Heartbreaking Bravery

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Tag: 7″ review

Big Thief – Mythological Beauty (7″ Review)

Over the past week Littler, Sheer, Cotillon, father truck, Mothpuppy, Anna Altman, Morning Teleportation, The Poison Arrows, Anna CooganAnthéne,  and Aaron Dilloway have all impressed with the various full streams that have been unveiled. Big Thief joined their ranks, revealing the B-side of the Mythological Beauty 7″, effectively teasing Capacity, one of 2017’s most-anticipated albums. Unsurprisingly, both the title track and “Breathe In My Lungs” continue the band’s emergent winning streak in spectacular fashion.

The title track of the 7″ is a characteristically airy affair, showcasing the band’s wide-eyed, widescreen sound, injecting a pop-leaning tenacity into their Americana, invoking nostalgic leanings and forward-thinking tendencies in equal measure. It’s a song that rises and falls like the deep breaths after a long run. Still, this band seems more than ready to run any marathon that comes their way. Even with a song as sterling — and reaffirming — as “Mythological Beauty”, its “Breathe In My Lungs” that makes this 7″ worth the purchase.

One of the band’s most breathtaking compositions, “Breathe In My Lungs” is both Big Thief at their quietest and a song that wisely capitalizes on the natural magnetism of guitarist/vocalist and principle songwriter Adrianne Lenker, who’s lived through an intense amount of life-altering experiences. There’s always been a certain level of pain, acceptance, and guarded optimism present in Lenker’s vocals but they’ve never been clearer than they are on “Breathe In My Lungs”, one of the sweetest and most heartbreaking songs likely to be released this year. As so many of their songs have proven to be already, it’s captivating, pained, and perfect.

Listen to both sides of Mythological Beauty below and pick up the 7″ from Saddle Creek here.


Melkbelly – Mount Kool Kid b/w Elk Mountain (7″ Review)

melkbelly

When last week came to an end, it gifted the world great new tracks from the likes of ESP Ohio, Cross Country, Marissa Nadler, Field Music, Pamphleteers, Fond Han, WTCHS, Death By Unga Bunga, Grandaddy (x2), Sonic Avenues, Black Marbles, Hello Shark, Peaer, Pony Hunt, Oathbreaker, Computer Magic, Jason Isbell & Amanda Shires, Sean Rowe, Ricky Eat Acid, and Francie Moon. Those weren’t the only things this week’s left in its wake. Along with those titles, there was also (finally) the release of the Mount Kool Kid b/w Elk Mountain 7″ from Melkbelly.

The band first teased this release more than a full year ago by uploading an early, unfinished version of “Mount Kool Kid” to their bandcamp. That version’s been pulled in the time that’s elapsed since its quiet release and its absence has finally been amended with the release of the band’s latest 7″. “Mount Kool Kid” remains an absolute beast of a song, echoing shades of the very best noise, basement punk, and hyper-spastic pop acts in one fell swoop.

Even though it wears all of those influences proudly, “Mount Kool Kid” is still very distinctly Melkbelly. The enhanced production brings out a near-feral rawness in the track that was previously buried, albeit still evident. Everything hits tremendously hard in this more polished version, utilizing Albini-esque tactics for the drum sounds and providing some layers that allow it a more expansive sound.

The flip-side of the 7″ is “Elk Mountain”, which dials back the ferocity to expand on the band’s penchant for grunge and sludge-leaning moments. While the tempo recedes, the abundance of feeling remains in tact. Not a moment of “Elk Mountain” is anything less than exhilarating. Guitarist/vocalist Miranda Winters helps set these songs apart by infusing them with a surprising amount of delicacy that elevates both of these tracks into the realm of the sublime.

Both “Mount Kool Kid” and “Elk Mountain” are incredibly dynamic, compelling  tracks that near the four-minute mark. For virtually every second of their run-time, there’s an admirable choice that manifests in the songs. Whether it’s a drastic tempo change, a vocal run, a runaway drum break, or a sudden commitment to overwhelming heaviness, those choices enliven both tracks, leaving Mount Kool Kid b/w Elk Mountain as one of the best 7″ releases anyone’s likely to hear in 2016. So, stop reading, hit play, surrender to the band’s chaos and get swept up in the frenzy.

Listen to Mount Kool Kid b/w Elk Mountain below and pick up a copy here.