Heartbreaking Bravery

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Tag: Fake Limbs

A Two Week Toll: Full Streams

Bringing an end to the opening trio of posts to amend some of the time lost during the hiatus that followed this site’s 1,000th post, the following links will be dedicated to some of the finest full-length streams that appeared over the past two weeks. From site favorites to new names, there’s a wealth of material here that’s worthy of investment. A handful of these may even be legitimate Album of the Year contenders. Carve some time out to listen or just hit play and turn the volume up while working, either way, make sure not to miss some extraordinary records. 

Terry Malts, The ExquisitesLola Kirke, Fake Limbs, HalfsourLilac DazeKuroma, Violence Creeps, Computer Magic, Emily Yacina, Male BondingJenny O, Wild Pink, MONO, Spellbinder, Clorox Girls, Infinity Crush, Ryan Allen and His Extra Arms, Fraternal Twin, Kestrels, Elephants, Hello Shark, Trash Gendar, (ghost), Shana Falana, Suburban Living, Trails and Ways, Lara Yuko, BatzGoat, Peaer, Henry Jamison, Bad Noids, Bellows, The Fabulous Johnsons, Sleeping Lessons, Big Bill, Shelf LifeThe Meltaways, Dog, Paper, Submarine, Balcanes, Warehouse, Kadhja BonetAxis: SovaFuneral Blues, This Frontier Needs HeroesLetters to CleoMr. Martin & The Sensitive GuysPanoptique Electrical, Exotica, HowardianBonzoJustin Peter Kinkel-Schuster, and the Punkinhead 2016 compilation.

A Two Week Toll: Streams

It’s been a little over two weeks since this site’s run regular coverage. After the 1,000th post, there was a decision to be made over whether to continue on Heartbreaking Bravery in a severely limited capacity, a full capacity, or use the A Step Forward compilation as a final exclamation point. Before long, continuing on with a daily regiment felt like the right decision. This post and the dozen plus posts that will follow will all be a coordinated effort to get caught back up to the present release cycle.

The opening trio of posts will all feature a laundry list of items that are more than deserving of attention while the ensuing posts will be dedicated features for a singular item. A few Watch This installments will be posted and the rest of the coverage will be split into the three major tiers: streams, music videos, and full streams. Kicking things off is this collection of outstanding songs to have emerged during the brief hiatus. Dive in and go swimming.

Crying, Hellrazor, CasselsSlowcoaches, CoasterHalfsour, Private Interests, Minihorse, Very Fresh, Honeyblood, Fucked Up, Terry Malts, Kevin Devine, Joyride!, Teen SuicideLA BÊTE BLOOMS, The Exquisites, Penelope Isles, Nice Try, Dag, Jess Williamson, Chemtrails, Really Big Pinecone, John K. Samson, Soviet Soviet, American Wrestlers, Fake Limbs, The Tuts, Lubec, CarrollGirlboss, Gladkill, Hollow EverdazeBoogarinsLOKIT, Parlour Tricks, Vanishing Life, Wistappear, gobbinjr, Dmitry Evgrafov, Hidden Ritual, Lucidalabrador, Many Voices Speak, Future States.

Flamingosis, Sexy Jesus, Magana, Glacial Pace, Plastic Flowers, Super Unison, WTCHS, Tape Deck Mountain, Dexateens, Planes Mistaken for Stars, The Flat Five, HMLTD, Wovoka Gentle, Homebody, Pop & Obachan, Soft PyramidsFascinations Grand Chorus, Warhaus, Future DeathEmily ReoAffordable Hybrid, Light Fantastic, Temples, Michael ChapmanHiss Golden Messenger, The Dazies, Hippo CampusDoubles, LolahikoYouth Funeral, Lou Barlow, Pure Moods, Floating Room, James Parry, I’m Glad It’s You (x2), Communist Daughter, Henry Jamison, and J Mascis.

Pile at The Burlington Bar – 10/10/14 (Pictorial Review, Video)

Pile X

After the start of the week was gifted a prolific run of great new content, Wednesday kept the trend alive. There was more than enough to warrant another two paragraphs- but today will be devoted to a live review, so, for convenience’s sake, three of today’s strongest item in each category will be listed now and the rest will be covered tomorrow. For full songs, it’s hard to do better than Viet Cong’s darkly hypnotic post-punk bruiser “Continental Shelf“, while nobody bested Roomrunner’s absolute ripper of an EP- Separate– in the full stream category. Kittyhawk rounded out things with their visually striking clip for “Welcome Home”, which probes darker territory than the music might suggest. Now, with all of that out of the way, onto the feature event: site favorites Pile and their show last Friday at The Burlington Bar in Chicago.

Pile are best defined as an elusive band. It’s difficult to pin them on a spectrum or predict their movements; entire songs play out like sweeping overtures, taking sharp lefts when it’d be easier to just keep going straight ahead. While their tour schedule makes sure that it’s relatively easy to find the band playing somewhere, it’s the music that becomes the dominant force in the band-listener connection- a feat more rare than most realize. So, while the band managed to overcome not one but two major van issues (not having one and then having their loaner break down), their absence leading up to the show added a weird mythos to the entire experience. Granted, most of that time they were holed up in Omaha recording a new record- and if the band was clicking for that session as hard as they were at Burlington, everyone’s in for something spectacular.

Opening the show were locals Ling Ling and Fake Limbs, who were forced into a brief delay and a slot switch due to some extenuating circumstances. Fake Limbs delivered a characteristically blistering set, proving for the zillionth time over that they’re one of the Midwest’s most exciting (and most intriguing) hardcore acts. Pulling mostly from last year’s masterful The Power of Patrician Upbringing, vocalist Stephen Sowley led his band through their left-field noise-indebted racket with an abundance of charisma both on and (mostly) off stage, while everyone flashed serious chops throughout a set of genuinely great songs. Engaging throughout, their set had no weak moments and when the guitar cut out in the very last stretch of the last song, it somehow managed to feel appropriate- one half-expected to see smoke billowing out of the cab’s grill.

Ling Ling had a lot to follow after Fake Limbs essentially dismantled the expectations of the uninitiated and set an obscenely high bar. For their part, the band held their own through committed performances that offered a different take on hardcore, this time more rooted in the clean, metallic sounds that Shellac made their stock and trade. Kicking up the levels of  unabridged aggression, their set kept a pace that kept most of their audience involved- though by the end of their curiously long set, it was clear that some of Burlington’s patrons were growing increasing anxious for the appearance of the main act. While Ling Ling did manage to bow out on the strongest note of their set, there was no doubt that this was a night that belonged to Pile.

After the necessary set up and take down, Pile took the dimly-lit stage and- with no fanfare- tore into a jaw-dropper of a set that left no shred of doubt that Pile are a band worth catching as many times as possible. Song after song, Pile offered an embarrassment of riches that became welcome reminders of their discography’s deeply impressive scope. The audience seemed to warm up with the band as they plunged further into their set; by the time the chill-inducing 1-2 punch of “Special Snowflakes” and “Pets” hit, a previously stagnant Burlington had become a heaving mass of bodies, railing into each other with no intent of physical violence but caught up in a shared moment of unbridled catharsis. Following that turning point, the band reciprocated the audience’s energy by growing increasingly animated- and impassioned- while continuing to blaze through a set of songs that’d make most aspiring musicians blush. It was an incredibly potent reminder of Pile’s unlikely, but entirely deserved, impact. This is one of the most interesting bands going today and the fact that their music is forging such visceral connections within their audience makes them a band that’s worth embracing as tightly as possible.

Below, watch a clip of the band playing “Pets” and scan through a photo gallery of Pile’s headlining set.

 

Perfect Pussy at Township – 4/1/14 (Live Video)

Perfect Pussy

There are times when I’ve broken one of Heartbreaking Bravery’s most defining tenets (no self-identifiers: the music is more important than the reviewer) in an effort to illuminate something. This will be one of those times for several reasons: 1) This post may mark the last time a point n’ shoot is used for content on Heartbreaking Bravery. 2) This is the first time, and certainly not the last time, a (new) self-shot full set will be appearing on this site. 3) Perfect Pussy have already qualified as exempt from this rule for reasons explained here (and then again here). 4) By posting this, I’m hoping to stabilize a bridge between a focus on music and a focus on film (look for more on that later). 5) It’s the only way I could think of delivering these points as honestly as possible. 6) I firmly believe in a support structure between DIY publications and fully intend on this being the first part of a collaboration piece.

With all of that out of the way, there’s only a few things left to say before the video(s) themselves: Yes, this is a severely blown out recording with some seriously damaged audio quality. Yes, there is an unexpected break that results in a twenty second delay between the monstrous second half of “Interference Fits”. Yes, there are times where the band goes completely out of frame. Yes, that was because I kept getting hit hard enough by the wildly enthusiastic crowd around me to be literally upended into the stage multiple times over (and, yes, I loved every second of it, bloodied up leg, beer-soaked jacket, bruised hips and all). Yes, this isn’t the greatest live presentation in the world- far from it, in fact- and yes, this is primarily being posted because it’s something I fiercely love (and has people that I love dearly in it). No, that doesn’t affect my judgment at all- these were all instances of friendships born out of love for their art and through mutual understanding/support. Yes, there will be a review of this entire show (along with more photographs)- but not on Heartbreaking Bravery (more to come on that later). Yes, I really am posting this right after the Minneapolis review– and yes, all of this can be seen in two parts below.

Enjoy.


25 Best Demo’s, EP’s, 7″ Singles, and Compilations of 2013

2013 was an incredible year for music that held a seemingly infinite amount of great releases in nearly every possible genre and sub-genre. Cassettes popularity exploded, vinyl sales increased by more than 30%, and the importance of demo’s finally became apparent. In a sea of widely-publicized releases that got mountains of praise, it was a joy to find what composes much of this list.  While a few spots are technically taken up by more than one release, those ties always come courtesy of a band generous enough to release more than one item and have it live up to whatever had preceded it. So, with that caveat in mind, here are the 25 best demo’s, EP’s, 7″ singles, splits, and compilations of 2013.


25. Split Feet – Fall 2013

Chicago’s Split Feet were one of the upper Midwest’s better surprises of 2013 and this demo announced their entrance authoritatively. The rest of the space could be consumed by an attempt to wax poetic on the demo’s respective virtues but, to spare everyone some time, it’s worth pointing out that’s already been done here. Stream the Fall 2013 demo below.

24. The Hotels – Leslie

Here’s an interesting, barely-relevant fact; The Hotels’ excellent Leslie EP was released on the same day Heartbreaking Bravery started. Leslie incorporates nearly all of the staple items on the musical laundry list that this site celebrates most frequently. There’s an emphasis on the kind of influences that keep it on the fringes of the emo-revival alongside bands like Swearin’ and All Dogs but finds itself living in the moment far too much to be tied to a revival. It’s immediacy pays huge dividends but it’s Leslie‘s precision that landed it on this list. Listen to it below.

23. Globelamp – Star Dust

Like Split Feet’s demo, Globelamp’s undeniable unique EP has already been celebrated here. Despite already having a few releases, this felt like a debut. Star Dust‘s nervous energy felt impossibly grounded and promises bigger things for the duo. Hear Star Dust below.

22. Elvis Christ – And So It Shall Be

No one’s going to deny that Elvis Christ is more likable to be noticed for his contributions to Nobunny than his solo work, which, based on the strength of And So It Shall Be is due for a change in the near-future.  There’s definitely a Nobunny influence coursing through the five tracks on display but they pack enough punch to secure it a spot on this list. One of Burger Records’ best tape releases from their best year. Hear it below. 

21. Joseph Frankl – Breakers

Joseph Frankl released two great records on very different platforms this year. As the drummer for The Frankl Project, he was a part of one of 2013’s (and perhaps the decade’s) best pop-punk records. Not too long after he uploaded this two-song single to his bandcamp as a self-release. Breakers exists along the same lines as yesterday’s On the Up honorees Technicolor Teeth. This is driving shoegaze that feels authentic and well-informed and not like a pale imitation. Both songs are among the year’s best and deserve way more attention than they’ve received. Hear Breakers below.

20. The Orwells – Other Voices/Who Needs You

2013 was a breakout year for these young Chicago scrappers. From Jam  in the Van sessions to NPR music video premieres, it was hard to go more than a few months without hearing about them. A lot of this, of course, was due to both of the outstanding EP’s they gave to the world in 2013 (as well as a split cassingle with FIDLAR for Record Store Day), all of which were given a tape release via Burger Records. A production assist from TV On the Radio’s Dave Sitek undoubtedly piqued a lot of interests even further than they had been but that wouldn’t mean anything if the music didn’t actually live up to the hype. Thankfully, it has. Hear both EP’s in full below. 


19. Dead Beach – Purple Scissors/Cool Mutants Split

Let’s Pretend released a lot of incredible material in 2013 but this was easily their best in the short-form department. Both Purple Scissors and the Cool Mutants split were recorded by PURPLE 7’s Patrick Jennings (who formerly fronted Hot New Mexicans) and both bands’ influences are evident throughout both the EP and the split. They both carry the slightly off-kilter, raw, and insanely melodic traits that nearly all of Let’s Pretend’s roster has come to be known for. Hear both releases in their entirety below.




18. La Luz – Damp Face

Anyone who’s been following this site probably won’t be too surprised at finding yet another Burger release on this list but it’s hard to argue against placements for any of the label’s releases; they’ve been consistently excellent and positioned themselves at the forefront of basement pop. La Luz had a turbulent year, suffering both triumphs and devastating setbacks. As horrific as their accident was, people are more likely to associate 2013 with both of the band’s outstanding releases rather than personal tragedy. Both their It’s Alive full-length and Damp Face EP have managed to jumpstart a promising career for their band and they’re already showing no signs of slowing, fighting back relentlessly at whatever obstacles come there way. Hear some of that fight bleed into their music by listening to Damp Face below.

17. Midwives – Midwives

Midwives’ self-titled debut is another of the entries on this list that’s already been covered and the thing’s got some serious legs. Its staying power has been incredibly impressive and went a long way in securing it a spot on this list. Get familiar with Wisconsin’s best new hardcore act by listening to Midwives’ introductory piece below.

16. Lemuria – Brilliant Dancer

As good as The Distance Is So Big was, this 7″ teaser the band released ahead of it may actually exceed it in terms of greatness. Both “Brilliant Dancer” and “Helloing” rank among the best songs in Lemuria’s impressive catalog, providing them the b/w format cuts out any excess and lets them operate as a sharp adrenaline shot that emphasizes the band’s best qualities. Brilliant Dancer is about as precise as Lemuria gets and sacrifices none of their sugar-rush basement pop. Hear it below (and catch them live whenever possible).

15. Summer Twins – Forget Me

As has been mentioned before and is likely to be mentioned again, Burger Records had an absolutely monstrous 2013, as far as EP’s are concerned the label didn’t put out anything better last year than the Summer Twins’ near-perfect Forger Me. Mining a 50’s doo-wop and 60’s girl group influence in equal measure, they offered up five of the most assured and gorgeous songs of the year, with the title track being one of the year’s outright best. While the rest of the songs don’t quite match the heights of “Forget Me”, they come close enough to more than justify a spot on this list. Hear Forget Me below.



14. Huge Face – Huge Face

Huge Face are yet another band that may occasionally find their name tossed into the emo-revival conversation that’s happening right now despite leaning closer to Guided by Voices and late-era Wipers than Sunny Day Real Estate. In the grand scheme of things, though, it really doesn’t matter. Huge Face stands up just fine on its own. The most modern touchpoint here would be Wolf Parade, as the bands share several similar sensibilities, even if the execution on how their lensed varies ever-so-slightly. No matter how it’s looked at, it’s fairly clear that this is a great release. Listen to it below.

13. Pusrad – Modern Anatomi

Clocking in at just over four and a half minutes, these ten songs refuse to fuck around. That steadfast commitment is an integral part of all great hardcore bands’ aesthetic, Pusrad included. Already moving at an incredibly prolific pace, Pusrad keep getting better with each one. Modern Anatomi is an exhilarating blast of fierce, old-school hardcore that’s as relentless as it is creative. One of the genre’s best releases in any format in 2013. Hear it below.



12. Upset/Swearin’/Waxahatchee/Screaming Females – Guided by Voices Tribute 7″

All anyone really needed to do for this one was look at the title. Upset, Swearin’, Waxahatchee, and Screaming Females are four of the better bands going today and each paying tribute to a specific Guided by Voices track is an undeniably sensible move. This is as much of a four-band pairing as it is a five and it exceeds its own promise. That’s one hell of an accomplishment. Unfortunately, no streams of this are currently available but it’s available for purchase (highly recommended) via the link below.

Purchase the Guided by Voices Tribute 7″ from Salinas Records

11. Sundials – Always Whatever (A Collection of Songs from 2009-2012)

Releasing a set-year retrospective can be a tempting prospect for any band that feels it’s entered a new stage; rarely do they exceed on the levels of Sundials’ Always Whatever (A Collection of Songs from 2009-2012). By forgoing the inclusion of several songs from their two main releases, First 6 Songs and When I Couldn’t Breathe, there’s an allowance for the unexpected which infuses Always Whatever with a vitality it may have sorely lacked. This is a stunning collection of melodic basement punk songs that should only help the anticipation build for whatever the band’s next move is. Get familiar with Sundials by listening to Always Whatever below.

10. Technicolor Teeth – Blood Pool

There aren’t very many bands out there who can claim to be as exciting as Technicolor Teeth. Only a few years (and two releases) into their career, they’ve managed to make a deep impression on a lot of their peers and grab the attentions of people that may help elevate them to infamy. They’ve essentially been posited as the new forefront of shoegaze by embracing it as fully as possible while still thriving to make it their own. After the rousing success and tonal darkness of Teenage Pagans, it’s unlikely that anyone thought the aspect they’d play up the most for their follow-up was their warm dream-pop influence. Granted, they haven’t sacrificed much of their morbidity or dark atmosphere and instead reinvent that side of themselves as well. As a result, they’ve wound up with the best nightmare-pop 7″ of 2013. It’s difficult to say how long this band will stay buried but expect to be hearing their names a lot more sometime soon.


9. The Dirty Nil/Northern Primitive – Split

The Dirty Nil’s split 7″ with Northern Primitive was one of the more unique splits of 2013 just for the variance of style on display. Both bands tend to err towards doom without actually crossing that bridge completely, with the former keeping at least one foot very firmly planted in early 90’s indie a la Dinosaur Jr. and The Pixies while the latter perilously straddles multiple genre lines at once. Of the two, The Dirty Nil takes the more straightforward route (and is none the less thrilling for it) while Northern Primitive throws everything they’ve got into their side, riding an eerie atmosphere into a crushing crescendo before gracefully falling back out. An absolutely stunning display piece for two of Canada’s best-kept secrets. Hear it below.



8. Jeff Rosenstock – Summer

Over the years, IYMI has become one of the most trusted sources out there for on-the-rise bands playing the basement punk circuit and have frequently offered early glimpses at bands like Swearin’ and Jason Anderson in the bandcamp “optional donation” mode (the site also is responsible for the incredible Pink Couch Sessions series). This year, they went ahead and added Jeff Rosenstock to the list by featuring his incredible Summer 7″, which managed to be one of the most explosive scuzz-pop 7″ singles of 2013. An absolute must-own. Hear both “Teenager” and “Go On Get” below.



7. Tweens – Demo CD-R

Tweens were one of the great breakout successes of the gutter circuits in 2013, releasing nothing but demos which were subsequently devoured and praised at a rate fast enough to give anyone whiplash. The Cincinnati trio have become one of the more talked-about and sought-after prospects in recent memory based solely on the strength of a demo CD-R which is impressive enough in itself. The fact that their bandleader, Bridgette, had only recently learned guitar before before starting Tweens is a completely different level of impressive. Tweens are set to release their debut full-length in March and that day can’t get here fast enough. Until then, listen to a few selections from the now-sold out demo below.



6. All Dogs – 7″

One of Salinas’ most exciting new prospects has already drawn comparisons to seemingly half of that label’s roster, which is precisely what makes it so appealing. Over the past few years Salinas has carefully cultivated a sound that prides itself on a lo-fi 90’s indie punk influence. All Dogs profile is set to get another boost with the impending release of Saintseneca’s upcoming LP on Anti-, as the bands share members. A lot more could be said about this release but, once again, it’s worth noting that much of it has already been said. Listen to All Dogs’ triumphant 7″ below.



5. Various Artists – Beyond Inversion: A Benefit for Rachael’s Women’s Center in DC

Over Heartbreaking Bravery’s short existence, the release that’s garnered the most coverage from this site is undoubtedly Accidental Guest’s incredible Beyond Inversion benefit compilation. It’s a compilation that has its heart squarely in the right place, while perfectly adhering to the best aesthetics of the basement scene. There’s a selflessness that’s on display here through the involved bands’ naturally camaraderie. It’s also a perfect representation of its time, culminating in a capsule-worthy artifact that sheds this generation in the most positive light imaginable. Which is precisely why there was more than just one article devoted to it. Beyond Inversion may be seeing a vinyl release at some point in the near future but the initial cassette release sold out in pre-orders. Thankfully, the whole thing is available for streaming and can be heard below.



4. Acid Fast – Rabid Moon

While Rabid Moon finally was given a proper vinyl release last week, it’s been available as a cassette for several months, courtesy of Stupid Bag Records. Far and away one of the most impressive cassette-only full-length’s to be granted a 2013 release, it allowed for a monumental build-up to it’s run as a 2014 record. In the span between the two official releases, the band’s picked up press from Punknews, the AV Club, and earned On the Up honors from this very site. Rabid Moon is an absolute monster of a record that channels the spirit of Archers of Loaf, has the unhinged energy that made Big Kids so great, and it deserves every accolade that’s undoubtedly coming its way. Hear the first three songs from the record below.

3. LVL UP – Extra Worlds/Porches. Split

LVL UP prove themselves again and again with each consecutive release. How this band isn’t fucking huge yet is anyone’s best guess and it still seems like that’ll happen in due time. One of the most thrilling and accessible bands going right now, LVL UP absolutely crushed 2013 with an outstanding EP and a split with Porches. that was every bit the EP’s equal. In both cases, this is full-throttle basement punk with powerpop flourishes that doesn’t skimp on aggression or melody. Flashes of everything from The Replacements at their best to Weezer at their best are all present and filtered organically enough to come across as an influence and not an imitation. It seems unlikely that LVL UP will be slowing down anytime soon. Hear both Extra Worlds and their split with Porches. below.


2. Perfect Pussy – I have lost all desire for feeling

There were no releases last year that felt as harrowing and personal as Perfect Pussy’s demo tape. It didn’t matter which way it was spun, the listener’s reaction, vocalist Meredith Graves’ determined confessionals, or the cultural dialogue it inspired; this was a personal affair. It was also an incredible piece of music, relentlessly energetic and unabashedly unapologetic in composition, production, and lyrical content. It was  a demo (and band) that meant a lot to this site, which is why Meredith Graves was chosen (and graciously agreed to be) Heartbreaking Bravery’s first interviewI have lost all desire for feeling also earned one of this site’s very first reviews and set off a chain reaction of positive effects that have extended into 2014. Listen to I have lost all desire for feeling below.

1. Tenement – Screaming Females Split + More Compilation/Puke and Destroy #2/Sick Club Vol. 3/Something to Dü

Sometimes things are predictable for a reason; this site hasn’t been shy about its feelings for Tenement. Despite not releasing any official LP’s or EP’s in 2013, they experienced one of their most successful years to date on the strength of their 7″ releases. There was their unbelievable entry into the Sick Club series on Cowabunga!, their stellar section of Puke & Destroy alongside Holy Shit!, Gleam Gardens, and The What-A-Nights, and an unbelievable (and entirely unexpected) compilation on bandcamp centered around their attention-demanding split with Screaming Females.  Additionally, the band also contributed to do the excellent Something to Dü five-band tribute on Dead Broke Rekerds offering up a volume-shifting take on “Obnoxious”. Throughout all of it, the band manages to show their full range from the battered and haunting “Ants and Flies” demo to their usual hardcore-tinged basement pop- as well as their usual lo-fi freakouts. It didn’t matter what mode they were in, everything from “Books on Hell + Sermons on T.V.” to “Twig” deserved an infinite amount of listens and serious year-end considerations. The scariest part of all this is that it still feels like this band is just getting started, especially considering the band already has two LP’s lined up for release on Grave Mistake and Don Giovanni, respectively, for next year. Hear all four of the band’s major 2013 releases below.




Rookie Streams the Beyond Inversion Comp

Image of Beyond Inversion - A Benefit Compilation for Rachael's Women Center in DC (CASSETTE PRE ORDER)

Those with hyper-specific memories may recall the Beyond Inversion compilation coming up on this site before. Now, thanks to Rookie, the entire thing’s available for streaming. Any excitement expressed over the release has now doubled as the comp’s managed to somehow exceed expectations. Not only is this great music for a great cause but it’s a coherent overview of the current state of basement punk. MRR’s Sound the Alarms may very well garner more press and immediate attention in certain DIY punk circles but, of the two, this has a better shot of turning into something resembling a landmark. It’s not difficult to imagine Beyond Inversion finding longevity, nor is it difficult to imagine the release finding a home as a highly sought-after collection staple. 

In the Rookie article linked above, one of the curators of Beyond Inversion, Jes Skolnik (of Split Feet), also contributes some helpful know-how in organizational tactics for putting together benefit compilations. Beyond Inversion itself features more than a few incredible tracks from the likes of Perfect Pussy, Technicolor Teeth, Potty Mouth, Sadie Dupuis, Jail Solidarity, Bret Lanhan, Failed Mutation, Hive Bent, and many, many more. All proceeds from purchasing Beyond Inversion will go to Rachael’s Women’s Center in Washington D.C., an organization devoted to supporting women struggling with, and recovering from, homelessness. It’s a collection worthy of its honorable cause. Strong shows of support make repeating instances of great things more likely so do the right thing and pre-order Beyond Inversion

On a personal note to curators Sean Gray, Jes Skolnik, Accidental Guest Recordings, and all of the bands involved; thank you for bringing this into existence. Things like Beyond Inversion always make the world a little better.