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Tag: Matthew Cooper

Eluvium – Rorschach Pavan (Stream)

eluvium

Over the course of the past few days, a host of impressive streams have surfaced from the likes of Death By Unga Bunga, Cory Hanson, Cheap Girls, Goon, Super Unison, Mannequin PussySofia Härdig, Totally Sl0w, Kiran Leonard, The Tallest Man On Earth, Two Houses, Suburban Living, Chasms, Racing Heart, Roses, Kadhja Bonet, Belle Mare, Diamond Hands, Astro Tan, and Kynnet. A bevvy of music videos emerged as well, including impressive new clips from Mozes and the Firstborn, Annabel Allum, Sam Evian, Marching Church, Billie Marten, Odonis Odonis, Eleanor Friedberger, Austin Lucas, The Body, Sunshine & the Blue Moon, Peter Bjorn and John, Cinemechanica, and The Pooches. Outstanding full streams from Band Aparte, Channeling, and Kaz Mirblouk rounded everything out in stylish fashion.

While all three dozen of those entries are worth a hefty amount of investment, it was Eluvium‘s characteristically breathtaking “Rorschach Pavan” to earn this post’s featured spot. Following on the heels of the spine-tingling “Regenerative Being“, Matthew Cooper once again demonstrates what’s made his discography one of the richest — and most celebrated — in ambient music.  “Rorschach Pavan” is one of Cooper’s finest offerings to date.

Once again, there’s an air of tranquility that permeates through “Rorschach Pavan” as well as a genuine sense of peace. Cooper’s stated that False Readings On is meant to be a meditation on cognitive dissonance and that thread reveals itself in patches throughout the course of this track but never overwhelms the proceedings, acting as a brief reprieve from the aggressive punctuation of “Regenerative Being”. Even with feedback and white noise swirling through its veins, “Rorschach Paven” registers as one of Cooper’s more calm, cerebral works.

The structure of the bulk of Eluvium’s music demands the songs to slowly unfurl, revealing themselves in layers while simultaneously adding new, overlapping themes, motifs, and instrumentation. Here, that approach hits an apex just after the 3:40 mark as a bass suddenly lifts the melody skyward in what’s one of the most beautiful sequences of music anyone’s likely to hear all year. That specific moment winds up being the definitive one for “Rorschach Pavan” as the gentle climax slowly cedes and the track begins to calmly disintegrate.

Otherworldly, intimate, and unfathomably gorgeous, “Rorschach Paven” is classic Eluvium, through and through. Beyond that, it’s one of the most awe-inspiring songs of recent memory. If the rest of False Readings On can live up to the standards set by its precedents, it’ll likely stand as one of the most beautiful records of 2016. Until then, “Rorschach Pavan” should be more than enough to tide anyone over. Fall under its spell and drift off on a sea of muted bliss.

Listen “Rorschach Pavan” below and pre-order False Readings On here.

Eluvium – Regenerative Being (Stream)

eluvium

Some artists seem to constantly exist on the periphery, never quite breaking through in the way that their work would suggest as a legitimate possibility. Eluvium has been occupying the fringes of that space for some time now, despite being one of the most acclaimed names in ambient music. Throughout seven records and several other releases, the Eluvium project (masterminded by Matthew Cooper) has maintained an air of quiet sophistication that feels both elegiac and deeply personal.

After the recent Life Through Bombardment box set series brought everyone up to speed, Eluvium’s now giving eager fans a glimpse at the forthcoming False Readings On full-length with the transfixing “Regenerative Being”, a characteristically gorgeous composition that illustrates the common thread of False Readings On: cognitive dissonance. For the majority of Eluvium’s discography, Cooper has kept the tone tranquil, unleashing aggression in unexpected ways at unexpected moments. It’s that specific trait that defines “Regenerative Being” and will likely be emphasized throughout False Readings On.

Beginning with a tonal swell, “Regenerative Being” begins to gently unfurl, expanding steadily in both instrumental palette, atmospheric range, and artistic scope. Cooper’s piano (the instrument that anchored An Accidental Memory in the Case of Death, one of the finest works of the past 16 years) glides into “Regenerative Being”, pushing it forward with an intangible kind of support. Not too long after the piano’s introduction, a jarring moment arrives with what sounds like a vocal sample that pierces “Regenerative Being” with a brash urgency.

It’s a process of addition and subtraction from that point forward, the song enveloping the listener as it meticulously unfolds. Though “Regenerative Being” winds up approaching the seven and a half minute mark, its running time is never felt. Like all of the best pieces of Eluvium’s catalog, “Regenerative Being” proves to be a transcendent, transportive experience imbued with a beautiful vulnerability and commitment to raw emotion.

There are few acts more adept at constructing entire worlds via music than Eluvium and “Regenerative Being” should serve as hard evidence. Undeniably beautiful, fiercely intelligent, and masterfully executed, it’s a potent reminder of Eluvium’s immeasurable talent. Beyond all of those things, it’s a piece that’s worth getting lost in, over and over again. With an unfathomable amount of grace, “Regenerative Being” burrows into the listener’s brain and then breathes life, living up to its title in full.

Listen to “Regenerative Being” below and pre-order False Readings On from Temporary Residence here.