Heartbreaking Bravery

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Tag: Vaadat Charigim

Mike Krol – Turkey (Album Review, Stream)

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With an incredibly strong Tuesday already transitioning to the rear view, it would have made sense to see a drop in content release but a lot of places seemed intent on following other plans leading to a Wednesday that was just as overflowing with great material. Shit Present unveiled a spiky EP debut of Salinas-brand pop-punk and The School revealed something resembling a low-key indie pop masterpiece in Wasting Away and Wondering. Hurry Up, Spray Paint, Julia Holter, Telekinesis, Moses Sumney, Heaters, Jono McCleery, Weyes Blood, Haybaby, and See Through Dresses all released excellent new songs while exemplary music videos got brought out by the likes of Girls Names, Vaadat Charigim, Shy Kids, Postcards From Jeff, Glen Hansard, Sporting Life, PILL, Wet Nurse, and Low Fat Getting High (whose director this time around, A Year’s Worth of Memories contributor Stephen Tringali, continues to do masterful work with desolate landscapes and imagery rooted in magic surrealism). Merge also surprised everyone with a stream of one of the year’s best records, Mike Krol’s Turkey.

After posting Krol’s ridiculously enjoyable video for “Neighborhood Watch” yesterday, the full album has finally arrived. Since a lot ground was already covered in the “Neighborhood Watch” write-up, I’ll forego some of that reviews focal points (the historical context of his long-standing Sleeping in the Aviary connection and his other past work) to focus on the material at hand. Before I get lost fawning over Sleeping in the Aviary- one of the most crushingly under-recognized bands of recent times- I’ll merely state that their impact can be felt all over Turkey (they’re essentially Krol’s backing band, after all) and Turkey seems to pick up right around where Sleeping in the Aviary’s 2011 swan song, You and Me, Ghost left off in terms of stylistic approach.

Turkey is a different beast than its string of predecessors from either the man at the center of the project or the band he’s continued to incorporate into his project. Nearly every track of the formidable blitz that is Turkey seems wild-eyed and feral, largely eschewing grace in favor of brute force. In more than a few ways it recalls Lost Boy ? at their most ferocious, precariously balancing a delirious mental state with a bevvy of seemingly unchecked aggression. The difference maker here is the brevity, which is wielded like a weapon and utilized to frightening perfection.

Only one song on Turkey eclipses the two and a half minute mark, effectively rendering Turkey a barrage of quick hits. A normal detractor in this case is that in a flurry of blows, some of the shots can lose their power- a pitfall that Turkey overcomes with ease. Likely due to the fact that Krol’s boiled his peculiar model of songwriting down to an art form (Merge did sign him, after all), it’s an extremely impressive achievement nonetheless. With the exception of the gorgeous but ultimately irreverent closing track (“Piano Shit” is as apt as a title as any I’ve seen this year), every song on Turkey could work as a standalone single or cut through a crowded mixtape with ease.

When “This Is The News” was originally unveiled last month, expectations for Turkey skyrocketed but still allowed for a host of variables to diminish the extreme impact of its lead-off single. Looking back and taking into consideration Krol’s enviable long-term consistency and career track, the suggestion that Turkey would be anything other than a powerhouse release seems ridiculous. Now that it’s actually here, though, it’s unlikely that anyone could have fathomed the extent of how high-impact this record would wind up being. While it’s likely still too early to call it a genre masterpiece, the temptation’s already starting to build. Arriving at the precise intersection of basement pop and basement punk, allowing for a host of outlying genre influences (doo-wop and soul play key parts in the band’s atomic chemistry).

Nine songs of pure cathartic release, this easily ranks among the very best of 2015. Played with feeling, fearlessness, and an excessive amount of verve, Turkey is a new career benchmark for one of the sharpest talents to emerge out of the upper Midwest (between this, Tenement’s Predatory Headlights, and a small handful of other notable releases, the region’s composing a powerful run). Already nearly a dozen listens in since receiving new of the stream yesterday, I can personally attest to the fact that it’s addictive, it rewards investment, and retains enough punch to ensure it an unlikely level of longevity. Smart, catchy, and a blinding entry into a genre intersection that isn’t always afforded the luxury of national attention (something Turkey has a decent shot at, thanks to Merge’s involvement), this is a record worth purchasing several times over. Lay it all on the line and dive into this thing headfirst, the fall in will be worth it every time.

Listen to Turkey below and pre-order a copy from Merge ahead of its Friday release here.

Watch This: Vol. 82

[Editor’s Note: This text originally appeared in the preceding volume of Watch This.]

Anyone that’s been keeping an eye on the site knows that it’s been a busy time for both myself and this place. Making the move to Brooklyn has afforded a much greater opportunity for live coverage and that’s something that’s been increasingly evident over the past few posts. There were still be regular coverage on streaming songs, albums, and videos and all of those categories will be caught up in the very near future.

Despite missing last week’s, Watch This isn’t going to go anywhere either. Ostensibly the beating heart of Heartbreaking Bravery, the weekly series devoted to featuring the best live capture releases of the week is one of this site’s defining features. With two weeks worth of releases to reflect on, there’ll be two installments of Watch This to run tonight. Both feature a variety of site favorites (both artists and sources), full sessions, and- as always- extraordinary performances on both sides of the camera. So, as ever, sit back, adjust the volume to your preference, focus up, and Watch This.

1. Vaadat Charigim (KEXP)

In 2013, Vaadat Charigim released a gem of a record in The World Is Well Lost that seemed to get lost in the mix. Whether that was due to the lyrics being sung in a language other than English (Hebrew, in this case) or the promotional campaign missing its mark is anyone’s best guess but what was abundantly clear, even then, was the band’s conviction. They recently released their sophomore effort, Sinking As A Stone, which sharpened a lot of the band’s best qualities. The band took to the KEXP studios and turned in a powerhouse performance that already seems to be creating converts.

2. Screaming Females – Ripe (TCGS)

Screaming Females are climbing up the “most words written about” ladder with a steadfast assurance around here and that’s not a mistake. Time and time again, the band deliver on unexpectedly profound levels. Whether they’re covering Taylor Swift or allowing themselves to be vulnerable enough to serve as central figures for a revealing Lance Bangs documentary. It’s a dynamic that’s guaranteed their position as a perennial Watch This staple and their uninhibited dedication to their craft (along with a very genuine love) manage to continuously seep through their work. Another name of vital importance to Watch This, comedian Chris Gethard, recently secured a deal that took his cable access show to (much) more expansive realms. Here, the two meet for a fiery, costumed performance of “Ripe“, a standout cut from 2015 highlight  Rose Mountain.

3. Strand of Oaks (NPR)

Timothy Showalter is the rare kind of musician who can be equally captivating both unaccompanied and within the context of a full band. HEAL was one of last year’s more unexpectedly brilliant records but it seemed like any time those songs were performed in a live setting, the studio recordings were blown out of the water. NPR’s excellent Tiny Desk Concert series recently had Showalter stop in on his lonesome and they were paid back with a stunning three song performance that should cement Showalter’s status as one of today’s most intrinsically compelling performers. Deeply felt and utterly captivating, this is a songwriting (and solo performance) masterclass.

4. Speedy Ortiz (KEXP)

Nearly every regular source that gets utilized for the curation of Watch This seemed to host Speedy Ortiz over the past month. A few of those videos made it into various installments while a few just barely missed the cut. None of them were anywhere close to as strong as this KEXP-hosted four song knockout. All of the songs in this session are executed with an excess of verve and passion, not in a manner all that dissimilar from the last time they came through the station. Playing nothing but highlights from this year’s outstanding Foil Deer, the session becomes a capsule document of a band in the throes of both artistic reinvention and breakout success.

5. Hop Along (WNYC)

The last artist on this list with a long history of Watch This appearances, Hop Along‘s most definitely the one to have experienced the most momentum in 2015. With the extraordinary Painted Shut (their first effort for Saddle Creek) elevating them from “best-kept secret” status to universal critical adoration, they’ve also managed to considerably expand their fan base. It’s difficult to think of a more deserving band when taking into account the exceptional levels of songwriting and their years spent relentlessly touring small bars and DIY venues. They’re making every possible effort at seizing a moment that’s rightfully theirs and WNYC became the latest channel to capture evidence. In three songs, the band manages to demonstrate every facet that earned them an unprecedented amount of loyalty and support in their early goings while simultaneously establishing what makes them such a cherished act in today’s musical landscape.

Hop Along – Texas Funeral (Stream)

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Over the past year-and-a-half I’m not sure any band at this point has come up in coverage without snagging a headline feature than Hop Along. While they’ve appeared in various Watch This installments and a handful of mixtapes (including the best-of for 2015’s first quarter), they’ve never actually had an individual focus piece. That changes today. First, though, as was earlier relayed, are ten songs to have emerged this April that are absolutely worth hearing. Among them: Grounders’ psych-pop dream “No Ringer“, Saul Williams’ characteristically vicious “Burundi“, Honey Radar’s tantalizingly lo-fi “Per Schooner Agro“, Cyberbully Mom Club’s hazy new demo “Make Time“, and Vomitface’s pummeling post-punk number “Never Make It“. In addition to those five there was Diamond Youth’s powerpop rave-up “In the Clouds“, Wild Yaks’ defiantly triumphant “Paradise“, Estates’ searing “Not Now“, The Holy Circle’s mesmerizing “Basel (About What Was Lost)“, and site favorites Vaadat Charigim‘s typically extraordinary “Hashiamum Shokea“. While all of those deserve a slew of plays, it’s high time to give Hop Along their proper due and “Texas Funeral” provides the perfect opportunity.

After making a memorable impression on the DIY circuit and cultivating a small but extraordinarily passionate following, the band signed to Saddle Creek for the release of their forthcoming record, Painted Shut. The lead-up to the record’s been extremely promising with both songs preceding “Texas Funeral”- “Powerful Man” and “Waitress“- easily ranking among the year’s very best. “Texas Funeral” joins their company with a practiced finesse that even furthers Painted Shut‘s likelihood at being something truly special, even in regards to this year’s already formidable stockpile of musical highs. The band’s last record, 2012’s staggering Get Disowned, showed glimmers of bigger things to come- hinting that the band was capable of producing a classic.

Ever since then, guitarist/vocalist Frances Quinlan and company have been refining their sound and delivering heartfelt sets that have occasionally taken on a monumental feel. It’s a peak that “Texas Funeral” hits again and again, emphasizing both Hop Along’s considerable growth and undeniable talent. Quinlan, in particular, sounds more assured than ever, with her vocals (sometimes sung, frequently nearly-screamed) hitting stratospheric heights. Unpredictable, exhilarating, vibrant, and unapologetically alive “Texas Funeral” makes it sound like Hop Along is in the throes of a victory lap, bringing to mind the feel and aesthetic of another Saddle Creek record on more than a few occasions- Rilo Kiley’s career highlight The Execution Of All Things (one of the best records of last decade). With an exasperated youthfulness on full display and a keen eye for life’s minutiae, Hop Along seem to have tapped into something genuinely thrilling with “Texas Funeral”- and at this point it doesn’t seem like too much of a stretch to expect that the rest of Painted Shut will follow suit.

Listen to “Texas Funeral” below and make sure to pre-order a copy of Painted Shut from Saddle Creek here.

Dilly Dally – Gender Role (Stream)

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One last big overhaul will be contained in this piece and 25 of the best songs from the first quarter of the year will follow. I wish I had time to give all of these songs the words and attention that they deserve but, unfortunately, time has dictated that this is the most effective mode of catching the site up to the present release cycles. All of the songs that were listed in this piece- and in pieces past- are worthy of inclusions to any collections. One of those many songs earns this piece’s headline: Dilly Dally’s electrifying new single, “Gender Role”.

It’s a song that capitalizes on the band’s built-in identity and aesthetic trends, with post-punk gloom reverberating through every single impassioned second. Already fully-formed just a few songs into their career, their warning shot- one that damn near topped our best 7″ Records of 2014 list- set the floor for “Gender Role”. In turn, “Gender Role” goes a long way in proving that the Candy Mountain 7″ was no fluke. Here, the band adds an adrenaline shot of genuine fury to the mix and it pays off to tremendous effect. Vocal wails, a formidable rhythm section, and incendiary guitar work act as a great reminder of Dilly Dally’s inherent strength and limitless potential, making “Gender Role” a fierce example of why Dilly Dally deserves to be on everyone’s radar.

Listen to “Gender Role” below and keep an eye on this site for continuing coverage of the band. Beneath that, enjoy a selection of 75 great songs from the first part of the year.

Buyer’s – Brand Loyalty
T-Rextasy – I Wanna Be A Punk Rocker
Heeney – Brooklyn Pop
Alex Napping – Trembles, Pt. 1
Chris Weisman – Cold Chimney
Los Angeles Police Department – Water and Wine
Robert Pollard – Up and Up and Up
Together PANGEA – I Looked In Too
Ryley Walker – Sweet Satisfaction
Jacco Gardner – Find Yourself
KDH – Beloved Devotion
Fond Han – Sub City Blues
Turn to Crime – Prince of Slackers
EULA – Like No Other
Nadine Shah – Fool
Bohannons – Black Cross, Black Shield
Algiers – But She Was Not Flying
Living Hour – Steady Glazed Eyes
Le Volume Courbe – The House
Slow Turismo – Corners
Antony Hegarty & Yoko Ono – I Love You Earth
Colin Stetson & Sarah Neufeld – The Sun Roars Into View
Jeff Rosenstock – Beers Again Alone
Surfer Blood – Dorian
Arm Candy – Lounge Lizard
ADVAETA – Angelfish
Family Bike – Idiot Boy
HSY – Sally
Never Young – Ur A Front
Fever & the Fret – Sasha in the Morning
Waxahatchee – Fish Eyes (Bottomless Pit)
The Nudes – Zima
Sammy Kay – Saints and Sinners
Vaadat Charigim – Ein Li Makom
Mall Walk – Criminal Code
Krill – Billy Madison Victory Song
JEEN. – NY Island
Holly Miranda – All I Want Is To Be Your Girl
Faith Healer – Canonized
Vetiver – Loose Ends
The Helio Sequence – Stoic Resemblance
So Stressed – Merv King & The Phantoms
Soft Cat – Diana
Kopecky – Quarterback
Bombay Harabee – Dotted Line
Paul De Jong – Auction Block
Fort Lean – Quiet Day
Peach Kelli Pop – Plastic Love
This is the Kit – Silver John
Oddisee – That’s Love
Spring King – They’re Coming After You
Wire – Split Your Ends
Public Access T.V. – Metropolis
Black Baron – Fluorescent Light
Docking – Meat Hook
The Nudes – The Internet
Bent Denim – Caitlin
Kendrick Lamar – King Kunta
Simon Joyner – Nostalgia Blues
Tree Blood – I Want You to Cry
Houndstooth – Borderlands
Van Dale – Speak Yellow
Mute Forest – Infinity Pools
Aquarian Blood – Savage Mind
Shunkan – Our Names
Part Time – Fallin’ 4 U
Tom Levin – Thunder On
MNDR (ft. Killer Mike) – Lock & Load
Kathryn Calder – Song in Cm
The Cribs – An Ivory Hand
House of Wolves – Love
All People – Conversations
Lost Boy ? – About the Future

Speedy Ortiz – The Graduates
Joanna Gruesome – Honestly Do Yr Worst
Dave Segedy – Walk Around

Heartbreaking Bravery: A Retrospective Introduction

When Heartbreaking Bravery started, it was originally intended to be a place where film and music found equal footing. Now, 100 days and 100 posts later, it’s clear that somewhere along the line it established an identity firmly based on the music side of things. There are going to be a few changes made to the site in the upcoming year, one of them will be a section devoted to the discussion of film. New features will start and old features will be kept running. A few of the first updates were made earlier today. In addition to having its own domain, Heartbreaking Bravery now officially has homes on Facebook, Twitter, and Tumblr. Look for extra content, to varying degrees, on all three platforms.

For those just joining in or becoming aware of Heartbreaking Bravery’s existence, there are two things to ease into the familiarization process. One’s a playlist that features the kind of music that’s most regularly featured, which can be found below. Below that, active hyperlinks for the first 99 articles. Happy listening.

There are 25 bands and songs in this playlist. A few have received coverage from Heartbreaking Bravery, another few should have, and a fair few were part of what inspired its very existence. All of these bands mean something to this place and hopefully they’ll mean just as much, if not more, to whoever comes across them.

HB001: Audacity – Hole in the Sky (Music Video)
HB002: Swearin’ – Surfing Strange (Album Review)
HB003: Albert Hammond Jr – Carnal Cruise (Music Video)
HB004: PUP – PUP (Album Review)
HB005: Perfect Pussy – I have lost all desire for feeling (EP Review)
HB006: All Dogs – 7″ (Review)
HB007: Radioactivity – Radioactivity (Album Review)
HB008: A Look at Burger Records and the Longevity of the Cassette Tape
HB009: La Luz Suffer Major Setbacks in Semi-truck Collision
HB010: Midwives – EP (Review)
HB011: Pkew Pkew Pkew (gunshots) – Glory Days (Music Video)
HB012: Midnight Reruns’ Debut LP Streaming on Punknews
HB013: Nobunny at the Frequency – 11/11/13 (Live Review)
HB014: Angel Olsen – Forgiven/Forgotten (Music Video)
HB015: Polvo – Light, Raking (Music Video)
HB016: Split Feet – Fall Demo 2013 (Review)
HB017: Big Eyes – The Sun Still Shines (Music Video)
HB018: INTERVIEW: Meredith Graves (Perfect Pussy)
HB019: Great Thunder – Groovy Kinda Love (Album Review)
HB020: Gap Dream – Shine Your Light (Music Video)
HB021: Arcade Fire – Afterlife (Music Video)
HB022: Vaadat Charigim – Odisea (Music Video)
HB023: On the Up: Acid Fast
HB024: Watch This: Vol. 1
HB025: Va°nna Inget – Inga fra°gor Inga svar (Music Video)
HB026: Benny the Jet Rodriguez – Run. (Music Video)
HB027: Rookie Streams the Beyond Inversion Comp
HB028: On the Up: Meat Wave
HB029: Popstrangers – Rats in the Palm Trees (Music Video)
HB030: Allison Weiss – Wait for Me (Music Video)
HB031: Watch This: Vol. 2
HB032: Beyond Inversion Available at Bandcamp
HB033: Burger Releases MCII on Cassette
HB034: Nick Cave & the Bad Seeds – Higgs Boson Blues (Music Video)
HB035: Vaadat Charigim – Kezef Al Hamayim (Music Video)
HB036: Angel Olsen – Forgiven/Forgotten (Official Music Video)
HB037: Globelamp – Star Dust (EP Review)
HB038: Watch This: Vol. 3
HB039: Saintseneca – Visions (Music Video)
HB040: Sunn O))) & Ulver Preview Collaborative LP
HB041: Burger Streams Velvet Underground Tribute Compilation
HB042: The Thermals Release Online Video Game
HB043: Tokyo Police Club – Argentina (Parts I, II, & III) (Music Video)
HB044: The Dead Weather Unleash Killer New Single
HB045: Majical Cloudz – Savage (Music Video)
HB046: On the Up: Nervosas
HB047: Watch This: Vol. 4
HB048: Burger to Release Night Drives Debut
HB049: AV Club Premieres Acid Fast’s “Tangle”
HB050: Home for the Holidays & A Guide to Surviving (Mixtape)
HB051: Burger Streams Massive Holiday Mix
HB052: Come Back Soon
HB053: Vertical Scratchers – These Plains (Stream)
HB054: Watch This: Vol. 5
HB055: The Flaming Lips’ Christmas on Mars (Film Stream)
HB056: On the Up: Tenement
HB057: Happy Holidays (Video Playlist)
Hb058: Yuck – Somewhere (Music Video)
HB059: The Flaming Lips’ 1983 2nd Cassette Demo (Stream)
HB060: 2013: A Video Review
HB061: Watch This: Vol. 6
HB062: RIP: Benjamin Curtis (Secret Machines, School of Seven Bells)
HB063: Stephen Malkmus & the Jicks – Wig Out at Jagbag’s (Stream)
HB064: 2013: A Photography Review
HB065: The Hussy – EZ/PZ (Stream)
HB066: Fire Retarded – Meat Stairs (Stream)
HB067: Mutts and Buffalo Moon Release Music Videos, Get People Dancing
HB068: Watch This: Vol. 7
HB069: Cass McCombs – Big Wheel (Music Video)
HB070: On the Up: Technicolor Teeth
HB071: 25 Best Demo’s, EP’s, 7″ Singles, and Compilations of 2013
HB072: Mozes & the Firstborn – Skinny Girl (Music Video)
HB073: Protomartyr – Rise, Scum! (Stream)
HB074: Nothing – Guilty of Everything (Trailer)
HB075: Watch This: Vol. 8
HB076: Liars – Mess On A Mission (Stream)
HB077: Big Air – Cemetery With A View (Song Premiere)
HB078: Perfect Pussy – Driver (Stream)
HB079: Tweens – Be Mean (Stream)
HB080: Cloud Nothings Preview New Record in Brooklyn (Stream)
HB081: Golden Animals – Most My Time (Music Video)
HB082: Watch This: Vol. 9
HB083: Eagulls – Possessed (Stream)
HB084: Sneak Peek: Failures’ Union, Neighborhood Brats, Corrections (Streams)
HB085: Perfect Pussy at Schubas Tavern – 1/22/14 (Live Review)
HB086: DTCV – Alpha Waves in a Gelatinous Conductor (Music Video)
HB087: PILE – Special Snowflakes (Stream)
HB088: Watch This: Vol. 10
HB089: Cloud Nothings – I’m Not Part of Me (Stream)
HB090: Adam Widener – Laughter on Your Heels I’ll Follow (Music Video)
HB091: Potty Mouth – Black and Studs (Music Video)
HB092: Lemuria – Oahu, Hawaii (Music Video)
HB093: Screaming Females at Cactus Club – 1/29/14 (Live Review)
HB094: together PANGEA – Offer (Music Vide0)
HB095: The Trucks – Space Famous (Demo Review)
HB096: Watch This: Vol. 11
HB097: Saintseneca – Happy Alone (Music Video)
HB098: Vaadat Charigim – Ein Nehama Ladoachim (Music Video)
HB099: The Sleepwalkers – It’s A Good Day to Watch the World Go By (Stream)

Vaadat Charigim – Ein Nehama Ladoachim (Music Video)

Vaadat Charigim released one of 2013’s best tapes with The World Is Well Lost and since that Burger release, they’ve released stunning videos for “Odisea” and “Kezef Al Hamayim“. Just recently, the Tel Aviv band unveiled another video for The World Is Well Lost‘s sl0w-burning “Ein Nehama Ladoachim”, which may be their most singular visual piece to date. It’s a striking clip, to be sure, that features the band playing the song in an abandoned mall. There’s an emphasis on transcendent Kaminski-indebted cinematography, allowing an eerie tension to permeate the clip. That tension is elevated to another level when paired with the record’s commentary-heavy lyrics.

Many of the songs on The World Is Well Lost deal with wars both personal and political, in one way or another. With that knowledge, an abandoned building suddenly becomes a haunted shelter, a clip of a hovering plane becomes foreshadowing, Hello Kitty transforms from a beloved children’s icon into a cruel reminder, and the very act of music suddenly becomes a personal brand of activism. These elements are things that Vaadat Charigim not only understand but thrive on. It’s those same principles that make their music necessary listening and their videos necessary viewing. When art can function on multiple levels and stand for something as important as a call for peace, kindness, and personal independence- no matter how basic- it’s worth celebrating. Watch “Ein Nehama Ladoachim” below.

Watch This: Vol. 3

Watch This was made a little bit easier this week, thanks to two music videos that also qualified as live performance. Those two videos, Vaadat Charigim’s “Kezef Al Hamayim” and Nick Cave & the Bad Seeds’ “Higgs Boson Blues”, stood out as two of the best videos of the year. They weren’t the only live videos worth seeing this week, though. Razorcake, ever-dependable in its coverage, once again manages to crack this list and there’s another full set to round out the live videos. This week’s band you should already know is a Heartbreaking Bravery favorite and acts as a welcome first. Watch all five videos below.

1. METZ (3voor12 Session)

Anyone that has experienced METZ live knows what’s coming here; absolute frenzy. Earlier this year the band lit up the Krannert Arts Center in in Urbana, Illinois. Their energy during that performance, as a part of the Pygmalion music festival, isn’t a lightning-in-a-bottle type occurrence. Over the years 3voor12 have quietly and consistently posted fascinating sets, whether they be solo acoustic elevator endeavors or the full-throated exhilaration available for viewing below.


2. Nick Cave & the Bad Seeds – Higgs Boson Blues

All that can be said about this has already been said on this site.


3. Nato Coles & the Blue Diamond Band – You Can Count on Me Tonight (Live at VLHS)

Nato Coles is an institution. Every band he’s been in from Modern Machines to Radio Faces to Used Kids to Nato Coles & the Blue Diamond Band has been outstanding. All played up a blue-collar classic rock sensibility. None have stressed it as much as his current act. Razorcake was on hand to film the band play a song on tour at the legendary VLHS venue. “You Can Count on Me Tonight” comes from one of the year’s most overlooked releases, Promises to Deliver, and the band’s not to be missed live.


4. Vaadat Charigim – Kezef Al Hamayim

All that can be said about this video has already been said on this site, pt. 2.


5. Technicolor Teeth – Station Wagon

Here’s some footage courtesy of Heartbreaking Bravery. Consider this the first indication that this site will offer live video content from time to time. Technicolor Teeth have grown a lot since their earliest days. However, “Station Wagon”, the very first song the band ever wrote, remains its finest moment. They’re a band that’s very much on the rise and it’d be surprising if their name didn’t start picking up even more circulation next year. This footage was taken from a semi-secret early show the band played with Shallows and Big Eyes. Enjoy.

Vaadat Charigim – Kezef Al Hamayim (Music Video)

The World Is Well Lost has become a record impossible to shake; its implications run deeper than anticipated. Essentially a commentary on a variety of social issues currently facing Vaadat Charigim’s native Tel Aviv, the meanings behind the songs have faced major obstacles in breaking through a language barrier. However, the music on its own has remained impossibly affecting. Everything on The World Is Well Lost adds up to an incredible cohesive piece of art; the sum sometimes seeming far greater than its parts. That’s not to say those parts are unimpressive, a few of the songs taken as individuals are year-end candidates. One of them, “Kezef Al Hamayim”, now has a music video to accompany it.

“Kezef Al Hamayim” follows “Odisea” and comes about a month in advance of The World Is Well Lost‘s impending vinyl release. Vaadat Charigim sticks with the hazy glow they incorporated into the video for “Odisea”, only this time they turn the cameras on themselves. “Kezef Al Hamayim” is essentially nothing more than the band playing inside of a house but the way it’s lensed adds a sense of deep unease that plays into the song well. There’s little light to be found and the attention’s placed as much on the band as the song, which is a stunner. There are moments scattered across The World Is Well Lost that manage a stunning combination of post-punk, shoegaze, and powerpop. “Kezef Al Hamayim” is certainly one of them.

While the release may not be picking up the attention it deserves, despite the best efforts of both Burger Records and the band themselves, there’s no reason that can’t change. It hopefully will after the record receives a January vinyl release, because this is one of 2013’s best moments. Boundaries and barriers become less important when music operates on the level it does on The World Is Well Lost. The fact that a lot of people haven’t picked up on this band yet makes the record’s title frighteningly apt. Those that have (like FILTER, who premiered the video), won’t cease in their coverage until people have this band in their life. They’re that good.

The World Is Well Lost is available on cassette from Burger and the video for “Kezef Al Hamayim” is below.