Heartbreaking Bravery

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Tag: Wolfs

Wrap Up Warm (Mixtape)

kcc

Over the course of the past 100 posts, I’ve been fortunate enough to spend a lot of time living in Brooklyn and rejoining some of my oldest friends (and family) in central Wisconsin while working on various records and tours. A lot more time than usual has elapsed since the last 100 post update and this one for a variety of reasons and yielded an even more substantial amount of material than usual, including a wealth of CMJ coverage. Now in it’s second year, there’s still new developments being made for the site as everything else continues to evolve naturally. At the last 50-post interval, I ran a mixtape for fall. Now, I’ll be turning my attention to the winter as we stare into its cold, unforgiving face. Just as fall has aspects that can be characterized through music (autumnal tones, the confrontation of mortality, bruised romanticism, etc), winter has its own set of unique traits.

While it’s true there’s an inherent sadness that’s attached to winter (suicide projections skyrocket, SAD takes full effect, and illness percentages elevate considerably), there’s also an inherent warmth. Blizzards hit and the strongest defense becomes warm drinks, companionship, and additional heat- all of which carry a connotation that directly connects with the various trials the season presents. Even the most grizzled cynic can find some comfort in the comforting embrace of an additional blanket. As the scene outside falls victim to uncompromising temperatures, violent winds, and patches of black ice, the transformation can become oddly compelling when paired with the right music. Below’s mix includes 25 songs that elevate the startlingly vivid nature of even the bleakest winter landscapes, complementing their strange, surprisingly emotional dichotomies. Whether you’re curled up under a blanket watching the snow fall, layered up and exploring the outdoors, or simply trying to make sense of the sudden change, this is your soundtrack.

Listen to Wrap Up Warm via the embed below and find its tracklist underneath the player. Beneath the tracklist, explore hyperlinks to the site’s past 100 posts. Enjoy.

SIDE A

1. Torres – A Proper Polish Welcome
2. The Antlers – Kettering
3. Nicole Dollanganger – A Marvelous Persona
4. Wolfs – Leading Me Back To You
5. Bent Denim – Good Night’s Sleep
6. Julien Baker – Sprained Ankle
7. Dilly Dally – Burned by the Cold
8. Okkervil River – A Glow
9. Angel Olsen – White Fire
10. Sleeping in the Aviary – You’re A Party
11. Young Jesus – Milo
12. Eskimeaux – That’s OK
13. Elliott Smith – I Didn’t Understand

SIDE B

14. Why? – Eskimo Snow
15. Girlpool – Dear Nora
16. Infinity Crush – Heaven
17. Hop Along – Happy To See Me
18. Waxahatchee – Noccalula
19. Jason Isbell – Elephant
20. Eluvium – An Accidental Memory in the Case of Death
21. Johanna Warren – We Fell
22. S – Remember Love
23. DeYarmond Edison – Silent Signs
24. Joanna Newsom – Does Not Suffice
25. Yowler – The Offer

As always, hyperlinks to the site’s last 100 posts are included below.

HB601: Pleasure Leftists – Protection (Stream, Live Video)
HB602: Meat Wave – Cosmic Zoo (Stream)
HB603: PWR BTTM – Ugly Cherries (Music Video)
HB604: Salad Boys – Dream Date (Music Video)
HB605: Watch This: Vol. 89
H606: Tenement – Vultures (Stream)
HB607: Strange Relations – Panther’s Conquest (Music Video Premiere)
HB608: Radioactivity – Live at Baby’s All Right – 7/30/15 (Pictorial Review, Live Video)
HB609: Frankie Cosmos – Live at DBTS – 8/1/15 (Pictorial Review, Live Video)
HB610: Sharkmuffin – Live at Shea Stadium – 8/7/15 (Pictorial Review, Live Video)
HB611: Saintseneca – Live at Baby’s All Right – 8/8/15 (Pictorial Review, Live Video)
HB612: Johanna Warren – Live a The Grove – 8/9/15 (Pictorial Review, Live Video)
HB613: Charly Bliss – Live at McCarren Park – 8/12/15 (Pictorial Review, Live Video)
HB614: Dilly Dally – Desire (Music Video)
HB615: All Dogs – How Long (Stream)
HB616: Watch This: Vol. 90
HB617: Quarterbacks – Live at Baby’s All Right – 8/13/15 (Pictorial Review, Live Video)
HB618: Saintseneca – Sleeper Hold (Stream, Live Video)
HB619: Shannon & the Clams – It’s Too Late (Stream)
HB620: Diet Cig – Dinner Date (Stream, Live Video)
HB621: Watch This: Vol. 91
HB622: CITRIS – On the Sidelines (Music Video)
HB623: Tenement – Tenement (EP Stream, Review)
HB624: NE-HI – Turncoat (Music Video)
HB625: Prison Whites – Deceiver (Stream)
HB626: Mike Krol – Neighborhood Watch (Music Video)
HB627: Kathryn Calder – New Millennium (Stream)
HB628: Exploding In Sound’s Extended Weekend: Days 1 & 2 (Pictorial Review, Live Video)
HB629: Mike Krol – Turkey (Album Review, Stream)
HB630: All Dogs – Live at Silent Barn – 8/22/15 (Pictorial Review, Live Video)
HB631: PWR BTTM – West Texas (Stream, Live Video)
HB632: Watch This: Vol. 92
HB633: OBN III’s – Let The Music (Stream)
HB634: Littler – Somewhere Else (Stream)
HB635: Melkbelly – Mnt. Kool Kid (Stream)
HB636: PWR BTTM – 1994 (Stream, Live Video)
HB637: Meat Wave – Cosmic Zoo (Stream)
HB638: Watch This: Vol. 93
HB639: Watch This: Vol. 94
HB640: The Libertines – Heart of the Matter (Stream)
HB641: Dilly Dally – Purple Rage (Stream)
HB642: Watch This: Vol. 95
HB643: Dilly Dally – Purple Rage (Music Video)
HB644: Saintseneca – River (Music Video)
HB645: A Short Stretch at The Silent Barn (Pictorial Review, Live Video)
HB646: Ronnie Stone & The Lonely Riders – Live at Baby’s All Right – 8/29/15 (Pictorial Review, Live Video)
HB647: Froth – Nothing Baby (Music Video)
HB648: Hung Toys – Lurid (Album Review, Stream)
HB649: Midnight Reruns – There’s An Animal Upstairs (Stream)
HB650: Arriving at the Fall (Mixtape)
HB651: Eskimeaux – Broken Necks (Music Video)
HB652: Gumbus – Crimbus Rock (EP Review, Stream)
HB653: Ernie – Sweatpants (Stream)
HB654: Bruising – Emo Friends (Stream)
HB655: Dusk – (Do The) Bored Recluse (Stream)
HB656: Mike Krol – Live at Baby’s All Right – 9/29/15 (Pictorial Review, Live Video)
HB657: Daughter – Live at Baby’s All Right – 9/30/15 (Pictorial Review, Live Video)
HB658: Ought – Live at Secret Project Robot Art Experiment – 10/2/15 (Pictorial Review)
HB659: Bad Cello – Live at Palisades – 10/4/15 (Pictorial Review, Live Video)
HB660: Junun (Film Review)
HB661: Midnight Reruns – Canadian Summer (Music Video, Live Video)
HB662: Stove – Wet Food (Stream, Live Video)
HB663: Saintseneca – Bad Ideas (Music Video)
HB664: Dusk – Too Sweet (Stream)
HB665: Laura Stevenson – Claustrophone (Stream)
HB666: Nicole Dollanganger – Natural Born Losers (Album Review, Stream)
HB667: Watch This: Vol. 96
HB668: Watch This: Vol. 97

HB669: Watch This: Vol. 98
HB670: Watch This: Vol. 99
HB671: DBTS: BS2 (Compilation Premiere)
HB672: Sheer – Uneasy (Music Video)
HB673: S – Remember Love (Music Video)
HB674: CMJ: Day 2 Review
HB675: CMJ: Day 3 Review
HB676: CMJ: Day 4 Review
HB677: CMJ: Day 5 Review
HB678: CMJ: Day 6 Review
HB679: Watch This: Vol. 100
HB680: CMJ: Day 2 (Pictorial Review)
HB681: CMJ: Day 3 (Pictorial Review)
HB682: CMJ: Day 4 (Pictorial Review)
HB683: CMJ: Day 5 (Pictorial Review)
HB684: CMJ: Day 6 (Pictorial Review)
HB685: Young Jesus – Holy Ghost (Music Video Premiere)
HB686: WASHA – Night/Day (Music Video Premiere)
HB687: Slight – Hate the Summer (Song Premiere)
HB688: Painted Zeros – Only You (Stream)
HB689: Midnight Reruns – Force of Nurture (Album Review, Stream)
HB690: Julien Baker – Sprained Ankle (Music Video)
HB691: CITRIS – Little Scars (Music Video Premiere)
HB692: Adir L.C. – Buyer’s Instinct (Music Video Premiere)
HB693: Watch This: Vol. 101
HB694: Watch This: Vol. 102
HB695: Watch This: Vol. 103
HB696: Watch This: Vol. 104
HB697: Watch This: Vol. 105
HB698: Watch This: Vol. 106
HB699: Watch This: Vol. 107

All Dogs – That Kind of Girl (Stream, Live Video)

All Dogs V

It’s been a handful of days since a non-series or specialized coverage piece has run on this site so it seems fitting that the song that’s breaking the silence is not just one of the best songs of 2015 but a song that was praised effusively here last fall, when the band responsible- All Dogs– was road-testing new material. It’s been nearly a year since that initial exposure and a few of those still-unreleased songs haven’t faded from memory; there’s something about the upcoming material All Dogs have been harboring that’s impossible to shake. No song has managed to stick harder than “That Kind of Girl”, the first song to be released from their debut full-length, Kicking Every Day, and the song that closed the band’s inspired set in Milwaukee last August.

Before All Dogs played Milwaukee, I had a chance to sit down with the band for an interview/performance piece for The Media in which guitarist/vocalist Maryn Jones revealed that the biggest differentiating factor between the band’s extraordinary self-titled 7″ and Kicking Every Day was the fact that the band (which now includes former NONA guitarist Nick Harris) wrote the songs together rather than expanding on a pre-existing outline. Jones and I recently met back up again when one of her other bands, site favorites Saintseneca, opened for Murder By Death in Milwaukee. At that time, she was looking forward to pushing the release of the All Dogs record- something that carried a clear amount of meaning for the enviably gifted songwriter- while voicing some trepidation over trying to balance tours between her three remarkable projects (Jones also released an absolutely stunning solo record this year under her Yowler moniker).

While that may seem like an unnecessary anecdote, it served as an acutely realized moment of exposition. It’s that duality of enthusiasm and doubt that functions as the crux of some of Jones’ strongest work. A staggering body of work that’s most recent official addition is the surging “That Kind of Girl”. The song itself comes off as a blistering moment of personal triumph, a well-meaning kiss off to a former paramour. It’s a genuinely inspiring tour de force not just for Jones but for the band that surrounds her (one that includes bassist Amanda Bartley and Delay drummer Jesse Wither in addition to Harris) and allows the enterprising songwriter to conjure up a seemingly endless string of emotive hurricanes.

In approximately two and a half minutes, each individual member gets a powerful showcase for what they bring to the band as individual players. For Harris, it’s sharp, intuitive guitar playing, for Bartley, it’s a subtly menacing urgency, and Wither lends the band a considerable punch with powerhouse drumming. It’s the elevated dynamics- already at least somewhat evidenced by “Georgia“, the band’s Le Sigh mixtape contribution- that will make Kicking Every Day one of the most exhilarating releases of 2015. Even if Kicking Every Day‘s August 28 release date still means an excruciating month and a half of waiting, a towering, empathetic, humanist anthem isn’t a bad way to set things in motion. Until that date hates, the best thing- the only thing– to do is just keep hitting repeat.

Listen to “That Kind of Girl” below and keep an eye on Salinas for pre-orders. A live video of the band performing the song- as well as a video of Jones performing a devastating solo take of Kicking Every Day track “Leading Me Back To You” (a song that’s being rescued from Jones’ and Bartley’s old project, Wolfs)- have been included beneath the soundcloud embed. For those of you in Brooklyn, you can catch the band at The Silent Barn on August 22 with The Sidekicks. In the meantime, enjoy the song and the footage below.


Yowler – The Offer (Stream)

All Dogs VI

Three months in and a handful of arresting, tragic songs have already crept out of 2015. None of them have been as emotionally devastating as the title track to The Offer, the debut of All Dogs and Saintesenca‘s Maryn Jones’ solo moniker, Yowler. Few moments last year gave me chills as fierce as when Jones revisited “Leading Me Back to You” as an epilogue to an interview I had the good fortune of conducting for The Media. In some ways, that performance was a slight betrayal of the icier, more ambient-laden terrain that Jones would be visiting with Yowler. As a glimpse ahead, it was enough to freeze blood. “7 Towers” and “Water” both indicated a natural progression of Gift., the last record Jones would release while using her own name as a moniker.

Even with the startling clarity of “7 Towers” and “Water”, it’s difficult to be fully prepared for “The Offer”- and easy to see why the first official Yowler release would take on the song’s name. Gently picked acoustic guitar, an unbelievably gorgeous piano figure, and eerie, layered vocals transform this song into something genuinely haunting. It’s a song that opens with a shadow, closes with stillness, and reverberates long after its hushed close, bringing to mind the dynamics of Elliott Smith and the raw emotion of Marketa Irglova’s most melancholic moments. Spellbinding beyond reason and crippling in its wounded vulnerability, “The Offer” is less of an actual offer and more of a warning: tread lightly, there’s broken glass here that’s yearning to reach out and cut.

Listen to “The Offer” below and pre-order the release from the increasingly formidable Double Double Whammy here.

All Dogs at Bremen Cafe – 8/19/14 (Pictorial Review, Live Video)

All Dogs IX

[AUTHOR’S NOTE: First off, just to get this out of the way at the top, this post probably would not have been possible without The Media, a site whose praises deserve to be sung as loudly- and frequently- as possible. Being able to be a part of that place, even just for an issue, was an honor. The fact that I got to spotlight was All Dogs, a band that put out a 7″ last year that I felt very strongly about, ensured that it won’t be an experience I’ll be forgetting anytime soon. All that said, I wound up with an over-abundance of content that, for obvious reasons, couldn’t all be worked into The Media piece. It’d be criminal to let a lot of the material that didn’t run go to waste, so it’ll be running here today. Enjoy.]

All Dogs put out one of this site’s favorite 7″ records of last year, so when word came that they’d be stopping at Bremen Cafe in Milwaukee, not going wasn’t an option. As time progressed and more things got worked out, excitement and anticipation for the show grew incrementally. After the band agreed to an interview (hyperlinked towards the end of the Author’s Note) and guitarist/vocalist Maryn Jones was gracious enough to agree to a small set of acoustic performances, All Dogs’ self-titled 7″ was back to being in near-constant rotation- and wound up being the go-to soundtrack for every editing session this site went through for a few weeks.

During that time, a press email came out detailing an upcoming release from a project called Yowler, which turned out to be a solo vehicle for Jones- and a likely continuation of her excellent early solo material. Somehow, this all came to light during a time that also saw the emergence of Saintseneca’s Tiny Desk Session for NPR (easily one of this year’s finest offerings), all of which pointing to Jones being one of the busiest- and best- songwriters/musicians that we currently have. All of that combined prompted a trip through her discography, which included some absolute gems like the tape from the now-defunct Wolfs (which All Dogs’ bassist, Ama,nda Bartley was also in). As a result of the culmination of all of this, expectations couldn’t have possibly been higher for the band’s live show.

After taking up temporary residence in Ground Zero (one of Milwaukee’s best basement venues) for the interview session, it was into the band’s van and off to Bremen Cafe. While there wasn’t too much time to spend doing anything other than helping clear out space and running out to get food before the show kicked off, it didn’t seem to matter. Everyone seemed to be in high spirits and a lot of old friends were able to exchange a few words before the show kicked off with a ferocious set from Failed Mutation– who proved to be next to impossible to photograph thanks to their incessant levels of energy. From their live show alone, it wasn’t very difficult to see why they’ve earned a reputation as being one of Milwaukee’s best hardcore bands in an increasingly over-crowded scene (it also probably doesn’t hurt to have members of Tenement and Holy Shit! in your band). Failed Mutation wound up packing an absurd amount of spastic energy into a set that probably only ran 15 minutes, all of which was expertly controlled- likely thanks to each individual members discipline and experience. It was a hell of a way to jump-start what would prove to be a surprisingly formidable bill.

Next up was Sin Bad, a relatively new band that features members of both Night Animals and Rich People. Having never heard Sin Bad, it was difficult to gauge whether trepidation or excitement was winning out as Failed Mutation loaded out. Any notions of disappointment were immediately dispelled following the first few seconds of their first song. Boasting a sound not too dissimilar from All Dogs (with maybe just a few dashes more of a sound found pretty frequently on Don Giovanni Records) and an energy that was relatively comparable to Failed Mutation meant their second slot was a perfect transition between the opener and the headliner, while also simultaneously allowing them a more unfettered interest from the sizable and appreciative crowd. By the time Sin Bad’s set was over, it was very clear they’d left an impression and made converts out of several of the previously unaware.

When Sin Bad had packed up and left the stage open for All Dogs, a strange nervousness crept back in- as it usually does prior to seeing a band (especially for the first time) that’s come to mean something on a personal level. Again, it didn’t take very long for that anxiety to abate. It took All Dogs (in a now-cemented four person lineup that includes NONA guitarist Nick Harris and, as always, Delay‘s Jesse Withers) less than three songs to inspire chills. Starting strongly with both “Farm” (from their outstanding split tape with Slouch) and the shortest song from the 7″, “Snow Fences”, they’d guaranteed the investment of everyone watching. Then on the third song, they offered up the first look at their new material, which they’d previously promised sounded like a much fuller and more fleshed-out version of themselves. Not only did that promise hold up, the expectations that came with it were annihilated as that song, currently written down on the setlist as “Skin”, showcased a heavier side of the band that had been previously been hinted at with their current career-best effort, “Say”.

From that point forward, the band tore through a set with a practiced confidence and relative ease, never once seeming anything less than completely genuine and extremely impassioned. Everything clicked, sounding fantastic in the notoriously loud Bremen Cafe. Making the performance even more memorable was the fact that the crowd was reciprocating virtually all of All Dogs’ energy, creating this back-and-forth that pushed both sides to near-perfect places. A few more songs from the split, the 7″, and (hopefully) the upcoming record, and the band had already nearly obliterated every lofty expectation- and then the band switched into high gear for an unforgettable 1-2 gut punch of an ending. That “Say” became the second song of their set to warrant chills and total immobility probably isn’t too surprising, as the studio version of the song is nearly capable of the same effect- but the band’s closing number, a song so recent that they still haven’t given it a title, went a long way in indicating that their upcoming work will be their best material to date. Both, combined, provided an unpredictably intense (even considering the members’ inability to contain their smiles) ending to an extraordinary set from a band who will almost certainly produce a discography of material worth owning on every possible format.

Below, watch a stunning solo acoustic performance of Wolfs’ “Leading Me Back to You” and All Dogs rip through their currently untitled set closer. A photo gallery of both the interview/performance session and the late show can be viewed beneath the videos.

Keep an eye out for all of the emerging details on All Dogs’ upcoming debut LP, which will be released on the always-extraordinary Salinas Records.