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November 5, 2014

Chandos – ..Pretty Sure it’s ‘Tang Top’ (Stream)

With the entirety of yesterday’s post dedicated to Mitski’s miracle of a record, Bury Me At Makeout Creek, there’s quite a bit to catch up on today. There were a bevvy of single streams that included Le Rug’s blown-out rager “Dudley“, Ghastly Menace’s vibrant pop confection “Closing“, and The Dodos’ triumphant return single “Competition“. There was also a sprawling, punchy piece of anthemic open-road folk in the form of Small Houses’ outstanding “Staggers and Rise” as well as another look at YAWN bandleader Adam Gil’s solo project, Dam Gila, via “Home Again“. Rounding things out for the single stream category was a demo from The Guests (a new band featuring members of Sheer Mag), a typically bold Liars b-side, and a Girlpool cover of one of the most achingly romantic songs ever recorded.

In the realms of the music video there was an equally plentiful pool of treasures that included Diarrhea Planet’s oddly compelling fantasia in “Kids“, Metronomy’s stunning woodland-set magic surrealism in “The Upsetter“, and Spider Bags’ subtly nightmarish visual effects collage “Eyes of Death“. Additionally, there was Dream Generation’s stark “The Spirit of America“, She Keeps Bees’ gorgeous “Owl“, Owen Pallett’s inexplicably powerful “In Conflict“, and Corners’ masterfully executed “The Spaceship“. As if that wasn’t enough, the full streams that appeared over the past few days matched the rough output of both the single song and music video output with some truly outstanding efforts coming to light- like Caddywhompus‘ strong bid for Album of the Year contention with Feathering A Nest. The Paperhead emerged with their latest throwback-heavy gem, Africa Avenue, while Parkay Quarts built on their renewed buzz with the wiry Content Nausea. Open Wide released a demo of quietly stunning folk-leaning ballads, Ex Cops threw a darkly-tinted dance party with Daggers, The Jazz June resurfaced with some shockingly strong material in After the Earthquake, and Nots left burn marks with the scalding punk tantrums of We Are Nots.

All of those items are worth sitting down and spending time with but it was recent Carpark Records acquisition Chandos’ “..Pretty Sure it’s ‘Tang Top'” that gets today’s feature spot. It’s a vicious piece of sharp, 90’s-indebted punk, equal parts Acid Fast, PS I Love You, and Speedy Ortiz, “..Pretty Sure it’s ‘Tang Top'” flies along, never bothering to do anything but build momentum through its myriad twists and sharp left turns. Tempos shift, personality gets exuded, and Chandos (formerly Chandeliers) wind up with something that sounds as raw as it does inspired. On Carpark’s ridiculously impressive roster, Chandos falls somewhere between Cloud Nothings and Popstrangers, which is really just shorthand for saying that Chandos’ upcoming record- Rats In Your Bed– is well worth an extremely high level of anticipation. If “..Pretty Sure it’s ‘Tang Top'” is any indication, Chandos is in the midst of a creative peak that will likely yield the band’s strongest material to date. If everything clicks as well as it does in this song, Rats In Your Bed could very well be the first great release of 2015 when it’s released on January 27. Mark the calendar now.

Listen to “..Pretty Sure it’s ‘Tang Top'” below and pre-order Rats In Your Bed from Carpark here.

October 4, 2014

Mitski – iPhone Voice Memo 10/4/14 (Stream)

Today was a day that seemed to be defined by a quiet nature, something that was born out of the still fall weather and a severe lack of noteworthy releases (especially considering the steady overabundance of material throughout the past two weeks). Sure, there were premieres of things like Dirt Dress’ “Revelations“, Low Culture’s “Reservations“, and Young Mammals’ Alto Seco that were egregiously overlooked over the course of the past few days that could have easily earned a feature spot today- but nothing felt as appropriate as Mitski‘s demo.

Quietly released on tumblr (and currently without an official title), the song’s an embodiment of the DIY aesthetic that Heartbreaking Bravery was designed to showcase. Self-recorded onto an iPhone as a voice memo, it strips Mitski’s music- something that’s becoming increasingly production-friendly- back to barebones, completely opening up a brave vulnerability that brings the act of listening to the song uncomfortably close to voyeurism. Unsurprisingly, the song itself is absolutely stunning and continues to add new depths to Mitski’s undeniable talent. Haunting, compelling, and melancholic in equal measure, the song’s a window into the songwriting process of one of today’s most fascinating emerging artists and pushes the anticipation for the upcoming Bury Me At Makeout Creek to absurd heights (despite the fact it won’t be included on the record). Most importantly, it’s a stunning song that deserves the attention of as many listeners as possible.

Listen to the song below and pre-order Bury Me At Makeout Creek from Double Double Whammy here. For those interested in hearing more of Mitski in solo acoustic mode, watch the video below the embed of a recent solo set at Dong Island (courtesy of Dong Island).

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September 24, 2014

Little Big League – Property Line (Stream)

With another day drawing to a close, there’s another array of riches to examine. Full streams were made available for two very different releases; It Must Be Love threw their hat into the “Best EP of the Year” ring with their just-released self-titled effort, Art Is Hard’s Jam Kids: 20 Years since Crooked Rain, Crooked Rain, an excellent compilation which featured contributions from a few site favorites (PAWS and Trust Fund, most notably) and- on the heavier, more doom-oriented side of things- Windhand’s side of their upcoming split 10″ with Salem’s Pot, which shows the band hasn’t lost a step last year’s outstanding Soma. Vacation shared an unmastered demo of their highly-anticipated upcoming record and Negative Fun Records made No Other’s exceptional contribution to their ongoing Singles Club series publicly available. As for music videos, any day PUP releases something, it’s going to be a notable day- and their demolition derby-centric clip for “Mabu” kept them in the conversation for “band with the best music videos”. Eugene Quell also released a charming, low-key video for A Great Uselessness highlight “Alta Loma“. In addition to all of that, recent Watch This act Little Big League unveiled the latest look at their upcoming record, Tropical Jinx; “Property Line”.

Following the easygoing basement pop of the title track, “Property Line” finds the band digging a little bit deeper and unearthing something spectacular. There’s a sense of unease on display throughout “Property Lines” that ultimately gets outweighed by the song’s underlying determination, making it an unexpected spiritual companion to All Dogs’ “Say“. As if that dynamic wasn’t enough, the song showcases the band’s creative growth in each members’ various roles. Everything from the composition to the lyricism is sharper than anything Little Big League’s produced to date (which shouldn’t detract from an immensely impressive body of work), rendering the expectations for Tropical Jinx a few levels above where they previously were. When the cathartic brass-assisted climax kicks in, one thing becomes abundantly clear; Little Big League have officially arrived. “Property Line” is a career-best from an emerging band that’s still young enough to improve- though it’ll be difficult to top something as sublime as this.

Listen to “Property Line” below and pre-order Tropical Jinx from Run For Cover Records here.

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August 26, 2014

LVL UP – DBTS (Stream)

After a surprisingly slow Monday, Tuesday’s offered up an expanse of riches that included (but weren’t limited to) an incredible Beat Happening cover by Girl Band, a spectacularly lush new offering from Kevin Morby, a stunning demo from the dearly-missed Jason Molina’s Songs: Ohia project, a fierce first look at Vetter Kids’ upcoming Logan, and a strangely hypnotic- and extremely visual- music video from Bear In Heaven. Even with all of that factoring in, it just wouldn’t feel right to neglect LVL UP’s “DBTS” today’s featued spot. After all, it’s entirely likely that Hoodwink’d will wind up as this site’s pick for Album of the Year (if it doesn’t scratch the top 3, then everyone’s in for one hell of a last quarter).

Following both “Soft Power” and “I Feel Ok“, “DBTS” showcases yet another side of LVL UP- one that’s influenced by sludge as much as it is outsider pop, which is something that’s especially visible in the song’s outro. Somehow, it winds up working as well as anything else the band’s ever done. There’s a brutality to “DBTS” that, while not entirely absent from their past work, is emphasized heavily here. Distortion and low-end get pushed to their breaking point, crackling and hissing with a determined relentlessness as everything surges forward. “DBTS” brings Hoodwink’d to its midpoint and goes a long way in setting the stage for what’s to come- but makes a big enough impression to ensure that it gets a very large number of repeat listens. September 23rd can’t get here soon enough.

Stream “DBTS” below and pre-order Hoodwink’d directly from Double Double Whammy (who, incidentally, are having an absurdly strong year) here.

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August 6, 2014

Vacation – Every Direction (Stream)

Vacation seem to have earned themselves a reputation as being an increasingly popular pick for “your favorite band’s favorite band” and it’s not difficult to figure out why. Each of their releases has been embraced by their respective community as nothing less than celebratory affairs. Add the fact that a few of the members of Vacation also spend time in Tweens, helping their wide-scale exposure out, and all of the pieces are already in place for new levels of success.

After Candy Waves topped a slew of genre specialists “Best of 2012” lists, the trio had already carved out a name for themselves. Tweens’ unlikely (but entirely welcome) 2013 breakout raised questions of what the implications would be for Vacation. As of a few days ago, the band’s provided a definitive answer in rousing fashion with a demo for “Every Direction” and promises of a subsequent full-length and tour. Most surprisingly, however, is the shift from a trio to a quartet, and a switch at drums. Make no mistake, though, this is still very much Vacation, now just a little more fleshed-out. Hell, “Every Direction” just might even be their finest outing yet. All cutthroat riffs and irresistible melody, it’s an immensely effective tease for whatever they’ve got in store. Whatever it is, it’ll almost certainly be more than worth the now-stratospheric levels of anticipation.

Listen to “Every Direction” below and keep a keen eye (or two) on the band’s facebook page for any further updates.

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June 1, 2014

Swearin’ – Live at Memorial Union Terrace – 5/30/14 (Pictorial Review, Video)

There are very few bands that will warrant the subversion of this site’s manifest. One of the rules that this place tends to hold sacred is that the music in question is more important than an individual reaction to it (this eliminates the assumptions involved in writing from a first person perspective). That said, there are a few bands that have managed to flip that script based on the sheer reverence their music has earned. Perfect Pussy and Tenement are the most notable to have it done it so far but today Swearin’ joins their ranks. There’s just something about the band that resonates with me on a really intense personal level. It’s at the point where it’s impossible to distance or separate myself from that reaction. Taking myself out of the equation would, in some way, feel more dishonest than just trying to get across how this band affects me personally- because any time that happens it’s worth dissolving barriers for.

Some exposition: What A Dump, the band’s first demo cassette, is one of my favorite releases of all time. There’s literally nothing in my fairly expansive library that comes even remotely close to matching it for number of plays at this point. Swearin’, the band’s first full-length, is in the top ten of that particular list as well. Despite this being the case, up until last Friday night, I’d never seen the band play live. So, when the opportunity to see the band play for free on a terrace overlooking Lake Mendota came, I dropped everything and jumped at the chance. By the end of that night my enthusiasm and affection for the band and its members had only grown more emphatic. An additional bonus was the fact that the show gave me a chance to finally catch Pretty Pretty live as well, who lived up to their strong early reputation.

Both bands played shortly after the sun finally set on Madison with Pretty Pretty giving a commanding performance that emphasized their strengths as a live act. The Columbus trio”s punk-tinged powerpop never got tiresome and their set only got more impassioned as it went on, gaining a startling momentum until it finally got to a place where the only thing left to do was call it quits for the evening and let Swearin’ take over. Swearin’, for their part, commanded the hell out of their sizeable audience (it’s nice to see free music outdoors on a perfect night proving to be as big of a draw as it’s ever been) and lived up to every ridiculous, lofty expectation I’d been forming for years. A lot of their songs are practically sacred to me at this point and they only grew more vital in the live setting. When their discography spanning set came to a close, strings had been broken, feelings had been poured out, notes had been missed, beer had flowed frrely, an infinite amount of mosquitoes had been swatted, and everyone was all smiles. From “Here to Hear” to “Crashing” to “Dust in the Gold Sack” to “What A Dump” to “Kill ‘Em With Kindness” there was never a moment that felt less than incendiary. My friend Justin summed the whole thing up aptly and admiringly with a simple “Fuckin’ Swearin'”. How right he is.

A video of Swearin’ kicking off their set with “Here to Hear” can be seen below. Below that video is an extensive image gallery of the show. Take a look at both, then make sure to catch them in person whenever they’re in town. It’ll be worth it.

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February 1, 2014

The Trucks – Space Famous (Demo Review)

Between The Trucks’ Space Famous demo, the PRIVILEGE demo, EP’s from Miserable Friend, Green Kid, and teasers of the upcoming cassette releases for Black Thumb and Technicolor Teeth, Wisconsin’s had a reasonably insane past few weeks. While all of those titles are worth a listen or two, the first one’s going to be the one discussed today. There’s only so much room and so much time to provide coverage for a release influx as formidable as this slate’s been, so even if there’s a release that picks up a central focus, listening’s encouraged for every listed title. Now, with that out of the way, on to The Trucks and Space Famous.

Having started only a short while ago with a scrappy one-song demo to their name, the Appleton-based band had started playing out more consistently prior to the release of Space Famous, wisely finding their niche comfort zone before committing to recording. With a sound that falls somewhere between Superchunk and Archers of Loaf, there’s always a tough balancing act to overcome; how to sound impassioned about being relatively passionless. The Trucks are well on their way to finding that precise point and Space Famous indicates pretty strongly that they’re looking to perfect it.

With this being a demo, the band’s sound, already considerably thick, is made even thicker through the lo-fi production. It’s something that’s immediately evidenced on the title track, when one of the first noises blasting out is a guitar tone that sounds suspiciously like a brass section. What follows is a quick-witted and hard-charging powerpop song that carries a noticeable amount of 90’s indie punk influence. In that regard, the lyrics (courtesy of lead personality Jake Royer) frequently and appropriately recall those of Robert Pollard during Guided by Voices first classic lineup run.

Following the promising opener is “So She Says”, Space Famous’ longest track, which allows more space to provide emphasis on the talents of the members surrounding Royer; Danzo Clavers, Luke Crowe, and Ryley Crowe. This spread-emphasis continues to an even greater extent on closing track “Heartbreak Motel”. Throughout both tracks, there’s a palpable almost acerbic energy that’s anchored and held in check by the power drumming of Ryley Crowe (who also drums on the releases from Miserable Friend and PRIVILEGE mentioned above, likely on the upcoming Black Thumb cassette as well).

By the time “Heartbreak Motel” wraps up Space Famous in an inspired burst of cross-vocal performances, it’s clear that The Trucks are doing more than a few things right- chiefly, resurrecting the 90’s slacker punk sub-genre in a way that feels honest instead of forced. There are traces of early-era Weezer and their kin throughout that promise this band’s got a lot of interesting things to offer musically, many of which may very well be hidden up their sleeves. If they’re all as consistently great as Space Famous then there’s a very good reason to keep both eyes on them. During the wait to find out, relax, find some junk food, turn the volume up, keep an eye out for their upcoming shows (they’re absolutely on the mark live) and take a trip through Space Famous below.

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December 14, 2013

On the Up: Nervosas

Nervosas have had a whirlwind year since releasing their self-titled 2xLP debut album via Let’s Pretend Records. They went from a tucked-away secret to a band whose name seemingly dominated year-end conversations in more than a few specialty circles for the latter half of the year. Nearly every distro that Nervosas or any of their previous releases were available in are currently out of stock. After word got out about how good Nervosas really was, there was a grassroots word-of-mouth brushfire that propelled the band towards the upper echelons of punk.

Their trajectory has been one of the most impressive for any band this year and there’s reason to believe that their profile may eventually spill out towards even greater recognition. Nervosas’ sound skews towards Savages, who have experienced their fair share of success this year, only their take is less deliberate and quite a bit more fiery than their UK counterparts. Obvious no-wave influences are present but Nervosas are toying with them in ways that feel both new and unexpected. Nervosas itself is blinding and relentless but has an undeniable powerpop hue to it, not too dissimilar to how The Clash and The Replacements worked the genre into their music.

While Let’s Pretend (who have had an incredible past few years and emerged as one of basement punk’s leading taste-makers) have temporarily sold out of Nervosas material, the demo tape can still be purchased via Cowabunga! and the self-titled can be picked up over at No Breaks. Both tapes deserve to be secured immediately not just because of their quality but because of their scarcity; they’re great additions to any serious music collection and will undoubtedly be gone before long. These Ohio punk are showing no signs of slowing down and have positioned themselves nicely for a huge breakthrough.

Nervosas will be touring throughout 2014, including a March 1st double-header in Milwaukee that will find them playing with Appleseeds, Strange Matter, Crowdpleaser, Slut River, and two Heartbreaking Bravery favorites; Technicolor Teeth and Midwives. The early show (with Appleseeds, Strange Matter, and Crowdpleaser) will be at Center Street Free Space while the late show will take place at Quarter’s Rock N’ Roll Palace. Both are can’t-miss activities.

Listen to Nervosas self-titled full-length below.

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November 16, 2013

Split Feet – Fall 2013 Demo (Review)

Fall 2013 Demo cover art

Chicago’s Split Feet have been making some noteworthy waves recently. After releasing their demo through bandcamp, the band’s been experiencing some nice circulation based on its strength. Three songs in total, the demo strikes a strange nerve. Opener “It Broke Once” introduces the band’s aesthetic quite nicely. “It Broke Once” invites immediate comparisons to Sleater-Kinney, only a touch darker, as lead personality Jes Skolnik’s vocals are clearly indebted to Brownstein’s. While Sleater-Kinney’s aesthetic is apparent throughout the demo, the approach falls more in line with the likes of Speedy Ortiz.

One of Split Feet’s most effective tricks is their utilization of the second guitar; it’s dropped in the mix to provide an ambient sound bed that helps these songs achieve an extra layer of menace. Each track blisters with the kind of enthusiasm that’s indicative of a career beginning and the edges are sharp enough to cut skin. Titles like “Cat Mug on Secretaries’ Day” suggest a barbed underlying humor that will undoubtedly serve Split Feet well going forward.

In related news, Skolnik helped curate the upcoming Beyond Inversion tape, which is a benefit compilation for Rachael’s Women Center in DC, and it’s full of Heartbreaking Bravery favorites- Technicolor Teeth, Perfect Pussy, Sadie Dupuis from the previously-mentioned Speedy Ortiz, Potty Mouth, Failed Mutation, and Jail Solidarity are all confirmed along with Split Feet themselves. That’s just scratching the surface. You can pre-order the tape here and stream Split Feet’s Fall 2013 below.

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Tag: demo