednesday, for whatever reason, has become a traditionally stacked day for the release slate. Today’s already ushered in more than a dozen notable releases from all across the world, spanning about as much terrain musically as it does geographically. Music videos wound up with a fairly strong outing and included some stunning visuals that were brought into focus by the likes of Ducktails, Creepoid, Destroyer, and Albert Hammond Jr., constituting the strongest showing for the format in weeks.

Curiously, the full stream category was completely absent from the day’s proceedings (so far, at least) but that did make room for another impressive haul of singles. Donovan Wolfington got a little heavier and a lot more focused with “Ollie North“, Manatree ushered in some tropical tones through their sccuzzed-up indie pop number “Animal Qualities“, Wand and Sunflower Bean continued to revel in psychedelia with “Stolen Footprints” and “The Stalker“, respectively.

Ultimate Painting continued sharpening their shambolic, widescreen Americana via “(I’ve Got The) Sanctioned Blues“, Tenement released the winningly scrappy demo take of Predatory Headlights standout “Hive of Hives“, and Cold Beat continued to create compelling tapestries by merging distinctly left-field influences once again in the tension/explosion masterclass “Cracks“. Fake Palms let loose the pulverizing “Sparkles“, Palehound released another stunner in “Healthier Folk“, Antarctigo Vespucci continued subverting expectations and delivering at an unreasonably high level with “Impossible To Place“, Diät resurfaced with the urgent, punishing “Toonie“, Autobahn brought out a similarly menacing gut-punch through “Society“, and Chelsea Wolfe deepened the foreboding overtones of those last two numbers with the slow-burning “After the Fall“.

While any number of those songs could have been selected as the feature for today’s post, the distinction goes to a duo that’s earned some coverage here in the past: PWR BTTM. Today the band not only announced their upcoming record and the necessary details but released the title track as well. Father/Daughter and Miscreant will be joining forces once again to release the excellent Ugly Cherries on September 18. And while “Ugly Cherries” is fairly representative of the full-length’s best qualities, there are still a variety of surprises and nuances to explore once the record drops.

Until then, though, we’ve got “Ugly Cherries” to place under a lens and obsess over.  If the song sounds familiar, it may be due to the fact that it’s been a staple of the band’s live set for quite some time- or maybe you’ve heard it playing as the theme song for the excellent live series that’s hosted by Play Too Much. Maybe you just think the chord progression lead-in is “Undone — The Sweater Song” (it’s not but you’d probably be forgiven for the confusion). Any way that it gets processed, though, the simple unavoidable fact is that it’s an absolute powerhouse of a song, swinging for the fences and connecting with a startling emphasis.

PWR BTTM, a band that consists of Benjamin Hopkins and Liv Bruce, have developed the kind of rapport that most bands can only dream about achieving. From their impressive musical synchronicity (they frequently switch guitar, drum, and vocal positions) right down to the atypically engaging stage banter that peppers their energetic live show, there’s an intrinsic connection that’s both palpable and natural- something that translates to the studio versions of the songs.

“Ugly Cherries” hits some of the duo’s favorite beats (gender identity, examination, doubt, shamelessly bombastic shredding, and acceptance, among them) without ever losing its sense of urgency or vitality. As a powerful display of finesse and deceptive strength, it’s a near-perfect mission statement for the band. As a warning shot for the record that’s now on its way out into the world, it might be enough to incite a riot. I’m almost positive they wouldn’t have it any other way.

Listen to “Ugly Cherries” below and order the record from site favorite(s) Father/Daughter Records (in association with Miscreant Records) ahead of its September 18 release date by following the label hyperlinks.