Continuing the recent trend of emerging (or, in this case, re-emerging) items that were featured or teased by the writers kind enough to participate in A Year’s Worth of Memories series is Hey Hallways’ first music video, “Anything At All”. Of course, it wasn’t the only music video to surface over the past few days. It was joined by the likes of Titus Andronicus’ typically fiery “Fatal Flaw“, YAWN’s gorgeously lensed “Overflow“, Dan Andriano in the Emergency Room’s surprisingly great lyric clip for “Enemies“, Beach Baby’s intuitive, sensual “No Mind No Money“, Craft Spells’ effects and editing masterclass “Twirl“, and Birdstriking’s urgent, damaged “Monkey Snake“.
In the very first installment of a A Year’s Worth of Memories Radiator Hospital‘s Cynthia Schemmer (who also serves as managing editor for the rightfully-celebrated She Shreds) waxed ecstatic about Hey Hallways’ Absence Makes the Heart Forget, singling out “Anything At All” specifically. It’s easy to see why: the song’s a knockout punch that demonstrates the vast range of Jason Brownstein’s considerable talents (he also plays in both Joyride! and Permanent Ruin). Now, that song has its own music video- a collage of home movie aesthetics that bristles with genuine feeling. That kind of raw honesty is something that’s impossible to duplicate and difficult to convey but it comes across effortlessly in both song and video, providing a brief glimpse at Brownstein’s quiet charisma. Ultimately, “Anything At All” is the exact kind of song (and clip) that has the power to inspire others to start creating their own art and that alone’s worth more than words could ever convey.
Watch “Anything At All” below and pre-order Absence Makes the Heart Forget from Salinashere.
Once again, the candidates for this week’s Watch This– the weekly series that celebrates the best live videos to have emerged in the previous week- came in droves. At this point, it’s getting genuinely difficult to keep tabs on all of them because of the sheer number of videos (and new series) that are being unearthed. To that end, it’s almost more indicative of the featured crop’s formidable strength to list the other titles that were in contention- all of which are more than worth the click. The bands in those videos included: Bellows, Diarrhea Planet (twice), Two Inch Astronaut, Jeff Rosenstock, Mountain Bike, Vomitface, Craft Spells, and Strange Relations. Below, in this 72nd installment, the featured crop’s a little more subdued than usual but starts off with one of the most staggeringly powerful live videos to have run this year. So, as always, lean in, turn the volume up, push any lingering doubt to the side, and Watch This.
1. Hop Along – Waitress (World Cafe)
The most immediately apparent draw to Hop Along has always been Frances Quinlan’s voice. It’s a powerhouse; unforgettable after even the briefest of exposures. It’s also the kindest red herring, something that doesn’t necessarily suggest that a lot of the band’s inherent power is drawn from defiantly embracing vulnerability. For a long while, though a pairing like that shouldn’t have ended in this particular path, the band felt like a carefully-guarded secret. Now, with a universally acclaimed record and a Saddle Creek deal (the label’s strongest move in recent memory), a much larger group of people have taken notice.
Ensuring that their rapid ascension is far from over, the band have perfected their live show (it’s also why they’ve appeared on Watch This multiple times throughout this series’ run) and recently set up camp in World Cafe’s studio to deliver a powerful performance of Painted Shut highlight “Waitress”. Apart from exuding a transcendent gracefulness throughout “Waitress” (easily a song of the year candidate), there’s a moment that occurs at about the 2:20 mark that is the precise kind of breathtaking moment that Watch This was built to celebrate. With nothing but grace notes and limitless passion, this is as good as this series gets. Watch it below.
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2. John Davey – Sugarmask (Cozy Couch Sessions)
Another artist that’s made a handful of Watch This appearances is singer/songwriter John Davey, whose brand of deeply humane folk has always resonated with a casual finesse. Davey recently stopped by to deliver a heartfelt performance of a new song entitled “Sugarmask”, which ranks as yet another stunner in already enviable collection of songs. Poignant and endearing, “Sugarmask” is an arresting song and it’s given about as strong of a showcase imaginable through this clip.
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3. Mikal Cronin (KEXP)
MCIII has proven to be a little more divisive among critics than expected, with one of the most levelheaded assessments coming from Sloan’s Jay Ferguson in a very balanced piece for The Talkhouse. After Cronin’s monumental MCII(my personal Album of the Year pick for 2013), that uncertainty on something as ambitious as MCIII should probably have been expected. It’s telling, though, that there hasn’t been much conflict over Cronin’s skills as a live performer. He’s only grown stronger as the shows played under his own name accumulate and that continuously building confidence is brought to full-bloom in a gorgeous session for KEXP. While the songs may lose some of their grandeur without the sweeping string and brass sections (which were all arranged by Cronin, who plays most of the instruments on MCIII), they gain quite a bit of punch in a more traditional set-up. All in all, the whole thing operates as a decisive reminder that Cronin’s still one of the most gifted pop songwriters working today.
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4. Eskimeaux – Folly (This Has Got To Stop)
Gabrielle Smith’s Eskimeaux project recently released what will undoubtedly stand as one of the year’s most beautiful, unassuming records by the time 2015’s over. That record, O.K., is rooted in subtly intense personal explorations that all carry a hushed quality. “Folly” is one of the record’s most spellbinding moments as it feels like a culmination of Smith’s songwriting aesthetic. In a recent session for This Has To Got Stop, she performed it solo, perched on a chair, eyes cast down or closed, lost in the music. It’s mesmerizing. It’s also worth noting that Smith nearly appeared in this installment twice, once here, and once as a part of Bellows‘ incredible NPR Tiny Desk session (which is also deserving of several watches).
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5. Tom Waits – Take One Last Look (Late Show With David Letterman)
Over the years, David Letterman has championed young, emerging punk bands to a heartening degree while maintaining great relationships with musical icons. One of the most notable partnerships in the latter category was Letterman’s connection with Tom Waits, who honored the departing host with a new song, “One Last Look”. With the pedigrees of both men at an incredibly visible and highly respected level, a move like this had all of the makings of a classic late-night moment and it didn’t disappoint. Waits honored Letterman with the most tender of farewells, accompanied by accordionist Gabriel Donohue and bassist Larry Taylor, Waits delivered the kind of timeless, dusty Americana that made Mule Variations an instant classic. Inherently powerful and extraordinarily moving, “Take One Last Look” is something that deserves to be remembered.
Heartbreaking Bravery 