All Dogs – Georgia (Stream)
by Steven Spoerl
After a long list of posts dedicated to the best material to have surfaced over the course of the past two weeks, everything’s back on track. The contents of this post will focus solely on some of the best content to have emerged yesterday- and the results are fairly minimal (though the included pieces are wonderful). Victoria+Jean debuted their nightmarish fever dream of a music video for their jaunty (and undeniably weird) “Holly“, which offered more than enough visual stimuli to make up the entire music video list for the day. As for single streams, there was Pink Mountaintops’ slow-burning basement pop number “Asleep With An Angel” and Sur Back’s hypnotically delicate (and unfailingly gorgeous) “Occam’s Razor“. Then, of course, there was the new track from site favorites All Dogs.
In 2013, this site had their debut 7″ ranked very highly on a best-of list. In 2014, it captured All Dogs up close and personal while they made their way through one of the best shows Wisconsin hosted this year. There’s no reason to think that their forthcoming LP (due out on Salinas in 2015) won’t become another instant favorite. Apart from the new songs captured in live settings, there haven’t been too many instances of new All Dogs music appearing (even the live clips are severely limited) so anytime something like “Georgia” happens, it’s worth putting everything else on hold to let it play uninterrupted. Intended as part of The Le Sigh Vol. II compilation tape, it finds the band adding even more nuance into their sound. From the light slide guitars to the muted transitional bridge, it’s abundantly clear there’s a startling new depth to the band’s grasp on dynamics (likely a result of them creating as a full band rather than on their own individually).
Bandleader Maryn Jones’ melodic sensibilities are still the focal part of the band’s appeal and the rest of the bands plays off of those sensibilities beautifully. Everything’s complemented in increasingly subtle ways, from Amanda Bartley’s half-hidden atmospheric bass lines to Jesse Withers’ intuitive, feel-heavy drumming. Jones’ lyrics remain as sharp as ever, continuing a constant grapple with self-doubt, self-discovery, and combining them with a constant search for greater meaning. It’s a perfect reminder of why the love for All Dogs is so fervent and it’s an impossibly tantalizing look towards what the band has in store for the future.
Listen to “Georgia” below and give The Le Sigh as much undivided attention as possible.