Heartbreaking Bravery

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Tag: Vundabar

Radioactivity – Intro/Battered/Slipped Away (Music Video)

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The past handful of days have been keeping 2015’s embarrassment of riches trend alive via outstanding releases in all of this site’s regularly covered categories: single streams, full streams, and music videos. For the sake of brevity, these streams (and the following items) will be listed solely by the artists involved- though all of these links are well worth clicking and reflect strongly on the state of contemporary music.

In the full songs department we received great new items from a handful of artists that included: Reservations, Monogold, Total Makeover, Foals, Hinds, Cowtown, Lithuania, Drinks, Pearl Charles, Connor La Mue, and Museum Mouth. Full stream found strong representation through upcoming releases from Philadelphia Collins, Vundabar, Rat Boy, Ducktails, Feeling Feelings, and Dark Thoughts. Music videos, much like the preceding two categories, had an excessively strong haul with outstanding new clips from Screaming Females, Krill, S, Findlay Brown, Laura Marling, Aaron Taos, Dum Dum Girls, and Kurt Vile. The same feat holds true for today’s featured piece; Radioactivity’s minimal three-track music video that unifies Silent Kill tracks “Intro”, “Battered”, and “Slipped Away” as one visual presentation.

The entire affair, as noted above, is extremely minimal and the premise is incredibly simplistic: Radioactivity plays three songs in a garage warehouse. How its executed is what gives this clip its life; each song brings the cameras progressively closer to the band as they perform before finally drawing in so close that the frame starts incorporating the technicolor exterior tubes to divide the shot in a barebones special effect trick that provides a surprising amount of visual punch. Of course, this being Radioactivity, the songs don’t need a lot of visual finesse to carry through or offer some sort of elevation; they’re already just about perfect. A compact blast teeming with the band’s characteristically snarling energy, this is a video that embraces their no-frills attitude and emphasizes what makes the band truly great.

Watch “Intro/Battered/Slipped Away” below and order the band’s excellent Silent Kill from Dirtnap here. For those of you in the Brooklyn area, you can catch the band at Baby’s All Right on July 30. Tickets for the show can be ordered here.

Big Huge – Late At Nite (Stream)

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Already a few small releases into a promising career, Big Huge have yet to hit a false note. Instead, they seem to gain strength as they go; sharpening their songwriting ability and honing their presentation accordingly. 2014’s Don’t Be Shy EP was among the year’s more joyous (and promising) basement pop excursions but “Late At Nite” finds the band lighting a much stronger fire.

A little over two minutes, “Late At Nite” hits a lot of familiar beats from the powerpop structure to the gruff vocal delivery. All of it’s been done before but it’s rarely been delivered with such venom. Like a lot of the best music that deals with pent-up aggression, it derives part of its narrative from a very frustrating dichotomy. In this case, that dichotomy comes to the forefront by virtue of the inescapable post-party come-down. On the surface, it’s an absolute joy but buried somewhere in the subtext is a very human examination of some of life’s more intriguing moments. Packaged together, it becomes something that approaches the levels of a summer anthem. Right on time.

Listen to “Late At Nite” below and keep an eye on the site for more information about the band’s upcoming self-titled EP. Beneath the embedded player, enjoy 10 more outstanding songs to find release over the past two weeks.

Vundabar – Darla
We Take Fire – Kashyyyk
Bad Bad Hats – Fight Song
Johnny Marr – Exit Connection
Naps – Sandspurs
Baby in Vain – Muscles
Cold Showers – Plantlife
Street Eaters – Paralyzed
Aye Nako – White Noise
Showyousuck – All Pizza Everything

Fakers – $600 (Stream)

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Losing The Henry Clay People was a painful blow. The last two full-lengths the band released were among some of the best in recent memory. On what would prove to be the band’s swan song, 25 For the Rest of Our Lives, they hit a high in the second song: “The Fakers“. Fortunately, for everyone, the spirit of that band lives on through some of the members’ next project, who are- appropriately- named Fakers. The bite’s in tact and the verve comes through in full on the band’s first release, “$600”.

All snarling guitars, sneered vocals, and propulsive rhythm section work, it’s a vicious demonstration of not just the band’s potential but their power. Couplets like “you asked me how it felt/I said it felt like shit” resonate as heavily as anything guitarist/vocalist achieved as The Henry Clay People’s chief lyricist and the music around Siara’s wry observations remains razor sharp. By the time “$600” draws its last breath, one thing’s very clear: this band’s set on surpassing the expectations that greeted their initial announcement. Keep both eyes on their progress and expect to hear a lot more about this project in the future.

Listen to $600 below and keep an eye on this site for more updates on their upcoming Personality Voices 7″ and more. Underneath the embed, enjoy links to 10 other excellent songs to have come out in the past two weeks.


Total Makeover – Different Shapes
The Foetals – Fine
William Alexander – You Can Take It
Tempest – Tidal Wave
Palehound – Molly
Vundabar – Oulala
Sharkmuffin – First Date
Destruction Unit – If Death Ever Slept
Comfy – Poetic
No Win – Heart Knowing Rest

Lady Bones – Botch (Stream)

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Lady Bones have had this site’s attention ever since sending over a copy of their split with Horsehands last year, and while that release presented Lady Bones as a band with enormous potential, it still would have been hard to predict the direction they take for their latest single, “Botch”. Before diving into their bold stylistic revision, there’s quite a bit of material to catch up on that came out this week. Both this post and the ensuing post will have a handful of songs and full streams that will be featured and, as ever, all of them will be worth hearing. For the sake of time, they’ll all be listed with no other context given than that they’re exceptional pieces of art that deserve attention. Full streams: Toner’s self-titled, Needle Exchange’s Is This My Program?, Really Big Pinecone’s Embrace the Boss, Vexx’s Give and Take, The Barbazons’ Avec Plaisir, Nicolas Jaar’s Nymphs II, Diamond Youth’s Nothing Matters, Liza Anne’s Two, and Young Jesus’ Grow/Decompose (which will likely be making a few more appearances on here as time drags on). Songs: Sorority Noise’s “Art School Wannabe“, Expert Alterations’ “Midnight Letters“, Deaf Wish’s “Eyes Closed“, Anna B Savage’s “III“, Bad Meds’ “Hoax Apocalypse“, Vundabar’s “Chop“, and Ratboys’ “Tixis“. Seek all of them out; they’re linked here for a reason. “Botch” is also the featured song for a reason: it’s a monumental step forward for one of today’s more compelling bands.

Eschewing any semblance of sunnier sensibilities to take a plunge into a realm that sees them shoulder to shoulder with Kal Marks and Pile at their darkest, Lady Bones seem to have tapped into something that many bands have attempted (and failed) to capture. Embracing bleak, Gothic-tinged post-punk to an unprecedented degree, Lady Bones sound completely rejuvenated. It takes them less than sixty seconds to establish this sea change before exploding out into an impassioned furor. For three and half minutes the band provides a masterclass in refined dynamics (with an emphasis on tension) and engage in a total rebirth. There’s an unbridled passion that runs deep in “Botch” that seems set to tie over to the band’s upcoming full-length, the provocatively titled Dying. As a standalone single, “Botch” has enough punch to brand the name Lady Bones into the memory of just about anyone who crosses its path- but where the mystery kicks in is how it fits into the larger puzzle. If all of Dying can sustain this level of grim determination and near-feral energy, then Lady Bones may have a bona fide album of the year contender on their hands. With a battering ram of a track like “Botch”, it’s only a matter of time before they start turning some heads.

Listen to “Botch” below and pre-order Dying ahead of its June 3o release date from Midnight Werewolf here.