Heartbreaking Bravery

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Tag: twee

Watch This: Vol. 47

Welcome to the 47th installment of Watch This, the weekly series that celebrates five of the best live videos to emerge from the past seven days. These videos can be pulled from anywhere but need to have one unifying factor; they need to feature great performances. In the last full week of September, things were no different. This week’s entries cover a unique spread that reaches to the furthest corners of the genres that usually get covered on this site. From KEXP sessions to another outstanding take for Little Elephant, this week had quite a bit of material that warranted quite a bit of attention. Mining both the mainstays and the furthest reaches of various resources resulted in an eclectic mix of bands- and live videos- well worth the time. So, sit back, unwind, turn the volume up, lean in, and Watch This.

1. Cymbals Eat Guitars (KEXP)

2014 may not see a record more personal than Cymbals Eat Guitars’ LOSE. Their third full-length was directly informed by the loss of a close friend, something that’s heavily referenced throughout the course of the album. While it’s strange to say a record’s life-affirming in the face of such heavy subject matter, it’s equally difficult to argue against with songs like “Jackson” (easily one of the year’s best songs) and “Warning“. As exhilarating as those songs are on LOSE, they’re given new life in a live setting- with the emotional resonance firmly in tact.

2. Little Big League – Deer Head (Little Elephant)

Over the past week, no band has earned more feature spots that Little Big League. After last week’s Watch This segment, they went ahead and released the stunning “Property Line” in advance of their upcoming record, Tropical Jinx. “Deer Head” is another take from their Little Elephant session and shows the band in fine form, navigating their way through the song’s transitions with no shortage of verve. Put simply, this is just another strong example of why Little Big League are one of today’s most exciting young bands.

3. Free Cake For Every Creature (WKNC)

Skewed outsider pop can be a beautiful thing that brings out the best of the people that lend it any amount of investment. Free Cake For Every Creature have experienced an outpouring of support from people that have the power to bring them a staggering amount of recognition. It’s easy to see why; the band crafts music that’s relatable, endearingly fractured and absurdly catchy. Everyday problems ground the lyrics while a jittery nervousness propels the off-kilter arrangements. Packaged together, it becomes endlessly fascinating and rewards investment with a surprisingly assured ease. Their WKNC session confirms what an increasing number of people already know: this is music worth celebrating.

4. Tycho (KEXP)

Tycho are an anomaly. They defy an easy convention, are defined by their no-wave and post-punk influences as much as they are by their tendencies towards electro and dance-punk. Here, KEXP invites them in for a session and the band quickly finds their way into impenetrable grooves, aided by the backdrop of a projection display of what appears to be random archival footage. While most bands operating in similar territories could easily coast on impressive music ability alone, what makes Tycho stand out is their music’s penchant for being engaging so instantaneously. This is a masterclass in compelling song dynamics, innate ability, and genre defiance.

5. Earth (unARTigNYC)

Nearly everything that can be said about Earth has already been spoken, shouted, whispered, or printed. The doom-y ambient overlords have staked out a reputation as one of the most influential acts in music by virtue of an immensely impressive discography that touches on a variety of increasingly prominent genres. As mesmerizing as ever and more accessible than any point in their career, the trio recently stopped by St. Vitus to deliver a characteristically foreboding set as part of the David Lynch Foundation benefit. As always, t’s a fascinating exercise in tension and restraint, steadily building towards a climactic moment that never seems to come.

Wyatt Blair – Girls! (Stream)

wyatt blair

During the brief hiatus that this site recently took (more will be revealed for the reasons behind that at a later date) there was a lot of incredible music that got put out into the world. Merge offered up a stream of Underlay, the upcoming EP from Twerps, Midwives and Foreign Lawns both hosted streams of their just-released split cassette via their respective bandcamps, The Dirty Nil rounded out the songs on their 7″ with the typically aggressive (and typically excellent) “Guided by Vices“, and a host of other great new songs were made available from the likes of The Lemons, Run The Jewels, S, Tyrannosaurus Dead, CassavetesThe Unicorns, King Tuff, and Only Real.

Once again, though, the release grabbing a feature spot here is one that’s connected to Burger Records, whose winning streak is threatening to surpass its already absurd white-hot peak. Not only does Wyatt Blair’s Banana Cream Dream deserve this spot thanks to the strength of “Girls!”- it also deserves it because it’s another release that’s for a very good cause. Every copy that’s sold of Banana Cream Dream will help raise money for the “My Friends Place” charity, which helps homeless children in Los Angeles secure food and shelter.

Genuinely helpful effects aside, “Girls!” is a song as outrageously fun as Banana Cream Dream‘s artwork (pictured above), taking off at a sprint and exuding a sense of joy that keeps it vital. It’s outsider basement pop at its finest and has the potential to be one of Burger Records’ more definitive songs. Palm-mutes, exuberant melodies, and an unstoppable momentum keep the listeners attention and it plays with vocal samples to great effect. All in all, “Girls!” is a song as good as the cause that this release is endorsing, which means it deserves to be heard thousands of times over.

Listen to “Girls!” below and help out an important charity by picking up a copy of Banana Cream Dream here.