Heartbreaking Bravery

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Tag: Petal

Watch This: The Best of 2016’s First Quarter, Vol. I

[EDITOR’S NOTE: Each of the seven volumes that comprise this Watch This package contain 25 clips apiece. Due to the sheer volume of live videos that have come out during January, February, and March all of the packages will have the same introductory paragraph. Regular Watch This segments will resume on Sunday.]

It’s been a tremendous first quarter for live videos. While Watch This, Heartbreaking Bravery’s weekly series celebrating the very best of the live video format, hasn’t been in operation for roughly three full months, the information required to keep this thing humming (i.e., checking through hundreds of subscriptions and sources for outstanding new material) has been collected at regular intervals. If they were full sessions, single song performances, studio-shot, DIY captures, transcendent songs, or transcendent visual presentations, they were compiled into a massive list. 175 videos wound up making extraordinarily strong impressions, those videos will all be presented here, in the Watch This: The Best of 2016’s First Quarter extended package, one 25-clip presentation at a time. 

Watch the first collection of those videos below.

1. Charly Bliss (Audiotree)
2. Julien Baker (NPR)
3. Happyness (KEXP)
4. Car Seat Headrest (NPR)
5. PWR BTTM (KEXP)
6. Kal Marks – Coffee (Allston Pudding)
7. Fern Mayo (BreakThruRadio)
8. Wolf Alice (NPR)
9. Coke Weed (WKNC)
10. Frankie Cosmos – Outside With the Cuties (Pitchfork)
11. All Dogs – Sunday Morning (Little Elephant)
12. Eskimeaux (BreakThruRadio)
13. Sóley (KEXP)
14. Ty Segall & The Muggers – Candy Sam (Conan)
15. Pinegrove – Need 2 (Little Elephant)
16. Beach House – Irene (Pitchfork)
17. Petal – Sooner (WXPN)
18. Ratboys – Collected (DZ Records)
19. together PANGEA – Blue Mirror (Consequence of Sound)
20. VANT – Parking Lot + Do You Know Me (3voor12)
21. Long Beard (BreakThruRadio)
22. Courtney Barnett – Nobody Really Cares If You Don’t Go to the Party (Colbert)
23. Michael Rault – Nothing Means Nothing (Out of Town Films)
24. Sleater-Kinney – Modern Girl (Austin City Limits)
25. Bo Ningen (KEXP)

Milk Crimes – Milk Crimes (EP Review, Stream)

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[EDITOR’S NOTE: With the site now entering emergency year-end catch-up mode thanks to the cruel, mocking nature of time, tonight’s trio of posts will simply be short reviews of the album(s) in the headline(s) and an accompanying list of records that deserve to be heard.]

Every so often, a band explodes onto my radar by virtue of a simple email message and thoroughly captures my attention. Milk Crimes are one of these bands and their explosive self-titled EP, which recalls a number of acts from the impeccable Reeks of Effort roster at their most manic (while still clinging to the frantic pop sensibility that serves as one of their more defining elements).

Milk Crimes is comprised of five vicious punk-tinged basement pop numbers, each one barreling headfirst towards some unplanned destination. The trio trades vocals at will and are unified in their determinedly scrappy approach as individual musicians, conjuring up something that feels exhilarating because of the constant looming threat that it’ll all fall apart at any minute (yet never does). Wildly energetic and abrasively confrontational, it’s one of 2015’s finest hidden gems and deserves a lot more discussion than it’s getting. Get on board.

Listen to Milk Crimes below and pick it up here. Below the embed, explore a collection of some of the best full streams to surface over the past several months.

Sevdaliza – Children of Silk
Rubber Bang Gun – Making A Fool of Myself
Fórn + Yautja – Split 7″
Nervous Trend – Shattered
Val Hollie – Val Hollie
Total Abuse – Excluded
Ashland – Ashland
Bethlehem Steel – Docking
Lysol – Demo
Correatown – Embrace the Fuzzy Unknown
Jacobus – Jacobus
Goldmund – Sometimes
100% – Incantation
The Empty Gestures – Total Collapse
Z Tapes’ Christmas Benefit Compilation
Emily Yacina – Soft Stuff
The Just Luckies – Same Kids, Same Things
PC Worship – Basement Hysteria
Petal – Raspberry Cough
Skaters – Advent Calendar
Marvelous Mark – Crushin’

Midnight Reruns – Force of Nurture (Album Review, Stream)

Midnight Reruns IV

Formatted in the same pattern as the last post due to the time constraints that CMJ prompted, the full streams collected in the interim from regularly scheduled coverage are listed at the very bottom of this post. It’s a decision that also allows the sole focus to be placed on Midnight Reruns‘ incredible sophomore effort, Force of Nurture. It’s worth noting that this is a band I’ve had the privilege of tracking since around the time of their first EP‘s release, which precedes this site’s existence, and they were one of the bands I created Heartbreaking Bravery to celebrate (they’ll always have the distinction of being the first band ever to appear on Watch This, which has now run for 100 segments).

During that time, I’ve been fortunate enough to catch a number of the band’s explosive live shows, which have– with good reason– mostly veered towards the material on Force of Nurture. The band put together a nice pre-release run for the album, including a very strong EP and the release of two of 2015’s best songs in “There’s An Animal Upstairs” and “Canadian Summer“. As good as all of those items were, they’d fail to suggest the extent of Force of Nurture‘s sheer weight, even if they were packaged together.

In a statement issued to Substream, who hosted the record’s premiere, guitarist/vocalist Graham Hunt spoke of the loss of a close personal friend, an event that reverberates throughout the record with a staggering force. It’s most noticeably present in the record’s connecting thematic elements; uncertainty, regret, struggle, and loss. Even Force of Nurture‘s most ostensibly positive moments come with the caveat of being opaque enough to suggest there could be a tremendously dark underlying subtext.

Aside from the record’s earned weariness, the compositions far exceed what the band accomplished on their extremely impressive self-titled debut, which is no mean feat. A very palpable debt to The Replacements is heavily reinforced by Force of Nurture‘s credits, which list Tommy Stinson (one of the group’s earliest supporters) as the record’s producer. While there are still aspects of the Thin Lizzy twin-lead dynamic that were so often cited in regards to their earlier work, the band leans more heavily on their Big Star influence this time around to exhilarating effect.

Hunt, as hinted at above, turns in a jaw-dropping lyric sheet that expertly bridges the record’s muted optimism with its struggles in solipism. Everything, down to our own most microbiological functions, is put on trial; no answers are granted and the questions that are posed cut deep. Debauchery runs rampant but the band never lets its determination flag, committing to “making people laugh” even in their bleakest moments.

As relentlessly dark as this is all sounding, the band still finds a way to present themselves through fiery guitar work, sun-soaked melodies, and propulsive rhythm section work that lends the proceedings the kind of vibrancy that renders Force of Nurture an addictive listen. It’s mid-section run, in particular, somehow manages to pull off a relative weightlessness in the face of its tragic, bruised lyricism. Whether its something like the strained relationship at the crux of “Where’s Ace?” or the dreamlike self-aggrandizement of “Sky Blue Water” that ends in a tragicomic defeat, there’s a very peculiar bite to the record that makes it feel deeply personal and unflinchingly vital.

By the time the band’s exhausted their arsenal of incredibly effective hooks (the only 2015 records I can think of that have approached being even remotely close to this successful in that sense are Sweet John Bloom’s Weird Prayer and Dogs On Acid’s self-titled), they’ve run an exhaustive gamut of hard-earned lessons and navigated the journey with a wary resiliency. As they well know, and devastatingly note on “Great Southern Rail”, the record’s sprawling eight minute closer, sometimes all it takes is just one gunshot.

As a personal exercise, Force of Nurture feels therapeutic in a way that seemed to be crushingly necessary. As a standalone full-length, it’s essential. Easily one of 2015’s most invigorating, affirming, and incendiary records, Force of Nurture aim goes far beyond most band’s goals and they hit their mark with a memorable emphasis. So, as things get difficult, depression lingers, houses burn, friends are lost, and seasons vanish to a place beyond recovery, we now have a deeply empathetic record to help us through those times. For that, we collectively owe Midnight Reruns a debt of gratitude- and a place for Force of Nurture in our collections.

Listen to Force of Nurture below and order a copy from Dusty Medical here. Beneath the embed, explore a list of some of the finest records to find release over the past few weeks.

Trust Fund – Seems Unfair
Laura Stevenson – Cocksure
Petal – Shame
Jonathan Bree – A Little Night Music
Ex-Breathers – Past Tense
Modern Baseball – Holy Ghost
Slanted – Lost Forever: B-Sides From Forever
Sleep Kit – Standby Me
Postcode – The Dandelion Radio Session
Wendy Alembic – Collected Early Works
Sports – All of Something
Community Records Compilation Vol. 5
Witch Coast – Burnt Out By 3PM
Walter – Get Well Soon
The Love Coffin – Veranda
Spray Paint – Dopers
Julien Baker – Sprained Ankle
Expert Alterations – You Can’t Always Be Liked
Alien Boy – Never Getting Over It
Dyke Drama – Tender Resignation
Florist – Vacation
Stumpf – Barf Radio
Greys – Repulsion
Haybaby – Sleepy Kids
Dead Painters – Aluminum Gold

Painted Zeros – Only You (Stream)

Painted Zeros II

Over the past few weeks, a lot of excellent material has surfaced. Unsurprisingly, the bulk of that material has been singles. Since the time span was so extensive (mostly due to the attention afforded to the CMJ coverage), all but one of those songs have been compiled in a list that will be running at the very bottom of this post. The one exception is tonight’s featured song: Painted Zeros‘ “Only You”.

After being somewhat underwhelmed by Painted Zeros’ set at Alphaville (which, to their credit, seemed to have more to do with the sound setup than their performance), the band knocked me for a loop during CMJ at Aviv. Having already commented on the impressive nature of their quieter material from their upcoming Floriography, it’s heartening to see the trio committing to “Only You”– a clear standout from their CMJ set– as their latest release in the album’s rollout campaign..

Driven by a gentle, intricate bass figure that comes courtesy of Jim Hill (who also plays in Slight, The Glow, and Montana and the Marvelles), “Only You” serves as a showcase for guitarist/vocalist Katie Lau’s more pensive side as well as the band’s considerable growth. Floating along like a fully-realized dream seeped in tranquility, “Only You” far surpasses the very evident promise of S V A L B A R D. Defying any easy genre categorization while flashing hints of the very best elements of everything from dream pop to post-punk, the song finds a soft transcendence and sustains it through its final, fading moments. From start to finish, “Only You” is a lovely, unexpected triumph.

Listen to “Only You” below and pre-order Floriography from Don Giovanni here. Beneath the embed, explore a collection of some of the best songs to find release over the past two weeks.

Petal – Silly Heart
Basement Benders – Purple Days
The Gloomies – LSD
Eluvium – Confessor
They Might Be Giants – Or So I Have Read
Holy Esque – Hexx
Kitten Forever – Temple
Matt Kivel – Janus
Wray – May 23rd
The Unspeakable Practices – A Steadying Effect
Soldiers of Fortune (ft. Stephen Malkmus) – Campus Swagger
Brass Bed – I Am Just A Whisper
Free Children of Earth – All Tomorrow’s Plunder
Go Deep – Slumberland
Elephant Stone (ft. Alex Mass) – The Devil’s Shelter
Globelamp – Controversial Confrontational
Tenement – Weakest Ones (Demo)
The Besnard Lakes – Golden Lion
Beach for Tiger – Coco
Le Rug – Bomb
Kindling – Painkiller
Manwomanchild – Return to Ithaca
Bummed – Smoking Jewels
Jaala – Salt Shaker
Cicada Rhythm – The Keeper
MONEY – You Look Like A Sad Painting On Both Sides of the Sky
Human Potential – 105 Pounds of Disintegration
Busdriver (ft. Milo and Anderson Paak) – Worlds to Run
Wimps – Old Guy
Infinite Void – Even Ground
Black Panties – You’ll Never Find My Body
TOPS – Hollow Sound of the Morning Chimes
Earring – Black Chalk
Swings – Dust
Some Pulp – Slasher Nite @ The Showcase East
Florist – Cool and Refreshing
Sam Means – We’re Alone
Never Young – New Villain
Floating Points – Peroration Six
Eternal Summers – Our Distant Bodies
Andy Shauf – Jenny Come Home
Val Hollie – Siberian Summer
William Alexander – Strangest Things
Mitylion – My Yard Is On
Sheer – Cursed Again

Littler – Somewhere Else (Stream)

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And the hits keep coming. This past Tuesday may not have been as overflowing with worthwhile material as some recent days have been but it did unearth quite a few feature-worthy items. In the full stream category there was CITRIS‘ elegantly crafted, 90’s-indebted Panic in Hampton Bays, Mumblr‘s dark, created-in-a-day EP Super! Premium! Deluxe!, elle le fantôme’s brooding paint it blacker, and Charm School– one of the year’s best demos- courtesy of Dame. For music videos, Car Seat Headrest got the Matador era of their career off to an extraordinary start with the excellent clip for “Something Soon“, Miss June issued a strong reminder that they’re responsible for one of the year’s finest EP’s via “Student Loan“, while Hayden, Insect Ark, and Media Jeweler rounded the format’s offerings out with flair. A select few individual songs wound up creating a deep impression, a group that included Stove‘s formidable “Jock Dreams“, Miserable’s tender “Palmistry Notes“, Petal’s career highlight “Sooner“, and Fleurie’s swirling “Still Your Girl“.

While all those are worth exploring, it was Littler’s “Somewhere Else” that secured the day’s headline slot by showcasing a good band’s steady ascension to greatness. Having already established a song discography, the band’s become increasingly poised and that newfound confidence has seeped into their songwriting. On “Somewhere Else” the band takes a few risks with their dynamics and they all pay off beautifully. From the slow-burning front section to the supercharged ending, there’s never a false note. Lyrically, it’s an exploration of romantic tendency that benefits greatly from a disarmingly honest approach. With the mantra of “It’s always better somewhere else” dominating the song’s second half, “Somewhere Else” offers an unflinching reminder of the effects of longing- and secures Littler a spot as one of today’s more promising emerging acts. Sharp throughout, this is a song that demands to be heard.

Listen to “Somewhere Else” below and keep an eye on this site for more details on any forthcoming releases.