Uncategorized | Heartbreaking Bravery

Watch This: Vol. 102

1. Hop Along – I Saw My Twin (Ace Hotel)

Hop Along‘s Painted Shut served as the band’s long-overdue breakout moment and they’ve been taking full advantage of the right opportunities since its release. Here, they give a spirited, acoustic-led rendition of “I Saw My Twin” that demonstrates the depth of their considerable abilities. It’s another memorable moment in a growing string of impressive pieces for one of 2015’s most heartening success stories.

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2. Strand of Oaks (3voor12)

In 2014, Strand of Oaks turned in some of the year’s most memorable performances and, as a result, became a staple of Watch This. Timothy Showalter’s project hasn’t slowed pace throughout the course of the past 11 months, continuing to be one of the best live bands on the touring circuit. All that being noted, this still somehow manages to feel slightly elevated from the project’s previous work. A soaring reminder from a serious talent.

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3. John Grant (The Current)

A few years ago, John Grant emerged as a singular voice in an overcrowded field of songwriters struggling to achieve that status. Grant followed up that feat with a record that cemented his position as one of the most unflinchingly bold artists operating today. Here, he leads his band through two highlights off of that record, “Grey Tickles” and “Global Warming”. To say that they’re arresting performances would be an understatement.

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4. Cloud Castle Lake – Genuflect

Last month, Cloud Castle Lake froze my blood with their appearance at Honor Press’s secret CMJ showcase. Watching the band weave their intricate tapestries together felt akin to a religious experience. While this live take of “Genuflect” they uploaded to their YouTube acount doesn’t quite hit those heights, it comes close enough to warrant a spot here. Beautifully shot and flawlessly performed, it’s one of the strongest hints to date of what this band’s capable of accomplishing.

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5. Waxahatchee – Bathtub (Don Giovanni)

It’s been a few years since Waxahatchee’s breakout debut, American Weekend, was first released. That the songs that lived so comfortably in that set still feel so resonant today is a strong indicator of their apparent timelessness. “Bathtub”, in particular, is a song that still cuts deeply anytime it’s played. Don Giovanni recently captured a performance of the song that’s played to a dead silent audience. A perfect document of a small, profoundly moving moment.

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November 29, 2015

Watch This: Vol. 101

[EDITOR’S NOTE: Due to the nature of these upcoming posts, a truncated version of this introductory paragraph will be appearing over the next several installments of this series.] It’s been quite some time since the 100th edition of Watch This went up on this site. There have been a lot of factors going into the extended interim but, as usual, a focal point of that absence was to make sure the preparation work was kept up to date. A lot of extraordinary live videos have come out since then and to make this point abundantly clear, here’s a list of artists responsible for performances that didn’t quite make it into the featured five slots over the course of the past handful of weeks: Ride (x2), Josh Ritter (x2), Radkey, Marrow, Seratones, Hooton Tennis Club, Kurt Vile (x2), Indian Askin, Amason, Eden Mulholland, Bobby Bare Jr. (x2), Hanna Asbrook, Lucy & La Mer, Lee Corey Oswald (x2), Wastrels, The Cairo Gang, Wild Ones, Martin Courtney (x2), Small Black, Timeshares, Shopping (x2), The Jacques, Mac McCaughan & the Non-Believers, Raw Pony, Andrew Bird, Air Waves, Izzy True (x2), The Tallest Man On Earth, Elliot Moss, Hemming, Titus Andronicus, Kagoule, Django Django, Summer Cannibals, Lost Lander, Emilie & Ogden, Denai Moore, EL VY, Purple 7, John Grant, Caleb and Carolyn, Fraser A. Gorman, The Besnard Lakes, Charly Bliss, Delta Spirit, Joanna Newsom, Oaks, Kevin Garrett, Brilliant Beast, Blitzen Trapper, The Saturday Tea, Other Lives, Rayland Baxter, Low, Speedy Ortiz, Chilly Gonzalez, Murder Shoes, Ava Luna, bAd bAd, Oberhofer (x2), Aye Nako, Jason Isbell, Superbee, Deerhunter, The Ghost Ease, Oscar, Rachel Goodrich, Small Feet, Lucero, Totally Mild, Ukryte Zalety Systemu, Soda Bomb, Jens Kuross, Caspian, Boytoy, Duncan Sheik, PISTA, Slim Twig, Shamir, Contrails, King Gizzard & The Lizard Wizard, Courtney Barnett, The Chameleons Vox, Vundabar, Vagabon, Craig Finn, and Soda Shop. Based on the strength of those clips, it’s probably unsurprising that some of the year’s best live captures have also surfaced in that time. Full sessions, single song performances, DIY videos, and impressive turn-ins from radio stations abound. So, as always, sit back, adjust the setting, crank the volume, focus up, and Watch This.

1. Eskimeaux (Audiotree)

No record in 2015 has hit me as hard and as consistently as O.K., a deeply felt masterpiece from Eskimeaux. A record I’d liked upon first listen and warmed to progressively over time, it wasn’t until I saw those songs played live that everything seemed to click. Audiotree was fortunate enough to have the band in for a recent session and wound up with what may come to be regarded as the definitive live recording of this era of the band. The performances are uniformly strong and the songs remain spectacular. Simply put: this is unmissable.

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2. Julien Baker – Sprained Ankle (BreakThruRadio)

Likely the only 2015 record to rival O.K.‘s emotional impact is Julien Baker‘s arresting breakout effort Sprained Ankle. With a title track that easily ranks among the year’s finest songs, Baker’s latched onto something genuinely captivating. It’s myriad strengths were emphasized with a gorgeous music video and are once again brought to the fore with this painfully gorgeous live performance. It’s a triumph for one of music’s most promising emerging talents.

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3. Slothrust (Jam in the Van)

In a manner not too dissimilar from Eskimeaux, Slothrust was another band that sold me further on material I’d already liked via the strength of their live show, It’s not surprising, then, that their session for Jam in the Van winds up being one of that series’s strongest entries in months. Topping everything off is a typically strong take on “Crockpot”, which continues to stand as one of the strongest songs of recent memory.

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4. Torres – Strange Hellos (Hooke Audio)

Has anyone appeared more times on Watch This throughout the course of 2015 than Torres? Mackenzie Scott’s project continues to turn in spellbinding performances at an alarming rate but, even with that being the case, this version of “Strange Hellos” manages to stand out. Shot as part of Hooke Audio’s live sessions series that challenges artist to re-interpret their material, “Strange Hellos” gets transformed into a jaw-dropping ambient number that may wield even more of a punch than the studio version. It’s a startling reminder of Sprinter‘s most powerful moments.

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5. Girlpool (Pressure Drop)

If anyone’s appeared on the 2015 run of Watch This as many (or more) times than Torres, it’s site favorites Girlpool. Harmony Lebel-Tividad and Cleo Tucker put together one hell of a run this year, highlighted by their extraordinary full-length debut Before The World Was Big. In a nine-song session, the duo makes their way through the majority of that record and “Soup”, one of the new numbers they’ve been road-testing on their last few tours. As ever, the performances are assured and showcase the near telepathic connection the band’s developed over the past few years. They’re an act that seems poised to get stronger as they go, which is more than a little impressive considering they’re already one of the best bands currently making music- and this Pressure Drop session serves as proof.

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November 17, 2015

Adir L.C. – Buyer’s Instinct (Music Video Premiere)

When I first saw Adir Cohen, who goes under the moniker Adir L.C., it was immediately evident that he carried an easy magnetism. There was a quiet confidence in his posture and it was clear he was surrounded by friends; people gravitated towards him thanks to his soft affability. With all of that taken into account, it wasn’t too much of a surprise when he started setting up behind the microphone at DBTS. Equally unsurprisingly was that those same qualities translated seamlessly through the songs he performed that night, each a carefully constructed tale that were at least somewhat reflective of his wealth of experience as a frequent international traveler.

The bulk of that set was culled from Oceanside Cities, a beautiful collection of expressive, folk-oriented songs that often feel as vibrant as they do weary. Oceanside Cities also boasts a level of grandeur that’s beginning to feel increasingly uncommon in the DIY-leaning scenes. Songs like “Dinosaurs” (which was rightfully paired with a very strong music video) give the record a cinematic, widescreen feeling, which also heightens the record’s more fleeting moments of greater intimacy. One of the moments that hits hardest comes in the form of the heartbreaking “Buyer’s Instinct”, which now boasts a beautiful music video that’s premiering here.

“Buyer’s Instinct” does have a surprisingly optimistic core but it becomes abundantly clear throughout the course of the song that the optimism’s been brutalized over time. Enhancing that subtle, warring aspect of the song are the visuals provided for “Buyer’s Instinct”, which put Cohen in front of some of the most distinctive street art murals in his home of Tel Aviv. The visuals are a striking complement to the nature of the song, each feeding into each other to create something that feels singular even before the superimposed home movie imagery that characterizes a haunting solo section comes into play. As an examination of human nature and the way it can evolve, erode, and decay while still being preserved throughout time, it’s a startling piece of commentary. As a music video for an emerging artist? It’s just about perfect.

Watch “Buyer’s Instinct” below and pick up a copy of Oceanside Cities here.

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November 10, 2015

CITRIS – Little Scars (Music Video Premiere)

citris

It’s been a few weeks since anything that’s run on this site. During that time I’ve relocated from the center of seemingly everything (Brooklyn) back to the middle of nowhere (central Wisconsin). In that interim, I’ve kept an eye on the slew of releases that have made the rounds over the past few weeks and will be addressing the best of those shortly. Breaking the coverage drought– before getting to the several dozen clips, full streams, and songs– it’s my pleasure to once again be presenting a music video premiere for CITRIS.

The musical project of Angelina Torreano and Chris Krasnow, they released one of 2015’s more intriguing records in Panic In Hampton Bays, which came equipped with a handful of songs that had the potential to become very strong singles. One of the strongest, “Little Scars”, now has a beautiful visual accompaniment. Pairing with director Andy Martinez and cinematographer Stanley Steel (who together comprise the production team Andy Martinez and the Stanley Steel), they’ve concocted a hazy, color-damaged, practical effects-laden clip for the song.

Seltzer, emergency packets, home movie footage, pinkish hues, smoky wisps, and a decidedly ’90s aesthetic combine to create something genuinely engrossing. Torreano, as ever, maintains a commanding screen presence, imbuing “Little Scars” with a noir-ish sense of mystique and subdued (read: barely contained) energy. It’s a lively next step for a band that’s growing increasingly assured in its footing and stealthily proving to be a serious threat. Don’t miss out on one of the more compelling DIY clips in recent memory.

Watch “Little Scars” below and snag a copy of Panic In Hampton Bays here.

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October 28, 2015

Julien Baker – Sprained Ankle (Music Video)

Every few months or so, a music video comes along and manages to steal breath, freeze blood, and make time stand still. In those moments, careers on both sides of the lens can get pushed forward with a momentum that borderlines shocking and– importantly– keeps the medium pushing forward instead of succumbing to a rote stagnancy. Julien Baker’s “Sprained Ankle” is one of those videos.

Even on its own, the title track of Baker’s astounding Sprained Ankle is gripping. A haunted, downcast meditation on self-worth and perseverance, “Sprained Ankle” could have accompanied a strong photograph and it would have made a mark. Director Sabyn Mayfield and cinematographer David Newbert, thankfully, had a different vision in mind. While “Sprained Ankle” does start on a near-frozen one shot of a dejected Baker staring at the floor, it slowly unfurls into something that feels transcendent.

As the song’s guitar harmonics ring out, the camera pulls back to reveal an isolated Baker in the damaged expanse of a demolished classroom. As Baker makes her way through an emotionally crippling set of lyrics, the camera slowly surveys the surroundings without ever abandoning Baker is the focal point; she’s at the heart of the damage. As the lyrics draw to a close, the camera approaches Baker before finally pushing past her shoulder as the song descends into a wordless, layered chorus.

Finally, in that wordless section, the camera peers upward, focusing on the ceiling insulation in between the structural gaps. As the camera explores that aspect of the gradual destruction, there’s a palpable sense of sadness that accompanies the moment, driving home the thematic point of inevitable decay with an astonishing amount of grace. Presented as a tracking shot, “Sprained Ankle” concludes by sweeping from the roof back down to tarnished earth, pulling back to reveal Baker’s vanished entirely to inject the clip with a feeling of an almost sorrowful abandonment.

Ultimately, “Sprained Ankle” comes across as deeply human. It’s a tacit statement about the cyclical nature of loss and an unforgettable examination of self-awareness. It’s an unforgettable moment from an artist who deserves a lot more discussion going forward. Don’t let this one fade into the recesses of the forgotten anytime soon.

Watch “Sprained Ankle” below and pre-order the record from 6131 here. Below the embed, explore an extensive collection of some of the past few weeks’ best videos.

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Farao – Warriors
R. Ring – Loud Underneath
Violent Mae – In the Sun
The Spirit of the Beehive – You Are Arrived (But You’ve Been Cheated)
Hey Lover – I’ve Got A Car
Skaters – Mental Case
Big Eyes – Local Celebrity
The Bandicoots – Overnight Innovator
Acid Fast – Momma Grey
Fog Lake – Shanty Town
Split Feet – Selective Mommery
A Place To Bury Strangers – Supermaster
Wand – Sleepy Dog
Mooner – Alison
Novella – Sentences
Billie Marten – Bird
Conner Youngblood – The Badlands
EL VY – Need A Friend
John Andrews and the Yawns – Peace of Mind
Moon King – Roswell
Rain – Slur
Joanna Newsom – Divers
The Zephyr Bones – Weird Summer
Eliot Sumner – I Followed You Home
Wells – Shepherd
Idle Bloom – Fare Fumo

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October 28, 2015

Midnight Reruns – Force of Nurture (Album Review, Stream)

Formatted in the same pattern as the last post due to the time constraints that CMJ prompted, the full streams collected in the interim from regularly scheduled coverage are listed at the very bottom of this post. It’s a decision that also allows the sole focus to be placed on Midnight Reruns‘ incredible sophomore effort, Force of Nurture. It’s worth noting that this is a band I’ve had the privilege of tracking since around the time of their first EP‘s release, which precedes this site’s existence, and they were one of the bands I created Heartbreaking Bravery to celebrate (they’ll always have the distinction of being the first band ever to appear on Watch This, which has now run for 100 segments).

During that time, I’ve been fortunate enough to catch a number of the band’s explosive live shows, which have– with good reason– mostly veered towards the material on Force of Nurture. The band put together a nice pre-release run for the album, including a very strong EP and the release of two of 2015’s best songs in “There’s An Animal Upstairs” and “Canadian Summer“. As good as all of those items were, they’d fail to suggest the extent of Force of Nurture‘s sheer weight, even if they were packaged together.

In a statement issued to Substream, who hosted the record’s premiere, guitarist/vocalist Graham Hunt spoke of the loss of a close personal friend, an event that reverberates throughout the record with a staggering force. It’s most noticeably present in the record’s connecting thematic elements; uncertainty, regret, struggle, and loss. Even Force of Nurture‘s most ostensibly positive moments come with the caveat of being opaque enough to suggest there could be a tremendously dark underlying subtext.

Aside from the record’s earned weariness, the compositions far exceed what the band accomplished on their extremely impressive self-titled debut, which is no mean feat. A very palpable debt to The Replacements is heavily reinforced by Force of Nurture‘s credits, which list Tommy Stinson (one of the group’s earliest supporters) as the record’s producer. While there are still aspects of the Thin Lizzy twin-lead dynamic that were so often cited in regards to their earlier work, the band leans more heavily on their Big Star influence this time around to exhilarating effect.

Hunt, as hinted at above, turns in a jaw-dropping lyric sheet that expertly bridges the record’s muted optimism with its struggles in solipism. Everything, down to our own most microbiological functions, is put on trial; no answers are granted and the questions that are posed cut deep. Debauchery runs rampant but the band never lets its determination flag, committing to “making people laugh” even in their bleakest moments.

As relentlessly dark as this is all sounding, the band still finds a way to present themselves through fiery guitar work, sun-soaked melodies, and propulsive rhythm section work that lends the proceedings the kind of vibrancy that renders Force of Nurture an addictive listen. It’s mid-section run, in particular, somehow manages to pull off a relative weightlessness in the face of its tragic, bruised lyricism. Whether its something like the strained relationship at the crux of “Where’s Ace?” or the dreamlike self-aggrandizement of “Sky Blue Water” that ends in a tragicomic defeat, there’s a very peculiar bite to the record that makes it feel deeply personal and unflinchingly vital.

By the time the band’s exhausted their arsenal of incredibly effective hooks (the only 2015 records I can think of that have approached being even remotely close to this successful in that sense are Sweet John Bloom’s Weird Prayer and Dogs On Acid’s self-titled), they’ve run an exhaustive gamut of hard-earned lessons and navigated the journey with a wary resiliency. As they well know, and devastatingly note on “Great Southern Rail”, the record’s sprawling eight minute closer, sometimes all it takes is just one gunshot.

As a personal exercise, Force of Nurture feels therapeutic in a way that seemed to be crushingly necessary. As a standalone full-length, it’s essential. Easily one of 2015’s most invigorating, affirming, and incendiary records, Force of Nurture aim goes far beyond most band’s goals and they hit their mark with a memorable emphasis. So, as things get difficult, depression lingers, houses burn, friends are lost, and seasons vanish to a place beyond recovery, we now have a deeply empathetic record to help us through those times. For that, we collectively owe Midnight Reruns a debt of gratitude- and a place for Force of Nurture in our collections.

Listen to Force of Nurture below and order a copy from Dusty Medical here. Beneath the embed, explore a list of some of the finest records to find release over the past few weeks.

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Trust Fund – Seems Unfair
Laura Stevenson – Cocksure
Petal – Shame
Jonathan Bree – A Little Night Music
Ex-Breathers – Past Tense
Modern Baseball – Holy Ghost
Slanted – Lost Forever: B-Sides From Forever
Sleep Kit – Standby Me
Postcode – The Dandelion Radio Session
Wendy Alembic – Collected Early Works
Sports – All of Something
Community Records Compilation Vol. 5
Witch Coast – Burnt Out By 3PM
Walter – Get Well Soon
The Love Coffin – Veranda
Spray Paint – Dopers
Julien Baker – Sprained Ankle
Expert Alterations – You Can’t Always Be Liked
Alien Boy – Never Getting Over It
Dyke Drama – Tender Resignation
Florist – Vacation
Stumpf – Barf Radio
Greys – Repulsion
Haybaby – Sleepy Kids
Dead Painters – Aluminum Gold

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October 28, 2015

Painted Zeros – Only You (Stream)

Over the past few weeks, a lot of excellent material has surfaced. Unsurprisingly, the bulk of that material has been singles. Since the time span was so extensive (mostly due to the attention afforded to the CMJ coverage), all but one of those songs have been compiled in a list that will be running at the very bottom of this post. The one exception is tonight’s featured song: Painted Zeros‘ “Only You”.

After being somewhat underwhelmed by Painted Zeros’ set at Alphaville (which, to their credit, seemed to have more to do with the sound setup than their performance), the band knocked me for a loop during CMJ at Aviv. Having already commented on the impressive nature of their quieter material from their upcoming Floriography, it’s heartening to see the trio committing to “Only You”– a clear standout from their CMJ set– as their latest release in the album’s rollout campaign..

Driven by a gentle, intricate bass figure that comes courtesy of Jim Hill (who also plays in Slight, The Glow, and Montana and the Marvelles), “Only You” serves as a showcase for guitarist/vocalist Katie Lau’s more pensive side as well as the band’s considerable growth. Floating along like a fully-realized dream seeped in tranquility, “Only You” far surpasses the very evident promise of S V A L B A R D. Defying any easy genre categorization while flashing hints of the very best elements of everything from dream pop to post-punk, the song finds a soft transcendence and sustains it through its final, fading moments. From start to finish, “Only You” is a lovely, unexpected triumph.

Listen to “Only You” below and pre-order Floriography from Don Giovanni here. Beneath the embed, explore a collection of some of the best songs to find release over the past two weeks.

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Petal – Silly Heart
Basement Benders – Purple Days
The Gloomies – LSD
Eluvium – Confessor
They Might Be Giants – Or So I Have Read
Holy Esque – Hexx
Kitten Forever – Temple
Matt Kivel – Janus
Wray – May 23rd
The Unspeakable Practices – A Steadying Effect
Soldiers of Fortune (ft. Stephen Malkmus) – Campus Swagger
Brass Bed – I Am Just A Whisper
Free Children of Earth – All Tomorrow’s Plunder
Go Deep – Slumberland
Elephant Stone (ft. Alex Mass) – The Devil’s Shelter
Globelamp – Controversial Confrontational
Tenement – Weakest Ones (Demo)
The Besnard Lakes – Golden Lion
Beach for Tiger – Coco
Le Rug – Bomb
Kindling – Painkiller
Manwomanchild – Return to Ithaca
Bummed – Smoking Jewels
Jaala – Salt Shaker
Cicada Rhythm – The Keeper
MONEY – You Look Like A Sad Painting On Both Sides of the Sky
Human Potential – 105 Pounds of Disintegration
Busdriver (ft. Milo and Anderson Paak) – Worlds to Run
Wimps – Old Guy
Infinite Void – Even Ground
Black Panties – You’ll Never Find My Body
TOPS – Hollow Sound of the Morning Chimes
Earring – Black Chalk
Swings – Dust
Some Pulp – Slasher Nite @ The Showcase East
Florist – Cool and Refreshing
Sam Means – We’re Alone
Never Young – New Villain
Floating Points – Peroration Six
Eternal Summers – Our Distant Bodies
Andy Shauf – Jenny Come Home
Val Hollie – Siberian Summer
William Alexander – Strangest Things
Mitylion – My Yard Is On
Sheer – Cursed Again

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October 26, 2015

Slight – Hate the Summer (Song Premiere)

Photograph by Stepahnie Griffin // INDAFF

Ever since hearing Slight‘s Run (an online single that would go on to top this site’s odds and ends of 2014 list), they’ve been easy to pin down in the “favorite bands” category. While the respective successes of Painted Zeros, LVL UP, and Normal Person have kept its members occupied in 2015, the trio’s managed to find a way to keep pushing forward. Tomorrow, they’ll be releasing their Hate the Summer EP (which includes both songs from Run) in conjunction with their show at Palisades, which will also feature sets from Museum of Recycling, Normal Person, and The Glow.

In advance of the show (and the release), the band’s allowing everyone a look ahead with the EP’s title track. “Hate the Summer” is another basement pop triumph, expertly balancing a clear-eyed conviction with a determined grit that elevates the song well past the levels that most bands who attempt that feat achieve. Surging with a punk bite but grounded by Jim Hill’s enviable gift for pop songwriting, “Hate the Summer” comes across as both immediate and accessible without ever sounding or feeling hollow.

While the vocal and guitar hooks abound, the song’s kept anchored by the characteristically impressive rhythm section work laid down by Alberto Casadevall and Greg Rutkin, who provide the song with a remarkable amount of drive. Hard-hitting and heavy-hearted, the song’s eventually defined by its resilience in the face of a detached weariness. It’s nuanced, it’s effective, and it’s one of the finest songs to have found release in the past several months. By the time the bridge kicks in, it’s clear that Slight’s members haven’t placed this project on the back burner and are intent to push it forward with all the strength they can manage. We’re just fortunate enough to be along for the ride.

Listen to “Hate the Summer” below and keep an eye on this site for any upcoming news about the band.

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October 26, 2015

WASHA – Night/Day (Music Video Premiere)

Every so often, an offer to premiere something from an emerging artist lands in my inbox. Frequently, it’ll be the first I’ve heard of the artist and rarely will it be something that fits this site’s focus. So the moments when those offers actually hit their target, they hit especially hard. Enter: WASHA and the music video for “Night/Day”. Coming in advance of the artist’s upcoming full-length, The Bright.

The project of Dwight Pendleton, WASHA operates most frequently in a morose-leaning bedroom pop mode but continuously finds moments that allow for hope. WASHA also feels, even more than its contemporaries, like a deeply personal journey of self-discovery. “Night/Day” presents all of this and more in a 4:3 ratio that suggest an underlying self-awareness of historical context. Finding subtle ways to showcase the execution, process, and circumstance of an intimate performance, “Night/Day” far exceeds something that seems ostensibly simplistic at first glance to become far more nuanced and meaningful. Strung all together through a muted color palette that complements the song’s downtrodden atmosphere to thrilling effect, “Night/Day” effectively becomes a very tantalizing first look at a project worth anticipating.

Watch “Night/Day” below and keep an eye on this site for ongoing news about WASHA and The Bright.

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October 26, 2015

Young Jesus – Holy Ghost (Music Video Premiere)

Several months ago, this site offered up the premiere of the album teaser for Young Jesus’ outstanding Grow/Decompose, which remains one of this year’s finest releases. Now that the record’s out in the world and the band’s about to go on tour in support of Grow/Decompose, they’ve sent another item through the pipeline: the compelling animated video for “Holy Ghost”.

Once again, the direction and art comes courtesy of Young Jesus’ guitarist/vocalist (and principal songwriter) John Rossiter, who continues to impress with an ever-evolving collage of artistic mediums, all held within one frame as the irrepressible energy of “Holy Ghost” pushes the art to its furthest corners. It’s a staggering reminder of the band’s formidable talent, which remains largely overlooked. However, the band’s ready to combat that with some additional firepower that’s arrived in the form of their new label, Gigantic Noise, which will be reissuing Grow/Decompose on vinyl in early 2016.

With the impending reissue, approaching year-end lists, and the band’s gripping live show all factoring into the mix, Young Jesus seems set for a very promising year. They’re fully capable of infusing every facet of their band with the artistry that permeates “Holy Ghost”, making them one of music’s best-kept secrets. Don’t miss out on the reissue, this video, or any of the band’s upcoming tour dates, which can be found below the video.

Watch “Holy Ghost” below and pick up a copy of Grow/Decompose here.

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