Heartbreaking Bravery

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Tag: Esp Ohio

Melkbelly – Mount Kool Kid b/w Elk Mountain (7″ Review)

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When last week came to an end, it gifted the world great new tracks from the likes of ESP Ohio, Cross Country, Marissa Nadler, Field Music, Pamphleteers, Fond Han, WTCHS, Death By Unga Bunga, Grandaddy (x2), Sonic Avenues, Black Marbles, Hello Shark, Peaer, Pony Hunt, Oathbreaker, Computer Magic, Jason Isbell & Amanda Shires, Sean Rowe, Ricky Eat Acid, and Francie Moon. Those weren’t the only things this week’s left in its wake. Along with those titles, there was also (finally) the release of the Mount Kool Kid b/w Elk Mountain 7″ from Melkbelly.

The band first teased this release more than a full year ago by uploading an early, unfinished version of “Mount Kool Kid” to their bandcamp. That version’s been pulled in the time that’s elapsed since its quiet release and its absence has finally been amended with the release of the band’s latest 7″. “Mount Kool Kid” remains an absolute beast of a song, echoing shades of the very best noise, basement punk, and hyper-spastic pop acts in one fell swoop.

Even though it wears all of those influences proudly, “Mount Kool Kid” is still very distinctly Melkbelly. The enhanced production brings out a near-feral rawness in the track that was previously buried, albeit still evident. Everything hits tremendously hard in this more polished version, utilizing Albini-esque tactics for the drum sounds and providing some layers that allow it a more expansive sound.

The flip-side of the 7″ is “Elk Mountain”, which dials back the ferocity to expand on the band’s penchant for grunge and sludge-leaning moments. While the tempo recedes, the abundance of feeling remains in tact. Not a moment of “Elk Mountain” is anything less than exhilarating. Guitarist/vocalist Miranda Winters helps set these songs apart by infusing them with a surprising amount of delicacy that elevates both of these tracks into the realm of the sublime.

Both “Mount Kool Kid” and “Elk Mountain” are incredibly dynamic, compelling  tracks that near the four-minute mark. For virtually every second of their run-time, there’s an admirable choice that manifests in the songs. Whether it’s a drastic tempo change, a vocal run, a runaway drum break, or a sudden commitment to overwhelming heaviness, those choices enliven both tracks, leaving Mount Kool Kid b/w Elk Mountain as one of the best 7″ releases anyone’s likely to hear in 2016. So, stop reading, hit play, surrender to the band’s chaos and get swept up in the frenzy.

Listen to Mount Kool Kid b/w Elk Mountain below and pick up a copy here.

Big Eyes – Behind Your Eyes (Stream)

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Yohuna, Communions, Pfarmers, Daphne, Eros and the Eschaton, Cassels, Atlas Engine, Pansy Division, Hamilton Leithauser + Rostam, Esp Ohio, Prudence, The Linedots, Blueheels, and Dog Orchestra all had excellent new songs emerge over the past week and either established or reaffirmed their impressive potential. In addition to that impressive roster, Big Eyes joined the ranks of bands returning in a manner that more than proves they haven’t lost a step.

Kaitlyn Eldridge first caught my attention with Cheeky, back in the mid-’00s. Later on, I’d have the distinct pleasure of sharing a few bills with Eldridge as her ensuing band, Used Kids, went on a long tour with site favorites Tenement. Shortly after that extensive run of dates, Used Kids splintered apart and Eldridge started what would become a new DIY punk staple with Big Eyes and, nearly off the bat, wrote one of the best basement pop songs of the past 16 years.

From the outset, all of Big Eyes’ releases — including a handful of excellent 7″ entries — have been exceptional and Eldridge has anchored all of them with a distinctive writing voice and a deeply relatable personality. With the band’s forthcoming release, Stake My Claim, looming just over the horizon, there’s plenty of reason to greet its arrival with excitement.

Heightening the anticipatory fervor is the recently-released “Behind Your Eyes”, which boasts a characteristically understated chorus section and some of the band’s best verses to date. Masterfully constructed and meticulously executed, “Behind Your Eyes” is a very welcome reminder of the band’s formidable understanding of their genre and their willingness to bend expectations to create moments that come across as legitimately bracing.

It’s an extraordinarily promising listen from a record that’s already shaping up to be a listen that’s tough to shake, which is a feat that most bands can never manage to achieve. Big Eyes aren’t most bands, though, and “Behind Your Eyes” should be irrepressible proof. Give it a try…   and then come back for seconds.

Listen to “Behind Your Eyes” below and pre-order Stake My Claim from Don Giovanni here.