Heartbreaking Bravery

stevenmps2@gmail.com | @steven_mps | @hbreakbravery

Tag: Turnover

A Month’s Worth of Songs Worth Hearing

It’s been a long stretch since the last main update ran on this site. Part of the reason for its absence is a slow relocation from central Wisconsin to Madison and all of the accompanying transitional necessities. Part of it’s due to my own musical obligations (Heartbreaking Bravery remains a one-person operation). All of that said, the work and updates that keep this place afloat have continued in earnest. Below, there are over 200 songs that emerged over the past month (and a few additional weeks) that deserve to be heard. There will be a handful more that are touched on in the near future but for now, bookmark this page and explore the endless amount of reasons why the people who claim there’s no interesting music being made today have no idea what they’re talking about.

Patsy’s Rats, Fake Palms, Queen Moo, Swanning, Baby!, Lomelda, UV-TV, Jack Cooper, Gorgeous, Shannon Lay, Small Reactions (x2), Lina Tullgren, Atlas Wynd, Melina Mae, Jenny O., Terror Watts, Ephrata, Amy OBunny, Apollo Vermouth, Beachtape, Girl Ray, Speedy Ortiz, The Cribs, Cannery Terror, Arrows of Love (x2), Easy Love, Pardoner (x2), Walter Etc., Maneka, The Lovebirds, Birds, Becca Mancari, Holiday Ghosts, together PANGEA, Soft Fangs, Honey, Downtown Boys, The Districts, Club Night.

Monk Parker, Guided By Voices, Big Hush, Deerhoof, The Duke Spirit, Partner, Space Mountain, Surfer Rosie, The Mynabirds, Mini Dresses, Winter, Wieuca, Knifey, A. Savage, Katie Ellen, Guilt Mountain, EMA, Ayo River, Luke Sital-Singh, Black Beach, The Travelling Band, Curtis Harding, Black Belt Eagle Scout, Culture Abuse, Alvvays, The Sighs, Earth Girl Helen Brown, Holy Hum, Hypoluxo, The Fresh & Onlys, Dream Ritual, Guantanamo Baywatch, Brian Dewar, Warbly Jets, Nick Cave & Warren Ellis, Oh Sees.

Annie Hart (x2), Sløtface, Company of Thieves, Lushloss, Las Rosas, Boris, Shelley ShortCRITTÉ, Joey Sweeney & The Neon Grease, Lambchop, Dina Maccabee, Hiss Golden Messenger, Looming, Faith Healer, Jogging House, Filthy Friends, TV Sets, Goat Girl, No Friends, Hairpins, The Warp/The Weft, Body Origami, Broken Social Scene, Shagg, Omni, Ice Balloons (x2), Max Chillen and the Kerbside Collective, Anna Tosh, Carmen Villain, Dabble, Hayden Calnin, Hand Habits, WHIMM, Grizzly Bear, Turnover, Coast Modern.

Sparks, Ian Randall Thornton, Har-Di-Har, Sam Coffey & The Iron Lungs, The Shivers, Broncho, James Riotto, Naomi Punk, Tamino, Fassine, Shabazz Palaces, Jordan Klassen, Wet Dream, Offa Rex, Emily Reo, Kan Wakan, Night Talk, Cina Polada, Bombz, Cold Specks, Juiceboxxx, Pearl Earl, Zola Jesus, Absolutely NotNØMADS, Space Camp, Poppy Ackroyd, Oro Swimming Hour, Flesh WorldLød, Nassau, Living, The Anatomy of Frank, Quiet Hollers, Elle Mary & The Bad Men, Stone Irr, Lil Tits, Crooked Teeth.

King Borneo, Kazyak (x2), Swimming Tapes, Prism Tats (x2), Bloody Your Hands, Tom Hale, Fake Billy and the False Prophets, Electric Eye, Briana Marela, The Tambo Rays, Oly Sherman, Wicca Phase Springs Eternal, Everyone Is Dirty, Gladys Lazer, Fronds, Mappe Of (x2), Lee Bains III & The Glory Fires, Shout Out Louds, Heavenalive, Kabells, Flood Coats, Tempest le Mans, Spirit Award, Babygirl, Kinder, Weatherboy, Pawns, Memnon Sa, Mark Springer, Reese McHenry & Spider Bags, Triptides, Cadet Kelly.

The Weather Station, Will Hoge, A Valley Son, Shy, Low, Dent May, Parent, Jordan B. Wright, Kele OkerekeTed Leo, Blank Range, Tomo Nakayama, The Woggles, Whispertown, The Two Tens, Wild Honey, Sam ValdezSusanne Sundfør, Pill, Peakes, Muskets, THE VAN T’s, Ruby FrayRainer Maria, METZ, Lens Mozer, and Petite League.

Charly Bliss – Ruby (Music Video, Live Video)

Charly Bliss LIV

For well over a year now, this site has been anxiously anticipating — and meticulously tracking — the release of Charly Bliss‘ debut full-length. Easily one of the most heavily featured bands of these pages, the quartet’s finally offered up the first glimpse at what will be a viable Album of the Year contender. Before diving too much further into that piece of pop confection, though, it’s worth noting that for one of the first times all year, Heartbreaking Bravery is back on pace with the breaking release cycle.

To that end, these posts will resume including the most notable releases in individual streams, full streams, and music videos. Today saw the release of great new songs from Toys That Kill, The Velveteins, Sudakistan, Andy C. Jenkins, and Sonny & The Sunsets, while Blessed, Thin Lips, and Angel Du$t unveiled their respective records. Capping things off were a trio of music videos from ultraviolence, Turnover, and, of course, Charly Bliss.

Ever since the release of the band’s exhilarating Soft Serve EP — a very real early contender for EP of the Decade — the band’s been on the cusp of greatness. The band’s full-length debut, whenever it finds release, will go a long way in re-affirming the band’s undeniable talent to those already in the know or convince a whole new host of converts that they’re one of the most exciting bands on the planet. “Ruby”, one of many breathless runs through hard-charging, cleanly-produced basement pop, has now emerged as the record’s lead-off single.

In every instance I’ve been fortunate enough to catch the band running through the song, guitarist/vocalist Eva Hendricks has introduced the song with an almost-giddy “this song’s about my therapist!” Hendricks’ forthright honesty imbues “Ruby”, and the bulk of the band’s work, with a palpable sense of both wonderment and charm. Part of what makes Charly Bliss’ music so intriguing is that any projected innocence is routinely cut through with something much darker, a trait that the Andrew Costa-directed clip underscores beautifully by bringing out the song’s most jolting line (“passed out on the subway with blood in my hair”) and then in the video’s nightmarish finale.

“Ruby” is far from being defined by gloom, most of the clip’s an open-hearted ode to public access television (specifically siting the 1984 Ralph “Whistler” Giese clip from Kelly & Company in the music video’s premiere piece for The AV Club). Every member of the band turns in endearing performances as the clip rapidly scans through a series of entertaining cliches. The editing work throughout is strong, hitting its best moment with a perfectly-timed kick from bassist Dan Shafer, and “Ruby” never devolves into chaos or loses its identity despite the overwhelming amount of material brought into focus.

All in all, “Ruby” creates a solid hook for the band’s upcoming release while effortlessly tapping into the band’s oddball identity. Their humor’s tinged with the slightest hint of pathos, grounded in an unflinching reality that the band’s more acutely aware of then they sometimes let on. It’s an invigorating preview of what could eventually come to be regarded as a genre classic, landing a breathtaking series of grace notes that announce the band is more than ready to officially arrive.

Watch “Ruby” below and keep an eye on this site for an inevitable slew of updates on the band’s forthcoming full-length debut throughout the year. Beneath the official clip, watch a video of the band performing the song last year as part of Father/Daughter’s Northside showcase.

March 2016: The Streams

thrmls

In keeping with the past several recap posts, a lot of material will be listed below. I wish I could have granted each of these individual songs more words than just a generic introductory paragraph extolling their high quality of work but time can be extremely cruel and leave few desirable options. March was an extraordinary month for music, if you knew where to look and could spare the investment. Below is a list of the individual streams that surfaced during the month, each one worth several looks.

Once again, there’s simply too much material to consume in one sitting so this page is best experienced via a bookmark and return explorations. Following this post, the site will be running a premiere or two and then lists of the very best streams and live videos of 2016’s first quarter but until then, taking a trip through the below titles should be a rewarding experience that keeps everyone occupied. You may even find a new favorite band. Happy hunting. 

The Sun Days – Get Him Off Your Mind | Loco Ono – Sunny Day | Kidsmoke – Heartache | Summer Cannibals – Say My Name | Peter Bjorn and John – Breakin’ Point | Diarrhea Planet – Life Pass | A Place To Bury Strangers – Oh No / Cool Sensations / Gong Home | Marisa Anderson – Into the Light | Pinkwash – Longer Now | Polonium – Tuberculosis | Psychic Teens – End | Magic Potion – Milk | Yoni & Geti – Lunchline | Eagulls – Skipping | The Thermals – Thinking of You | Holy Now – Wake Up | Crow’s Feet – Surge // Swell

Fews – 100 Goosebumps | ShitKid – 666 | Museum Mouth – Incubus Tattoo | Haybaby – Joke/Rope | Jay Arner – Crystal Ball | Mo Kenney – Mountains to the Mess | Oberhofer – Alone Man | Hockey Dad – So Tired | Pacific Heights (ft. Louis Baker) – Buried by the Burden | Moonface and Siinai – Risto’s Riff | Patrick LaBahn – Equanimity | Scott Yoder – Looking Back In Blue | The Coathangers – Squeeki TikiSofia Härdig – Streets | The Person & The People – Hot Summer Nights | Megafauna – Desire | ANGEL DU$T – UPSIDE DOWN

Lattice Moore – Superused | Pinkwash – Burning Too | New Madrid – Darker Parts | Big Deal – Say Yes | Mrs. Magician – No Action | Small Circle – Please Don’t Touch the Moon | Greater Pyrenees – Homemade Blood | Blondfire – Domino | Former Belle – Honey Bee | Parker Millsap – The Very Last Day | Puce Mary – Night Is A Trap II | Turnover – Change Irreversible | Lontalius – I Was More Than | Iska Dhaaf – Invisible CitiesOdonis Odonis – Needs | Beach Skulls – Dreamin’ Blue | Peder (ft. Oh Land) – Still Life | MOURN – Storyteller

Eliza Shaddad – Always | Follin – Memories | Ghost King – Bones 1 & 2 | Steady Holiday – Open Water | Trace – Honey | Guided By Voices – My Zodiac Companion | Former Belle – I Woke Up In Chicago | Gabriel Bruce – Metal Soul | Margo Price – Hands of Time | Krano – Mi E Ti | Head Wound City – Born to Burn | Grayling – Empath | Tuff Slang – Nothing All the Time | Morly – PluckySelf Defense Family – Baby Mother Home | Jack Frederick – In My Dreams | John Doe (ft. Debbie Harry) – Go Baby Go | Modern Baseball – Everyday

Chris Cohen – In A Fable | John Dillon – Holy Fool | Ben Millburn – Hold Up | Amanda Palmer – Machete | James Bishop – Another Day | Lisa Prank – Starting Again | Foals – Rain | Arthur Moor – Wind Up | Hayes Carll – The Magic Kid | Russian Baths – Ambulance | Colleen Green – Between the Lines | P.O.S. – sleepdrone/superposition | Colin Stetson – SORROW III (Extract II)Idle Bloom – Good Hope (Demo) | Snow Roller – Cycling | case/lang/veirs – Best Kept Secret | Ashley Shadow – Tired | Beverly – Contact | Dowsing – Dissolve

Yeasayer – Gerson’s Whistle | OCCY – No Way | Iska Dhaaf – Lost | ANGEL DU$T – STAY | Darla and the Blonde – Vampyr | BOYFRNDZ – Hiatus | Summer Heart – The Forbidden | Phosphene – Wild Decay | Mt. Wolf – St. Michael | Seratones – Chandelier | Martha’s View – Baby In Vain | Dowsing – Kept Me Around | Victoria+Jean – Takes You Like A Rose | Dal Niente & Deerhoof – meltDown Upshot: 6. Cherubim (Marcos Balter) | Miserable – Violet

Joanna Gruesome – Peanut Butter (Album Review, Stream)

jogru

Joanna Gruesome‘s a name that’s been appearing on this site consistently throughout its duration and Peanut Butter‘s ensured that trend’s been one that continued throughout 2015’s first stretch. Weird Sister was one of the best records of 2013 and it came out just before Heartbreaking Bravery started operating, which meant they likely factored into the decision to create (and sustain) this space. In 2014, their Astonishing Adventures split with Perfect Pussy nearly topped our best splits of 2014 list (where Peanut Butter standout “Psykcick Espionage” made its debut) and they’ve earned themselves several standalone features through their music videos as well as their recorded output. In short, the band had a lot to live up to with Peanut Butter and they answered those expectations with a deafening roar.

Embracing the dynamics that made them such a compelling act out of the gate, they’ve managed to refine their approach and incorporate a much heavier emphasis on dissonance. Peanut Butter is Joanna Gruesome’s heaviest, noisiest, and most accomplished work to date, extending a narrative arc of continuous improvement. For a band that already packed a punch, throwing in stabbing noise freakouts that punctuate a large number of Peanut Butter‘s tracks might seem unnecessarily excessive. What sets Joanna Gruesome apart from some of their like-minded kin when it comes to this department is their unwavering understanding of restraint. “I Wanna Relax” starts with sheer white noise- but it’s cut off at the head almost as soon as it appears, effectively rendering it a jarring warning of the content that lies ahead.

Joanna Gruesome didn’t set out to pull punches on Peanut Butter and much of the record comes off like an assault. Impressively, even with the strengthened bent on atonality, the band hasn’t sacrificed any of their melody- they’ve enhanced it. “Last Year”, the record’s opening track, is one of the best examples of this duality and sets the tone for the nine tracks that follow. Never dipping under mid-tempo, the band keeps things at a sprint throughout the record, never allowing the listener a reprieve. The closest they come is the band’s surprisingly gentle closer, “Hey! I Wanna Be Yr Best Friend”, which feels like the transcendental calm that descends after a violent storm.

Part of what makes Joanna Gruesome’s storm so electric is the way vocalist Alanna McCardle weaves her ideologies into her narratives, subtly drawing the line to gender expectations through tales of difficult relationships and personal angst. Throughout Peanut Butter McCardle grapples with what and what isn’t good, torturing herself by questioning her own motivations. At times, the self-examination is brutal but it’s softened by the band’s pop sensibilities, which are continuing to produce some of the most gorgeous moments of any band currently making music. Terrifying, exhilarating, and unfailingly brilliant, Peanut Butter isn’t just Joanna Gruesome’s current crown jewel, it’s also one of the brightest spots of a year that’s already overflowing with greatness. To further illustrate that last point, a list of titles worth hearing will be included at the very bottom of this page (which also acts as an addendum to the preceding post).

Before you scan through those titles, though, make sure to listen to Peanut Butter over at NPR’s First Listen (the Spotify embed will take the place of that link once the record goes live).

Pre-order Peanut Butter from the always-great Slumberland here.

Now, as promised, an accompanying list of some other previously unlisted 2015 titles that are more than worth your attention.

Johanna Warren – nūmūn
Pfarmers – Gunnera
Sick Sad World – Fear and Lies
Glockabelle – Wolf BBQ
Fraternal Twin – Skin Gets Hot
Coliseum – Anxiety’s Kiss
DTCV – Uptime!
Clean Girls – Despite You
Turnover – Peripheral Vision
Battle Ave – Year of Nod
Tres Padres – Father’s Day / A Lot to Maintain
Vomitface – Another Bad Year
Eskimeaux – O.K.
Crocodiles – Boys
Novella – Land
Blanck Mess – Dumb Flesh
Miss June – Matriarchy
Art Is Hard – Family Portrait Pt. II

Pleistocene – Liberteen (Stream)

plstcn

There are few things more exciting to me than coming across a band worth getting excited about- and the latest addition to that list is Pleistocene, whose “Liberteen” is nothing short of a sugar high. Before getting around to that, though, just like the posts leading up to this one, there will be ten songs that get mentioned based on their strength. 2015 has supplied no shortage of outstanding music in its first four months and these have all surfaces in the past few weeks. Included in those ranks were Glockabelle’s typically insane “Wolf BBQ“, FFS’ dancefloor-ready “Johnny Delusional“, Rose Windows’ winningly complex “Strip Mall Babylon“, and a new solo song from one of the most brilliant songwriters I’ve ever encountered, Colin Bares (of The Coral Riffs, Good Grief, and The Cost of Living), entitled “Infinite Celebrity“. Additionally, there was Western Plaza’s carefree basement pop tune “Thrift Store Girl“, Turnover’s light, charming “Humming“, and Prurient’s terrifyingly brilliant “Greenpoint“. Piling things on were Blur’s freshly rejuvenated “My Terracotta Heart“, O-Face’s sunny indie pop number “Yolanda“, and site favorite Courtney Barnett’s beautiful cover of John Cale’s “Close Watch“. While each and every single one of those is a title worth purchasing, it’s Pleistocene‘s “Liberteen” that earned this post’s feature.

Pleistocene have been a band for a while and have somehow evaded my detection in their time of existence. I’m already attempting to make up for lost time but, even more than that, looking forward to what the band’s got lined up for the future. “Liberteen” is the first glimpse of the band’s forthcoming Space Trap EP (due out via Cherish Records) and it lands every blow it throws. A series of sweet grace notes, it’s another song that deftly combines some subtle twee elements with powerpop and fuzzed-out punk. In short, it’s just about perfect. Melodic beyond reason and effortlessly light without ever seeming disposable, “Liberteen” is the perfect soundtrack for this spring and that distinction will likely extend to summer. Insistent, beautiful, and immensely likable, Pleistocene have thrown their stake into a niche area that’s directly in line with what this site loves to cover. If the rest of Space Trap follows suit, it may just become one of the year’s more memorable releases.

Listen to “Liberteen” below and keep an eye on this site for more coverage of both Space Trap and Pleistocene.

Meat Wave – Sham King (Music Video)

meatwave

Now that the site’s all caught up on songs, it only seemed natural to overhaul the music videos as well. Here, the formatting will be slightly different than it has in the past for this format, with 35 excellent clips being linked beneath the main feature, Meat Wave’s slasher-indebted short that accompanies the bruising “Sham King” off their tremendous EP from this year, Brother. Before going any further, it’s worth noting that Meat Wave is one of the few bands that will always have a special place carved out in reference to this site, having played the first-ever Heartbreaking Bravery Presents to help this place celebrate its first anniversary (several months after they were featured as part of the site’s On the Up series). Their self-titled record is still one of the best things to have come out of this decade, so any time the band does anything of note, it’s probably a safe bet it’ll secure a feature spot here. Which leads us back to the focus of this piece: “Sham King”.

In the Andrew Robert Morrison-directed clip for “Sham King”, a lot of things are at stake. Most notably, the bands lives. A grim reaper figure, complete with a scythe atop a bicycle, mercilessly stalks the power trio through dead, snow-capped streets. During the opening chase, Morrison (who also edited the video) injects the clip with a serious sense of dissonance with furiously paced loop-back smash cuts, lending the affair an added sense of disquiet. Before long, death zeroes in on guitarist/vocalist Chris Sutter, who leads the masked figure on a chase through an abandoned warehouse. Vantage points switch and become a narrative function as the viewer’s occasionally allowed to take on the first-person viewpoint from behind the killer’s mask, effectively rocketing up the video’s sense of tension. When one side emerges victorious, a solo is mimed in front of a towering wall of various amps before giving way to the video’s final shot- which ranks among one of my favorite images from the year.

Watch the madness of “Sham King” unfold below and pick up the Brother EP here. Beneath the clip, watch 35 other great videos from the past few weeks. Expect regular coverage to resume throughout this new week and going into the future.

Day Creeper – Luxury Condominium
Ryan O’Reilly – Northern Lights
Little Death Machine – Pale
Hallelujah the Hills – Destroy This Poem
Algiers – Irony. Utility. Pretext
Dan Deacon – When I Was Done Dying
The Go! Team – What D’you Say?
King Tuff – Madness
Modest Mouse – Lampshades of Fire
Chastity Belt – Cool Slut
The Bandicoots – Mind Your Manors
Stella – Last Minute Boy
Hey Elbow – Ruth
Coliseum – Sunlight In A Snowstorm
Ceremony – The Separation + The Understanding
Built to Spill – Living Zoo
Pile – Rock And Roll Forever With The Customer In Mind
Albert DeMuth – Finally Found A Job
Gymshorts – Hey Parents
Oscar – Daffodil Days
Modern Vices – Smoke Rings
The Great Albatross – Righteous Man
Turnover – New Scream
Oh Land – Half Here (Live One Take)
KEN Mode – Blessed
A Place To Bury Strangers – What We Don’t See
The Smashing Pumpkins – Drum + Fife
Pinact – Anxiety
Laura Marling – Gurdjieff’s Daughter
Inheaven – Regeneration
Hot Chip – Need You Now
Great Cynics – Lost In You
Le Volume Courbe (ft. Kevin Shields) – The House
Algiers – Blood
Courtney Barnett – Depreston