To survive in an overcrowded environment is on thing, to get anyone to pay attention to what you’re doing is another, and to find people who are adamant in celebrating what you’ve accomplished within those specific parameters is an entirely separate beast. Yet, Holy Tunics have endured and the recommendations from people with trustworthy judgment seem to be a quiet constant. While the band’s never truly taken off, they’ve clearly earned the respect of their contemporaries and the enthusiasm of the people active in those worlds.
Hit Parade Lemonade Supersonic Spree, the band’s latest record, should be more than enough to strengthen those existing truths. An impulsive but remarkably cohesive record, Hit Parade Lemonade Supersonic Spree finds the band indulging in the sense of fun that’s energized each of their past releases, drawing from the knowledge gleaned from those records to heighten every minute detail. Every song on Hit Parade Lemonade Supersonic Spree seems to draw from the history of powerpop and slacker punk, allowing the quartet to shape memorable tracks that fly by when they’re present but stick in the listeners memory when they’ve finished.
Whether it’s the surging guitar squall of the intro to “Rocket To The Alien Planet” or the familiar jangle of closer “Yesterday’s A Painted Butterfly”, Hit Parade Lemonade Supersonic Spree showcases Holy Tunics as a band that’s keenly aware of the history inherent to their own music. Fortunately, they’re also smart enough to know how to avoid making those trappings sound stale, picking the precisely right moments to throw in a wild curveball, leaving Hit Parade Lemonade Supersonic Spree as one of the most outright fun listens of the summer.
Listen to Hit Parade Lemonade Supersonic Spree below and pick it up from Meritorio Records here.
Over the course of 2017’s opening three months, a lot of great material was released. Naturally, the most abundantly rich category wasn’t simply songs, music videos, or full releases, it was live videos. It’s been quite some time since the last Watch This ran on this site, an oversight being amended tonight, and in that time scores of great clips have surfaced. Below is an extensive list of some of the finest to have emerged over that time and all of which are more than worth the their runtimes. Of course, it’d be impossible to watch all of these in one sitting, so feel free to bookmark the page and sift through the selections whenever the feeling takes
In a very short (and recent) stretch Freddy Beach, Spencer Tweedy, Chase Allen, Super Paradise, and Sallow have all unveiled strong records. Those records served as the tip of a mountain that had been building over the past two months. Below are seven of the absolute strongest records to have found release in the past seven weeks. Strong debuts, mesmerizing EP’s, and releases that reaffirm great bands’ solid reputations, there’s a little something for every corner.
Hellrazor – Satan Smile
Barbed basement pop will always be celebrated on Heartbreaking Bravery and it’s no mistake that Hellrazor is a name that’s been printed in these confines multiple times. That said, the Michael Falcone-led project has never sounded sharper than they do on Satan Smile, a blistering tour de force that fully commits to an overwhelmingly aggressive nature to spectacular effect. Dirtied up, deeply felt, and intelligently crafted, the 14 tracks that comprise Satan Smile never waver in their tenacity and elevate the record to one o the year’s best.
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Phyllis Ophelia – Analemma I
For several years, Phyllis Ophelia has been releasing extraordinary, albeit relatively unassuming, material. 2016 saw Ophelia hit a new high with Catbus’ incredible “Fracas” and complements that career highlight to an exhilarating degree with the Analemma I EP. Each one of the four tracks on Analemma I is a breathtaking highlight, marking Ophelia as one of today’s stronger emerging songwriters. It’s a relatively relaxed listen but it still packs several punches and provides just as many thrills. Make sure to give it the attention it deserves.
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Holy Tunics – Hot to Trot
An upstart band with a serious pedigree (two of the members are perennial site favorite Davey Jones, the mastermind behind Lost Boy ?, and Ana Becker of Fruit & Flowers), Holy Tunics come charging out of the gate with Hot to Trot. One of 2016’s more peppy EP’s also proves to be one of its more memorable. Aided in part by the behind the boards work of Big Ups‘ seemingly tireless Amar Lal, Hot to Trot has a vibrancy that breathes an enormous amount of life into the proceedings. Alternately breezy and pointed, it’s a significant debut outing for a band who will be worth watching as they forge a path into the future.
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Saintseneca – Mallwalker
Very few bands ever attain the kind of ridiculous consistency that’s been present in Saintseneca‘s work since their earliest outings. Every single one of the band’s releases has been a viable year-end contender and their surprise holiday-leaning compilation EP, Mallwalker, is no exception. The band’s take on Appalachian folk remains lively, innovative, and ridiculously compelling. Zac Little’s lyrics continue to surpass those of many of his peers and the band’s grasp on structure and composition catapult them into a class of their own. Mallwalker — a collection of the band’s Christmas-referencing songs and one mesmerizing new entry —is an absolute joy and earns its spot in the band’s discography, which is a compliment all on its own.
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Chemtrails – Love In Toxic Wasteland
A surging burst of punk-inflected basement pop, Chemtrails’ Love In Toxic Wasteland confidently stands as one of this year’s most unexpected delights. Coming from seemingly out of nowhere, Chemtrails arrive fully-formed, with incredibly sharp hooks in tow. From the EP’s opening number, the explosive “Aeons”, it quickly becomes clear that this band doesn’t have time for petty trifles; this is the type of basement pop that goes straight for the jugular. Immediate and immediately memorable, Chemtrails have crafted something that’ll make people remember their name.
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Hung Toys – Welcome to Repayment
Losing Geronimo! was a tough blow to endure but the band’s core songwriting duo has remained active — possibly even hyper-active — in the wake of the band’s departure. Geronimo!’s guitarist/vocalist Kelly Johnson, recently unleashed the seething behemoth that is Welcome to Repayment on the world, which features much of what made Geronimo! such a singular act, only with a renewed emphasis on hardcore underpinnings. 10 tracks of unrelenting post-punk (including a particularly spiky Blur cover), Welcome to Repayment acts not only as a great standalone record but a relieving assurance: Geronimo! may be dead but Johnson isn’t leaving anytime soon.
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Horsecops – Annie
Once in a while, a band that’s received praise on here in the past will point me towards an act that’s been grabbing their attention and that recommendation will lead to an exhilarating discovery. In that respect, many thanks are due to Blue Smiley for providing a pathway to Horsecops and their jaw-dropping full-length debut, Annie. An eclectic mix of shoegaze, post-punk, basement punk, noise, powerpop, and just about every other genre or sub-genre that receives regular coverage here, Horsecops manage to evoke the best of like-minded contemporaries while finding a way to firmly establish their own identity. Annie is a remarkable release from a young band capable of crafting material that’s genuinely unforgettable.
Six weeks is a long time to go without posting an individual feature piece on a music video (discounting premieres). With the end of the year fast approaching, it’s not surprising that many of the clips that have come out in the time this site’s been on a relative hiatus, there have been a handful of the format’s best entries for the 2016 crop. PUP maintained their unrelenting stranglehold on an obscene level of excellence with the most emotionally affecting clip of a ridiculously impressive filmography, Vagabon emerged with a galvanizing sense of renewed purpose, Emilyn Brodsky continued to do wonders with stop motion, Tenement continued to further their own distinct identity in the visual arts department, The Seams offered up a double dose of refined hyper-editing, and everyone else found a way to rise above their contemporaries to create indelible pieces of art worth celebrating. So, below, dive in and get comfortable with the best 25 clips of the past six weeks.
Additional note: Trace Mountains’ excellent clip for “Bring the Mountain to Me” wasn’t available on YouTube and couldn’t be included in the below mix. Make sure to give that one a watch as well.
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1. PUP – Sleep in the Heat 2. Meat Wave – The Incessant 3. Stove – Blank 4. The Seams – Remembrance Day 5. Holy Tunics – Forget Your Love 6. Julia Jacklin – Don’t Let the Kids Win 7. Vagabon – The Embers 8. Hellrazor – Raise Your Rifle 9. Lazertits – Boss Bitch 10. Slothrust – Rotten Pumpkin 11. Vacation – Every Direction 12. The Raveonettes – Fast Food 13. Poppies – Told 14. WHOOP-Szo – Another Show 15. Bruising – I Don’t Mind 16. Sløtface – Bright Lights 17. Tim Darcy – Tall Glass of Water 18. Self Talk – Untitled 19. Petal – Chandelier 20. Tenement – Hive of Hives 21. Stef Chura – Spotted Gold 22. Fred Thomas – Voiceover 23. Emilyn Brodsky – Hands Off the Stove 24. The Seams – Seeds 25. MOURN – Irrational Friend
