Heartbreaking Bravery

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Tag: Trio

Watch This: Vol. 44

Welcome to a late-night installment of Watch This, the 44th in the weekly series that celebrates the best live performances to surface in the previous week. This time around, there’s a split between full sets, late night performances, and DIY presentations that all include bands that have previously earned themselves features (or extended mentions) on this site. Whether it’s another jaw-dropping full set from White Lung or a revitalized Death From Above 1979 diving headfirst into their single, these are all worth watching. Normally Watch This is posted much earlier on Sunday, so in the spirit of today’s delay, the featured videos get darker in atmosphere as they progress. Day turns to night and Volume 44 gets to lay claim to five great performances. So, sit back, relax, take a drink, ease up, and Watch This.

1. Death From Above 1979 – Trainwreck 1979 (The Late Show with David Letterman)

The Physical World, Death From Above 1979’s long-awaited follow-up to the classic You’re A Woman, I’m A Machine, may have disappointed a few people with absurd expectations. Most of them were hung up on their own projections of what they thought the band should be instead of letting them come out of hibernation to evolve naturally. It’s hard to think that any of them would be disappointed by a performance like this one, which winds up being part of a late surge of memorable talk show performances.

2. Benny the Jet Rodriguez – Alley Cat (Razorcake)

Is the sound on this the greatest? No. Does it need to be? Same answer. Is this a great take on a great song from a great record? Absolutely. Does the combination of logos, titles, and credits make it difficult to definitively credit? Extremely. How are more people not talking about Benny the Jet Rodriguez and Home. Run? That’s impossible to say- but it needs to change. When should that change start? Right now. Does every city deserve a venue like VLHS? Definitely.

3. Diarrhea Planet (KEXP)

Diarrhea Planet may have released a very good record the other year that holds up as a standalone piece but their reputation was almost entirely built by virtue of their excitable live shows. This KEXP session goes a long way in confirming any of the uninitiated’s suspicions that they have a penchant for the irreverent and wild- and that’s all that really needs to be said. Just watch the video.

4. White Lung (unARTigNYC) 

This isn’t the first full White Lung set to earn itself a feature on Watch This. Hell, it’s not even the first one that comes courtesy of unARTigNYC. All that said, the band keeps managing to get better, a feat of borderline absurdity considering they’re already one of the better live acts out there today. Easily the best-looking and best-sounding White Lung set to find its way onto Watch This, their recent set at Palisades found them in their fieriest form (especially after a very tense moment towards the start of the set that found vocalist Mish Way pushed to the point of physically accosting and ultimately ejecting an audience member)- absolutely laying waste to a selection of songs that leaned heavily on 2014 standout Deep Fantasy. Even if the whole set was emotionally charged thanks to the severely unfortunate circumstances, it provided a handful of thrilling moments and cemented White Lung’s status as one of today’s most exciting bands.

5. Nothing (KEXP)

Nothing are notorious for eardrum-obliterating volume levels when they play live, which seems fitting for a band so prone to relentless heaviness. Here, they hold nothing back and give KEXP one of the station’s more memorable sessions- creating an entrancing sprawl that sides towards the heavily atmospheric. Guilty of Everything was a high point of mid-2014 and is well-represented here. Apart from a few fairly awkward interview exchanges (which is probably putting it mildly), the individual song performances are weirdly mesmerizing. All in all, it’s hard to ask for a better way to cap off another great week of documented live music.

Naomi Punk – Television Man (Stream)

np

There are a few labels that get a lot of love around these parts- Burger, Exploding in Sound, Don Giovanni, and Old Flame Records all have a pretty strong foothold by continuing to operate with the kinds of bands who make music that caters to exactly what this site was built to celebrate. Captured Tracks can officially be added to that list. The label’s the home of the band that’s earned the most features here as well as a tantalizing spread of others (Mac DeMarco, Craft Spells, Medicine, etc.) and has been on an impressive run lately. Enter: Naomi Punk. A band built on weirdly frenetic post-punk tension and the kind of instrumental interplay that would make Spoon proud, they’re bound to be one of the year’s bigger discoveries. Yesterday they revealed a lot of details about their home-recorded sophomore effort, Television Man, and offered up the title track for streaming. “Television Man” is a jaunty run through a maze of stop-start rhythms and twisted riffs that somehow manage to subtly recall various miniature aspects of the 90’s underground punk scenes while sounding distinctly modern. It’s one hell of an introduction to the record (which is due out August 5th) and will likely have a lot of people salivating while begging for more.

Listen to “Television Man” below and give in to its relentlessness.

Cloud Nothings – I’m Not Part of Me (Stream)

I'm Not Part Of Me

Only a short while ago, this song elicited a wave of excitement for Cloud Nothings’ upcoming follow-up to their early best-of-decade candidate Attack on Memory. Back when that live recording was posted, though, details on the upcoming record were scant. Today the band over-corrected that detail in stunning fashion, sharing that it’d be named Here and Nowhere Else, while also announcing that it would be released on April 1, 2014 via new label Mom + Pop records- and by sharing what looks to be one of the records many highlights. While second guitarist Joe Boyer has been forced to leave the band due to some legal troubles that preclude him from touring, the band seems to have found ways to fine-tune their sound into something that doesn’t call too much attention to his absence. It’s a sound that matches their strengths as well as possible while suggesting a few new influences that should make this record one of 2014’s more interesting releases. “I’m Not Part of Me” also boasts a chorus section that will immediately get lodged in the brain of anyone who’s paying attention. Cloud Nothings come across as particularly committed in “I’m Not Part of Me” and continue to heighten the growing interest in Here and Nowhere Else. Listen to “I’m Not Part of Me” (and then listen to it a few more times) below.