Heartbreaking Bravery

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Fruit & Flowers – Out of Touch (Music Video)

In the time that’s elapsed since the last non-premiere post was published here, there have been excellent songs by Beach Fossils, Stalagmites, Gold Dime, CHIMNEY, Bad Channels, Plastic Picnic, Hayden Calnin, Night Click, Ethan Daniel Davidson, The Technicolors, Blimp Rock, Elle Mary & The Bad MenNØMADS, and Holy Boy that have all been unveiled. As if that wasn’t enough, there was a small host of exceptional music videos to find release, headlined by “Out of Touch”, the first proper visual effort from site favorites Fruit & Flowers.

Drug Tax, the band’s forthcoming EP, is out next month and to preview the release, they’ve offered up a beach-heavy clip that comes courtesy of Thomas Ignatius, who highlights what makes the band so appealing. There’s a sense of fun permeating throughout “Out of Touch” that’s both familiar and inviting. Surf elements blend seamlessly into psych elements, the visual effects and color grading offering an acute reflection of the band’s musical aesthetic. It’s a deceptively clever and impossibly entertaining moment of quiet catharsis that more than proves Fruit & Flowers are ready to advance their career to even higher levels.

Listen to “Out of Touch” below and pre-order Drug Tax from Little Dickman here.

Amy O – Lavender Night (Stream)

Over the past week or so, there have been exceptional songs by the likes of Grizzly Bear, Crumb, Greg Ashley, Les Big Byrd, The Holy Circle, Big Bliss, Carcara, Korey Dane, Munroe,  Trü, Hundredth, Beach Fossils, High Signs, and Nick Cave & Warren Ellis that have surfaced. Those weren’t the only great songs to find release in that time, something proven by Amy O’s winsomely spiky “Lavender Night”.

Energetic, forceful, and masterfully composed, “Lavender Night” continues an unassuming winning streak for the songwriter just as it underscores all of the things Amy O does so well. Drawing from past decades of musical influence to create something that feels familiar yet unique enough to be singular, “Lavender Night” is a melting pot getting thrown across the room at a massive canvas. Once again, Amy O finds a way to stick the landing, creating an absorbing and memorable canvas worth revisiting.

Listen to “Lavender Night” below and pre-order Elastic here.

Cool American – Maui’s (Stream)

It’s been about a week since the last non-premiere post has been published. In that time, incredible new songs from Yowler, Lee Bains III + The Glory Fires, The Districts, STRFKR, Van Dale, Wieuca, Basement Revolver, Katie Ellen, Shit Girlfriend, Pink Frost, Downtown Boys, Art School Jocks, Two Inch Astronaut, David Nance, and Esper Scout have all found their way out into the world. Cool American‘s “Maui’s”, the last track to tease Infinite Hiatus, also found release in that time.

“Maui’s” continues the project’s penchant for bittersweet basement pop driven as much by the innate charisma of Nathan Tucker — the mastermind behind Cool American — as it is by its dynamic composition. Swinging from lo-fi aesthetics to the kind of explosive, powerpop-leaning burst that should make Good Cheer a revered name, “Maui’s” finds exhilarating life in harnessing the unexpected. It’s another in an increasingly long line of triumphant moments for Cool American and it deserves to be played as loudly and as frequently as possible.

Listen to “Maui’s” below and pre-order Infinite Hiatus here.

Ben Morey & The Eyes – Black Jacket (Song Premiere)

Ben Morey became a memorable name thanks to an enviable output that included exceptional work with Dumb Angel and Howlo. Morey takes the spotlight here and is surrounded by an ensemble backing cast made up of some of Rochester, NY’s finest musicians (among them: Pleistocene‘s Katie Preston, Mikaela Davis, Green DreamsJesse Amesmith, and members of Attic Abasement).  “New Life”, the breezy first song to be released from the project’s forthcoming full-length, Mt. Doom, gave listeners plenty of reasons to be excited over its release and “Black Jacket” — premiering here — should only heighten that anticipation.

“Black Jacket”, which was recorded in South Wedge Mission and boasts a narrative that Morey described as a “Motorcycle death melodrama” told from the perspective of a teenage ghost. The doo-wop inflected track’s musical aesthetics hearken back to a time where that kind of story would feel snugly at home. It’s an absolutely gorgeous number that capitalizes fully on the 10-piece outfit assembled for the recording (which includes Pleistocene’s Preston).

There’s not a false note to be found on “Black Jacket”, a spirited near-waltz that makes excellent use of its “sha-la-la” backing vocals and spoken word interlude. Too forward-thinking to be strict revivalism and too historically-informed to not be considered nostalgia-inducing, “Black Jacket” straddles a familiarly cozy divide and breathes some new life into that gap. A beautiful piece from a record that grows more fascinating with each new track, “Black Jacket” is both a tantalizing look at Mt. Doom and a perfect addition to anyone’s summer soundtrack.

Listen to “Black Jacket” below and pre-order Mt. Doom LP from City of Quality here and keep an eye on Dadstache for the tape release.

Great Grandpa – Fade (Stream)

Approximately 48 hours into the week and the world’s already delivered exceptional new tracks from Daddy Issues, Stillwave, Dent May, Tomten, Versa, Jason Loewenstein, Broken Social Scene, and PalmGreat Grandpa also released a song, following up their explosive “Teen Challenge” (one of 2017’s finest songs) with yet another jaw-dropping turn that should hike the anticipation even further up for the band’s forthcoming Plastic Cough.

Once again leaning into a ’90s alternative in a way that feels thrillingly alive rather than tired and rehashed, Great Grandpa have crafted another triumphant mini-masterpiece in “Fade”. Swinging from one wildly different section to another with an exacting prowess, the band seems to conjure up energy from perfectly executing hairpin turns and leaning into powerful moments with all their might. “Fade” is a wild, incendiary three minutes that suggests — as “Teen Challenge” did before it — Plastic Cough may just wind up being one of the year’s best records. As soon as “Fade” is over, the only thing anyone’s likely to do is go back and hit repeat. It’s another winsome moment for a re-emergent band poised to reach the next level of what looks to be an incredibly promising career.

Listen to “Fade” below and pre-order Plastic Cough from Double Double Whammy here.

Palehound – If You Met Her (Music Video)

As this Monday and Tuesday both disappear into the rear view, it’s important to take stock of the notable records that have emerged in that time. Ainsley Farell, Sweet Baby Jesus, Sam Craighead, Adult Mom, Chris Bathgate, The I.L.Y’s, Do Make Say Think, Tricot, Yung, Gouge Away, and B L A C K I E all revealed impressive full streams and there was an outstanding compilation released to celebrate the seventh anniversary of GoldFlakePaint. The focus for this particular piece falls back to the music video format, thanks to a career best showing from site favorites Palehound.

A small army was assembled to create Palehound’s latest piece, a music video for “If You Met Her” that lands with devastating clarity. Tom Quigley, Sara Tesh, Michael Escobar, Kiely Quinn, Rachel Newman, Tatiana Marquez, Jeovana Almeida, Zane Ryan, Tatiana Marquez, and Caitlin Leblanc all hard a part to play in pulling off a clip that’s already struck a nerve with a whole host of viewers. Guitarist/vocalist and principal songwriter Ellen Kempner’s completely isolated in the clip, lending the narrative’s open vulnerability and existential fear even more heft.

Kempner does little more than navigate a seemingly abandoned house in the clip, allowing both the song — easily one of Palehound’s finest — and video to take on a haunted bent. There’s angst here, to be sure, but it’s the kind of acute and intensely focused angst that propels it past the realms of the cliché into something unnerving, despairing, and utterly terrifying. Grappling with insignificance and mortality in a way that presents the slightest hint of optimism amid a heavy resignation, there are echoes of Elliott Smith to be found in “If You Met Her” (a comparison that should never be used lightly).

“If You Met Her” is an astonishing work as a standalone song but the visuals the assembled team have provided the track render it transcendental. There are slight nods to something holy in several of the shots, underscoring the religious angle that’s always lingering in heavy existential crises. Whether the song (and video) is intended as a prayer, a warning, or a reminder may never be truly known but for now, we should all consider ourselves lucky to be able to explore the work on display. “If You Met Her” is not the type of clip — or song — to leave anyone’s memory anytime soon.

Watch “If You Met Her” below and pre-order A Place I’ll Always Go from Polyvinyl here.

Saintseneca – Book of the Dead on Sale (Stream)

Only two days into the week and Hot Flash Heat Wave, Summer Salt, Friend Roulette, Matt Maltese, Pallas, Cigarettes After Sex, Guerilla Toss, and Early Riser all revealed tracks worthy of praise. There was another track that came courtesy of site favorites Saintseneca, who have continued to operate on an exceedingly high level over the course of their already ridiculously impressive — but still relatively young — discography.

“Book of the Dead on Sale” continues Zac Little’s penchant for crafting Appalachian folk-inspired music tinged with just the slightest punk influence. It’s a formula that’s defined the band’s best work and “Book of the Dead on Sale” now proudly joins a host of tracks as an example of the project’s finest work. Humble, gorgeous, battered, and singularly focused, “Book of the Dead on Sale” makes the absolute most of a two minute run-time and proffers a reminder that Saintseneca is one of the best acts currently releasing music.

Listen to “Book of the Dead on Sale” below and keep an eye on this site for more updates on the band.

WHY? – The Barely Blur (Music Video)

The first two days of this week have ushered forth excellent music videos from GospelbeacH, Top Down, Pulgas, The Tambo Rays, Rodes Rollins, Sparks, Demure for Sure, Smidley, Kikagaku Moyo, Justus Profit, and Honeyfitz. WHY? also joined in on the fun, releasing an inventive, vivid clip for Moh Lhean‘s gorgeous closing track, “The Barely Blur”. Colorful, thought-provoking, and straddling the realm of the surreal, “The Barely Blur” joins a very distinctive line of videos that the project’s unleashed over the course of their career.

Utilizing intimate footage of joggers (underscoring the band’s long-held interest in fitness regimens) largely presented in intense close-ups, “The Barely Blur” taps into something ethereal off the bat. It’s a sensibility that’s heightened by both the song’s casually epic sweep and the digital footage that’s intercut with the more human elements. In exploring the duality between its two core paradoxes (grandeur vs. modesty and artificial vs. organic), “The Barely Blur” touches on something intangible, wisely choosing to observe and present rather than to solve. It’s a heady, gorgeous, mind-bending trip and it’s another solid entry into an enviable artistic output.

Watch “The Barely Blur” below and pick up Moh Lhean from Joyful Noise here.

Courtney Barnett – How To Boil An Egg (Stream)

Over the course of the past two days Soccer Mommy, Patrick DeFrancisi, The Pains of Being Pure at Heart, Julian Fulton, Amber Arcades, Old S Resort, Ben Grigg, and Public Service Broadcasting have all unveiled outstanding tracks. Courtney Barnett joined their ranks, releasing a characteristically extraordinary track in “How To Boil An Egg” which retains and showcases  the songwriter’s penchant for oft-kilter melodies and dry wit.

Released as part of the Split Singles Club — a joint effort between Bedroom Suck and Barnett’s own Milk! Records label — “How To Boil An Egg” treads welcomely familiar territory but offers enough of a twist to keep the song from being staid or complacent. Leaning in a touch harder on a classic country influence, Barnett conjures up another high-energy ramshackle gem, replete with clever turns of phrases and gritty tones. In short: it’s another sterling effort from one of our generation’s finest young artists.

Listen to “How To Boil An Egg” below and subscribe to Bedroom Suck and Milk! Records Split Singles Club here.

Empty Heads – Meat Mouth (Song Premiere)

The worlds of DIY punk, shoegaze, and bands reveling in lo-fi aesthetics have overlapped for years but the definitive examples of that intersection have, historically, been woefully under-covered. Empty Heads are looking to change that with their upcoming Normality EP, which boasts a collection of songs as fierce, ragged, and determined as “Meat Mouth”, which is premiering below.

Encapsulating a host of influences, from the obvious shoegaze forebears to psych-inflected basement punk contemporaries, “Meat Mouth” is a towering work. Managing to come across as both earnest and reserved simultaneously, “Meat Mouth” exists as something of a paradox, drawing listeners in for closer inspection. In its opening stretch, the song immediately (and successfully) sets out to bruise before its final stretch sees an inspired disintegration that veers incredible close to noise territory, getting significantly heavier before slinking into an eerie ambient work defined by swells of feedback and effects manipulation.

Between those two definitive markers, “Meat Mouth” is anchored by a familiar narrative, which at once expresses self-doubt, self-deprecation, and a buried desire for something resembling normalcy. From thinking sideways to the chemical makeup of the brain, “Meat Mouth” concerns itself with minutiae as much as the big picture, becoming an odd reflection of its own composition. It’s a remarkable work from a band worth hearing and a very strong lead-in to one of 2017’s most formidable EP’s to date.

Listen to “Meat Mouth” below and pre-order Normality from Debt Offensive here.