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Tag: Will Butler

Will Butler – Anything You Want / 4 July 17 (Stream)

Continuing onward with the individual features for some of the most outstanding individual achievements over the past seven weeks, the focus falls to an oddity of a track from Arcade Fire’s Will Butler: “Anything You Want / 4 July 17”.

There couldn’t have been a lot of people could have anticipated that Will Butler would wind up being the most formidable lyricist housed in Arcade Fire or that he’d be making the most interesting music of anyone in the band at this point in their careers but “Anything You Want / 4 July 17” all but cements both of those statements. Arcade Fire are currently in the midst of the harshest reviews of their career for their just-released Everything Now while Butler’s still enjoying a rising profile thanks to some small critical acclaim and recognition for his excellent 2015 solo effort, Policy.

All of the songs on Policy seemed to suggest untapped depths of the younger Butler’s musical talents but “Anything You Want / 4 July 17” obliterates what was the perceived ceiling on the multi-instrumentalist’s lyricism. Few songs from revered songwriters and lyricists have matched the kind of narrative web and mastery of tone that Butler displays here in a song that was released as a standalone curiosity just before the 4th of July.

Not only does “Anything You Want / 4 July 17” skewer and then humanize American politics with a near-unmatched clarity of empathy, the song also blends in some sharp relief through black humor and unexpected intimacy. All the while, a gorgeous piano figure both heightens and propels the narrative, landing the song somewhere between the camps of Randy Newman and Harry Nilsson without ever being dwarfed by the shadow of either forebear.

Verse to verse, whether Butler’s wrangling tongue-in-cheek laughs or painful recognition, there’s not a false or forced moment throughout “Anything You Want / 4 July 17” even as an already extremely broad scope continues to expand throughout the song’s six minute run-time. By the time Butler scales things way back, the song’s touched on systemic dynamics from powerful institutions through an endearingly micro vantage point.

It’s an extraordinary achievement — especially for what appears to just be a random one-off song — and should skyrocket anticipation for whatever’s next for Butler’s solo career. If it can even remotely approach these heights, it’ll stand a shot at being one of the decade’s best releases. Until that moment comes, it’s hard to imagine anyone will resist paying “Anything You Want / 4 July 17” an endless onslaught of revisits. Don’t let this one go by unheard.

Listen to “Anything You Want / 4 July 17” below and keep an eye on this site for more updates on Will Butler.

The Honorable Mentions of the 2015 Music Categories

Saintseneca I

Before diving into the particulars of the forthcoming lists, it’s worth addressing the distinction made in the headline. Each of the categories that received a list in 2015 (music videos, songs, EP’s, albums, odds and ends) will be expanded upon in this post. However, there are still two forthcoming film lists but each of those will include the honorable mentions along with the featured rankings. An obscene amount of great material came out over the 12 months that comprised the past year so any attempts to cover everything would be futile. If anyone’s exhausted the below lists, a more comprehensive version can be found by exploring the following tags: stream, full stream, EP stream, and music video. Explore some of the top tier picks that didn’t make it onto the year-end lists via the tags below.

Music Videos

Screaming Females – Hopeless | Cayetana – Scott, Get the Van I’m Moving | Ephrata – Say A Prayer | ANAMIA – LuciaJoanna Newsom – Sapokinakan | Battles – The Yabba | FIDLAR – 40 Oz. On Repeat | PINS – Young Girls | Doomtree – Final Boss | Hundred Waters – Innocent | Celestial Shore – Now I Know | Donnie Trumpet & The Social Experiment – Sunday Candy | Modest Mouse – Coyotes | Girlpool – Before The World Was Big | Laura Marling – Gurdijeff’s Daughter | Bay Uno – Wait For Your Love | The Staves – Black & White | Young Buffalo – No  Idea | Avid Dancer – All Your Words Are Gone | Avi Buffalo – Think It’s Gonna Happen Again | Adir L.C. – Buyer’s Instinct | Midnight Reruns – Canadian Summer | Daughter – Doing The Right Thing | John Grant – Disappointing | Waxahatchee – Under A Rock | Wimps – Dump | Potty Mouth – Cherry Picking | Froth – Nothing Baby | The Libertines – Heart of the Matter | Car Seat Headrest – Something Soon | Mike Krol – Neighborhood Watch | Savages – The Answer | Kurt Vile – Pretty Pimpin | Bully – Trying | Sheer – Uneasy  | Will Butler – Anna

EPs

Snail Mail – Sticki | Kindling – Galaxies | Eugene Quell – I Will Work The Land | Gumbus – Crimbus Rock | Rye Pines – Rye Pines | Feral Jenny – Greatest Hits | Slutever – Almost Famous | Gracie – Gracie | Nice Guys – Chips in the Moonlight | Anomie – Anomie | Kitner – Stay Sad | Animal Flag – EP 2 | Never Young – Never Young | Birches – Birches | Alimony Hustle – Gutter Gutter Strike Strike Gutter Gutter | The Lumes – Lust | Pretty Pretty – Talkin’ to the WallsVomitface – Another Bad Year | PALMAS – To the Valley | Greys – Repulsion | Wild Pink – Good Life | The Glow – Lose | Spirit of the Beehive – You Are Arrived (But You’ve Been Cheated) | Shady Hawkins – The Last Dance | Holy Esque – Submission | Ashland – Ashland | Isabel Rex – American Colliquialisms/Two Hexes | Pet Cemetery – Dietary Requirements | Milk Crimes – Milk Crimes | Rubber Band Gun – Making A Fool of Myself | Creative Adult – Ring Around the Room | Amber Edgar – Good Will Rise | La Casa al Mare – This Astro | Trophy Dad – Shirtless Algebra Fridays | Glueboy – Videorama | Birds in Row – Personal War | YVETTE – Time Management | Communions – Cobblestones | O-Face – Mint | Day Wave – Headcase | Granny – EGG | Van Dammes – Better Than Sex | Vallis Alps – Vallis Alps | Little Children – Traveling Through Darkness | Philadelphia Collins – Derp Swervin’ | The Tarantula Waltz – Lynx | Nicolas Jaar – Nymphs II | The Japanese House – Pools To Bathe In | Guerilla Toss – Flood Dosed | Los Planetas – Dobles Fatigas | See Through Dresses – End of Days | Earl Sweatshirt – Solace | Kississippi – We Have No Future, We’re All Doomed | Yumi Zouma – EP II | G.L.O.S.S. – Girls Living Outside of Society’s Shit | Fresh Snow – WON | Girl Band – The Early Years | XXIX – Wafia | together PANGEA – The Phage | Ty Segall – Mr. Face | Young Guv – Ripe 4 Luv

Songs

Yowler – The Offer | Meat Wave – Cosmic Zoo | Pleasure Leftists – Protection | Saintseneca – Sleeper Hold | Slight – Hate the Summer | Sports – The Washing Machine | Diet Cig – Sleep Talk | LVL UP – The Closing Door | Royal Headache – High | Tica Douglas – All Meanness Be Gone | Speedy Ortiz – Raising the Skate | Phooey! – Molly’s at the Laundromat | Adir L.C. – Buyer’s Instinct | Sweet John Bloom – Tell Me | Pile – Mr. Fish | Screaming Females – Hopeless | Ernie – Sweatpants | Bad Wig – Stargazer | Dusk – Too Sweet | Painted Zeros – Only You | Krill – Torturer | Young Jesus – Milo | Tenement – Ants + Flies | Midnight Reruns – Richie the Hammer | Melkbelly – Mt. Kool Kid | The Weasel, Marten Fisher – Empty Bucket List | Soul Low – Always Watchin’ Out | Eluvium – Neighboring In Telescopes | Algiers – Blood | Institute – Cheerlessness | Bruising – Think About Death | Vacation – Like Snow | Cende – Widow | Alex G – Brite Boy | Bully – Trying | Nicole Dollanganger – You’re So Cool | Sheer – Uneasy | Laura Stevenson – Claustrophobe | Kathryn Calder – New Millenium | The Foetals – Nothing | Lady Bones – Botch | Dogs On Acid – Let the Bombs Fall Off | Fraser A. Gorman – Shiny Gun | Bandit – The Drive Home | Mercury Girls – Golden | ThinLips – Nothing Weird | Wimps – Dump | S.M. Wolf – Help Me Out | Glueboy – Back to You | Mean Creek – Forgotten Streets | Ratboys – Tixis | PINS – Young Girls | Shilpa Ray – Johnny Thunders Fantasy Space Camp | White Reaper – Make Me Wanna Die | Lady Lamb – Spat Out Spit | Washer – Joe | Pupppy – Puking (Merry Christmas) | Midwives – Back in the Saddle Again | Torres – Strange Hellos | METZ – Spit You Out | Jeff Rosenstock – You In Weird Cities | Little Wings – Hollowed Log | Bent Denim – Good Night’s Sleep | Waxahatchee – Under A Rock

Albums

Girlpool – Before The World Was Big | Screaming Females – Rose MountainYowler – The Offer | Saintseneca – Such Things | Bully – Feels Like | Tica Douglas – Joey | Evans the Death – Expect Delays | Torres – Sprinter | Waxahatchee – Ivy Tripp | Fred Thomas – All Are Saved | Krill – A Distant Fist Unclenching | Ratboys – AOID | Joanna Gruesome – Peanut Butter | METZ – II | Little Wings – ExplainsSlanted – Forever | Bent Denim – Romances You | Someone Still Loves You Boris Yeltsin – The High Country | White Reaper – White Reaper Does It Again | The Armed – Untitled | Shilpa Ray – Last Year’s Savage | The Foetals – Meet the Foetals | Car Seat Headrest – Teens of Style | Wimps – Suitcase | Westkust – Last Forever | Girl Band – Holding Hands With Jamie | Cloakroom – Further Out | Stove – Is Stupider | Johanna Warren – numun | Speedy Ortiz – Foil Deer | Mikal Cronin – MCIII | Adir L.C. – Oceanside Cities | Negative Scanner – Negative Scanner | Pleasure Leftists – The Woods of Heaven | Haybaby – Sleepy Kids | Heather Woods Broderick – Glider | Lady Lamb – After | Pile – You’re Better Than This | Algiers – Algiers | Fraser A. Gorman – Slow Gum | POPE – Fiction | Petal Head – Raspberry Cough | Shannen Moser – You Shouldn’t Be Doing That

Odds and Ends

DBTS: BS2 | Spook the Herd – Freaks b/w Fermented | Kinjac – Possession b/w Possessed | Carbonleak – Waveland b/w Bearing | Vexx – Give and Take | Nervous Trend – Shattered | CCTV – 7″ | Puppy Problems – Practice Kissing | Flagland + Washer | MONO + The Ocean | Uh Huh + Jake McElvie & The Countertops | Alanna McArdle – Bedroom/Balloons | Chris Broom – Meade House Demos | Composite – Demos 2015 | The Library – 100% | Dark Thoughts – Two More Songs From… | Wendy Alembic – Collected Early Works | Toby Reif – 2015 Demos

METZ – Spit You Out (Music Video)

METZ XXVII

While this site hasn’t been running posts at the everyday pace it used to, there’s always work that’s being done behind the scenes. A project for the site has been enormously time-consuming as have other pressing commitments. However, as always, everything’s been accounted for as it comes into play. The next four posts will focus on some of the finest music videos to have come out  over the past few months, each highlighted by an individual clip. The upcoming slew of full and single stream posts will follow this format. Kicking everything off is the video for METZ‘s excellent “Spit You Out“.

A seemingly never-ending stream of frantic words have been spoken, shouted, and (suitably) unintelligibly screamed about METZ’s live show so a live edit clip somewhere along the way seemed inevitable. Enter: “Spit You Out”. Appropriately, the song’s visual accompaniment feels as searing as the song itself, utilizing a stark black and white palette, frenzied editing, and a strobe-like presentation to maximum effect. All the while, both the band and the audience go about losing their respective minds. It’s a no-holds-barred attack that leaves a strong impression. By scaling back, the band ups the urgency and remind us that stakes never really mattered in the first place.

Watch “Spit You Out” below, pick up a copy of METZ II here, and explore a list of some of the best music videos of the past few months underneath the embed.

Desaparecidos – Golden Parachutes
Sauna Youth – The Bridge
The Beverleys – Hoodwink
Soul Low – Always Watchin’ Out
Noun – Loveblood
Wavves – My Head Hurts
Loose Tooth – Skinny Chewy
Idle Bloom – Mind Reader
Haybaby – Doored
Laura Stevenson – Torch Song
The Blue Jean Committee – Catalina Breeze
Bianca Casady & the C.i.A – RoadKill
Spring King – Who Are You?
Potty Mouth – Creeper Weed
Petal Head – Spooky Something
Will Butler – What I Want
Swings – Tiles
Pouty – Sad
Majical Cloudz – Game Show
Madeira – Lay Me Down
Lil Bub – Gravity
Polyon – Blue
Public Access TV – In Love And Alone
Wimps – Dump
Cass McCombs – I Cannot Lie
This Will Destroy You – Mother Opiate
Chris Farren – Chris Farren’s Disney’s Frozen
Leif Erikson – Looking for Signs
Muncie Girls – Gas Mask 4
Waxahatchee – La Loose
Pixx – Deplore
Walter Martin – Amsterdam

Laura Stevenson – Claustrophobe (Stream)

Laura Stevenson.
More than four dozen items into today’s review of the past week of music and there’s still more than a dozen things left to cover. That’s absurd. It’s also indicative of just how consistent 2015’s been in terms of great new releases. Whether it was a pair of music videos from Pity Sex and Will Butler or what essentially amount to attention-snagging previews from Heavy Looks and Chris Sutter‘s intriguing solo venture Genie’s Organ Recordings. There were also outstanding new songs from Woozy, Three Man Cannon, Holy Oysters, Haybaby, Broadcaster, British Sea Power, Palmas, and Polyon, as well as a deeply compelling full-length from Brooks Strause. In addition to that wealth of memorable material, there was a breathtaking new song from site favorite Laura Stevenson.

Coming off of a career high– 2013’s Wheel, a wonderful record that keeps improving with age– Stevenson had the unenviable task of following up an unlikely genre classic. As each new song from the songwriter’s forthcoming Cocksure trickles out, the more it seems like the record may surpass its predecessor. “Claustrophobe”, the latest single to be unveiled from the record, makes an immediate impact with its stargazing guitar line and insistent piano-plinking. Unfurling with grace and determination, “Claustrophobe” plays to Stevenson’s most anthemic sensibilities, with its monster chorus doing quite a bit of its own heavy lifting.

Propulsive, dynamic, and bittersweet, “Claustrophobe” is the latest extension of a continuously improving winning streak from one of this generation’s more under-appreciated songwriters. If the rest of Cocksure lives up to its previews, Stevenson’s name may be appearing in a lot of desirable places. For now, the best course of action’s to simply enjoy the music and the building anticipation for the October 30 release date. Just hit repeat until that day arrives.

Listen to “Claustrophobe” below and pre-order Cocksure from Don Giovanni here.

Watch This: Vol. 71

To say “it’s been a week” would be putting it mildly. The statement held especially true for the incredible live footage that has been consistently published throughout the week’s duration. In the preceding installment of this series, it was stated that there could have easily been two features instead of one. This week that number increases to three. Every single day, a masterful new video was ushered out into the world. A large handful of those were impeccably produced; gorgeous in vision and stunning in terms of sound, boasting a memorable performance all the while. Lady Lamb, Speedy Ortiz, Jeff Rosenstock, Two Gallants, Mikal Cronin, T. Hardy Morris & the Hardknocks, Twerps, Vijay Iyer Trio, The Technicolors, and Surfer Blood all had live clips introduced that earned their endless replay value. Nearly every single one of those names has been mentioned on this site before (albeit some for entirely different projects) and that trend holds steady for the five clips that are featured below.  So, as always, turn the volume up, shut out all of your looming distractions, lean in, and Watch This.

1. DOE (BreakThruRadio)

Every time DOE’s released something, it’s caught my ear. It’s been immensely satisfying to watch their recognition slowly expand as time progressed. Of course, part of the reasoning behind that growth may be their own self-improvement. Their recent session for BreakThruRadio further illustrates that this band’s primed for a breakout. While the featured song, the hard-charging “Redo/Improve”, is a monstrously catchy bit of punk-inflected basement pop, one of the most welcoming elements of this clip is the band’s winsome affability in the interview segment. Of course, that’s almost immediately forgotten once it splinters off into a brief live clip of the latter two songs included in the clip because DOE’s the kind of band that demands attention when they’re in live mode. Just hit play and start waiting for their name to slowly climb the festival bill font-scale ladder.

2. Bent Shapes – New Starts In Old Dominion (Fitz Ross)

86’d in ’03” was one of this sites favorite songs from last year, as reflected in one of the stranger best of lists. Bent Shapes could have been content to coast on that release for a while but the band’s work ethic ensures that they’ll likely be working until they can’t push themselves any further (hell, even that not might be enough). Impressively, there’s never a decline in quality; they’re writing some of the finest punk-tinged powerpop of today. “New Starts In Old Dominion” is clear evidence that the band’s talents extend past their recorded output and into what they’re able to accomplish live. When a party is this good, it’s not worth being late.

3. Torres – Cowboy Guilt (Public Radio International)

Few records have managed to grip me as strongly as Torres’ Sprinter. Every song on the record contains subtle melody hooks that have the ability to become inescapable over time. “Cowboy Guilt” is a perfect example of this particular dynamic. The guitar riffs, the vocal melody, and the subtle synth work all slowly expand their claws and lodge their way into a territory reserved for things that are next to impossible to forget. None of that shifts in the live setting, even though a few of the arrangements do differ slightly from the studio version. The contrast is part of what makes this particular clip feel so alive; humanity is impossible to fake.

4. Will Butler – What I Want (WFUV)

Policy is one of 2015’s most curios releases and the oddities that made it so compelling are also likely the reason it didn’t find much of an audience. Teeming with droll humor, impressive composition skills, and a surprising amount of pathos, “What I Want” is an incredibly intimate look at the way Butler’s songs operate. Confined to the WFUV studio with only a piano at his disposal, Butler is cast in the intimidating glare of a sole spotlight. His response? Delivering an unlikely, powerful performance that reaffirms the flashes of talent he consistently provides in his main vehicle (you know the one). It’s genuinely stunning.

5. Field Mouse – A Place You Return To In A Dream (Radio K)

Field Mouse have been consistently churning out impressive post-punk for a few years now and seem to only get stronger as they go- the aim of every band with honorable convictions. They recently stopped in the Radio K studios to turn in a blistering take of “A Place You Return To In A Dream”, which leans heavily on the band’s shoegaze influences without eschewing any of their deceptively intuitive pop sensibilities. Surging guitars, soft backing vocals, and committed performances make sure this clip reaches exhilarating levels.

Watch This: 2015, Vol. 2

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Just like yesterday, and just like tomorrow, there will be a video mixtape compiling some of the most electrifying live performance clips of this past year in an effort to breathe some much-needed life back into the Watch This series that was once a regular staple. In the absolute blur that has been the past four months, this site held onto every scrap of notable material that came swinging through the winter breezes, even if they weren’t always posted about immediately. Watch This once stood as this place’s pulse, a heartbeat that directly emphasized a too-frequently overlooked part of musical culture: stunning live clips. Each week, five from that week would be compiled, written about, and strongly admired. Winsome performances and genuinely stunning a/v are the regular driving forces behind some of the very best the series has ever had to offer- and several of the 25 clips presented here (all selected because they represent the very best of what 2015’s had to offer) certainly fit that mold. Since that’s about as strong of a lead-in as I can manage, I’ll go ahead and leave off- once again- with the tag: sit back, turn the volume up, zero in, and Watch This.

1. Will Butler – Take My Side (Late Show with David Letterman)
2. Sleater-Kinney – No Cities to Love (Sound Opinions)
3. Tenement – Cage That Keeps You In (Don Giovanni Records)
4. Light FM – Pointless (3FM)
5. Parquet Courts – Uncast Shadow Of A Southern Myth (Coachella)
6. Twerps – Simple Feelings (Pitchfork)
7. NE-HI – Sunbleed (Radio K)
8. Torres – Sprinter (WNYC)
9. Nude Beach (KEXP)
10. Ride – Seagull (KCRW)
11. Unlikely Friends – Wasted It & Sunken Eyes (KEXP)
12. Cherry Glazerr – Had Ten Dollaz (KEXP)
13. Glen Hansard – Being In Love (Late Show with David Letterman)
14. Alvvays – Archie, Marry Me (KEXP)
15. The Staves – Black & White + Teeth White (La Blogotheque)
16. Saintseneca – Fed Up With Hunger (Exclaim)
17. Kevin Morby – All My Life (Bandwith.fm)
18. Laura Marling – Walk Alone (NPR)
19. Avers – Harvest (Bandwith.fm)
20. Sand Creeps – No Idea Laughter (Radio K)
21. Creepoid (unARTigNYC)
22. Bully – I Remember (Pitchfork)
23. Toro Y Moi – Empty Nesters (KCRW)
24. Kevin Devine – Go Haunt Someone Else (Little Elephant)
25. Courtney Barnett (NPR)

2015: First Quarter Highlights (Mixtape)

Oozing Wound IV

After three months and some change of the site being forced into more inactivity than production, single streams are about to be caught up to what’s happening (as it happens). More than 300 songs have been touched upon in the past week and 25 more will find features tonight (26 if you count this special mention of “The Waters of Babylon“, the crown jewel of Will Butler’s fascinating project for The Guardian). A few of these songs may have appeared in some small form here over the course of the year but each deserves a more central feature spot. Not all of these are songs that are new to the fold either, a few of them have appeared in some fashion in years past and earned a re-release (or, in Tenement‘s case, a remaster) in 2015’s first quarter. If a song has already been featured in full (as is the case for Mikal Cronin’s “Made My Mind Up” and Fred Thomas’ “Every Song Sung To A Dog”), they’re ineligible for this particular mix- but are still very much in the running as Song of the Year candidates. A handful of others on this list join them in that candidacy, with Hop Along‘s exceptionally strong lead-off single from their upcoming record, Painted Shut, being a particularly formidable example. All together, these songs are intended to represent the abundance of quality that the year’s yielded in its opening quarter. Set aside some time and revisit a handful of this year’s best offerings.

1. Hop Along – Waitress

By releasing their most accomplished song to date, Hop Along did far more than justify their signing to Saddle Creek; they provided a jaw-dropping dose of adrenaline to the year’s first few months. If Painted Shut doesn’t elevate this band’s recognition to stratospheric heights (something early reactions have indicated it seems poised to do), it’ll be one of 2015’s biggest stunners. Also one of 2015’s biggest stunners? “Waitress”. Frances Quinlan & co.’s finest moment to date.

2. Pocket Hercules – Well-Adjusted

A small but staggering release, Pocket Hercules’ self-titled effort came with no shortage of great moments. Chief among them was “Well-Adjusted”, which served as the introduction to Pocket Hercules for many and flatly laid out every bit of what makes the band so fascinating; off-kilter guitar work, exhilarating dynamics, left field arrangements, and deceptively brilliant arrangements. Hear the whole tapestry unfold below.

3. Makthaversan – Witness

Makthaverskan hadn’t carved out much of a foothold in the US until Run For Cover wisely picked the band up last year and re-released what deserves to be considered a contemporary classic. Every since then, the band’s been capitalizing on the groundswell of momentum that the signing kicked into motion. Teasing some material that could be just around the corner, “Witness” is an arresting reaffirmation of a band that deserves the attention they’re getting.

4. Slutever – Open Wide

Ever since their split with Girlpool, Slutever haven’t been content to sit back- and that restlessness led to not only one the year’s best early EP’s but one of its best songs as well. “Open Wide” allows Slutever to demonstrate how affecting they are when laying into a mid-tempo number with as much passion as humanly possible. It’s a quick-witted song that packs a serious punch, easily securing it a spot on this list.

5. Tenement – Spaghetti Midwestern

No, “Spaghetti Midwestern” is not a new song. In its earliest iteration, the tune was packaged on what remains one of my personal all-time favorite splits back in 2009 (Used Kids held down the other side of that split). It’s a song that’s held a lot of meaning for me over the years and it was one of the earliest indications of Tenement’s still-limitless potential. Even though it’s only a remaster, it would feel wrong to exclude it here- it deserves to be celebrated at every opportunity that the possibility of celebration is presented. This list is no exception.

6. PWR BTTM – Hold Yer Tongue

Another song to be taken from an incredible split release, PWR BTTM’s “Hold Yer Tongue” was one of the more fiery introductions to a band I’ve ever heard. Towering in dynamic scope and lightly intimidating in lyrical content, “Hold Yer Tongue” hits a series of sweet notes that cement the band’s status as one of today’s most exciting emerging acts. With the volume- and seemingly everything else- dialed up to 11, “Hold Yer Tongue” is a show of force that lingers long after the song’s come to a close.

7. Beach Slang – Too Late to Die Young

After building a reputation on the backs of fiery blasts of scrappy punk, a tender, heart-on-sleeve acoustic number is an interesting choice for Beach Slang. Evoking more than a few shades of The Replacements at their most vulnerable, “Too Late to Die Young” suggests that the band’s songwriting abilities may go even further than the levels hinted at on their first few EP’s. Gentle and oddly moving, “Too Late to Die Young” is a song that elevates an already great band’s potential.

8. Johanna Warren – Figure 8

No record has captivated me this year in a way even remotely similar to Johanna Warren’s nūmūn. Delicate, provocative, and quietly intense, it’s as if Warren was intent on world-building at a cinematic level. One of the record’s most gently arresting moments is the Elliott Smith homage, “Figure 8”. Layered vocals, fingerpicked acoustic guitar, and subtle, brilliant production all render this into something spellbinding that verges on the otherworldly. Haunting, damaged, and beautiful- it’s not difficult to think “Figure 8” would have made its source of inspiration proud.

9. Alex G – Change

Another song on this list that’s existed prior to this year, “Change” went through a little more than a remaster and has- in essence- taken life as a new song. Granted, it’s not too dissimilar from the previous version of “Change” but it has a newfound vibrancy and expanded aesthetics that effectively retroactively render the original “Change” to demo status. Alex G continues to make waves and generate interest and the reworkings of earlier material make his talent abundantly clear, with “Change” now positioned at the front of the charge.

10. Trust Fund – Essay to Write

A band doesn’t earn the title of site favorite without continuously impressing and, after “Essay to Write” (as well as the rest of the band’s most recent record), it’s fair to apply that tag to Trust Fund. Striking a perfect balance between optimistic and down-trodden, without losing an ounce of their identity, Trust Fund enhance an already appealing identity with one of their most compelling outings to date.

11. Cyberbully Mom Club – Friends

Shari Heck’s Cyberbully Mom Club got a shot in the arm with a full band upheaval of what was once strictly a solo project. Taking on a spiky basement punk tone, “Friends” exists in the sweet spot that this site touches upon most frequently. Strong melodies resonate throughout “Friends” and there’s a real sense of drive that pushes the song forward, allowing it to reflect an endearing new spark in the Cyberbully Mom Club project.

12. Peach Kelli Pop – Princess Castle 1987

Jaunty, supercharged, and hyper as hell, “Princess Castle 1987” is a perfectly-timed reminder of the sheer power possessed by Burger mainstay Peach Kelli Pop. With video game love in full effect, “Princess Castle 1987” is punctuated by retro influences but still manages to come off as fiercely modern. Sharp and exhilarating, it’s an extremely promising warning shot for the material from the project that’s yet to come.

13. American Wrestlers – Kelly

Clever in terms of production and overwhelmingly strong in terms of songwriting, “Kelly” is as good as understated basement pop gets. Decidedly grimy aesthetics inform the character of the verses before the band cleans them up with a monster of a chorus, leading a rousing stylistic back-and-forth that somehow manages to find the perfect complementary balance. “Kelly” isn’t just one of the year’s catchiest songs- it’s also one of its deadliest.

14. Chastity Belt – Joke

Chastity Belt is a name that’s been showing up on bigger publications with increasing regularity and that ascension in popularity is only outmatched by one thing: the band’s own internal ascension in terms of both identity and songwriting. NPR even feature the record “Joke” was taken from on its much-celebrated First Listen series. While that record still stands as a great record, “Joke” is its best moment- one that finds Chastity Belt comfortably settling into their comfort zone and exploiting it for all its worth. Chastity Belt’s never sounded more comfortable and they’ve definitely never sounded this powerful.

15. CARE – Pamela

Easily one of the best submissions to land in my inbox all year, CARE’s “Pamela” is a multicolored, multi-faceted indie pop tune that comes laced with trappings indicative of a DIY ethos. Heavily melodic, reverb-tinged, and sharply energetic, “Pamela” comes off with a wide-eyed intensity that only furthers CARE’s promise. Length never becomes an issue as the song floats along effortlessly at its own pace and consumes the listener’s attention in the process.

16. Krill – Foot

Last time Krill earned a feature in this list, all I said was “Krill forever”. This time around, all I’m going to say is Krill forever.

17. METZ – Acetate

METZ’s self-titled record remains one of my favorites from this decade for the amount of punch it managed to pack in a relatively short running time. Live, the band’s an unstoppable force and they’ve delivered two of the most memorable sets I’ve ever seen (the latter being part of this site’s NXNE coverage, despite not actually being a part of NXNE). “Acetate” is the first look at the band’s upcoming record and it seems as if the band’s intent on raising even more hell than they did the first time around. Get on board or get the hell out of their way because if “Acetate” is any indication, their only direction is full-steam ahead.

18. Dogs On Acid – Flushed

It’s been a good past few months for Dogs On Acid. At the end of last year, the band’s self-titled earned a spot on this site’s Best 7″ Records of 2014 list and since then, they’ve signed to Asian Man Records. “Flushed” is the first look at new material from the band and it’s immensely promising. All of the band’s early charms are still fully in tact and they’ve tightened their grasp on dynamics. Whip-smart lyrics and a fine balance between basement punk and basement pop elevate the band to heights that others spend careers struggling to reach.

19. Pupppy – Beans 

One of 2015’s most intriguing emerging acts is Pupppy, whose recent endorsement from Father/Daughter Records bodes very well for what they have in store for the remainder of the year. As a first glimpse, “Beans” does exactly what it should; introduces us to a band that’s good enough to spur a desire to get to know them better and achieves this on the back of an absurdly enjoyable single. Light in all the right places, with just enough fuzz to give it a jolt of energy, “Beans” is one of 2015’s loveliest surprises.

20. Lost Boy ? – Hemmorage

Had Canned been available to stream anywhere at the end of last year, it would have been towards the very top of our Best Albums of 2014 list. Up until recently, it’s only existed on cassette tape- and that tape’s become a permanent staple of my collection. It’s irreverent, it’s damaged, it’s off-kilter, and it’s the band’s finest work by a long shot- no easy feat, considering their discography’s been unblemished. “Hemmorage” is one of the many songs on Canned that work their way into the listener’s subconscious, loaded with memorable hooks and exceedingly intuitive songwriting. “Hemmorage” is all verve, all bite, and it’s damn near perfect.

21. Joanna Gruesome – Last Year

Joanna Gruesome are a band that continue to defy expectations and a band that continue to get progressively better with each release. They were all over our year-end coverage in December and January, which is a trend that could easily be repeated this year, especially if- fittingly enough- “Last Year” is any indication. Maxing out the band’s penchant for noise, “Last Year” features some boldly atonal selections that come off like an especially jarring uppercut. Vocalist Alanna McArdle has never sounded more pissed off as she does in the first verses or more at peace than she does in the sections that follow. Electrifying and deeply impressive, this is the kind of music that deserves to be celebrated as loudly as possible.

22. Westkust – Swirl

A sister band of Makthaverskan, Westkust excel in similar territories but with a noticeably heavier bent. Decades worth of influential genre touch points can be readily found on “Swirl”, the song that firmly announced the band’s arrival. Shoegaze guitars, post-punk bass, no wave synths, and new wave production aesthetics all make “Swirl” impossibly accessible and, more importantly, they’re blended in a way that makes the track unmissable.

23. Speedy Ortiz – Raising the Skate

In a few weeks’ time Speedy Ortiz will release their heavily anticipated Foil Deer full-length. In advance of the record, they released three songs. All three were absolute monsters deserving of year-end mentions. While both songs that aren’t “Raising the Skate” are genuinely that strong, “Raising the Skate” gets the nod hear for a few things: one of the year’s best choruses, the best use of production the band’s ever managed, and its sense of liveliness. More than just about any other song, “Raising the Skate” is a song that makes it sound like Speedy Ortiz is allowing themselves to revel in the sheer joy of making music.

24. Fred Thomas – Bad Blood

All Are Saved is one of 2015’s strongest records so far and nothing that’s come out this year has been as devastating as Fred Thomas’ “Every Song Sung To A Dog“, a direct ode to a dog that Thomas had loved for years while he watched him slowly die over time. No record this year will have an opening track as song and, hell, their might not even be a song over the next eight months that’s even remotely comparable. So, that by the time “Bad Blood” rolls around and All Are Saved hasn’t buckled under the weight of its opening track is a testament to its strength. “Bad Blood”, perhaps more than any other song on All Are Saved. indulges Thomas’ more experimental side but loses none of the songwriters considerable appeal. Immediate and attention-grabbing “Bad Blood” is one of 2015’s more unique entries and it lands with the force of a million consecutive blows, joining a small slew of others that help cement All Are Saved‘s position as an unlikely classic.

25. Bill Fay – Something Else Ahead

Not a lot of people can sound as despairing as Bill Fay. Utilizing a lifetime’s worth of experiences and weary tones to maximum effect, the legendary songwriter made a small return earlier this year with the haunting “Something Else Ahead”, a gorgeous tune that balances the lines of hope and hopelessness as effectively as Tom Waits does at his absolute best. It’s a fitting conclusion to this list and a promising look ahead towards what Fay has planned for the rest of the year. Relegated to only one place for streaming, it wasn’t exactly omnipresent when it surfaced- don’t make the mistake of allowing that seclusion to let it go unheard. Follow the link below to get your heart held and broken.

Listen to “Something Else Ahead” over at NPR.

Waxahatchee – Under A Rock (Music Video)

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After the Downies review and accompanying round-up ran yesterday, the plan that was laid out in the introductory paragraphs was set in stone. Then today happened. Over the past few months, the sources where I turn to for material increased- as did the amount of emails I’ve been receiving. Every day, I’m finding roughly twenty things I wish I could dwell on for paragraphs. Contesting that desire is the harsh reality of time- so a few adjustments are going to be made. I currently have more than 250 songs from 2015 to link on the site so I’ll be providing lists of 75 (and one of 25) until that number’s brought to 0. It’ll be an additional part of what- as of tonight- will be regular daily coverage of new content. By the end of next week, things should be back to their normal pace.  It’s been a difficult, transitional time but it killed me to force the site into relative inactivity over the months following the 2014: A Year’s Worth of Memories project (and once again, I’d like to take the time out to sincerely thank all of that series’ incredible contributors- I’m sincerely grateful for your work).

Getting back to what matters, the material to have surfaced today has only reaffirmed the fact 2015 has been an absurdly strong time for music. For full-lengths, there was a powerful self-titled from American Wrestlers and a feral 7″ from recent Don Giovanni act Pinkwash. Music videos had even more to offer with Kopecky unveiling a charming lyric clip for “Quarterback“, Crushed Beak’s astonishingly lovely “History“,  TOPS’ unnerving animated adventure in “Driverless Passenger“, BETS’ artful black-and-white tryst in “Jenny“, and Froth’s blistering “Postcard Radio” (which very nearly earned today’s feature spot). Most of all, though, there were songs.  Site favorites Speedy Ortiz raised expectations for their forthcoming record even higher with the gnarled “Puffer“, Total Babes (who feature Jason Gercyz of Cloud Nothings) unleashed the spiky “Heydays“, and Slonk Donkerson reveled in a heavy sludge influence on “Painted From Memory“.  Death Valley Girls looked forward to warmer weather with “Summertime“, Hip Hatchet wove a delicate folk tapestry with “David’s Wolves“, while Meg Baird followed a similar pattern with “Counterfeiters“. Wave & Rome demonstrated an increasingly tired genre’s potential with “Across the Map” while The National demonstrated their propensity for an elegant consistency via the Sharon Van Etten-assisted “Sunshine On My Back“. Rounding everything off was Yazan’s rousing “Tell Me Baby” and Creative Adult’s hypnotically bleak “Ring Around the Room“.

While every single one of those is worth some level of investment, there’s just something about seeing your friends having a good time that elicits an inexplicably great feeling that’s impossible to sideline. Which is precisely why Waxahatchee‘s new video for “Under A Rock” is falling under tonight’s most meticulous level of scrutiny (and most thorough level of affection). I’ve long held a fondness for videos that celebrate lo-fi, VHS home video aesthetics. There’s a certain sense of time and place that accompanies the aesthetic, which winds up being a perfect match for the subtle sense of nostalgia that permeates all of Katie Crutchfield’s work as Waxahatchee. As one of Merge Records’ newest artists, Crutchfield and her collaborators have started off- predictably- on an extended series of grace notes. Now that NPR has verified Ivy Tripp is as incredible as its previews suggested. It’s fitting then, that the footage that comprises “Under A Rock” feels like a hard-won victory lap. From the lineup that performs the song in the video (it’s difficult to see Allison Crutchfield join her twin and not be reminded of Bad Banana or PS Eliot, two bands that meant a lot to me as I started exploring DIY punk’s fabric nearly a decade ago) to the faces in the crowd (Radiator Hospital‘s Sam Cook-Parrott and Cynthia Schemmer are always a welcome sight- as are the innumerable other familiar faces to appear throughout the clip), “Under A Rock” feels like a homecoming celebration built on mutual fondness and respect- which is a trait that this site will always support.

Watch “Under A Rock” below and pre-order Ivy Tripp from Merge here. Below that, explore 75 great songs from 2015’s first quarter that caught my ears (a few of them are on records that are already out but they’re definitely worth revisiting). Enjoy.

Treasure Fleet – Settle Your Mind
Frankie Teardrop – Get It (Kelly)
Alright – Cold Feet
Erase Errata – History of Handclaps
Modest Mouse – The Best Room
Computer Magic – Shipwrecking
Toner – High & Dry
Der Weg Einer Freiheit – Requiem
Bully – I Remember
clipping. – Summertime
The King Khan & BBQ Show – Illuminations
Seratones – Chokin’ On Your Spit
Rye Pines – Pessimist
Los Angeles Police Department – Insecurity
Johanna Warren – Less Traveled
Mac McCaughan – Lost Again
The Amazing – Safe Island
Death – Look At Your Life
Outfit – Genderless
Lord Huron – The World Ender
Torres – Strange Hellos
The Cribs – Different Angle
Downtown Boys – Monstro
The Twilight Sad – The Airport
Torche – Loose Men
Will Butler – Madonna Can’t Save Me Now
Cillie Barnes – Facework
Dead Heavens – History in My Hands
Blood Sister – Ghost Pussy
Bright Like The Sun – White Lights
Peter Doherty – Flags of the Old Regime
The Babies – Got Old
NEEDS – The Only Good Condo Is A Dead Condo
The Mountain Goats – The Legend of Chavo Guerrero
Ava Luna – Billz
Braids – Taste
Marriages – Skin
Pope – Let Down
Obnox – Menocause
Andy Gabbard – Octoman
St. Vincent – Bad Believer
Nude Beach – Been Waitin’
Mexican Slang – Fever
Never Young – Like A Version
Simon Joyner – You Got Under My Skin
Sun Kil Moon – Ali/Spinks 2
Stalls – Tooth and Nail
Nano Kino – Never Seemed to Happen
TULA – River
In Tall Buildings – Bawl Cry Wail
Frank Black – How You Went So Far
Troy Samuela & Monsoonsiren – Fiend
Passenger Peru – The Best Way to Drown
Girlpool – Ideal World
RA – These Days
Native Lights – Blue Star
Soft Cat – Somebody
Steady Lean – Atkins
A Place to Bury Strangers – We’ve Come So Far
Gill Landry (ft. Laura Marling) – Take This Body
Aero Flynn – Crisp
Calexico (ft. Ben Bridwell) – Falling From the Sky
Lieutenant – Rattled
Laura Marling – I Feel Your Love
Dave Segedy – Car
Jet Setter – Forget About It
Paridolia – Violent I
WAND – Reaper Invert
Young Guv – Crawling Back to You
Chromatics – I Can Never Be Myself When You’re Around
Inventions – Peregrine
Thee Oh Sees – Web
Honeyblood – No Big Deal
Warehouse – Promethean Gaze
ADVAETA – Hazel/Blue Eyes

First Quarter Full Streams, Pt. 1

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Keeping the recent themes of the site going, this post will be dedicated to 75 of this year’s most fascinating records (along with an overlooked fourth quarter gem or two from last year getting their due). Covering a range of genres, as always, these records cover a lot of ground. A few find their niche in fierceness while others make a home in more tranquil realms. It’s impossible to stress how full of a year 2015’s already been for new music and if this crop of early offerings is any suggestion, we’re all in for one of the strongest stretches of new music in roughly a decade. As ever, don’t let the fact there’s no accompanying text with these releases detract from their value; a great deal of these have a good chance of ranking among 2015’s finest releases (NPR’s current roster of First Listen selections is an exhilarating reminder that we’re only just getting started). Click on the hyperlinks below (listed in no particular order) to hear the records and- if you find yourself drawn to any- make sure to pick one up from either the band or their label. Happy exploring.

1. California X – Nights in the Dark
2. Swings – Detergent Hymns
3. Ty Segall – Mr. Face
4. Mike Pace and the Child Actors – Best Boy
5. Little Brutes – Desire
6. Dazed Pilots – Drummers & Codies
7. The Sidekicks – Runners in the Nerved World
8. Menace Beach – Ratworld
9. Natalie Prass – Natalie Prass
10. Jack Name – Weird Moons
11. Sick Feeling – Suburban Myth
12. Bandit – Of Life
13. Culture Abuse – Spray Paint the Dog
14. The Rentiers – Here Is A List of Things That Exist
15. Kind of Like Spitting + Warren Franklin & the Foundations – It’s Always Nice to See You
16. Creative Adult + Wild Moth – Split
17. Sun Hotel – Rational Expectations
18. Clique/Loose Tooth/Ghost Gun/Mumblr – Split
19. Grand Vapids – Guarantees
20. Gal Pals – Velvet Rut
21. The King Khan & BBQ Show – Bad News Boys
22. Club K – Let M Shake
23. Astral Swans – All My Favorite Singers Are Willie Nelson
24. ylayali – ylayali
25. M.A.G.S. – Cellophane
26. Leapling – Vacant Page
27. Feature Films – Feature Films
28. Walleater – I
29. Will Butler – Policy
30. toyGuitar – In This Mess
31. Bloodbirds – Album 2
32. Pistachio – Tehuantepec
33. Yeesh – No Problem
34. Seagulls – Great Pine
35. Snow Roller/Sioux Falls – Split EP
36. Evans the Death – Expect Delays
37. RA – Scandinivia
38. Lucern Raze – Stockholm One
39. Never Young – Never Young
40. Love Cop – Dark Ones
41. Darlings – Feel Better
42. Romantic States – Romantic States
43. A Place to Bury Strangers – Transfixation
44. Sunflower Bean – Show Me Your Seven Secrets
45. Ghastly Menace – Songs of Ghastly Menace
46. Viet Cong – Viet Cong
47. Anomie – Anomie
48. Reservoir – Cicurina Vol. 1
49. River City Extension – Deliverance
50. Ty Segall Band – Live in San Francisco
51. Six Organs of Admittance – Hexadic
52. Big Dick – Disappointment
53. Treasure Fleet – The Sun Machines
54. Jeff Rosenstock  – We Cool?
55. Husband – The Money
56. Divers – Hello Hello
57. Belle & Sebastian – Girls in Peacetime Want to Dance
58. We Can All Be Sorry – Again
59. Cal Folger Day – Adornament
60. Outside – Outside
61. Fragie Gang – For Esme
62. Moor Hound – Missin’ Out b/w Married
63. Pile – You’re Better Than This
64. Sonny & the Sunsets – Talent Night at the Ashram
65. Platinum Boys – Future Hits
66. Grooms – Comb The Feelings Through Your Hair
67. The Amazing – Picture You
68. Pops Staples – Don’t Lose This
69. Father John Misty – I Love You, Honeybear
70. Jack McKelvie & the Countertopss/Uh-Huh – Split
71. Young Buffalo – Split
72. Lieutenant – If I Kill This Thing We’re All Going To Eat For A Week
73. Sister Palace – Count Yr Blessings
74. Van Dammes – Better Than Sex
75. Sammy Kay – Fourth Street Singers

First Quarter Songs, Pt. 1 (Mixtape)

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We’re a little more than three months into 2015 and the influx of great new material in the year’s first quarter has been astounding. It was a transitional time period for the site, with dozens of authors pitching in personal recollection pieces regarding the previous year. During that time, I also started a full-time position, disallowing a production rate as frequent as the one held throughout the entirety of 2014. However, during these opening months, I haven’t stopped listening, collecting, exploring, and thinking about every new release that I was fortunate enough to find. There are more than 250 songs, 90 full streams,  and 115 music videos to cover, so- while a few will be given full features- it only made sense to bring everything up to speed via long lists of the things worth mentioning. To begin, here are 25 great songs from 2015 that deserve to be heard. Don’t let the fact that there are no accompanying descriptions short-change the value of these songs; this is the first batch of what already looks like the strongest crop of new music we’ve had in years. The track list, and embedded player, is below. Listen to these songs, pay attention to these artists, buy these records, and go to their shows. Don’t make the mistake of letting any of them pass by unnoticed.

1. The Juliana Hatfield Three – Wood
2. Swerverdriver – Autodidact
3. Gal Pals – Here’s to the Gals
4. Chastity Belt – Time to Go Home
5. Beech Creeps – Times Be Short
6. Will Butler – Take My Side
7. Dick Diver – Tearing The Posters Down
8. Shadow Age – A Portrait of A Young Man Dying
9. The Zoltars – Sincere
10. Robot Princess – Action Park
11. Colleen Green – TV
12. Alex G – Sarah
13. Sam Cook-Parrott & Allison Crutchfield – Something About What Happens
14. Chris Weisman – Don’t Be Slow
15. Dorthia Cottrell – Oak Grove
16. Cloud Castle Lake – Glacier
17. Simon Joyner – You Got Under My Skin
18. Eaves – Spin
29. Steady Lean – Atkins
20. Shilpa Ray – Pop Song For Euthanasia
21. Rye Pines – Pessimist
22. Moon Duo – Slow Down Low
23. DOE – Basement
24. Weed – Stay in the Summer
25. LVL UP – Somebody Kill Me Please