Heartbreaking Bravery

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Tag: One More Time With Feeling

Watch This: Vol. 141

This past week was brimming with exceptional live clips from artists like Happy Diving, Puppy Problems, Wolf Parade, Eros and the Eschaton, Grape Whales, Islands, The Tallest Man On Earth, Matthew Logan Vasquez, Oscar, Villagers, Clique, July Talk, Lisa Hannigan, Whitney, Rogue Valley, Woven In, Mudhoney, Helms Alee, Aidan Knight, Waterstrider, and The Staves. While all of those are worth studying for both the central performances and the way those performances were captured, the five clips featured below managed to become standouts for excelling in those departments. From old favorites to new faces, from legitimate live music video entries to full sessions, from cathartic release to sorrowful introspection, there’s a lot to navigate in these selections. So, as always, sit up, lean in, adjust the settings, focus, block out any distractions, and Watch This.

1. Mitski – First Love / Late Spring + Your Best American Girl (World Cafe)

Ever since Mitski‘s breakout release, Bury Me At Makeout Creek, the songwriter has been a staple of this site’s coverage. The project’s been outstanding both on record and in the live department. Mitski recently stopped by World Cafe to play through the fiery “Your Best American Girl“, easily one of this year’s brightest moments, and “First Love / Late Spring” with the calm confidence that’s propelled the songwriter to widespread acclaim. It’s a welcome reminder of a powerful performer and a beautiful document of the current era of the project.

2. Kevin Devine – No History

Kevin Devine has a storied history of spellbinding performances so it’s no surprise that the songwriter’s continued to sporadically show up in this series. Devine can be an electrifying performer when backed with a full, electric band but there’s a certain magic to his solo acoustic performances that’s only grown more pronounced with this time. “No History” capitalizes on that magic in full, standing confidently as both a gorgeously lensed live clip and — impressively — as bona fide music video.

3. XURS (KEXP)

A new name to this site, XURS recently had somewhat of a coming out party in the KEXP studios, delivering a blistering session of unapologetic noise/punk. Every song the band tears through in this session is absolutely vicious and delivered with enough conviction to knock most other bands flat. Wildly frantic and more than a little exhilarating, the band make the absolute most of a solid opportunity and the end effect seems set to resonate for quite some time.

4. Big Thief (NPR)

Big Thief very quickly became a distinctive part of this site’s identity thanks to the overwhelming strength of this year’s Masterpiece. “Paul“, the title track, and “Lorraine” all get performed here for NPR’s Tiny Desk Concerts series to a small, hushed crowd. The band’s a perfect fit for the series and the setting allows the sweeping, open-road atmospherics that’s a specialty of the band a little extra room to breathe, casting a spell that’s nothing short of entrancing.

5. Nick Cave & The Bad Seeds – I Need You

Only a few installments back, Nick Cave was granted an unforgettable entry in this series thanks to the harrowing clip for “Jesus Alone“, a gorgeous excerpt from the shattering Andrew Dominik documentary One More Time With Feeling. Like “Jesus Alone”, “I Need You” is a clip that’s both haunted and haunting, an examination of an artist going through unspeakable loss. Even these six minutes, isolated from the context of the film and the record, are a wrenching experience. Cave, now more than ever, looks like a ghost attempting to navigate a reality that shouldn’t exist. Deeply sorrowful and intensely moving, “I Need You” is an artful tragedy that’s impossible to shake.

Watch This: Vol. 139

Last week, from Monday morning to Sunday night, there were an over-abundance of incredible live clips. Fear of Men, Black Mountain, The Brokedowns, Thunderpussy, Peter Bjorn and John, Esme Patterson, Dott, and Yael Naim were responsible for several notable entries. Five more acts that made their mark with single song sessions will be featured below, while five acts who unveiled outstanding full session installments will be featured in this series’ forthcoming volume. All but one of the artists featured in the 139th edition of Watch This have been featured on this site in the past. From genuine, wrenching sorrow to authoritative command to biting tongue-in-cheek humor, there’s a lot to admire in these clips. So, as always, take a deep breath, lean in, turn the volume up until it can’t go any further, and Watch This.

1. Angel Olsen – Shut Up Kiss Me (The Late Show With Stephen Colbert)

“Shut Up Kiss Me” was an unforgettable track from the moment it debuted and it’s actually gained strength over the time that’s elapsed since its release. It marked a new era of Angel Olsen and saw the songwriting brimming with newfound poise, confidence, and a healthy dose of attitude. Here, the song gets an additional injection of fire and fury for Colbert’s studio and the performance leaves everyone outside of the stage in a haze of smoke.

2. Greys – Blown Out (BreakThruRadio)

Greys have been one of the most intense bands on the live circuit for several years now and they’re continuously finding ways to top themselves. It doesn’t seem to matter if they’re playing to ten people in a basement, a peak festival slot, or a radio studio, they’re constantly dead-set on total annihilation. This year’s excellent Outer Heaven was a small triumph for the band, highlighted by tracks like “Blown Out”. Here, the band runs through that track for BreakThruRadio with abandon, doing everything to make sure they leave a permanent imprint.

3. AJJ – No More Shame, No More Fear, No More Dread (The Trundle Sessions)

There are few people who have put in the kind of dogged effort AJJ’s Sean Bonette has all but exemplified for over a decade. All of that work’s culminated in the project’s finest moment, The Bible 2, which confidently stands as one of 2016’s best records. “No More Shame, No More Fear, No More Dread” is the record’s breathtaking centerpiece, a nakedly emotional ballad that doesn’t pull any punches in its introspective wishing. Bonette’s solo performance of the song for The Trundle Sessions is arguably more powerful, stripping away the excess instrumentation to elevate the song’s inherent humility. It’s an unforgettable turn from a songwriter worth celebrating.

4. Fiji-13 – Mainsplain It To Me (Radio K)

An uptick in exposure for unabashedly feminist bands has opened the floodgates for more acts to follow suit and Fiji-13 has taken up that mantle with relish. “Mansplain It To Me” is about as snarky as they come but the message isn’t lost in the comedic riffing (which hits an apex in the song’s unbelievably perfect bridge). For just under two and a half minutes, Fiji-13 unleash a rapid-fire series of self-deprecation and surf-tinged basement pop. It’s not difficult to see this band hitting a point where they influence a whole new crop of kids to pick up some instruments and take some determined stabs at the patriarchy.

5. Nick Cave & the Bad Seeds – Jesus Alone

There are few things more unfathomable to most than the loss of their child. The unimaginable anguish that accompanies that moment can turn every second of every day into a waking nightmare full of doubt, second-guessing, self-loathing, and seething resentment. It takes a special kind of bravery to allow a camera crew to intrude on that grief and document it in full, especially when that intrusion occurs mere months after that passing. Nick Cave has proven himself to be, again and again, an atypical creature with the kind of singular artistic vision that leaves behind a legacy.

Filmmaker Andrew Dominik crafted one of the best films of this century in The Assassination of Jesse James by the Coward Robert Ford — a film that was scored by Cave & Warren Ellis — and, by all accounts, has created another masterpiece with his portrayal of Cave in the forthcoming One More Time With Feeling, which follows the songwriter as he navigates his grief and writes the band’s soon-to-be-released Skeleton Tree. In the first extended preview, the band runs through “Jesus Alone”, which is shot in crisp black-and-white emphasizing Cave’s vocal recording session and intercutting them with additional footage studio.

The cinematography is masterful, the editing is exquisite, but the sense of overwhelming despair is unshakable. Throughout everything, it’s clear that the creative team behind One More Time With Feeling have their hearts in the right places. The tragedy that brought all of this about is treated with enormous respect and virtually nothing comes off as exploitative. It’s a jarring experience due to an emotive power to leave just about anyone shell-shocked, providing the most minuscule of windows into Cave’s emotional state. His sense of loss and longing is felt at every second of one of the most harrowing songs in some time. In short: this is a masterpiece.