Heartbreaking Bravery

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Tag: Junkie Church

April 30, 2017

Watch This: Vol. 159

Two weeks ago, there was a seven-day stretch of live videos that were released and they included gems from the following: PJ Harvey, Joe Kopel, Bash & Pop, Lisa Mitchell, Active Bird Community, Violent Change, Real Estate, Cameron Avery, The Wooden Sky, Ala.ni at Château de Fontainebleau, Calexico, Max Richter & the 12 Ensemble, Moon Duo, The Proper Ornaments, Atriarch, Tycho, Aimee Man, Jennifer Niceley, Living Body, Corsicana, Dinosaur Jr., Microwave, Joel Plaskett & Bill Plaskett, Sierra Hull, CAT CLYDE, KOLARS, Tinariwen, Perturbazione, King Gizzard & The Lizard Wizard, George Winston, and Preservation Hall Jazz Band. All of those videos were compelling but it was the five below that wound up standing out most. So, as always, sit back, relax, clear your mind, and Watch This.

1. Car Seat Headrest – Working Girl (She’s Not A Single Version) (Conan)

Following last year’s outstanding Teens of Denial, Car Seat Headrest have been gifting the world one outstanding late night performance after the other. Here, the band’s penchant for altering their material for those performances rears its head once again and they transform “Unforgiving Girl (She’s Not an)” into a leaner, poppier, more radio-friendly anthem. It’s an endearing turn from a band that never seems to run out of small surprises.

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2. Daddy Issues – Dandelion (Paste)

More than three years into what’s turning out to be an illustrious career, Daddy Issues have been quietly becoming one of the best largely under-the-radar bands touring the circuit.  The band turns in a stripped-back, three-song performance here for Paste and the session serves as a powerful showcase for  their talent. The trio’s got a record looming on the horizon and they’re playing with the confidence of an act who knows they’re on the verge of making the next big step in their personal evolution.

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3. AJJ – Junkie Church (SideOneDummy)

Last year, AJJ released The Bible 2, a career highlight on every conceivable level. It’s a record that’s still resonating strongly, suggesting the type of longevity typically attributed to classic records. A large part of this is because of songs like “Junkie Church”, which gets a twitchy, tender performance here in a mesmerizing clip. Driven by narrative prose and feeling, the video more than earns its place as a part of this series.

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4. Ty Segall (KEXP)

Anyone that’s seen Ty Segall live knows that the bands he assembles around himself are fully capable of tearing the roof of any given venue. The adrenaline and volume levels are typically off the charts and both band and audience are typically driven into a wild frenzy. Stripping Ty Segall of an energetic audience to feed off doesn’t seem to matter either, something proven by this rousing KEXP session which finds Segall and the band (which includes Mikal Cronin) in rare form.

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Drive-By Truckers (Sound Opinions)

One of 2016’s more overlooked records came from the perennially overlooked Drive-By Truckers, who have remained dazzlingly consistent since the departure of their most famous member. American Band, the project’s most overtly political record since their formation, caused an intriguing rift between many of their fans. The band’s politics have virtually always been present on their recorded work but hearing those views articulated so acutely proved to be too much for some, which is a shame. There are deeply important messages littering American Band and they’re all presented with unapologetic clarity, most memorably in “What It Means, something that Patterson Hood and Mike Cooley lay bare in this memorable four-song session for Sound Opinions.

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August 3, 2016

Minor Victories – Cogs (Music Video)

minor victories

Monday and Tuesday have all but come and gone, gifting us great new tracks from Young Jesus, The Regrettes, Purling Hiss, Drive-By Truckers, Sat. Nite Duets, Hoops, Cheena, Cass McCombs, Virgin of the Birds, Morgan Delt, The Pooches, Mutts, Tall Heights, and Indira Valey. Sweetening the deal were eye-catching music videos courtesy of Cara dal Forno, Boogarins, Numerators, AJJ, Slow Club, and Soto Voce. Rounding everything out was a surprisingly formidable slate of full streams belonging to artists like Stove, Dogbreth, Field Mouse, Good Morning TV, Russian Circles, Restorations, Super Defense, Soul Low, Daniel Kerr, Lungbutter, and Nato Coles & the Blue Diamond Band.

All of the above links contained strong material but none of those titles were as legitimately breathtaking as Minor Victories‘ latest music video, “Cogs”. The band’s been steadily revealing some of the most captivating music videos of 2016 by embracing the virtue of restraint. The best of those — the strangely moving clip for “Folk Arp” — saw them perfecting the art of the static shot, which had defined their prior two clips (“Breaking My Light” and “A Hundred Ropes“).

Following the conclusion of that static shot trilogy, the band’s turned their attention to motion. “Cogs”, which was released Monday, hinges on an exceptionally acute sense of fluidity. Presented once again through a crisp black and white, “Cogs” opens on a slow-panning shot of seemingly empty woods. Before long, a figure enters the frame at full sprint, though the video never wavers in its commitment to slow motion, unfolding at a pace that considerably heightens the tension. It’s an expertly staged trick, allowing the serenity of the setting to take on sinister undertones.

As “Cogs” goes through the motions, the central figure’s pulled tighter to the lens and some disconcerting imagery comes into play. The person assumed to be the protagonist of “Cogs” is a balding man, dressed in a hospital gown, whose movement grows more frantic and erratic with each step. It imbues “Cogs” with a sense of mystery that elevates the tension even further, prompting a series of questions that will go largely unanswered.

One of those question does find an answer at around the halfway mark as “Cogs” expertly stages the man’s exit from frame with the entrance of a figure in a poncho. Its imagery that echoes Yorgos Lanthimos’ The Lobster and winds up benefiting from the association. The similarities serve to expand the scope of the questioning surrounding the contained narrative of “Cogs”, while offering an outcome that similarly manages to become both definitive on a small scale and ambiguous on a much larger one.

Swirling around everything is the bruising maelstrom of “Cogs” itself, a barbed, punishing song that’s one of the band’s most tenacious offerings. Surging forward with a euphoric sense of clarity and purpose, “Cogs” injects its visual accompaniment with so much additional urgency that the clip feels as if its about to come to life. It’s a staggering accomplishment that’s utterly transfixing through every frame, from its unassuming opening to its startling grand finale. In short: it’s a masterpiece.

Watch “Cogs” below and pick up Minor Victories from Fat Possum here.

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