Heartbreaking Bravery

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Tag: The Wombats

Watch This: Vol. 144

To ease Watch This back into its regularly scheduled rotation, the following will focus on the two weeks that occurred after the last installment was published. In that time, Acapulco Lips (x2), Wasted On You, Chain of Flowers, Pinegrove, Peter Bjorn and John, Sunbathe, Good Personalities, Bad Cop / Bad Cop, Claire Cottrill, The Brokedowns, Kississippi, Haley Bonar, Billie Marten, Bayonne (x2), Entrance, Lush (x2), The Blank Tapes, JFDR, The Frights, Teleman, The Districts, Doe, Marissa Nadler, Joshua Bell & Jeremy Denk, No Honeymoon, Aaron & Bryce Dessner with Ben Lanz and Boys Noize, BlackGlass, The Minders, Super Furry Animals, Kristin Kontrol, Tenement, Queen of Jeans, Michael Kiwanuka, Breanna Barbara, Corbu, All People, Boss Fight, Margo Price, Titus Andronicus, Brass Bed, Somos, Oliver John-Rodgers, Foxing, The Wombats, and PWR BTTM all found themselves at the center of outstanding performance clips. Competition that strong says more about the strength of the five featured clips that could be conveyed with mere words. All five bands have been featured on the site in the past and the performances range from genuinely exhilarating to utterly devastating. So, as always, sit up, lean in, adjust the volume, block out any excess noise, focus, take a deep breath, and Watch This.

1. Never Young – Soap (Prisma Guitars)

Immediately kicking things back into the highest gear possible is this Prisma Guitars session from site favorites Never Young. Easily one of the most explosive single-song performance clips to ever be featured throughout the 140+ installments of this series, the quartet careens through an adrenaline-inducing take on “Soap” that sees them giving the session their everything. Beautifully shot and presented with an enormous amount of conviction, this is exactly the type of clip that Watch This was built to celebrate.

2. Greys (KEXP)

Greys have made several appearances throughout this series’ run and touring on their recently-released Outer Heaven‘s allowing them even more opportunities to be featured. The band recently stopped by the KEXP studios for a full session that features songs from their past three releases, including their most recent work, Warm Shadow. As always, the band plays with a barely-contained energy, an incredible amount of tenacity, and a deep-seated passion that makes this another vital document of one of today’s most exciting acts.

3. Heliotropes – Primates (BreakThruRadio)

For a few years now, Heliotropes have been quietly carving out an impressive name for themselves, earning the respect of both critics and their peers. Creatively restless and endlessly intriguing, the band continues to impress with this BreakThruRadio performance of “Primates”. It’s a glimpse towards the future the band’s angling towards and it’s impossibly tantalizing. One of their finest songs to date, “Primates” keys in on the band’s wiriest post-punk tendencies and sporadically cuts them to shreds. If this is indicative of the rest of the band’s forthcoming material, start bracing for something genuinely explosive.

4. The Coathangers (KEXP)

The second KEXP session of this installment features The Coathangers, who have been touring hard behind their excellent Nosebleed Weekend. Celebrating both that record and the 20th anniversary of the label that released the record, Suicide Squeeze, finds the band in exceptionally high spirits. All of that culminated in an unshakable, infectious joy that drives this session, making it both immediately accessible and surprisingly memorable. The trio remains in fine form throughout the session, playing with ramshackle glee while maintaining an impressively tight grasp on the songs, creating what could be considered a definitive portrait.

5. Nick Cave & The Bad Seeds – Girl In Amber

After enduring unspeakable loss, Nick Cave allowed filmmaker Andrew Dominik into his creative process to create One More Time With Feeling, a documentary that follows both the creation of Skeleton Tree and Cave’s battle with grief in the wake of his youngest son’s tragic death. It’s excruciatingly heartrending from an outsider’s perspective and Dominik elegantly underscores how unthinkably difficult it’d be to be in that situation. In the third studio video to be released from the project, Cave continues to look completely lost and withdrawn, as if perpetually trying to wrestle his thoughts down.

“Girl In Amber” also expertly incorporates Dominik’s inspired direction and the technical wizardry that went into the 3D, black-and-white filming of One More Time With Feeling. The overall effect’s equal parts haunting and haunted, creating an unforgettable impression. This is a staggering work of bravery and artistry, each colliding with the other to produce something as singular as it is captivating. As the camera circles Cave, surveying his every movement and placing him at the center of swirling uncertainty, Cave repeats “don’t touch me” as the video cuts to black, providing one last breathtaking moment of a miniature masterpiece.

Home for the Holidays & A Guide to Surviving (Mixtape 001)

Well, it’s been a brief but substantial fifty day run and this, the 50th post, seemed as good a place as any to celebrate something so small and meaningless. To that end, Heartbreaking Bravery is offering up its first official mixtape; Home for the Holidays. Look for one every fifty posts. Some will have themes, some will just serve as reviews for the past near-two-months of coverage the site provides.

Home for the Holidays was a unique challenge. For the songs to qualify they had to fit within the general aesthetic of what Heartbreaking Bravery would normally cover- they would also have to mention Christmas without being a Christmas-specific song. All of these songs are here for a reason and deserve to be heard. A welcome alternative to the endless barrage of the same twenty songs getting played in seemingly every location. Both the mixtape and the accompanying guide to surviving are below.


1. Tenement – Spit in the Wind

Did anyone honestly expect this list to start with anything else? It’s no secret how this site feels about this band. They’ve mastered the exploration of lower middle-class difficulty and it really comes through on the chorus of this Napalm Dream standout. “Father pissing on the Christmas tree, suicide for the family” is a masterclass in both explicit and implicit imagery as well as tone-setting.

2. The Wombats – Moving to New York

Sleep-deprivation, needless excitement, and suspecting disappointment. “Looks like Christmas came early” has never sounded so true. 

3. Sundials – Christmas Day

One of 2013’s most exceptional compilations was the collection of Sundials songs from 2009 to 2012. “Christmas Day” closed the collection out with flare, emphasizing how ugly financial situations can be made ten times worse by the holidays with a surprising amount of verve. 

4. The Weakerthans – Exiles Among You

The Weakerthans were (are?) one of the most consistently impressive bands on the circuit and released a few records that qualify as classics. On their standout sophomore effort Left & Leaving was this gem, that included a heartbreaking moment where the protagonist shoplifts for Christmas and ignores her family. A perfectly executed example of estrangement.

5. Titus Andronicus – No Future Part Three: Escape From No Future

On Titus Andronicus’ masterpiece The Monitor, the band managed to cover an endless arsenal of subjects. One of the strongest moments in a record full of them was “No Future Part Three” with its rapid shifts in pace and tone. There’s anger, there’s grim determination, a palpable sense of sadness, and a devastating Christmas list. 

6. Neutral Milk Hotel – Two-Headed Boy

One of 2013’s biggest moments was the return of Neutral Milk Hotel, prompting many to revisit In the Aeroplane, Over the Sea and “Two-Headed Boy” in particular. That song contains a fierce ending of bitter abandonment set under Christmas trees, elevating the importance of the act. Brutal, harsh, and brilliant. 

7. Waxahatchee – Rose, 1956

There are very few records as pointed and barbed as American Weekend, a record that’s only managed to grow stronger with time. “Rose, 1956” stands out for a variety of reasons but the mention of Christmas Eve at the song’s opening drives home how specific it is, which makes it more revealing in turn. 

8. Bon Iver – Blood Bank

Bon Iver is almost too obvious of a choice for this but it’s hard to look past the muted elegiac title-track of the band’s sole EP. Not only do the levels of wistfulness feel appropriate but the song nicely underscores the possibility of truly understanding difficult moments. One of Bon Iver’s most stunning moments. 

9. Why? – The Fall of Mr. Fifths

Why? have always managed to effortlessly evoke very specific feelings with their arrangements alone. Yoni Wolf’s lyrics generally accentuate that feeling masterfully and “Mr. Fifths” is no exception. There’s an underlying theme of fear and obsession here that touches on the rising death rates that surround the holiday season. 

10. The Hold Steady – One for the Cutters

Quite possibly The Hold Steady’s most inventive moment, this harpsichord-driven tale paints the most realistic portrait of the sort of culture that exists in the shadows the band has managed in years. An absolutely stunning achievement that culminates in the central character’s defeated-beyond-reason return to her family at Christmas. 

11. Sparklehorse – Little Fat Baby

Mark Linkous’ penchant for subtlety resonates throughout this song, in part an understated allegory about (seemingly) the prominence of Christmas. It’s a subdued-yet-jarring yarn that feels intensely personal. 

12. Belle & Sebastian – I Don’t Love Anyone

Fleeting moments of self-doubt and occasional resentment spring up in early winter more than anyone would like to admit. Self-evaluation becomes a bitter process and all of the potential disappointment can manifest itself outwards. The best way to deal with it is just to acknowledge it and move on.

13. The National – It Never Happened

“We look younger than we feel and older than we are” is a beyond perfect way to describe the holiday hangover that’s constantly present, lingering around the corner. The easygoing pace of “It Never Happened” mirrors the pose some people will themselves into just to survive the rougher patches.

14. Okkervil River – Where the Spirit Left Us

The first of of two Okkervil songs on this list, “Where the Spirit Left Us” pinpointed a certain kind of well-informed nostalgia that was brought to life in a dazzlingly vivid manner. There’s a small-town longing that matches up nicely with the resigned minutiae  surrounding any large family gathering.

15. The Weakerthans – My Favorite Chords

John K. Samson does environmental setting better than almost anyone penning lyrics today. The fact that The Weakerthans can often be described as wintry only heightens the reason for this song’s inclusion.

16. Tom Waits – Christmas Card From A Hooker in Minneapolis

A wildcard among these 21 tracks, “Christmas Card From A Hooker in Minneapolis” qualifies based on the title, not a lyric contained within the song. One of Waits’ most towering achievements and one of the best moments on his classic Blue Valentine.

17. Ben Folds Five – Brick

Did you really expect this not to make the list? It’s a song about the aftermath of a Christmas Eve abortion. One of the most frighteningly realistic songs in recent memory. At the very least, let this one invoke deep sympathy.

18. Palace Songs – Christmastime in the Mountains

Okkervil River artist Will Schaff brought this song to the list as it was experiencing a rough draft dating back to last December. “Christmastime in the Mountains” is stark, beautiful, and nicely summarizes the empty feelings that can occasionally hit at this time of year.

19. Why? – Kevin’s Cancer

Yoni Wolf has been operating in his own territory for a long time now. This is the second Why? song to be included but the way Wolf and company operate only furthers situational reality. 

20. Elliott Smith – King’s Crossing

From A Basement on Hill bafflingly exists simultaneously as one of the most personal and impersonal records to be released in the past 15 years. It’s posthumous status elevates the impact of searingly revealing songs, yet those involved with it say that the record was far from finished and released with only the mixes Elliott had left behind when he tragically passed away. “King’s Crossing” stands out as one of the record’s most personal (and most biting) moments, reflecting the holiday’s darker spirit.

21. Okkervil River – Calling and Not Calling My Ex

This is the song that inspired the idea for this collection several years back. It’s Sheff at his most pointed. Sleigh bells in the background offer up an ever fuller world-building experience for an environment surrounding the introspection that often hits hardest towards the end of the year.

Happy Holidays.

HB