Heartbreaking Bravery

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Tag: Powers of Ten

So Stressed – Apple Hill (Stream)

sostress

Over the course of the year, one format or another has been stuck functioning in catch-up mode. Today, with this post, everything that falls under the regular umbrella coverage will be brought up to the present release cycle. In a way, then, it makes sense that something as blistering and urgent as “Apple Hill” grabs this post’s focus. Even more fitting is the fact that it comes from the first band to be signed to Honor Press, the newly created label of Perfect Pussy‘s Meredith Graves (whose fundamental importance to this site and its continued existence simply can’t be overstated). While all of that will be addressed shortly in greater detail, it wasn’t the only excellent musical offering ushered out into the world over the past week. To that end, just as in the preceding post, a list of full streams and songs that deserve hearing.

Full streams: Miserable Friend’s Thawed, Flawed and Suffering, Pinact’s Stand Still and Rot, Telepathic’s Powers of Ten, Thee Oh Sees’ Mutilator Defeated At Last, Ceremony’s The L-Shaped Man, Holly Miranda’s self-titled, Hot Chip’s Why Make Sense?, God Damn’s Vultures, Weedeater’s Goliathan, Super Unison’s self-titled, and a split from Martha and Benny The Jet Rodriguez. Songs: Ancient Sky’s “Two Lights“, Wild Pink’s “Is This Hotel Haunted“, Cancers’ “Missed“, The Absolute’s “Smile“, Kevin Devine’s “Gießen“, Jaill’s “Got An F“, Methyl Ethel’s “Twilight Driving“, Ecstatic Vision’s “Don’t Kill the Vibe“, Hollow Sunshine’s “Morning Green“, and Sweet John Bloom’s “Next Thing” (which very nearly earned this post’s feature spot). Rounding everything out was Run The Jewels’ strikingly animated clip for Run The Jewels 2 highlight “Early“. Then, of course, there was So Stressed’s hellishly snarling “Apple Hill”, which shows the band greatly expanding on the potential hinted at by their lead-off single “Merv King & the Phantoms“.

“Apple Hill” scales back the feverish tenacity of “Merv King” for something that manages to come off as both more brutal and more refined. Marrying post-punk, noise punk, and one of the more sinister breeds of hardcore definitely isn’t an easy look to pull off convincingly but “Apple Hill” wields that formula like a weapon. Brimming with an astonishing confidence and unerring conviction, it immediately transforms itself into something undeniable. Starkly unforgiving and shockingly immediate, it lays some deeply compelling groundwork for the band’s upcoming record, the exquisitely titled The Unlawful Trade of Greco-Roman Art. It’s a deceptively intuitive piece of songwriting that revels in its own pent-up frustration and, finally, the shards of cathartic release embedded throughout “Apple Hill”. The bass gets buried in fuzz, the drums zero in on the instruments intrinsic ability to become propulsive, the guitar line throws convention to the wind, and the vocals take the whole thing to a fascinating, wild-eyed realm. By the song’s end, So Stressed have created an immersive world that’s as punishing as it is intriguing; an unexpectedly strong effort that sets up The Unlawful Trade of Greco-Roman Art. Give into its whirlwind ferocity or get the hell out of the way.

Listen to “Apple Hill” below and pre-order The Unlawful Trade of Greco-Roman Art from Honor Press here.

METZ – Spit You Out (Stream)

METZ I

While there may still be a large handful of full streams to mention from 2015’s beginnings, it’s a small enough array to justify pushing off to the side for just a while. Today officially marks the return to regular coverage as an every day staple and today, more than any other day, feels like the precise right time to kick things back into high gear. While there weren’t a lot of music video that managed to sink their way in, Holy Pinto’s laid-back animated clip for “Tooth” and Oddisee’s black-and-white journey in “CounterClockwise” still constitute a strong showing for the medium. Full streams packed a little more heat in numbers, with a pair of demos coming into sharp focus, courtesy of Composite and Dominadora, respectively (a personal thanks to Pansy Twist Distro‘s Amy for tips on both). In the non-demo corners of that particular sphere, there were treasures to be found in the spiked post-punk of Bad Future‘s Nightchurch, the joyfully scattershot eclecticism of The Danger Boys’ self-titled effort, the scrappy grit of the indie pop found on VARSITY‘s most recent full-length, and Telepathic’s reassuringly brilliant Powers of Ten EP, which lessens the pain caused by the sudden departure of site favorites Bleeding Rainbow (Telepathic features members of the band).

As usual, there was a glut of incredible songs worth touching on, a few of which nearly snagged tonight’s headline. A pairing of elder statesman from the independent scene had a good day out with both Conor Oberst’s Desaparecidos marking their official return with “City on the Hill” to tease a forthcoming record (Payola) and Superchunk’s Mac McCaughan providing a reminder of why he remains one of the more influential voices in music with the lightly damaged (and wholly brilliant) “Box Batteries“.  Moon King provided alluring lilt with “Impossible“,  Town Portal took off the safety with the gnarled “Bonus Trigger“, Blank Pages blurred the line between basement pop and post-punk with “No Reception“, and 15 year-old wunderkind Billie Marten turned in a haunting folk stunner with “Heavy Weather“. Howard also turned in an arresting folk tune by way of “Religion” while Battle Ave carved out an atmospheric niche with the downtrodden “Aleph“. A trio of punk scrappers rounded things out with Hinds (formerly known as Deers) unveiling the finalized version of the slow-burning “Trippy Gum“, The Teen Age elevating the anticipation for their forthcoming record with the driving “Pieces“, and Loose Tooth wreaking all kinds of havoc with their latest, the rousing “Skinny Chewy“.

Even with all of those items coming out swinging, the day- and this piece’s focus- belongs to METZ. Arriving only a day after “Acetate” fearlessly pummeled its way onto the site’s First Quarter Highlights mixtape, “Spit You Out” comes flying off the handle, kicking down any doors that are in its path. One of the biggest criticisms METZ– the band’s acclaimed debut- faced was that it was too one-note; song structures were too similar and the band couldn’t shake its comfort zone. At the same time, praise for their live show began appearing in just about any publication that paid the band any mind. Personally, I loved the no-bullshit approach bent of their debut but “Spit You Out” does suggest the band might have latched onto something tremendously exciting by deviating from their more conventional tendencies (which aren’t really all that conventional anyway). One thing the characteristically hell-raising does do better than any of its predecessors is imitate the band’s exhilarating live show. Riding one of the band’s strangest riffs throughout the course of the song, guitarist/vocalist Alex Edkins sounds as manic as ever- only relenting for a thrilling extended section that feels tuned in to what the band aims for live. Apart from that, there are a few other production flourishes here and there that suggest II, the appropriately-named album to which “Acetate” and “Spit You Out” belong, could be one of 2015’s finest releases. Noise solos, a tambourine that somehow manages to sound menacing, and a whole lot of attitude combine to serve as a warning: METZ aren’t planning on going anywhere until they finish what they started.

Listen to “Spit You Out” below and pre-order II from Sub Pop here.