Heartbreaking Bravery

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Tag: KVRX

Watch This: Vol. 158

Last week’s Monday-Sunday stretch yielded a large handful of outstanding live videos. While normally Watch This segments run on Sunday, this one (and the posts soon to follow) were held back by outside circumstances. The posting on Heartbreaking Bravery will be more frequent going into the future. Getting that rotation started is this crop of clips, which were strong enough to render compelling takes from the following as honorable mentions:

Jesca Hoop, Sigur Rós, Los Gold Fires, AJJ, Hurray for the Riff Raff, Dolfish, The New Pornographers, The Regrettes, Amy O, Sean Rowe, Desert Mountain Tribe, Weyes Blood, Hollerado, Vagabon, Future Islands (x2), Craig Finn, Noname, Deap Vally, Jonny Grave, The Smith Street Band, Car Seat Headrest, Hannah Lee Thompson, Hinds, Beach Slang, Liz Cooper & The Stampede (x2), Lou Canon, Sue the Night, Peter Silberman, Mipso, Juliet K, Ceschi, Anna Tivel, Lillie Mae, Bruise Violet, Hayley Heynderickx, Cold Country, Kyle Morton, Lisa Hannigan, and Kim Janssen.

As is typically the case, that’s a uniformly strong crop that reflects well on the selected features. So, as always, take a seat, calm down, take a deep breath, adjust the settings, lean in, and Watch This.

1. Vagabon (Audiotree)

A staple on this site for a few years, Vagabon‘s finally beginning to receive the levels of admiration, acclaim, and attention they’ve deserved for some time. Touring heavily on one of 2017’s finest releases thus far, the band recently found time to stop by the Audiotree studios and deliver a mesmerizing set. Running through several highlights from Infinite Worlds, the band remains in sharp form throughout and delivers one knockout blow after another, solidifying their status as one of today’s most exciting musical prospects

2. Lady Pills (BIRN)

Lady Pills have made a few brief appearances on this site but this two-song take for BIRN virtually guarantees them expanded coverage. Both “I Hate You” and “Irrelevant” reveal an understanding — if not outright mastery — of a very specific style of songwriting. Energetic, commendably contained, and compelling, the band lights into both tracks with both force and feeling. The instrumental segue that bridges the two songs is a thing of beauty and Lady Pills never stop providing reasons to commit their name to memory.

3. IAN SWEET (PressureDrop.tv)

When a label like Hardly Art shows interest in a band, there’s usually a handful of good reasons behind why they’re paying attention. Occasionally a band crumbles under the pressure or disintegrates in the face of a new set of challenges. IAN SWEET repaid that kindness in full, and then some, with their debut full-length, Shapeshifter. Following the record’s release, the band made a name for themselves on the live circuit. This full session acts as both a document and as definitive proof of their live prowess.



4. Forth Wanderers (KVRX)

A short while back, Forth Wanderers released one of the best EP’s of 2016 in Slop, a staggering career highlight by any metric. They’ve been hard at work ever since, promoting that EP and working on new material. In this intimate, stripped-down KVRX session, the band splits the selections between SlopTough Love, and offers a look ahead. All of the songs remain mesmerizing, even when scaled back to only guitars and vocals, aptly demonstrating that the band’s appeal — and talent — runs far deeper than the surface offerings.



5. Creepoid (Audiotree)

Creepoid‘s built a deeply impressive run over the span of their career, offering up plenty of fascinating twists along the way (the short film Ernest Undead being a notable example). In that time, they’ve also honed their live abilities, transforming into a tightly-knit wrecking crew that knows how to both enhance and accentuate the heaviness of their recorded material while still doing the ambient trappings justice. In this Audiotree session, they bare their teeth and clamp down, drawing a fair amount of blood.

Watch This: Vol. 145

The past week contained a plethora of outstanding performance clips, including memorable takes of Ama, Haley Bonar, Alex Napping, The Seratones, Benjamin Booker, Cate Le Bon, Twin Limb, Pinegrove, The Frights, Matthew Logan Vasquez, Beach Slang, Heaters, Naked Giants, The Sweet Release of Death, Conor Oberst, and King Gizzard & The Lizard Wizard. Since there was an excessive amount of incredible material over the past seven days, this will be the first of two tandem Watch This installments. The five featured clips below are heavy on full sessions and include one genuine outlier that was simply too good to pass up featuring. So, with that in mind, take a deep breath, steel some nerves, block out any distractions, adjust the settings, lean in, and Watch This.

1. Big Ups (Audiotree)

As a live act, Big Ups are an extremely enticing draw. They’re explosive performers, their songs are complex and dynamic enough to demand uncommon talent, and the quartet boasts a magnetic playing style. They’ve appeared on several past Watch This entries but occupy an elevated space for this Audiotree session. Characteristically intense and oddly entrancing, this session stands as a career highlight for both the band and the rightfully acclaimed studio.

2. Uni Ika Ai – Already Dead (BreakThruRadio)

2016 has been something of a breakout year for Uni Ika Ai. While they may not be an instantly recognizable name, the act’s been gaining traction on the back of their dreamlike approach to subdued indie pop. Deeply impressive and hard to shake, this enrapturing performance of “Already Dead” for BreakThruRadio is as good an entry point as any for the uninitiated. For more than seven minutes, the band casts a spell that deepens as the song progresses, making one hell of an impression.

3. Explosions in the Sky (KEXP)

cTypically Watch This — and Heartbreaking Bravery in general — is a space reserved for emerging artists but every once in a while a veteran act will issue a reminder of how they earned their status. Case in point: post-rock titans Explosions in the Sky‘s recent KEXP session. The band’s riding another critical surge following the release of this year’s The Wilderness, a record that subtly expanded the band’s scope. As ever, the songs translate beautifully to the live setting and this performance serves as concrete proof.

4. Nothing (KVRX)

When a band’s volume levels are as relentlessly punishing as Nothing‘s, stripping songs to bare acoustics can be a risky prospect. Fortunately, the band are incredibly gifted songwriters, something that comes across with a charming, natural ease in this unassuming KVRX session. There’s a certain amount of grace that often gets overlooked when shoegaze-leaning bands heavily emphasize the most bruising aspects of their approach and each song performed here becomes an essential reminder of that grace, winding up as an unexpected document of one of the genre’s most intriguing acts.

5. Jay Reatard (Pitchfork)

More of an archival release than anything else, this look back at a musician that was lost far too young is vital, painful, and wildly exhilarating. Taking a breathlessly frantic approach, Jay Reatard whips his band into overdrive right out of the gate, ripping through a dozen songs in a fiery twenty minute set, featuring a host of songs that have rightfully carved their place out in history as pivotal genre classics. Reatard was writing out of his mind during the time this was filmed, fresh off the release of Blood Visions (which remains an indisputable classic). An arresting look back at a formidable talent, there’s heartbreak to be found in thinking about what could have been but more than enough heart on display to make up some of the difference.