Watch This: Vol. 94
by Steven Spoerl
[EDITOR’S NOTE: A modified version of this paragraph appeared in the preceding post due to the nature of the pieces] Occasionally there are weeks where there are simply too many excessively strong live performance clips to highlight with just one entry and this week’s established itself as being of that caliber. It’s a rarity that there are exceptions to the setup of five featured clips and an honorable mentions list of hyperlinked material because it’s generally best to err on the side of brevity for these things. I’m not sure I can conjure up a more ringing endorsement than that for the 10 featured clips that will be running tonight. With the first half out of the way, it’s time to turn to the latter selections, all of which carry just as much impact as their predecessors. So, as always, sit up, adjust the volume, adjust the screen, lean in, focus, and Watch This.
1. Tacocat – Volcano (Rhapsody)
Throughout the week a lot was made of Tacocat‘s Rhapsody session due to their excellent Ramones cover but the band also delivered a fiery take on “Volcano”, an original that outshines the cover that circulated so many times over the past several days. “Volcano” is a perfect example of the band’s winsome sensibility and the band delivers it in earnest, with a palpable amount of affection for their craft. It’s an absolute joy to watch unfold and the perfect clip to kick off the second section.
2. Screaming Females – Ripe + Broken Neck (WFUV)
Ever since Watch This was initiated nearly two years ago, Screaming Females have been making frequent appearances in the series. The reasoning behind that decision’s uncomplicated: the band’s one of this generation’s best live acts. Some things are fairly cut and dry and the trio’s formidable abilities as a live act are nearly unparalleled in the DIY circuit. Still riding high on the success of this year’s tremendous Rose Mountain, the band stopped by the WFUV studios to turn in two fiery performances and extend their winning streak to even further lengths.
3. Froth (KEXP)
In the midst of quietly putting together a strong year loaded with promise and potential, Froth stopped by the KEXP studios for a full session that provided a glimpse at what makes them one today’s more exciting bands. Finding a common ground between basement pop and shoegaze, the quartet’s bridged that gap and traversed every compelling mile between the two genres. While the music’s got an immediate nature, it’s best explored through serious investment where it reaps seemingly unlimited rewards. Already fascinating material is given new life in the live context, where it’s performed with a great amount of verve and genuine care.
4. Fake Palms – Sparkles (Exclaim!)
Fake Palms have landed their name on this site a small handful of times now thanks to a strong 2015 that saw them steadily emerging as a viable candidate for best new act in an overcrowded year. “Sparkles” was one of their breakthrough moments and Exclaim! recently caught the quartet gifting their cameras an explosive version of the tune in a picturesque outdoor setting. The combination makes for an unreasonably compelling piece of art that should help the band further their case for being one of the year’s more memorable acts.
5. SOAK (KEXP)
Very few songs this year have managed to freeze blood as quickly as SOAK‘s 2015 highlight “B a Nobody”. Bridie Monds-Watson- the enviably gifted songwriter operating under the SOAK moniker- seems to recognize this and is coaxing the appropriate mileage out of the song. Wisely kicking off this KEXP session with the tune to set the tone, it’s quickly followed by an effective trio that firmly establishes Monds-Watson as one of today’s premier young talents. KEXP’s cameras almost seem to be lensing Monds-Watson reverentially throughout this session, which provides the affair with a dimension that contributes to its stunning impact. Don’t miss this one.