Ben Morey became a memorable name thanks to an enviable output that included exceptional work with Dumb Angel and Howlo. Morey takes the spotlight here and is surrounded by an ensemble backing cast made up of some of Rochester, NY’s finest musicians (among them: Pleistocene‘s Katie Preston, Mikaela Davis, Green Dreams‘ Jesse Amesmith, and members of Attic Abasement). “New Life”, the breezy first song to be released from the project’s forthcoming full-length, Mt. Doom, gave listeners plenty of reasons to be excited over its release and “Black Jacket” — premiering here — should only heighten that anticipation.
“Black Jacket”, which was recorded in South Wedge Mission and boasts a narrative that Morey described as a “Motorcycle death melodrama” told from the perspective of a teenage ghost. The doo-wop inflected track’s musical aesthetics hearken back to a time where that kind of story would feel snugly at home. It’s an absolutely gorgeous number that capitalizes fully on the 10-piece outfit assembled for the recording (which includes Pleistocene’s Preston).
There’s not a false note to be found on “Black Jacket”, a spirited near-waltz that makes excellent use of its “sha-la-la” backing vocals and spoken word interlude. Too forward-thinking to be strict revivalism and too historically-informed to not be considered nostalgia-inducing, “Black Jacket” straddles a familiarly cozy divide and breathes some new life into that gap. A beautiful piece from a record that grows more fascinating with each new track, “Black Jacket” is both a tantalizing look at Mt. Doom and a perfect addition to anyone’s summer soundtrack.