Heartbreaking Bravery

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Tag: Silhouettes

Mike Krol – Neighborhood Watch (Music Video)

mikekrol

After a relatively slow start, the Tuesday push of new releases saw the content push rapidly accelerating and left us with a little under three dozen items to cover. Once again, there were some strong full streams from great artists like Infinity Girl, Modern Merchant, Wild Moth, Peterborough Pirates, and The Invisible Strings (as well as the 16th LAMC split, this time between La Luz and Scully). A handful of great music videos made their way out into the world, coming from acts like Potty Mouth, Findlay Brown, The Good Life, Django Django, Sea of Bees, Whitewash, and Floating Points. Then, of course, came the slew of single streams that included outstanding new entries from a field consisting of no less than Spencer RadcliffeLow, Small Black, Sudakistan, Farao, Kevin Devine (covering The Cure), Varsity, Amanda X, Hurry Up, Blonde Summer, Library Voices, Antibodies, Active Bird Community, and Protomartyr. It was a lot to take in and literally everything linked above, as always, is worth checking out- but today’s focus falls to a name new to most but familiar to me: Mike Krol.

For years, Krol’s been involved with the DIY punk scene in the upper Midwest and found himself in frequent collaboration with the tragically under-appreciated (and sadly defunct) Minneapolis-via-Madison act Sleeping in the Aviary. It’s a collaboration that continues today (several of the band’s former members play on Krol’s upcoming Merge debut Turkey), which probably isn’t surprising considering how frequently they toured together (Sleeping in the Aviary was Krol’s backing band on more than one occasion) and the fact that Sleeping in the Aviary literally dedicated a song to Krol in its title on one of the best split 7″ records of the 2000’s.

Already a few great releases into his career, Krol’s deal with Merge has ensured a lot more eyes will be trained on his next few moves and so far, the songwriter hasn’t disappointed. After “This Is the News“, Turkey‘s fiery as hell lead-off track, it was abundantly clear that Krol’s wielding more power than ever- and doing it with an almost vengeful force. For his latest feat, he’s enlisted Rob Hatch-Miller and Puloma Basu to direct a screwball clip for Turkey highlight “Neighborhood Watch”. Adopting a vocal approach that has some uncanny similarities to Davey Jones of Lost Boy ? makes “Neighborhood Watch” sound immediately familiar (and endlessly enjoyable) on record, it’s the clip that pushes it over the edge. Emphasizing Krol’s penchant for irreverence and incorporating a barrage of winking edits, “Neighborhood Watch” infuses itself with enough self-effacing slapstick to make it one of 2015’s more enjoyable outings. For some tongue-in-cheek humor and yet another genuinely great song, this one’s going to be hard to beat.

Watch “Neighborhood Watch” below and pre-order Turkey from Merge here.

Watch This: Vol. 85

Welcome to the 85th installment of Watch This, the annual Sunday series that celebrates some of the finest performance captures to find release over the past week. Courtney Barnett, Girlpool, and Torres all continue their respective strangleholds on this series’ feature spots. Heavy on full sets, every artist featured here has earned several words from this site in the past. Of course, as usual, there was stiff competition for the feature spots. Artists responsible for those performances included: Tahiti Boy & the Palmtree Family, Christopher Owens, Christopher Paul Stelling, Sorority Noise, Leon Bridges, Viet Cong, HEALTH, Calexico, Dave Monks, Sam Prekop + Archer PrewittMolina y Los Co´smicos, Forth Wanderers, Shana Cleveland and The Sandcastles, and footage from the FORM Acrosanti anti-festival. It’s another lineup that’s indicative of the five featured clips’ astounding strength. So, as always, grab a drink, sit back, adjust the volume to whatever best reflects your preference, and Watch This.

1. METZ – Spit You Out (3voor12)

METZ are one of the fiercest live bands on the planet right now so their inclusion here isn’t really all that surprising. What’s definitely unexpected, though, is the gorgeous scenery. Performing at the Best Kept Secret festival, the trio took to a house’s front yard and delivered an absolutely blistering rendition of METZ II highlight “Spit You Out”. It’s an exhilarating tour de force from one of this generation’s most exciting bands.

2. Girlpool (NPR)

By now it’s very likely that the trio of songs the duo of Cleo Tucker and Harmony Lebel-Tividad play here have graced this series more than any other songs. However, they’ve never been played on a stage even remotely similar to NPR’s vaunted Tiny Desk Concert series. Now, more than ever, it’s abundantly clear how ingrained these songs are in both members. Intuitive playing, effortless harmonies, and a genuine love for their work and each other once again carries their performances to near-transcendental heights.

3. Speedy Ortiz (unARTigNYC)

First thing’s first: this is not a complete video. Understandable, because the weather started threatening everyone’s equipment, not just Speedy Ortiz’s (who had several technical difficulties throughout a spirited, memorable set). I was fortunate enough to be in attendance for this show- held for free on a pier in Manhattan as part of Hudson River Parks’ Hudson RiverRocks concert series- and weathered a fairly brutal rainfall sans umbrella until the bitter end (the rain started- and the wind picked up- during a beautiful version of “Doomsday”, a song that still manages to elicit goosebumps and stands firm as a Song of the Decade contender). Although it’s not featured in the video, I’ll have a permanently embedded memory of the band losing pedal after pedal (and then amp and PA connections) during a particularly fierce take on “American Horror” that ended with Sadie Dupuis opting to take her guitar off and hold it above her head, allowing the feedback to ring out, like some ritualistic sacrifice to the gods. It was a stunning moment. Unfortunately, Waxahatchee’s set had to be cancelled due to lightning before it even started- but it would have been hard to have made much of an impression after what Speedy Ortiz accomplished in the face of what could have easily been disastrous.

4. Torres – A Proper Polish Welcome (Sunday  Sessions)

There’s something about Torres’ “A Proper Polish Welcome” being played as a solo piece that manages to come off as intrinsically haunted. One of the most arresting moments on one of the year’s best records, it’s lent an even greater pathos when it’s stripped bare. With Sunday Sessions placing all of the emphasis on Mackenzie Scott, the clip nears a strange voyeurism as Scott completely loses herself to both the song and the performance. Gripping and beautiful, it’s a masterclass in solo performance.

5. Courtney Barnett (Moshcam)

Courtney Barnett seems to be making a habit out of crashing Watch This‘ weekly party with astounding full sets and this excellent performance- beautifully lensed by Moshcam- sees the continuation of that pattern. This time around, the songwriter unloads a career-spanning powerhouse homecoming set to an appreciative audience. Barnett’s a preternaturally gifted performer and the band she’s assembled plays well to her seemingly endless strengths. A staggering 16-song set, this serves as one of the definitive documents of Barnett’s abilities and still-ascending level(s) of success.