Heartbreaking Bravery

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Tag: Happy Accidents

2016: A Year’s Worth of Memories (Nicola Leel)

Heartbreaking Bravery recently went offline but all facets of the site are back to being fully operational. Apologies for any inconveniences. All posts that were slated to run during that brief hiatus will appear with this note.

Returning after an excellent entry into last year’s edition of A Year’s Worth of Memories, Doe‘s Nicola Leel decides to focus in on finding reasons to maintain hope in times of darkness. In addition to releasing one of last year’s best records, Some Things Last Longer Than You, Doe played their fair share of memorable shows (and had their fair share of memorable moments). Here, Leel fondly recalls a snowstorm that Doe had to brave in between Berlin and Erlangen, which made a show in Regensburg even sweeter. Leel continues to be one of my favorite people in music and getting an insight into her worldview only reinforces that position. Dive in and see the light.

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We released our first album in 2016 and had a lot of great experiences as a result, but the one that sticks is a surreal night in Europe when we were on tour with Happy Accidents and Personal Best.

We had played in Berlin the previous night and were driving through Germany towards the next show when snow started falling, gently at first, before developing into a heavy blizzard that through the windscreen looked like we were travelling through space at light-year speed. This was particularly ominous for our driver Kerry, who had never driven in any kind of snow before. After travelling through what felt like the portal to another world for around an hour, the traffic came to a standstill on the motorway, but the snow kept falling. An hour passed, two, all of the vehicles around us turned off their engines and the motorway fell deathly silent.

With the snow showing no signs of letting up and no sign of movement or even human life nearby, we killed the time with a cheery conversation in which we imagined all of the possible scenarios should this be the end of the world. Maybe there was no-one in the other vehicles, maybe they’d all just disappeared and we were in another dimension where we were the only people left in the world. Maybe some kind of sickness had taken over and zombies would slowly appear from the darkness between the cars. We also decided what order we would die in and took it upon ourselves to decide upon the order of the Happy Accidents car too.

When we finally made it to the venue 4 hours late and reunited with the other car, we learned that whilst we’d been talking end-of-world death order scenarios they’d been recording a fun podcast and listening to pop-punk. Tilman, the promoter, was understandably a little stressed and told us there had been no sign of snow in Erlangen, which made it feel even more eerie as this was just 45 minutes away from where we had spent 3 hours on the motorway. Suitably spooked, we set up as quickly as we could and played short sets to the handful of people who, incredibly, had stuck around to watch us. Though we’d all lost our minds a little it was a fun show and the small audience were great.

Awakening to the sun streaming through the blinds in Tilman’s beautiful apartment the next morning, we learned that Donald Trump had been elected President of the United States. Maybe we had travelled through a portal after all, and had come out of the other side in a dystopian future where everything looked beautiful but nothing felt right. I was completely flattened and yet full of a strange hopefulness because of the situation I was in and the people I was with. That night we played in a basement in Regensburg, it was the best show of tour and everyone played sets full of furious energy, shared by everyone who was packed into the tiny, smoke filled room.

It feels weird taking good things from a year that was so unkind to so many, but as cliche as it sounds, I felt very fortunate at that moment in time to be exactly where I was, doing exactly what I was doing, as a result of music.

 

Tenement – Feral Cat Tribe (Music Video)

Tenement I

Sat. Nite Duets, Field Mouse, Voir Voir, Spook the Herd, FRIGS, Cool Ghouls, Kiss Concert, Conveyor, Pill, Death Valley Girls, Mikey Erg, and The Veils constituted one of the most impressive days for standalone streams in recent memory while Yucky Duster, Oneirogen, and Faithless Town made sure the full streams weren’t too far behind. There was also an impressive slate of music videos from the likes of Happy Accidents, High Waisted, Pkew Pkew Pkew, The Avalanches, Stefan Welch, Wand, and PJ Harvey. All of those releases deserve a hefty amount of investment but the band that snagged today’s feature spot — probably unsurprisingly at this point — was Tenement.

Few bands, if any, have had more words written about them in these spaces and I haven’t pushed any band more than Tenement. I’ve written about the trio at literally every opportunity over the past eight years and the band keeps providing reasons to sing their praises. Somehow, despite their lengthy history, “Feral Cat Tribe” stands as the band’s first official video. Featuring guitarist/vocalist Amos Pitsch’s Dusk roommates (Colin Wilde, Matt Stranger, and Julia Blair), “Feral Cat Tribe” also heavily promotes Tenement’s own ethos (stay true to what works on a DIY platform and elevate the talented people that surround you in the process).

The video itself is a dizzying, disorienting run through a relatively nondescript building as the band (and their friends) mime their way through “Feral Cat Tribe”, a highlight from one of last year’s best albums. “Feral Cat Tribe” is a shot in a way that evokes the 360-angle video trend without ever succumbing into gimmickry or egregious pageantry, opting to make a slight statement on the nature of art: no matter how it’s dressed, if the material’s core maintains its convictions, it’ll more than likely be worthwhile.

Swooping camera angles, quick edits, and constantly, continuously moving pieces are also reflective of the commendable principles the band’s endorsed since their beginning. This is music and filmmaking that’s tethered to the earth and openly embraces all of its cracks, flaws, and bruises. For Tenement’s entire career, the band’s been finding ways to find beauty in damage and the clip for “Feral Cat Tribe” continues that trend on the visual spectrum. There’s a certain level of courageousness that’s required to even attempt what Tenement’s been doing lately and they’re continuing to make it look effortless.

Whether the band’s evoking classic Americana art forms or simply building their own identity, they’re doing it with uncanny precision and a wealth of feeling. “Feral Cat Tribe” — what’s said to be the first of many music videos for Predatory Headlights  —  suggests the band’s grasp extends even further than what they’ve previously shown. A fascinating clip from one of the best bands currently going, “Feral Cat Tribe” further cements their status as one of today’s most trustworthy acts; everything the band delivers is battered gold.

Watch “Feral Cat Tribe” below and pick up Predatory Headlights from Don Giovanni here.