Heartbreaking Bravery

stevenmps2@gmail.com | @steven_mps | @hbreakbravery

Tag: Lady Pills

Watch This: Vol. 158

Last week’s Monday-Sunday stretch yielded a large handful of outstanding live videos. While normally Watch This segments run on Sunday, this one (and the posts soon to follow) were held back by outside circumstances. The posting on Heartbreaking Bravery will be more frequent going into the future. Getting that rotation started is this crop of clips, which were strong enough to render compelling takes from the following as honorable mentions:

Jesca Hoop, Sigur Rós, Los Gold Fires, AJJ, Hurray for the Riff Raff, Dolfish, The New Pornographers, The Regrettes, Amy O, Sean Rowe, Desert Mountain Tribe, Weyes Blood, Hollerado, Vagabon, Future Islands (x2), Craig Finn, Noname, Deap Vally, Jonny Grave, The Smith Street Band, Car Seat Headrest, Hannah Lee Thompson, Hinds, Beach Slang, Liz Cooper & The Stampede (x2), Lou Canon, Sue the Night, Peter Silberman, Mipso, Juliet K, Ceschi, Anna Tivel, Lillie Mae, Bruise Violet, Hayley Heynderickx, Cold Country, Kyle Morton, Lisa Hannigan, and Kim Janssen.

As is typically the case, that’s a uniformly strong crop that reflects well on the selected features. So, as always, take a seat, calm down, take a deep breath, adjust the settings, lean in, and Watch This.

1. Vagabon (Audiotree)

A staple on this site for a few years, Vagabon‘s finally beginning to receive the levels of admiration, acclaim, and attention they’ve deserved for some time. Touring heavily on one of 2017’s finest releases thus far, the band recently found time to stop by the Audiotree studios and deliver a mesmerizing set. Running through several highlights from Infinite Worlds, the band remains in sharp form throughout and delivers one knockout blow after another, solidifying their status as one of today’s most exciting musical prospects

2. Lady Pills (BIRN)

Lady Pills have made a few brief appearances on this site but this two-song take for BIRN virtually guarantees them expanded coverage. Both “I Hate You” and “Irrelevant” reveal an understanding — if not outright mastery — of a very specific style of songwriting. Energetic, commendably contained, and compelling, the band lights into both tracks with both force and feeling. The instrumental segue that bridges the two songs is a thing of beauty and Lady Pills never stop providing reasons to commit their name to memory.

3. IAN SWEET (PressureDrop.tv)

When a label like Hardly Art shows interest in a band, there’s usually a handful of good reasons behind why they’re paying attention. Occasionally a band crumbles under the pressure or disintegrates in the face of a new set of challenges. IAN SWEET repaid that kindness in full, and then some, with their debut full-length, Shapeshifter. Following the record’s release, the band made a name for themselves on the live circuit. This full session acts as both a document and as definitive proof of their live prowess.



4. Forth Wanderers (KVRX)

A short while back, Forth Wanderers released one of the best EP’s of 2016 in Slop, a staggering career highlight by any metric. They’ve been hard at work ever since, promoting that EP and working on new material. In this intimate, stripped-down KVRX session, the band splits the selections between SlopTough Love, and offers a look ahead. All of the songs remain mesmerizing, even when scaled back to only guitars and vocals, aptly demonstrating that the band’s appeal — and talent — runs far deeper than the surface offerings.



5. Creepoid (Audiotree)

Creepoid‘s built a deeply impressive run over the span of their career, offering up plenty of fascinating twists along the way (the short film Ernest Undead being a notable example). In that time, they’ve also honed their live abilities, transforming into a tightly-knit wrecking crew that knows how to both enhance and accentuate the heaviness of their recorded material while still doing the ambient trappings justice. In this Audiotree session, they bare their teeth and clamp down, drawing a fair amount of blood.

Watch This: A Long List of Honorable Mentions from A Brief Stretch of Time

It’s been approximately a month and a half since the last volume of Watch This ran on this site. During the interim, there was a lull in coverage due to show coverage (the results of which will be appearing in the very near future) and then a spree to get the three main release categories — single streams, full streams, and music videos — caught back up to the current release cycle.

Now that everything’s back on pace, the Watch This series will be revived in a continuing series of posts that are spread out over the next week. During all of the time the series maintained radio silence, the material that was emerging was being taken into account on a near-daily basis. An intimidating amount of great live performance videos have surfaced in that time and will be split up into groups as those clips are recapped. Below is a list of strong candidates that have a lot to offer, either in the filmmaking department, through the band’s performances, or a mixture of both. So, as always, sit up, scroll down, and Watch This.

Gordi, The Black Angels (x2), The Coathangers, The Peekaboos, Andy Shauf (x2, 3), Sorority Noise, Sera Cahoone, Footings, Lina Tullgren, Abi Reimold, Your Friend (x2, 3, 4), Shearwater, Christian Lee Hutson, Indian Askin, Lady Pills, Valley Queen, Gary Clark Jr. (x2), Choir Vandals, Pearl Charles, New Madrid, Laura Sauvage, Simeon Beardsley, Colleen Green, Palm Springs, didi, Max Meser, Keeps, Pinkwash, Cate Le Bon, Namorado, Mount Moriah, Tacocat (x2. 3), Trixie Whitley, Bleached (x2, 3), Psychic Love

Clean Spill (x2, 3), The KillsRestorations (x2, 3), Band of Horses (x2), Sioux Falls, The Frights, Behold the Brave, SOAR, The Ultrasounds, Arnold Turbobust, Broken Beak, Korey Dane, Songhoy Blues, Tony Peachka, Beach Slang, Pinegrove (x2), Astronautalis, CocoRosie, Little Green Cars (x2), Golden Daze, Sex Tide, Audacity, Jalen N’Gonda, Sun Club, Laura Gibson, Born Ruffians (x2), Kurt Vile, Bird Laww (x2), Mail the Horse, Radical Face, Yeasayer, Nada Surf, Wimps, Museyroom, Bummer, Quiet Hollers

Deerhunter Rainwater Cassette Exchange, Kaiti Jones, Yak, Operators, Quilt, Laney Jones (x2), Slowdive (x2), Laurel, Penny and Sparrow, Model/Actriz, Savages, You Won’t (x2), Psybeams, Julia Pox, Lip Talk, Pure Bathing Culture, Amanda Bergman, Hinds (x2, 3), Battles, Parlour Tricks, Deerhunter, Jackie Islands, Flying Horseman, Wet Nurse, American Pinup, Blitzen Trapper, Davina and the Vagabonds, Cybee, Jon Latham, Jon Latham.

 

2015: A Year’s Worth of Memories (Christine Varriale)

christine

Back in 2014, Christine Varriale (pictured above, center) and I spent a week exploring the city of Toronto and taking in as many NXNE shows that we possibly could. Since then, she’s introduced me to a number of my favorite people (including her Puppy Problems bandmate and fellow A Year’s Worth of Memories contributor Sami Martasian, who she also writes with over at Allston Pudding). Varriale also plays in a band called Gay Sin and remains a fixture of Boston’s constantly thriving music scene. It shouldn’t come as too much of a surprise then, that she chooses to turn her eyes towards the city for her second A Year’s Worth of Memories piece. Here, she deals with Krill’s loss, the city’s malleability, and expectantly turns towards the future. Read those thoughts below and remember that defeat can give way to hope.

++

It’s February 5th, and I’m on a train to NYC from Boston, not on a mission for my usual trip to NYC for CMJ. It’s a weird feeling but a great environment to observe my beloved Boston music scene in 2015 from afar both physically and temporally.

Boston is inherently a cyclical city. Many young people move to Boston for college and then leave shortly after to spread their roots in a new city. I’ve never been much for change, so I’ve stayed in Massachusetts my whole life. Sometimes I wonder if this is good or bad, but there’s a piece of me in Boston that I can’t cut out. My roots are too deep.

But back to that cycle thing: Boston’s basement scene is ever-changing. There are staple houses that survive years like Thieves Grotto and Whitehaus, but then there are some that fade away like Butcher Shoppe, The Womb and Gay Gardens. We look back at lost venues fondly, but we do not cry for them. Something new is always beginning like Milhaus, Grandma’s House and The ER. New residents start their own pockets of the scene whether it’s BU bros, Berklee punks or our resident show moms.

And much like the houses, many of the bands cycle through too. We lost our heroes Krill in 2015, and soon we will lose other bands to new cities. More tears should be wept away, because our bumbling music scene is now scattered across this country. With the demise of these staples in our scene, younger bands are forming to take their place in quasi-homage. Bands like Du VideHorse Jumper of Love, and Stumpf are our new Krill. Palehound, Lady PillsUrsula, and Gravel are our new Speedy Ortiz. Some of us stay like Pile, Fat History Month, Kal Marks, and Big Buck Hunter.

How will 2016 spread its branches? Will these bands move or will they thrive within the Boston community to become the next Pile or Krill? It’s always a toss up here, but I can’t wait to see how this year plays out.

-Christine Varriale