Heartbreaking Bravery

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Tag: Diarrhea Planet

April 4, 2017

Watch This: The Honorable Mentions of 2017’s First Quarter

Over the course of 2017’s opening three months, a lot of great material was released. Naturally, the most abundantly rich category wasn’t simply songs, music videos, or full releases, it was live videos. It’s been quite some time since the last Watch This ran on this site, an oversight being amended tonight, and in that time scores of great clips have surfaced. Below is an extensive list of some of the finest to have emerged over that time and all of which are more than worth the their runtimes. Of course, it’d be impossible to watch all of these in one sitting, so feel free to bookmark the page and sift through the selections whenever the feeling takes

Mitski, Jay Som, The Walkmen, Kississippi, SUÐ, NE-HI, Kamasi Washington, Monica LaPlante, Tokyo Police Club, Money, Tank and the Bangas, Mary Lynn, Canshaker Pi, Allah-Las, Yeesh, Communions, Hurray for the Riff Raff, Andy Shauf, Blue Rodeo, MOON, Temples, Born Ruffians,  Justin Vernon & Sean Carey, L.A. Salami (x2, 3), Bruno Bavota, Hórmónar, Mustard Gas and Roses, Pinegrove, Jean-Michael Blais & CFCF, Dude York (x2), Bash & Pop, Nail Polish, Ron Gallo, Lume, Slaughter Beach, Dog

Craig Finn (x2, 3), Honeyblood, Middle Kids (x2), No Parents, The Molochs, The Black Watch, Sløtface (x2), Looming, Lemuria, Campdogzz, Black Marble Selection, Clara Clara, ELLA, American Wrestlers (x2), The Coathangers, Outer Spaces, Sam Kogon (x2), Lilah Larson, Michal Pydo, Old 97s (x2, 3), Lizzo (x2), The Madcaps, Snail Mail, The Mysterons, Subcutanea, Holy Tunics, Hamilton Leithauser (x2, 3), Alex Lahey, Greyface, Axel Flóvent, Diarrhea Planet, Peter Silberman, Luxury Death, Suburban Living

Microwave, The Cigarette Bums, Roya, Carinea, The Orions, Secret Crush, Tyrone Cotton, Fast Romantics, Izzy True (x2), Hand Habits, Priests (x2), Reality Something, Frances Cone, Moss, White Mystery, Tennis, Louie Louie, Adna, Let’s Eat Grandma, Kite Base, Twin Limb, Ty Segall, Morus Alba, Odd Robot, Coals, The New Pornographers (x2), VANT, Shame, Sierra Hull, MOON, Rose Cousins (x2, 3), Food Court, Grace Joyner, Mrs., Michael Nau, Nikki Lane (x2, 3), FIDLAR (x2, 3), The Melvins, Skyway Man, Big Eyes

Cherry Glazerr (x2), BAB, Savoy Motel (x2, 3), Laura Marling (x2), Mikey Erg, Thumpers, Fishbach, Emma Ruth Rundle, Horse Thief (x2), Black Marble, The Album Leaf (x2), Wet Lips, Bev Rage and the Drinks, Her Again, Esme Patterson, Death and Memphis, Nancy Pants, Mirel Wagner, John Doe, The Two Tens, Avi Buffalo, Lisa Hannigan, Andy Shauf, Mark Eitzel (x2), Marching Church, Chris Farren, Ahem, Cloud Nothings, BABY, Sweet Crude, Chicano Batman, Rubblebucket, Looks Like Mountains, Ladywolf

Black Joe Lewis and the Honeybears, Dead Man Winter (x2), Good Doom, TÖLVA, Monobody, The Shacks, Fleurie, Molotoy, Parlor Walls, YDIMITU, The Gotobeds, Peacock Affect, Austra (x2), Dave Brannigan, Papier Tigre, Elephant Stone, You Blew It, Grand Parc, PAVVLA, Alice Jemima, Dusk (x2), Jens Lekman, PWR BTTM, Melkbelly, Nail Polish, Leif Vollebek, Shull, Jennifer Niceley, House of Wolves, Chuck Prophet, Fair City Fire, The Reptilian, Lil Sluggers, Mint Green, Local Natives, Henry Jamison

The Sonics, Nocturnal Habits, Julia Lucille, Loamlands, Halldór Eldjárn, The Hill Country Devil, DakaBrakha, The Chinchees, Oddissee, Way Worse, BADBADNOTGOOD, Tenfold, The Staves, The Vaughns, Sunflower Bean, Flasher, Weyes Blood, Charlotte Cardin, Mammút, Benjaminto, Naked Giants (x2), Hippo Campus, Delicate Steve (x2), White Reaper, Gurr, Muncie Girls, Julien Doré, Birdtalker, Mario Batkovic, Seu Jorge, Ace Henderson, Nudity, High Waisted, John Craigie, Sammus (x2, 3), Beach Slang

45ACIDBABIES (x2), Fiona Silver, Calico, Viagra Boys, Fox and the Acres, The Veils, Anna McLukie, Iguana Death Cult, Sad13 (x2), DIA, Hospital Job, Katie Ellen, Albin de la Simone, Nick Hakim, Holy Pinto, Nessi Gomes, Radio Eliza, Michigan Rattlers, Wallacy Willians e os Besouros, Dæphne, The Mysterons, Cincin, Listener, Rykarda Parasol, Magic Bronson, (T-T)b, Tourists, Foxing, Eyukalpitus, Twin Lords, Dijon, Red Baraat, Dan Layus, Camp Claude, Solilians, Andy Svarthol, Octave Noire, Benoît Lizen

Bishop Nehru, No Win, Hits Like A Girl, Sauna Accident, Bullet Points, Golden Grands, Strand of Oaks (x2, 3), The Singing Butcher, Fishbone, See Gulls, Santoros, Burn Fetish, Wildwood Kin, Noam Pikelny, Alejandro y Maria Laura, Gang of Four, RLLBLL, Star Anna, Industrial Revelation, Lohai, And Also the Trees, Bror Gunnar Jansson, Jealous of the Birds, Star Parks, Shawn Fogel, Joel and Bill Plaskett, Ess See, Edna Vazquez, Plastic Picnic, Rodney Crowell, Mother Mother, Molly Burch (x2, 3), Blind Pilot

The Kraken Quartet, Fraea, Other Suns, Nina Diaz & Luz Elena Mendoza, Alexandra Savior, The Big Pink, From Indian Lakes, Mike Wexler, Nimrod, Tyte Jeff, Mega Bog, Big Star’s Third, Robyn Hitchcock, Strange Americans, Clap Your Hands Say Yeah, Community Daughter, Severin Bells, Talmud Beach, Timber Timbre, Tall Heights, Tim Kasher, Sundara Karma, Guantanamo Baywatch, STEVENSTEVEN, ZenSoFly, asdfhg., Olivensteins, Becca Stevens, Grandaddy, Bad Licks, Maren Morris, The Memories, Sloucher

Klangstof, Moses Hightower, Les Aventures de President Bongo, Kite Base, Barbagallo, Mike Doughty, The Pukes, Mothers, Tom Tukker, Modern English, American Football, Kristin Hersh, Christopher Paul Stelling, Yasmine Hamdan, Candy Ambulance, Amelia Curran, Dane Terry, Midijoyful, Drumbeat Red, Jesca Hoop, South City Revival, The Awful Truth, Ages and Ages, and The Spring Standards.

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January 27, 2017

16 of ’16: The Best Albums of the Year

Mitski XXV

At long last, we arrive at the end of the 2016 lists with this reflection of the year’s best albums. A lot of criteria need to be met for a record to make this list, for example: a record can’t be primarily composed of reworks of older material (this is the reason Talons’ sublime “Driving Home From Shows” didn’t make the songs list). To be eligible for a featured slot on this list, the record also can’t come from a clearly-established artist, which is the only reason Nick Cave & The Bad Seeds’ Skeleton Tree is being excluded. The Radioheads and David Bowies of the music world all received more than enough positive press and this site has always aimed to give an additional leg up to emerging or unknown artists.

With all of that said, 2016 was an exceptional — and exceptionally diverse — year for music provided you knew where to look. As has been the case, no numerical assignments were given to the below selections. However, the field of titles was so abundantly strong that instead of merely selecting one Album of the Year, there are five. Those five records managed to stand out in an unbelievably exceptional year and picking one of the five to give a singular Album of the Year designation proved to be impossible. That being said, virtually all of the titles below are worth time, investment, and praise.

Once again, the majority of the embedded players belong to bandcamp so be mindful of where the records start (a small handful auto-start at odd points in the record). There’s a fairly wide-ranging display of music to be found below so dive on in and go exploring. Enjoy the list and stay tuned for the third edition of A Year’s Worth of Memories.

Bent Shapes – Wolves of Want

After a string of promising releases, Bent Shapes hit new heights with the galvanizing Wolves of Want, a pitch-perfect basement pop record teeming with memorable hooks. A lovingly crafted work, Wolves of Want finds the band hitting an eyebrow-raising stride and cranking out a formidable batch of songs good enough to grace any mixtape.

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Crying – Beyond the Fleeting Gales

One of the most unique and compelling releases of the year, Crying took a bold new step with the riveting Beyond the Fleeting Gales. Taking their early approach and gleefully exploding it into something barely-recognizable, Beyond the Fleeting Gales winds up as one of 2016’s most refreshing, exhilarating, and utterly singular listens.

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Mitski – Puberty 2

Embracing the bruising, unforgiving introspection of the breakout Bury Me at Makeout Creek, site favorite Mitski returned with a powerful and acute examination of identity. An artistic leap forward, Puberty 2 saw Mitski wielding an expanded musical palette to arresting effect. Warm, moving, and accepting, it’s not difficult to see why it was one of the year’s most beloved records.

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Parquet Courts – Human Performance

Parquet Courts records have made a habit of appearing on year-end lists since the band’s formation several years back. While, admittedly, those were solid records, they don’t come anywhere close to Human Performance, the band’s crowning achievement. The band shed their blood all over this record and it shows in every beautiful, cracked, messy, ramshackle moment.

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Mannequin Pussy – Romantic

Another record on this list that saw a band make a staggering leap forward, Romantic was — by some distance — the most impressive work of Mannequin Pussy‘s burgeoning career. One of 2016’s most ferocious records, Romantic saw the band firing on all cylinders on levels that may have even surprised their most devoted fans. It’s a molotov cocktail of a record; hit play and get obliterated.

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Big Thief – Masterpiece

One of the year’s most welcome surprises, Big Thief‘s Saddle Creek debut Masterpiece found the band conjuring up the open-road spirit that their label built its name peddling. Gorgeous songwriting, unavoidable emotional intensity, and a clear commitment to the material defined Masterpiece. When all was said and done, the record succeeded in living up to its ostensibly tongue-in-cheek title.

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Swim Team – Swim Team

One of the strongest records to come out of Infinity Cat‘s cassette series, Swim Team‘s self-titled is a gamut run trough the punk sub-genres that have defined the past three decades. All of them are successful and infused with the kind of grit and determination that characterize great bands. It’s an unforgettable warning shot from a band that seems hell-bent on using the past to elevate the future.

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Car Seat Headrest – Teens of Denial

Easily one of the year’s most celebrated releases, Teens of Denial earned every trickle of positive press that came its way. A landmark record from a project that could have withered under a massively-increased spotlight instead finds Car Seat Headrest operating on an entirely new level. Epics, ballads, and stormy punk numbers abound, illuminating one of 2016’s best coming-of-age stories in virtually any format.

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Greys – Outer Heaven

2016 found Greys continuing to determinedly  push their boundaries outward and succeeding with the kind of wild abandon that defines their adrenaline-inducing live show. Outer Heaven was their biggest moment and saw the band effectively blend their delirious energy with a refined sense of atmosphere that enhanced already-great songs. An absolute triumph from one of today’s more fascinating acts.

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Hovvdy – Taster

A remarkable, understated, near-flawless record, Hovvdy‘s Taster never received the recognition it was due. Front to back, there are no false moments on this record, only a series of unassuming grace notes that bind it into a gentle, spellbinding whole. Punk-informed bedroom pop, Taster is the product of meticulous dedication to craft and an enormous reserve of genuine feeling. It’s sincerity is a large part of its strength and its strength is overwhelming. Give it innumerable listens and the estimation it deserves.

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John K. Samson – Winter Wheat

A painfully beautiful record, Winter Wheat marked the welcome return of John K. Samson. The former Weakerthans bandleader turned in another sorrowful, damaged collection of songs that contained enough glimmers of hope (apart from the devastating opener, which nearly made this year’s song’s list but was abandoned in favor of the record’s emotionally shattering closer) to make the impact even more severe. An atmospheric masterstroke from one of our greatest living songwriters, Winter Wheat is as comfortingly calm as it is completely unforgettable.

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ALBUMS OF THE YEAR

Mo Troper – Beloved

In focusing on the dark corners while establishing that darkness wouldn’t exist without some lightness as well, Mo Troper winds up wearing a very tattered heart on his sleeve. While that heart may be showing a considerable amount of scars, it’s still valiantly beating. Pathos, gravitas, and an incredibly inviting structure all combine to make Beloved a must-own but it’s Mo Troper himself who makes this record a masterpiece.

Original feature review here.

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PUP – The Dream Is Over

PUP‘s The Dream Is Over, the band’s jaw-dropping sophomore outing, was a release where nearly every song was considered for this year’s best songs list. In the end, the record proved so uniformly excellent across the board that it became literally impossible to define a standout. This is as a complete a punk record that anyone will be likely to hear for a very long time. Narrative focus, overall consistency, composition, conviction, production, sequencing, pacing… in every conceivable aspect, PUP absolutely demolished what were already ridiculously high expectations. One of the most defiant, triumphant releases in recent memory, The Dream Is Over was the shock to the system that the punk genre has sorely needed for years. Unbelievably consistent and weirdly empowering, PUP were able to put their name on one of the most vital records of 2016.

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Doe – Some Things Last Longer Than You

Meticulously composed and teeming with unchecked aggression and greater meaning, Doe have offered up something that’s impossible to ignore. At every corner, there’s a breathtaking moment that continuously heightens the overabundance of impact present in Some Things Last Longer Than You. Whether the listener tethers themselves to the record’s multi-tiered narrative functions or to the artistry present in the composition, they’ll walk away contemplating its awe-inspiring depth. In short: Some Things Last Longer Than You isn’t just one of the year’s best records, it’s a full-blown masterpiece.

Original feature review here.

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Weaves – Weaves

It’s not just that no one does what Weaves are doing as well as they do, it’s that no one else is even making an attempt. Should Weaves inspire some attempts at this particular eclectic blend of songwriting styles, genres, and cornerstones, this record will retain — and most likely remain in — a position as the gold standard. Grab onto something close and hold on tightly because Weaves is an unpredictable, exhilarating, and ultimately deeply satisfying thrill ride that knows no borders or boundaries. Greet it with an anxious smile and give in to its myriad charms.

Original feature review here.

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LVL UP – Return to Love

All told, Return to Love is a document of a band determined to continuously better themselves, a new career high, and a bona fide statement release from one of this generation’s most consistently exciting acts. It’s a series of sustained, connected grace notes that never wavers, even as it openly acknowledges it doesn’t have all of the answers. Not a single second of its run time is wasted and each of the songs are memorable for a wildly varying list of reasons. LVL UP aren’t the type of band to be dissuaded from taking action by a daunting challenge and Return to Love is an assured, steadfast piece of proof.

To put it as succinctly as possible: it’s a masterpiece.

Original feature review here.

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Nine more worth hearing:

Tancred – Out of the Garden
Pinegrove – Cardinal
Oh Boland – Spilt Milk
Dark Thoughts – Dark Thoughts
Eluvium – False Readings On
Told Slant – Going By
Mothers – When You Walk A Long Distance You Are Tired
Jean-Michael Blais – II
Minor Victories – Minor Victories

Other honorable mentions:

Frankie Cosmos – Next Thing | Yucky Duster – Yucky Duster | Vanity – Don’t Be Shy | Kane Strang – Blue Cheese | Steve Adamyk Band – Graceland | Lydia Loveless – Real | Touché Amoré – Stage Four | Margaret Glaspy – Emotions and Math | Jeff – Rosenstock – WORRY. | Lucy Dacus – No Burden | Summer Cannibals – Full Of It | Nopes – Never Heard Of It | Florist – The Birds Outside Sang | Susan – Never Enough | Abi Reimold – Wriggling | Mal Devisa – Kiid | Julianna Barwick – Will | Mutual Benefit – Skip A Sinking Stone | Big Ups – Before A Million Universes | Diarrhea Planet – Turn To Gold | Japanese Breakfast – Psychopomp | AJJ – The Bible 2 | Angel Olsen – My Woman | Drive-By Truckers – American Band | Charles Bradley – Changes

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May 29, 2016

Watch This: Another Full Session

There have been a few recent posts that have commented on (and made attempts to amend) the recent hiatus that Watch This experienced. There will be two more extended packets following this installment of the series and then Watch This will be caught back up to the current release cycle. After the last entry — the longest compilation of any kind that’s ever run on this site — nearly exhausted the finest full sessions of the past month and a half, it felt necessary to turn the attention to some more abbreviated sessions.

Now, for the sake of consistency of time, a few full sessions appear toward the end of the compilation below. There are 83 total videos in this package but, as is always the case for this extended version of Watch This, 25 performances are featured. Had they been able to fit in without repeating or more properly aligned with what this entry’s trying to accomplish (without being repeat inclusions for the artist), Charles Bradley & The Extraordinaires, Thao & The Get Down Stay Down, and Sharon Jones & The Dap-Kings all had sessions that would have made the cut. That trio of clips alone should serve as a testament to the strength of this edition of the series. So, as always, sit up, adjust the volume, lean back, and Watch This.

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1. Bully (The Current)
2. Those Manic Seas (Little Elephant)
3. Potty Mouth (Bedhead Sessions)
4. Torres (Paste)
5. Eddi Front (Hooke)
6. Alabama Shakes (Paste)
7. Tacocat (WFUV)
8. Thao & The Get Down Stay Down (KCRW)
9. Seratones (WFUV)
10. Frightened Rabbit (KCRW)
11. Music Band (Jam in the Van)
12. Charles Bradley (KINK)
13. Mass Gothic (Rhapsody)
14. Greys (Exclaim!)
15. Izzy True (Don Giovanni)
16. Black Beach (Allston Pudding)
17. Erik Blood (Band In Seattle)
18. Acid Dad (Jam in the Van)
19. Suuns (Exclaim!)
20. Diarrhea Planet (Jam in the Van)
21. Parquet Courts (Rough Trade)
22. Negative Scanner (Pressure Drop)
23. Wild Powwers (Band In Seattle)
24. Burnt Palms (Pressure Drop)
25. Wimps (Band In Seattle)

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May 28, 2016

Watch This: A Full Session of Full Sessions

As was mentioned in the last post to run on this site, Watch This — the (usually) weekly series celebrating the very best in newly-released live video presentation — experienced an extended hiatus in the wake of incessant traveling and the frantic catch-up mode that traveling necessitated. Over the course of the next week, there’ll be a small handful of collections to get the series back on track.

The collection below contains 25 of the best full sessions released over the past month and a half. KEXP, Audiotree, and NPR (understandably) dominate the selections as they’re all operating at a gold standard level for full session presentation. The final result is a compilation that features an arsenal of site favorites and nears the 11 hour mark in running time. To that end, it’s likely best viewed in small bursts so a page bookmark is recommended. Everything, in true Watch This fashion, is worth seeing (and hearing). So, as always, sit up straight, adjust the settings to your preference, and Watch This.

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1. Lucy Dacus (Audiotree)
2. Palehound (NPR)
3. Eleanor Friedberger (KEXP)
4. Seratones (NPR)
5. And the Kids (Audiotree)
6. Florist (NPR)
7. Sunflower Bean (KEXP)
8. Mall Walk (KEXP)
9. PWR BTTM (TCGS)
10. Hockey Dad (3voor12)
11. Diarrhea Planet (KEXP)
12. Blue Crime (3voor12)
13. Bob Mould (KEXP)
14. Yuck (KEXP)
15. Car Seat Headrest (KEXP)
16. Quilt (KEXP)
17. Deep Sea Diver (KEXP)
18. Acid Dad (Audiotree)
19. The Ergs! (TCGS)
20. Pinegrove (Audiotree)
21. Operators (KEXP)
22. Strand of Oaks (KEXP)
23. Julien Baker (Amoeba)
24. Benjamin Clementine (NPR)
25. Jason Isbell (Front Row)

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May 13, 2016

Diarrhea Planet – Bob Dylan’s Grandma (Stream)

diarrhea planet

Editor’s Note: There’s been a month-long gap in coverage, thanks to near-incessant travel and other extenuating circumstances. The following run of posts that contain this note will be posts that should have appeared sometime within the past several weeks. Use these posts as an opportunity to catch up to the present release cycle or to simply discover some new music. Either way, enjoy.

After making their mark a few years back, Diarrhea Planet have refused to slow down- if anything, they’ve been fearlessly accelerating. Despite a slew of member changes and temporary setbacks, the band’s somehow grown more focused, a fact evidenced by the surprisingly sharp and (of course) ridiculously-titled “Bob Dylan’s Grandma”. The band scales back their trademark bombast here to latch onto something that feels clearer and less manic, which winds up benefiting the band in intriguingly unique ways.

By continuing to enhance their more melodic bent and trimming out the wild excess of their earlier material, the band winds up with a staggering number that somehow manages to feel completely of its time while still paying due reverence to the band’s influences from acts of decades long past. There’s a newfound emphasis on vocal performance and lyrical narrative as well, which suits the band far better than most may have expected.

Of course, there are still theatrics to be found that are peppered throughout “Bob Dylan’s Grandma” (this is a Diarrhea Planet song, after all)  but even those feel remarkably restrained, especially when compared to the vast majority of the band’s previous output. Tasteful dynamics drive and, arguably, dominate the proceedings which never veer too far off of one of the most direct courses the band’s ever set. All of the unexpected choices culminate in one of the band’s best efforts to date, leaving the impression that the band’s far from over and still has plenty of things left to say.

Listen to “Bob Dylan’s Grandma” below and pre-order Turn To Gold from Infinity Cat here.

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April 13, 2016

Mercury Girls – Ariana (Stream)

mercury girls

Over the past two days, a whole bevvy of outstanding songs have been released. A lot of them coming from site favorites. The bands responsible for those songs included Leapling, Diarrhea Planet, METZ & Swami John Reis, Yung, Snakes, Little Scream, Weaves, Haybaby, Supermoon, Beach Skulls, Daniel Martin Moore, and Heavy Times. That small group constitutes one of the strongest small, hyperlinked fields that this site’s run in some time (and it turned selecting a song to feature in this spot into a quasi-nightmarish scenario).

In the end, after listening to all of the songs listed above multiple times (a trend that will undoubtedly continue going forward), one song managed to stand out ever-so-slightly more than the rest of the pack: Mercury Girls‘ “Ariana”.

After waltzing away with the top honors in this site’s Odds and Ends of 2015 list (thanks to their awe-inspiring Demos & Live Songs), Mercury Girls could have easily buckled under the weight of the pressure that accompanies the follow-up to a flawless release. Instead, the band’s only sharpened what made them so great from the onset: soaring, airy melodies, unbelievable dynamic work, thoughtful composition, sharp instrumental work, intuitive production, and a genuine sense of hopeless romanticism that informs every nook and cranny of their songwriting.

All of the elements that comprised the winning formula that drove Demos & Live Songs have been amplified on “Ariana” in a way that feels meaningful rather than exploitative. While it may have been tempting for the band to just focus in on one aspect of what made those songs work as well as they did, they seemed to have poured even more care and attention — if “Ariana” is any indication — into their upcoming batch of material.

From the clean tones to the surprising amount of natural punch, the bittersweet “Ariana” stands proudly as the band’s most definitive song. The guitar work’s scintillating, the rhythm section generates a tremendous amount of power, and the vocals are pure and irresistible. For a few brief moments on “Ariana”, Mercury Girls recall The Cure at their finest.

By the time the track’s entered its explosive final quarter and set every conceivable wheel into motion, the band’s managed to plant their own flag firmly into the earth. No matter how clear their influences wind up being, “Ariana” couldn’t be the product of any band other than Mercury Girls. On the A-side of their first 7″, with no full-length out, Mercury Girls have readily established themselves as one of America’s best bands. Whether or not they’ll be able to reaffirm this with their future releases remains to be seen (there have definitely been a slew of indicators that have been more than favorable) but for now, all that matters is that they’re heard.

Listen to “Ariana” below and pre-order the 7″ from the band here.

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April 1, 2016

March 2016: The Streams

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In keeping with the past several recap posts, a lot of material will be listed below. I wish I could have granted each of these individual songs more words than just a generic introductory paragraph extolling their high quality of work but time can be extremely cruel and leave few desirable options. March was an extraordinary month for music, if you knew where to look and could spare the investment. Below is a list of the individual streams that surfaced during the month, each one worth several looks.

Once again, there’s simply too much material to consume in one sitting so this page is best experienced via a bookmark and return explorations. Following this post, the site will be running a premiere or two and then lists of the very best streams and live videos of 2016’s first quarter but until then, taking a trip through the below titles should be a rewarding experience that keeps everyone occupied. You may even find a new favorite band. Happy hunting. 

The Sun Days – Get Him Off Your Mind | Loco Ono – Sunny Day | Kidsmoke – Heartache | Summer Cannibals – Say My Name | Peter Bjorn and John – Breakin’ Point | Diarrhea Planet – Life Pass | A Place To Bury Strangers – Oh No / Cool Sensations / Gong Home | Marisa Anderson – Into the Light | Pinkwash – Longer Now | Polonium – Tuberculosis | Psychic Teens – End | Magic Potion – Milk | Yoni & Geti – Lunchline | Eagulls – Skipping | The Thermals – Thinking of You | Holy Now – Wake Up | Crow’s Feet – Surge // Swell

Fews – 100 Goosebumps | ShitKid – 666 | Museum Mouth – Incubus Tattoo | Haybaby – Joke/Rope | Jay Arner – Crystal Ball | Mo Kenney – Mountains to the Mess | Oberhofer – Alone Man | Hockey Dad – So Tired | Pacific Heights (ft. Louis Baker) – Buried by the Burden | Moonface and Siinai – Risto’s Riff | Patrick LaBahn – Equanimity | Scott Yoder – Looking Back In Blue | The Coathangers – Squeeki Tiki | Sofia Härdig – Streets | The Person & The People – Hot Summer Nights | Megafauna – Desire | ANGEL DU$T – UPSIDE DOWN

Lattice Moore – Superused | Pinkwash – Burning Too | New Madrid – Darker Parts | Big Deal – Say Yes | Mrs. Magician – No Action | Small Circle – Please Don’t Touch the Moon | Greater Pyrenees – Homemade Blood | Blondfire – Domino | Former Belle – Honey Bee | Parker Millsap – The Very Last Day | Puce Mary – Night Is A Trap II | Turnover – Change Irreversible | Lontalius – I Was More Than | Iska Dhaaf – Invisible Cities | Odonis Odonis – Needs | Beach Skulls – Dreamin’ Blue | Peder (ft. Oh Land) – Still Life | MOURN – Storyteller

Eliza Shaddad – Always | Follin – Memories | Ghost King – Bones 1 & 2 | Steady Holiday – Open Water | Trace – Honey | Guided By Voices – My Zodiac Companion | Former Belle – I Woke Up In Chicago | Gabriel Bruce – Metal Soul | Margo Price – Hands of Time | Krano – Mi E Ti | Head Wound City – Born to Burn | Grayling – Empath | Tuff Slang – Nothing All the Time | Morly – Plucky | Self Defense Family – Baby Mother Home | Jack Frederick – In My Dreams | John Doe (ft. Debbie Harry) – Go Baby Go | Modern Baseball – Everyday

Chris Cohen – In A Fable | John Dillon – Holy Fool | Ben Millburn – Hold Up | Amanda Palmer – Machete | James Bishop – Another Day | Lisa Prank – Starting Again | Foals – Rain | Arthur Moor – Wind Up | Hayes Carll – The Magic Kid | Russian Baths – Ambulance | Colleen Green – Between the Lines | P.O.S. – sleepdrone/superposition | Colin Stetson – SORROW III (Extract II) | Idle Bloom – Good Hope (Demo) | Snow Roller – Cycling | case/lang/veirs – Best Kept Secret | Ashley Shadow – Tired | Beverly – Contact | Dowsing – Dissolve

Yeasayer – Gerson’s Whistle | OCCY – No Way | Iska Dhaaf – Lost | ANGEL DU$T – STAY | Darla and the Blonde – Vampyr | BOYFRNDZ – Hiatus | Summer Heart – The Forbidden | Phosphene – Wild Decay | Mt. Wolf – St. Michael | Seratones – Chandelier | Martha’s View – Baby In Vain | Dowsing – Kept Me Around | Victoria+Jean – Takes You Like A Rose | Dal Niente & Deerhoof – meltDown Upshot: 6. Cherubim (Marcos Balter) | Miserable – Violet

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December 27, 2014

14 of ’14: The Best Music Videos of 2014

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In all best-of coverage, there’s no room for any objectivity positing (“Best” is usually just shorthand for “most admired”), which is why this site’s long-held first person restriction will be dropped to allow me to speak more personally in an effort to better explain the contents of this list’s (and all of the lists to follow) personal effect on myself. In 2014, I watched (and covered) more music videos than any year of my life- allowing an intake of genuinely great content that made compiling this list a dream and a nightmare. After spending weeks reviewing old clips (while keeping up with the videos enjoying December releases), I settled on the selections below as the 14 that hit me hardest over the past 12 months. This list will be the first entry in more than a week’s worth of year-end coverage that I’m beyond excited to share with everyone. So, with all of that said- it’s my privilege to present Heartbreaking Bravery’s 14 of ’14: The Best Music Videos of the Year.

14. Left & Right – Low Expectations

A few months ago, Left & Right released this absolute gem of a music video. Imbued with a DIY irreverence, a purposeful sense of direction, winningly off-beat humor, unabashedly committed performances, and some genuinely great cinematography, “Low Expectations” became an unexpected standout; a clip that came out of the gate swinging and (somehow) landing every single blow. Easily one of 2014’s most unexpectedly charming (and ridiculously enjoyable) clips.

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13. Saintseneca – Happy Alone

Saintseneca’s Dark Arc was one of 2014’s most deserved breakout moments and nothing punctuated that shift more than the Christopher Good-helmed clip for “Happy Alone”. Emphasizing the song’s central themes by providing a bubble that practically forces isolation onto bandleader Zac Little, it’s a visually striking clip that got harder to shake as the year progressed. By grounding its elements of surrealism with an abundance of naturalism, it provided an artful counterpoint to something like Perfume Genius’ “Queen” (which, incidentally, was shot by Good). Importantly, it also proved that Saintseneca were officially on their way to bigger and better things.

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12. Angel Olsen – Windows

I’m not sure there was a music video to come out of 2014 that was more startlingly gorgeous than this Rick Alverson-directed clip for Angel Olsen’s heart-stopping Burn Your Fire For No Witness highlight “Windows”. By incorporating Southern Gothic Americana style rural imagery into Olsen’s plaintive folk-leaning sensibilities, Alverson managed to create an evocative portrait of one of this generation’s finest songwriters. Leading up to an oddly moving (and admittedly eccentric) climax, the whole thing’s so artfully rendered it begins to feel as complete as some of the year’s best films. Delicate and aggressive in all the right places, “Windows” more than earned a spot on this list.

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11. Beverly – Honey Do

“Honey Do” was my introduction to Beverly, just as it was for many others, so when news broke that they’d shot a music video for the song, it felt worthy of anticipation. Most of the expectations I had were exceeded in the first few frames and as the video progressed, so did my appreciation. Eschewing any kind of image-building, this was the first in a string of Beverly clips that largely eschewed celebrity in favor of celebrating artistry. Shot in crisp black-and-whites, “Honey Do” is a tender portrait of Los Angeles and its inhabitants and a promising mission statement from one of 2014’s more engaging new acts.

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10. S – Losers 

Initially just a clip that came and went with very little fanfare (from a great record with a similar reception), “Losers” immediately felt deeply personal and genuinely heartfelt. Ostensibly a reflection on perception, self-esteem, and harsh reality, the thematic elements in the lyrics get brought to vivid life in a lovingly shot clip that somehow brings them to devastating proportions. DIY in spirit with a focal point on self-expression and identity, it’s become legitimately unforgettable; a long, heavy sigh of acceptance with only the faintest glimmer of hope reverberating throughout the weary cynicism. While “Vampires” was a great deal of fun, it’s “Losers” that deserves the lion’s share of attention for being one of 2014’s strongest buried treasures.

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9. Iceage – Against the Moon

Honestly, “The Lord’s Favorite” and “Forever” both could have made this list but it felt more appropriate to limit bands to one entry apiece. With that being the case, it’s Plowing Into The Field Of Love highlight “Against the Moon” that gets the nod; all of the reasons for its inclusion were previously detailed pretty extensively here.

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8. Anna Calvi & David Byrne – Strange Weather

Soft saturation. An autumnal palette. Digital film. One of the most delicately directed cinematography performances in any visual medium this year. An implicitly tragic narrative arc that suggests internal (and possible external) suffering. All of these come together in the sublime clip for an equally sublime cover of Kareen Ann’s “Strange Weather”, courtesy of Anna Calvi & David Byrne. One view was all it took for this to become one of the most difficult to shake clips of the year. Masterfully composed and brilliantly executed, it’s nothing short of an emotionally intuitive masterpiece.

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7. Diarrhea Planet – Babyhead

I got to use “diaper skull flume explosion” while writing the tags for this one in the initial write-up; what more explanation do you need? “Babyhead” was pure madcap glee on a level not too dissimilar to Wrong Hole’s equally shameless, equally deranged lyric video for “Wrong Hole“. There are times when total insanity can be kind of beautiful. I’m not sure this is one of them but it’s still ridiculously fun.

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6. Kid Moxie & The Gaslamp Killer – Museum Motel

No music video kept ricocheting around the corners of my brain more than this deeply unnerving clip from Kid Moxie & The Gaslamp Killer. Operating on a visual level that rivals what was achieved in Under The Skin, it uses waters, shadows, and contrast in a darkly seductive fashion that burrows its way into any brain fortunate enough to find its way over. An ingeniously subtle use of superimposed imagery on a lone snare drum drives up the feeling of unrelenting loneliness and palpable loss. It’s a deeply alluring and deceptively minimal visual representation of a stunning song. One that’s worth putting more than halfway up a “Best of 2014” list.

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5. La Dispute – Woman (Reading)

Since this was the last one of the last non-list features to be posted here, it’d seem redundant to simply retrace everything that’s already been said.

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4. Girlpool – Plants and Worms

Catleya Sherbow created this unbelievably stunning clip for Girlpool, 2014’s best duo, and touched on a number of pressure points- namely, acceptance and doubt. In the end, it’s about acceptance, and while that message does come laced with a visual that could potentially double as suicide, it still somehow manages to come off as comforting. “Plants and Worms” hits with the force of a world-stopping realization and echoes long after it ends, providing a staggering moment of beauty for Girlpool and a warm reassurance for just about everyone else.

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3. clipping. – Work Work

Yes, the video for “Never Gonna Catch Me”- the Flying Lotus and Kendrick Lamar collaboration- was incredible. Not a lot of people are going to dismiss that claim. However, it’s another destined-to-be-iconic clip from that genre field that made a deep(er) impression on me; the video for the clipping. and Cocc Pistol Cree collaboration “Work Work”. Tracing a narrative arc that uses a laser-sharp focus on the act of curb-stomping, enhanced by some thought-provoking visual surrealism, it immediately became one of 2014’s most arresting clips and its status hasn’t let up. If there was a tracking shot more provocative than the one at the start of “Work Work”, then I’d love to see it. Until then, I’m just going to keep returning to this one.

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2. Cymbals Eat Guitars – Warning

No clip from 2014 came imbued with more unwavering passion than the Crosshair-starring clip for “Warning”. All anyone needs to see is the thumbnail shot for this video to see a glimpse of how unfailingly heartfelt “Warning” winds up being. Matthew Reed tapped into a transcendental kind of magic that collapses a variety of bridges (age, taste) with a near-shocking ease. Ever since this was first released, I’ve been revisiting it with a great frequency because, like most great art, it pulls the viewer back in and rewards investment. Breathtakingly lensed, brilliantly edited, and furiously paced, this was a perfect accompaniment to one of the year’s most emotionally-charged records. Cymbals Eat Guitars may have intended the song to be a warning about love and loss but, backed by the video, it becomes one of the year’s most life-affirming moments.

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1. PUP – Guilt Trip

Back in 2013, I had the honor of naming PUP’s “Reservoir” the best music video of 2013 for PopMatters. While that video was a cathartic release that was a near-perfect representation of the maelstrom of a particularly rowdy live show, their video for “Guilt Trip” (once again speared by the creative team of Chandler Levack and Jeremy Schaulin-Rioux) was a much more serious affair. Weirdly attuned to my own childhood experiences probably lent it a few small favors in terms of my esteem but, doing my best to separate myself from that strange fact, it boasts a series of career-bests from Levack and Schaulin Rioux: cinematography, editing, the performances they elicited from an impressively talented young cast, narrative, and overall direction among the list. “Guilt Trip” also includes one of the most genuinely heart-stopping moments I’ve seen in any clip, infusing it with a sense of brutal reality (if only for a moment), emphasized by a single shot that drives the point home. My initial claim that it could have a shot at carving out a spot for “Video of the Decade” still doesn’t seem so far off- but it’s worth keeping an eye on Levack and Schaulin-Rioux to see if they can keep repeating a ridiculously impressive pattern.

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November 5, 2014

Chandos – ..Pretty Sure it’s ‘Tang Top’ (Stream)

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With the entirety of yesterday’s post dedicated to Mitski’s miracle of a record, Bury Me At Makeout Creek, there’s quite a bit to catch up on today. There were a bevvy of single streams that included Le Rug’s blown-out rager “Dudley“, Ghastly Menace’s vibrant pop confection “Closing“, and The Dodos’ triumphant return single “Competition“. There was also a sprawling, punchy piece of anthemic open-road folk in the form of Small Houses’ outstanding “Staggers and Rise” as well as another look at YAWN bandleader Adam Gil’s solo project, Dam Gila, via “Home Again“. Rounding things out for the single stream category was a demo from The Guests (a new band featuring members of Sheer Mag), a typically bold Liars b-side, and a Girlpool cover of one of the most achingly romantic songs ever recorded.

In the realms of the music video there was an equally plentiful pool of treasures that included Diarrhea Planet’s oddly compelling fantasia in “Kids“, Metronomy’s stunning woodland-set magic surrealism in “The Upsetter“, and Spider Bags’ subtly nightmarish visual effects collage “Eyes of Death“. Additionally, there was Dream Generation’s stark “The Spirit of America“, She Keeps Bees’ gorgeous “Owl“, Owen Pallett’s inexplicably powerful “In Conflict“, and Corners’ masterfully executed “The Spaceship“. As if that wasn’t enough, the full streams that appeared over the past few days matched the rough output of both the single song and music video output with some truly outstanding efforts coming to light- like Caddywhompus‘ strong bid for Album of the Year contention with Feathering A Nest. The Paperhead emerged with their latest throwback-heavy gem, Africa Avenue, while Parkay Quarts built on their renewed buzz with the wiry Content Nausea. Open Wide released a demo of quietly stunning folk-leaning ballads, Ex Cops threw a darkly-tinted dance party with Daggers, The Jazz June resurfaced with some shockingly strong material in After the Earthquake, and Nots left burn marks with the scalding punk tantrums of We Are Nots.

All of those items are worth sitting down and spending time with but it was recent Carpark Records acquisition Chandos’ “..Pretty Sure it’s ‘Tang Top'” that gets today’s feature spot. It’s a vicious piece of sharp, 90’s-indebted punk, equal parts Acid Fast, PS I Love You, and Speedy Ortiz, “..Pretty Sure it’s ‘Tang Top'” flies along, never bothering to do anything but build momentum through its myriad twists and sharp left turns. Tempos shift, personality gets exuded, and Chandos (formerly Chandeliers) wind up with something that sounds as raw as it does inspired. On Carpark’s ridiculously impressive roster, Chandos falls somewhere between Cloud Nothings and Popstrangers, which is really just shorthand for saying that Chandos’ upcoming record- Rats In Your Bed– is well worth an extremely high level of anticipation. If “..Pretty Sure it’s ‘Tang Top'” is any indication, Chandos is in the midst of a creative peak that will likely yield the band’s strongest material to date. If everything clicks as well as it does in this song, Rats In Your Bed could very well be the first great release of 2015 when it’s released on January 27. Mark the calendar now.

Listen to “..Pretty Sure it’s ‘Tang Top'” below and pre-order Rats In Your Bed from Carpark here.

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