Heartbreaking Bravery

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Tag: John Lutkevich

MOURN – Otitis (Stream)

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Yesterday this site’s coverage was exclusively dedicated to the premiere of Mutts’ incredible “Black Ties & Diamonds“, ensuring that there’d be quite a bit of material to catch up on today. There weren’t a lot of full streams to emerge but the ones that did made it count. Among them: Cloakroom‘s incredible new 7″, Michael Rault‘s sprightly psych-pop cassingle, Cross Wires’ spiky Your History Defaced EP, and Trust Punks’ snarling post-punk ripper Discipline. Each of those are good enough to have a shot at appearing in a few year-end lists and enhance each respective artist’s profile considerably.

In single stream territory, things got relentless with no less than 11 great songs fighting their way out into the world. These included another look at Cellphone‘s upcoming Excellent Condition with the blistering “No Wind In Hell“, Quarterbacks‘ completely revitalized full-band version of Quarterboy highlight “Center“, A Place To Bury Strangers’ unrelentingly aggressive industrial post-punk bruiser “Straight“, and Seagulls’ airy left-field pop number “You & Me”. Colleen Green teased the upcoming I Want To Grow Up with a career-best in the form of “Pay Attention“, Soft Fangs revealed the quietly mesmerizing “Dead Friends“, Elvis Perkins made an unexpected return with the lightly damaged pscyh-folk of “Hogus Pogus” in advance of the upcoming I Aubade, and Leapling celebrated their teaming with Exploding in Sound via the compelling bizzaro pop of “Crooked“. American Wrestlers teased their upcoming 7″ with the driving lo-fi psych-pop of “I Can Do No Wrong“, Noveller revealed the characteristically beautiful “Into The Dunes“, and Two Gallants unleashed a preview of their upcoming We Are Undone with the vicious title track.

Music videos were just as eventful thanks to efforts like Desperate Journalist‘s strikingly minimal clip for their arresting “Control“, an absolutely gorgeous turn-in for Blonde Redhead‘s “The One I Love“, and Belle & Sebastian’s playful nostalgia in the black-and-white-turned-multicolor “The Party Line“. Elvis Depressedly celebrated their Run For Cover Records signing with the endearingly weird video for “No More Sad Songs“, Dizzee Rascal continued his unlikely hot streak with the visual medium in the  supernatural-tinged kung fu revenge tale contained in “Pagans“, and Hey Elbow conducted an unnerving psychedelic visual collage experiment for “Martin“. Viet Cong created an intensely disquieting clip to serve as an accompaniment for their excellent “Continental Shelf“, TOONS went the simple-and-charming route with “Sittin’ Back“, and Angel Olsen deliver the absurdly stunning Rick Alverson-directed “Windows” (which featured startlingly gorgeous cinematography) to round things out in a manner so stunning that it very nearly earned today’s feature spot.

Enter: MOURN. The young band recently became one of Captured Tracks’ most exciting acquisition since site favorites Perfect Pussy. Immediately standing out thanks to their surprisingly young age(s), MOURN seems to have caught just about everyone off-guard thanks to the enviable strengths of their songs. None of those songs landed with as fierce of an impact as their barn-burning “Otitis”. Unfailingly bleak and deeply impassioned, “Otitis” never goes for anything but a merciless kill. All of this played into why the song was previously featured on this site in the 53rd installment of Watch This, where the song grew even sharper fangs. MOURN has been available digitally for some time and comfortably stands as one of 2014’s most exhilarating releases with “Otitis” being its definitive exclamation point. From the wiry verse progressions, to the cavalcade of sharp hooks, to the intuitive harmony work, to the intimidatingly dark chorus, “Otitis” has put MOURN firmly on the map. All of the excitement rests in watching where they go from here.

Listen to “Otitis” below and pre-order MOURN from Captured Tracks here.

Nobunny – Nightmare Night (Short Film)

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Even by the ridiculous standards of the past few weeks, today was absolutely loaded with worthwhile content. Antarctigo Vespucci streamed their second outstandning EP of the year- I’m So Tethered- over at The AV Club and Field Division unveiled their mesmerizing Reverie State EP, rounding out today’s full streams. The full songs department was a bit more plentiful, with new offerings ranging from the most recent look at Big Ups‘ side of their split with Washer (via the ravaged and ravaging “Not Today“) to the gentle acoustic pull of Soft Fangs’ “Dog Park“. Continuing things in the quieter realms were the lightly damaged pscyh-folk of Ready Astronaut’s “Lost In Space” and the quietly lilting sounds of Elephant Micah’s “By the Canal“. Fleshing out the DIY punk side of things was another sideways glance at Nots’ hotly-tipped We Are Nots, courtesy of “Reactor“, and an exhilarating career-best from Crying called “War of Attrition“. Really, though, today absolutely belonged to music videos. Nearly every single one of these would seem like an obvious feature choice on literally any other day but as it stands, today will be going to the most thematically appropriate.

Before jumping into Nobunny‘s most recent hellscape, it’s worth touching on everything else that made up today’s embarrassment of riches in the visual medium field. Cool Runnings skated their way through a desert oblivion in “Blister“, Foul Tip indulged a lo-fi lunacy in “Madness“, and Platinum Boys exuded a rock n’ roll ethos in “Candy“. Sweet Apple teamed up with Guided By Voices’ Robert Pollard to soundtrack a memorable Halloween outing in “Reunion“, former Speedy Ortiz guitarist Matt Robidux’s new project- Curse Purse- embraced the heavily discordant in “Message CP“, and Willis Earl Beal drifted off into darkly ambient territories with “I AM.” The Growlers used a bevvy of classically filmic composition tricks in the black-and-white clip for “Good Advice“, Team Spirit dealt with an insane producer in their absurdly entertaining clip for “Satisfaction“, and MONO released an absolute gift of a video in the gorgeous, jaw-dropping, Mitsuyo Miyazaki-directed clip for “Where We Begin“, which may very well be one of that medium’s most compelling pieces this year. Even with the strength of that MONO video, it just felt too appropriate to give today’s spot to the deranged gore of Nobunny’s short film, Nightmare Night– just in time for the holiday.

First thing’s first: this is a severely NSFW clip (although that should just automatically be assumed with anything related to Nobunny), so be sure to avoid that mistake. Blood, gore, B-movie tropes, and a DIY resonance abound in Nightmare Night, a spirited homage to the maniacal tendencies that come attached to the Halloween season. From its introductory sequence that introduces a burnt out cast of misfits to the unbridled bloodshed, Nobunny’s aims are even less restrained than usual. If there’s a mandatory genre beat to be hit, it’s not just touched on- it’s downright obliterated. Taking the bloodlust to sadistic levels that’d make even Tarantino blush, everyone’s favorite masked rodent stars as the centerpiece of this nightmarish fever dream. Picking off the would-be partiers one by one until the final climactic battle, Nobunny runs through a cast of fellow musicians while “Lizard Liars” from last year’s excellent Secret Songs: Reflections From The Ear Mirror propels everything towards its conclusion. Blackly comedic, entirely unrestrained, and ridiculously bombastic, Nightmare Night is the perfect way to kick off a weekend of veiled debauchery.

Watch Nightmare Night below and order Secret Songs: Reflections From The Ear Mirror here.