November was a hectic month for a lot of reasons, politically and personally. Barely any posts ran over the past 30 days but, as always, the new releases were accounted for as they were unveiled. As December presses towards 2017, there will be a slew of new posts covering the best material to be released in November as well as the releases that appear throughout the month. Before those run, though, there’ll be extended recaps of some of the most exceptional releases in the three major categories (streams, music videos, and full streams). This post will cover the visual end of that spectrum and offers up a wide array of styles. Go exploring.
PUP have been getting coverage from this site for just about as long as its existed and they’ve recently gone into an even more intimidating overdrive. After absolutely decimating 7th St. Entry at the start of the month, the band’s been providing reasons to revisit their past. This past week Audiotree uploaded an old full session the band gave the series back at the start of 2015, flashing some increasingly sharp teeth in the process.
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2. Royal Headache – High (Pitchfork)
High, the most recent release from Royal Headache, had more than enough firepower to earn a spot as one of last year’s best albums. As strong as their recorded output is, Royal Headache’s real draw has always been their live show, which is captured here via Pitchfork. Vocalist and principal songwriter Shogun has always been a commanding presence and that trait’s on full display as the band tears through the exhilarating title track of their last record at this year’s Primavera.
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3. Bob Mould (Sound Opinions)
One of the most respected elder statesman of punk has found a way to revitalize his career over the past several years, hitting some extraordinary highs with recent efforts. It’s not that Bob Mould‘s career has ever been dull, it’s that something inside of him seems to have been pushed to full throttle. The trio of songs Mould careens through here for Sound Opinions serve as very strong evidence.
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4. Weaves (CBC Music)
No band has been showing up in coverage lately more than Weaves, who are trying to outrun a tidal wave of adrenaline after releasing what may wind up being the year’s most explosive record. The band’s been stringing together an insanely impressive series of the exact right moves at the exact right moment and this full session for CBC Music continues that trend. Masterfully shot inside of a greenhouse, it’s easily one of the strongest visual sessions to have ever run in this series and for just about anyone else, the cinematography here could threaten to diminish the performance. However, Weaves are a different kind of animal and they find a way to draw strength from the setting, allowing the visuals to ultimately enhance a ferocious set. Every aspect of performance videos is paid respect to with this session, which stands as an unforgettable masterclass of the form. File this one away for multiple trips back to enjoy or even to study; it’s that good.
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5. PWR BTTM – Somewhere Over the Rainbow (Emily Dubin)
There’s nothing I can say here that isn’t said better in or by this video, which is a very loving, sincere capture of PWR BTTM playing a deeply heartfelt show in Orlando. Just click play and appreciate the worthwhile things and people in you’re life while you still can and while they’re still here.
Ever since Seratones‘ run at last year’s CMJ, the band’s been slowly escalating nearly every facet of their already-formidable presentation. Boasting one of the most awe-inspiring vocalists currently on the circuit, the band delivers a commanding performance here for Audiotree. Grabbing onto something won’t save you from being flattened.
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2. Car Seat Headrest – Fill In The Blank + Vincent (WXPN)
Teens of Denial still confidently stands as one of 2016’s finest records, a fact that will inevitably be reflected by several sources come December, and thanks to the band’s live show it’s still gaining traction. The band tore through “Fill In The Blank” and “Vincent”, the record’s opening two tracks, for WXPN. It’s a masterful run that shows Car Seat Headrest have plenty of tricks up their sleeves.
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3. Courtney Barnett (Strombo Sessions)
Courtney Barnett may very well hold the record for the most Watch This series appearances at this point. An endlessly gifted — and obscenely likable — performer, Barnett’s hyper-intelligent songwriting is allowed to thrive in the live setting. All of those qualities can become even more pronounced in her endearing solo performances, which is squarely the case with this beautiful set that comes courtesy of Strombo Sessions.
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4. Midnight Reruns – Richie the Hammer (Set List)
Last year, Midnight Reruns‘ brilliant Force of Nurture made a very strong showing in this site’s year-end rankings and a large reason for that placement was guitarist/vocalist (and principal songwriter) Graham Hunt’s growth as a lyricist. The record’s most surprising moment may very well have been the emotional devastation contained in “Richie the Hammer”, which the band recently performed for WPR’s excellent Set List series.
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5. Weaves (NPR)
After several years of stellar performances and continuous evolution, Weaves have managed to create quite a few converts. “Shithole“, a fiery moment of reinvention, kicked off a run of songs that currently comprise the most formidable stretch of the band’s still-blossoming career. The band takes on a trio of those selections for one of the most galvanizing Tiny Desk sessions in recent memory. It’s downright electric.
It’s been approximately a month and a half since the last volume of Watch This ran on this site. During the interim, there was a lull in coverage due to show coverage (the results of which will be appearing in the very near future) and then a spree to get the three main release categories — single streams, full streams, and music videos — caught back up to the current release cycle.
Now that everything’s back on pace, the Watch This series will be revived in a continuing series of posts that are spread out over the next week. During all of the time the series maintained radio silence, the material that was emerging was being taken into account on a near-daily basis. An intimidating amount of great live performance videos have surfaced in that time and will be split up into groups as those clips are recapped. Below is a list of strong candidates that have a lot to offer, either in the filmmaking department, through the band’s performances, or a mixture of both. So, as always, sit up, scroll down, and Watch This.
It’s been quite some time since their was an installment of Watch This, Heartbreaking Bravery’s weekly (when on schedule) round-up of the finest work in the live video field. Coverage is generally split between individual performances and full sessions that are captured in places like basements and professional radio studios. Though there has yet to be a volume of Watch This in 2016, the information regarding the series was collected diligently while it remained quiet.
Due to the overwhelming bevvy of material that’s surfaced over the past three months, the below collection while simply be given via hyperlinks. There’s a lot of information to digest here and — due to the nature of press cycles when bands are on tour — several acts will be listed more than once. Like the recent round-ups, this will be literally impossible to watch in one sitting. The best way to view this material will be to simply bookmark this page and explore the content at random, all of which is definitely worthy of some investment.
More round-ups will follow focusing on the best of the best of the 2016 Watch This field of candidates. Until then, enjoy these examples of excellency in the live video format.
[EDITOR’S NOTE: With the site now entering emergency year-end catch-up mode thanks to the cruel, mocking nature of time, tonight’s trio of posts will simply be short reviews of the song(s) in the headline(s) and an accompanying list of tracks that deserve to be heard.]
John Sharkey III once led Puerto Rican Flowers, a band that earned an almost excessively devoted following thanks to a small string of incredible records. The band’s eventual demise was a crippling blow but opened up the floor for new opportunities, one of which was quickly seized and invested in until the project, Dark Blue, began accruing an impassioned following of its own. Last year, the band put out the monumental Pure Reality, which was highlighted by songs like the brilliant “Here On My Street” which incorporated a greater emphasis on Sharkey’s formidable pop sensibilities.
In January the band will be returning with Vicious Romance b/w Delco Runts, a 7″ that recently got off to an extremely promising start with the record’s driving B-side. “Delco Runts” sees the trio continuing to expand their more pop-leaning influences without ever sacrificing their post-punk roots. Damaged, romantic, and wide-eyed, “Delco Runts” is a bruiser with a backwards grin, dissecting moments of youth with all the panache of the best tragicomedies. Eventually, “Delco Runts” builds itself into a heartbreaking conclusion that feels lived-in and brutally honest before dropping into a mournful outro section that lends the song some additional emotional weight, ensuring the song a valued place in what’s shaping up to be a formidable discography.
Listen to “Delco Runts” below and pre-order Vicious Romance b/w Delco Runtshere. Underneath the embed, explore a list of great songs to have appeared over the course of the last several months.
Three weeks is a long time to go without covering a specific song in a feature section, something that inevitably means grappling with a whole lot of content. Occasionally, some of the heavier decision making is made easy through very particular releases. One such type of release occurs when a young band (especially one who’s already been featured on this site) brings new material into the world. After establishing some level of investment through coverage, it’s exciting to see those acts capitalizing on early momentum.
Bruising are one of those bands and “Emo Friends” is their latest musical adventure. The duo of Naomi Baguley and Ben Lewis continue to complement each other to some sort of perfection. The pull between their twee tendencies and something far more sinister continues to sustain their aesthetic and lend it a surprising amount of propulsive force. Effortlessly light melodies and razor-sharp guitar figures provide the song with a tattered cloth and give “Emo Friends” a palpable sense of place. As the distortion and cleanliness dip in and out, weaving an intricate pattern, the song as a whole barrels forward with little to no regard for easy expectations. It’s another thrilling moment from a band that’s continuing to build something worthy of greeting with genuine excitement.
Listen to “Emo Friends” below and pre-order the single from Beech Coma here. Underneath the embed, explored a handful of other great songs to find release over the past three weeks.
Heartbreaking Bravery 